A GREAT CHURCH AND TWO VERY NOBLE TRAGEDIES
There can be no question that the interest of Naples deepens as one
goes through the ancient quarter in the direction of the east. In
modern times the centre of the city is on the western side, but of old
it was not so. Castel Nuovo stood outside the city among groves and
gardens. The further one goes back in history, the more frequently the
court is found at Castel Capuano, which fronts the bottom of this most
picturesque of streets by which we have come almost the whole distance
from the Via Roma.
In an irregular space, shapeless and crowded with stalls and booths,
stands the ancient fortress, long since rebuilt and handed over to the
law. The very name of the street in whose narrow entrance we still
stand recalls the tribunals. They were all brought together in this
castle by Don Pietro di Toledo, that active viceroy who stamped his
memory on so many parts of Naples. But there was a place of judgment
on this ground long before his day; and the thing is worth mention.
Opposite the gate of the castle, and within a stone's-throw of the
spot on which we have halted, stood in former days a pillar of white
marble on a squared base of stone. It marked the ground on which
debtors were compelled to declare their absolute insolvency. The
wretched men were stripped stark naked in proof of their inability to
pay, and stood there exposed to the insults of their creditors. This
custom, which existed in many Italian towns, was doubtless of great
antiquity. The pillar was taken down in 1856, and is now in the museum
of San Martino. The people called it "La Colonna della Vicaria."
Similarly the Castel Capuano is spoken of as "La Vicaria," a name
which gained a frightful notoriety in the days of the last Bourbon
kings, by reason of the barbarity of the treatment shown to political
prisoners confined there, and the infamous condition of the dens in
which innocent and cultured gentlemen were shut up.
So many streets radiate from the Largo della Vicaria that numberless
streams of passengers unite and separate there, while all day long a
market goes on beneath the walls of the Place of Lamentations whose
secrets Mr. Gladstone laid bare before the eyes of Europe. Nothing
rich or rare or curious is sold. Old keys, rusty padlocks, shapeless
lumps of battered iron, cheap hats and tawdry bedsteads, with the
inevitable apparatus of the lemonade seller, brown jars, golden fruit,
and dark green leaves, all dripping in the shade--such are the wares
set out to attract the seething crowd which saunters to and fro. If
the truth must be confessed the crowd looks villainous. The
Neapolitans of the lower classes have not as a rule engaging faces.
They are keen and often humorous, intensely eager and alive, eyes and
lips responsive to the quickest flashes of emotion. But candid or
inviting trust they are not; and as many scowls as smiles are to be
seen on the faces of old or young alike. They have their virtues, it
is true. They have boundless family affection. When misfortune
strikes their friends, they are helpful even to self-sacrifice. They
respect the old profoundly, and serve or tend them willingly. They are
industrious and very patient in their poverty, devout towards the
Church, especially to the Madonna, who from time to time writes them a
letter, which sells in the streets faster even than the "pizza." There
is perhaps in these and other qualities the foundation of a character
which may some day place Naples high among the cities of the world;
but before that day dawns, many things will have to be both learnt and
unlearnt. In this region of the Porta Capuana one sees the people in
what Charles Lamb would have called its quiddity. There are low
taverns in the house-fronts, haunts of the Camorra and the vilest of
the poor. Each has its few chairs set out upon the pavement, and its
large shady room inside, with great casks standing in the background.
Here and there a barber hovers in his doorway, chatting with a
neighbour. At morn and even the tinkling bell announces the coming of
the goats, and children hurry out with tumblers to the wayside where
the bleating herd is stopped and milked as custom goes, while all day
long the steps of Santa Catarina a Formello are crowded with dirty
women sitting in the shade. High against the church towers the great
archway of the Porta Capuana, a fit gateway for the approach of kings.
What pageants it has seen! The great Emperor Charles the Fifth rode in
beneath it on his return from the Tunis expedition, by which he drove
out the corsair Barbarossa from the kingdom he had seized, freed no
less than twenty thousand slaves, and dealt the pirates one of the few
heavy blows ever levelled at their force by Europe until Lord Exmouth
three hundred years later smoked out the hornets' nest at Algiers.
The Castel Capuano did not stand directly on the street in those days
when it was the home of kings. It had its gardens, which must almost
have touched those of another royal palace, the Duchescha, of which
all traces have been swallowed up by the growth of squalor which has
claimed this region for its own. The gardens of the Duchescha were
large and beautiful. It was the pleasure-house of Alfonso of Aragon,
while yet he was Duke of Calabria, heir to the throne from which he
fled in terror so short a time after he ascended it.
It was no mere archaeological musing which brought this blood-stained
tyrant back to my memory, but rather the trivial inconvenience of
being trundled roughly towards the gutter by a half-grown lad who was
hurrying along the causeway with a bundle of pamphlets, one of which,
thrust into a cleft stick, he was brandishing high in the air with an
alluring placard announcing that it was to be had by anybody for the
price of one soldo. I pursued the boy, caught him under the Porta
Capuana, and bought his pamphlet. The miscellaneous literature of the
Neapolitan streets is not as a rule of a kind that makes for
righteousness, but my ear had caught the sound of the word "martiri,"
and I had been half expecting some sign of public interest in martyrs
on this spot.
The pamphlet gave a fairly accurate account of the massacre of
Christians by the Turks who landed at Otranto in the heel of Italy in
the year 1480. So old a tale has of course much interest for educated
people still; but what, one asks in wonder, makes it worth while to
hawk the story round the squalid streets surrounding the Vicaria,
where it evidently commands a sale as brisk as if it were "Vendetta di
Tigre" or any other highly peppered work about the social vices of the
rich.
The matter will become a little clearer if we push past the half-clad
women who sit suckling babes on the steps of Santa Caterina a
Formello, and go into that uninteresting church. At the altar rails a
priest is preaching vehemently to a languid congregation, while in the
empty nave four fat laughing children are toddling round the benches,
playing games and calling to each other merrily. There are gaudy
paintings and high silk curtains; but the only object that excites my
interest is a printed card hung on the closed railings of the second
chapel on the left of the nave, which appeals for "Elemosina pel culto
dei bb, martiri di Otranto, dei quali 240 corpi si venerano sotto
questo altare."
Alms for the worship of the blessed martyrs of Otranto! So some of
those twelve thousand who were put to the sword by the Turks in cold
blood on a hillside near the city have been brought to this small
church in Naples. But why? The answer doubtless is that the Duke of
Calabria, who led the mingled hosts of Naples and of Europe against
the Turks, brought back these bones as a religious trophy, and placed
them in Santa Caterina because it lay near to his own palace. He may
have been the more eager about the pious trophy since he brought no
military ones. It was the death of the Turkish Sultan, not the sword
of Alfonso, which drove the warriors of the Crescent out of Italy.
It is thus clear why the boy was hawking his pamphlets outside Santa
Caterina. But what gains a ready sale for them? Well, partly the
strong clerical feeling among the lower orders of the Neapolitans, and
partly the skill with which the priests play upon this feeling for
political ends.
I open the pamphlet, and in its second paragraph I find these words:--
"By this story we shall show that the Catholics are the real friends
of the country, that the true martyrs are not found outside the
Church, that Catholicism is the true glory of Italy, and that the
great days worthy to be commemorated are not those of Milan, nor those
of Brescia in 1848, nor those of Turin in 1864, but the days of
Otranto in August, 1480. May the tribute which we pay to-day to our
true martyrs atone for the frequent sacrilege of giving that name to
felons--"
No words could prove more clearly by what untraversable distance the
Church of Rome is parted from all sympathy with the unity of Italy.
That is why I have told this incident at length. I venture to say that
in the length and breadth of Britain, where, if bravery is loved,
right and justice are loved too, and felons are not exalted, there is
scarce one man who can read the tale of the five days of Milan without
feeling that there is one of the bright spots in the history of all
mankind, one of those rare occasions when what is noblest leapt to the
front, and a ray of true hope and sunshine fell on Italy. But in the
eyes of the priests this light and glory were mere crime and darkness.
Those who fought the Austrians were criminals. It is a hopeless
difference of view, hopeless equally if sincere, and if not. I went on
a little sick at heart, as any lover of Italy may well be when he
contemplates the enmity of State and Church, and that Church the
Papacy.
If I were not so eager to reach the Carmine, I should certainly
retrace my steps a little and go up the Strada Carbonara to the Church
of San Giovanni Carbonara, which contains much that is interesting,
and leads one straight to the tragic days of Queen Giovanna. But that
age of lust and murder, that perplexed period of woe and strife, does
not allure me when I have the Carmine almost in sight; and I turn
away past the railway station, and down the Corso Garibaldi till I
come to the round towers of the Porta Nolana, the only one of the old
city gates which still serves its ancient purpose and recalls the days
of fortification. Its twin towers are named "Faith" and "Hope," "Cara
Fe" and "Speranza," and when one passes in betwixt those virtues one
plunges into a throng which is as animated as the Strada Tribunali,
and considerably dirtier. The life of the people in this Vico
Sopramuro is elemental. It has but few conventions and disdains
restraints. A tattered shirt, gaping to the waist, admits the free
play of air round the bodies of boys and girls alike; the breeches or
the gown which complete the costume recall the aspect of a stormy
night sky when the rent clouds are scattered by the wind and the stars
peep through. It is as well not to loiter among this engaging people.
"The Neapolitans," said Von Raeumer airily, "were invented before the
fuss about the seven deadly sins." I have no wish to make a fuss about
those or any other sins so long as they are practised upon other
people, and I feel completely charitable to the human anthill when I
emerge safe and sound in the wide square of the Mercato.
In this wide market-place, this bare spot of open ground which to-day
lies cumbered with iron bedsteads, and piled with empty cases, the
debris of last market day, the bitterest tragedy of Naples was played
out, and a scene enacted of which the infamy rang through all the
world. There is no spot in the whole city less beautiful or more
interesting than the Mercato; and in the hot afternoon, while the
churches are closed, and half the city sits drowsy in the shady spots,
I know no better way of passing time than in recalling some of the
poignant memories which haunt this place of blood and tears.
In an earlier chapter of this book, when I gave a rapid sketch of the
succession of Hohenstaufen, Anjou, and Aragon to the throne of the Two
Sicilies, I passed on without pausing on the story of the boy-king
Corradino, little Conrad, as the Italians have always called him. It
is time now to tell the tale, for it was on this spot that the lad was
murdered.
I need not go back on what I have already said so far as to repeat how
Charles of Anjou defeated Manfred and slew him outside the walls of
Benevento, nor how utterly the party of the Ghibellines, the Emperor's
men, were cast down throughout Italy by that great triumph of the
Guelf. When Manfred fell and his wife, Queen Helena, passed with her
children into lifelong captivity, the House of Hohenstaufen was not
extinct. There remained in Germany the true heir of Naples, a king
with a better title than Manfred had possessed, Corradino, a boy of
five, who grew up in the keeping of his mother, Elizabeth of Bavaria;
and as year after year went by found his pride and fancy stimulated by
many a tale of the rich heritage beyond the mountains which was his by
every right, but was reft from him by an usurper, and lay groaning
under the rule of an alien and an oppressor. Tales such as these must
have had for the child all the fascination of a fairy story; but as
his years increased, and he came to the comprehension of what wrong
and injury meant, they touched him far more nearly, and all the
courage of his high race, all the spirit which he derived from the
blood of emperors and kings, urged him on to strike one stout blow at
least for the recovery of that land which was his father's, that sunny
kingdom where the blue sea kissed the very feet of the orange groves,
and marble palaces gleamed out of the shade of gardens such as the
boy had never seen except in dreams.
His mother did her best to scatter these dreams, and bring him back to
the plain prose of life. Italy, she said, had always sucked the blood
and strength of the Hohenstaufen, and if she could, she would stop the
drain ere it robbed her of her only child. But the task was too great
for her. Not from Naples only, which was really full of nobles ready
to revolt against the tyrant of Anjou and return to their old
allegiance, but from a dozen other cities in northern Italy, where the
Ghibellines waited for the coming of a leader, the growth of Conradin
to manhood was watched impatiently; and when he was turned fifteen,
strong, handsome, and kingly in every act, the hopes of his partisans
could be restrained no longer. Pisa sent her embassies to bid him
hasten. Verona, ancient home of the Ghibellines, assured him of
support. Siena, Pavia, implored him to come and free his people. The
task they said was easy, and the glory great. More than that, it was a
righteous duty to resume what was his own. Many a burning tale of
wrong committed by the French was poured into the lad's ears; and the
end was that little Conrad broke away from his mother's prayers and
tears, and crossed the Alps in the autumn of the year 1267 at the head
of 10,000 men, being then fifteen, and by the universal consent of all
who saw him both handsome in his person and by his breeding worthy to
be the son of many kings.
At first all went well with him. At Verona he was received with the
honours of a conqueror. The mere news that his standard had been seen
coming down from the high Alpine valleys drew the exiles of Ferrara,
Bergamo, Brescia, and many another city in crowds to welcome him.
Padua and Vicenza sent him greeting; and in January he moved on to
Pisa, where the same joy awaited him. The Pisan fleet was of high
power in those days, and it was sent at once to ravage the coasts of
Apulia and Sicily, where it inflicted a sound drubbing on the French.
Near Florence, too, Conradin's army gained a victory, and when he
moved on to Rome, where Henry of Castile, who ruled the city in the
absence of the Pope, had joined his party, the hopes of every
Ghibelline in Italy were high and proud, while Charles of Anjou was
seriously anxious for his throne.
It was on the 18th of August of the year 1268 that Conradin left Rome.
Charles expected him by the ordinary route of travellers which lies
through Ceperano, San Germano, and Capua. That route was studded with
fortresses and was easy to defend--for which sufficient reason
Conradin did not take it. His aim was not to make for Naples by the
shortest way, but rather to get through the mountains, if he could
without a battle, and to raise Apulia, where he was certain of
support, not only from the Saracens of Lucera, but from many other
quarters also. So he struck off from Tivoli towards the high valleys
of the Abruzzi, through which he found a way not only unguarded, but
cool, well watered and fresh, considerations of vast moment to the
leader of an army through southern Italy in August. It was the line of
the ancient Roman road, the "Via Valeria," and he followed it until on
the 22nd of August as his troops came down from the hills of Alba,
debouching on the plain of Tagliacozzo, some five miles in front, they
saw the lances of Anjou gleaming on the heights of Antrosciano, drawn
up in a position which was too strong for attack.
Conradin's army lay across the road to Tagliacozzo, offering battle to
the king, who looked down upon the host of the invaders, and liked
not what he saw. He had pressed on from Aquila, and was uneasy about
the loyalty of that stronghold in his rear. Night fell; but before
dusk hid the long line of foes upon the plain, Charles had seen an
embassy ride into their ranks, and men said it came from Aquila,
offering the town to Conradin. This was what Charles chiefly feared.
He would trust no man but himself to learn the truth; and spurring his
horse across plain and mountain through the night, he rode back
headlong till he drew rein beneath the walls of Aquila, and shouted to
the warder on the walls, "For what king are you?" Sharp and quick the
answer came, "For King Charles"; and the King, reassured, rode back
wearily towards his camp sleeping round the fires on the mountains.
He slept long that night, notwithstanding the hazard which lay upon
the cast of battle; and when at length he woke, the host of the
invaders was already marshalled along the bank of the River Salto,
which formed their front. Charles scanned their line, and his heart
sank, so great was their multitude. In something like despair he
turned for counsel to a famous warrior who had but just landed from
Palestine, where he had won world-wide renown, Alard de St. Valery.
The wary Frenchman did not question that the chances of the coming
fight were against Anjou. "If you conquer," he said, "it must be by
cunning rather than by strength." Charles allowed him to make those
dispositions which he pleased; and thereupon St. Valery placed a
strong force of lances, with the King himself at their head, in a
hollow of the hills, where they could not be seen. Then he hurled
against Conradin two successive attacks, both of which were repulsed
with heavy loss. Charles wept with rage to see his knights so broken,
and strove to break out to rescue them, but St. Valery held him back,
and Conradin, seeing no more enemies, thought the battle won. His men
unhelmed themselves. Some went to bathe in the cool river. Others,
after the fashion of the day, plundered the fallen knights. One large
body under Henry of Castile had pursued the fleeing French far over
plain and mountain. All this St. Valery lay watching in dead silence
from his hiding in the hollow of the hills.
At last the moment came, and the serried ranks of the fresh warriors
rode down upon their unarmed and unsuspecting enemies. No time was
given to arm or form up the troops. Some perished in the water. Others
died struggling bravely against the shock of that horrible surprise.
The trap was perfect. All either died or fled; and in one brief hour
Conradin, who had thought himself the conqueror of his father's
throne, was fleeing for his life across the hills, a fugitive devoid
of hope. Never, surely, was there so sudden or terrible a change of
fortune.
With Conradin fled Frederick of Baden, his close friend, not long
before his playmate; and these two princely lads were accompanied by a
few faithful followers, the last remnant of what so short a time
before was a noble army. All that night they sped across the mountains
in the direction of the coast, where they hoped to find some craft
which would carry them to Pisa, a safe haven for them all. They struck
the sea near Astura in the Pontine marshes. On the shore they found a
little fishing boat; and having sought out the men who owned it, they
offered large reward for the voyage up the coast. The fellows demurred
that they must have provisions for the trip; and Conradin, taking a
ring from his finger, gave it to one of them and told him to buy
bread at the nearest place he could. It was a fatal imprudence. The
sailor pledged the ring at a tavern in exchange for bread. The host
saw the value of the jewel, and took it instantly to the lord of the
castle near at hand.
Now this noble was of the Frangipani family, on which honours had been
heaped by the grandfather of the boy-king, thus cast up a fugitive and
in peril of his life in his domain. The only gratitude which honour
demanded of him was to let the lad pass by and escape in his own way;
but even this was too much for Frangipani. He saw at once that the
ring must belong to some man of mark escaping from the fight, and he
bade his servants launch a boat, and bring back the fugitive whoever
he might be.
When Frangipani's boat overtook the other, Conradin was not much
dismayed. He knew how greatly the Frangipani were indebted to his
house, and he did not doubt they would show due gratitude. The poor
lad did not know the world. Frangipani foresaw that no boon he could
ask of Charles would be too great if he handed him his enemy; and thus
not many days had passed when Conradin and Frederick were brought into
Naples, and carried through the streets where they had hoped to ride
as conquerors.
Even Charles, bloodthirsty as he was, shrank from taking his
prisoners' life without some legal warrant. It was so plain that they
had played no part but that of gallant gentlemen, striking a blow for
what was in fact their right, however much the Pope might question it,
or assert his title to bestow the kingdom where he would. He convoked
an assembly of jurists, but found only one among the number obsequious
enough to tax Conradin or his followers with any crime. Thus driven
back on his own murderous will as ultimate sanction for the act he
meditated, Charles himself pronounced the death sentence on the whole
number of his prisoners.
On the 29th of October a scaffold was raised in the Mercato. The
chronicles say that it was by the stream which ran past the Church of
the Carmine, a humbler building than that which we see now, but
standing on the same spot. They add also that it was near the sea,
from which we may conclude that few, if any, houses parted the
market-place from the beach in those days, and that the whole of the
most exquisite coast-line of his father's kingdom stretched blue and
fair before Conradin's eyes as he mounted the scaffold. Side by side
with him came his true comrade, Frederick of Baden. The united ages of
the boys scarce turned thirty. There was no nobler blood in Europe
than theirs, and among the great crowd of citizens there were few who
did not weep when they saw the fair-haired lads embrace each other
beside the block. The demeanour of both was high and bold. Of
Conradin, no less than of another king more than thrice his age, it
can be said--
"He nothing common did or mean
Upon that memorable scene."
[Illustration: NAPLES--THE CHURCH OF THE CARMINE]
He turned to the people, and avowed he had defended his right. "Before
God," he said, "I have earned death as a sinner, but not for this!"
Then he flung his glove far out among the crowd, thus with his last
defiant gesture handing on the right of vengeance and the succession
of his kingdom to those who could wrestle for it with the French. The
glove was caught up by a German knight, Heinrich von Waldburg, who did
in fact convey it to Queen Constance of Aragon, last of the
Hohenstaufen blood, of which bequest came many consequences.
Having flung down his gage, Conradin was ready to depart. He kissed
his comrades, took off his shirt, and then raising his eyes to heaven,
said aloud, "Jesus Christ, Lord of all creation, king of honour, if
this cup of sorrow may not pass by me, into Thy hands I commend my
spirit." Then he knelt and laid down his head; but at the last moment
earthly sorrows returned upon him, and starting half up he cried, "Oh,
mother, what a sorrow I am making for you!" Having said this he spoke
no more, but received the stroke. As it fell, Frederick of Baden gave
a scream so pitiful that all men wept. A moment later he had travelled
the same path, and the two lads were together once more.
So died these brave German boys, and so perished the last hope of
happiness for Naples. For if anything in history is sure, it is as
clear as day that Naples never afterwards was ruled by kings so strong
and just as those whose blood was shed in the Mercato on that October
day. As for the slayer, he has left a name at which men spit. Six
centuries already have execrated his memory. It may well be that sixty
more will execrate it. Yet even while he lived he ate the bread of
tears, and the day came when in the anguish of his heart he was heard
to pray aloud that God who had raised him to such a height of fortune
might cast him down by gentler steps.
There are countless traditions connected with the death of Conradin.
Men say that as his head fell an eagle swooped down from the sky,
dipped its wing in the blood, and flew off again across the city.
Another and more constant tale is that the poor boy's mother, when she
heard of his captivity, gathered a great sum of money to ransom him,
and came herself to Naples, but was too late, and landed in deep
mourning from her ship, and came into the Church of the Carmine, poor
and mean in those days, and gave the monks all the money she had
brought to sing Masses for ever for her son's soul.
These may be fables. But to pass to truth, it is a fact that in the
year 1631, when the pavement of the Church of the Carmine was being
lowered, a leaden coffin was found behind the high altar. The letters
R. C. C. were roughly cut on it, and were interpreted to mean "Regis
Corradini Corpus," the body of King Conradin. The coffin was opened.
It contained the skeleton of a lad, the head severed and lying on the
breast. There were some fragments of linen, which turned to dust
immediately, and by the side lay a sword unsheathed, as bright and
speckless as if it had but just come from the maker's hands. One would
give much to know that the boy-king still slept there with his sword
beside him, but when the coffin was next opened, at the wish of one of
his own family in 1832, the sword had gone.
The Church of the Carmine is, as I have said already, a vastly
different building from that into which the body of Conradin was
carried. Whether the tradition speaks truly of the benefaction of the
unhappy mother or no, the fact remains that a splendid reconstruction
of the church took place about that time. The origin of the church is
curious. The records of the monks declare that towards the middle of
the seventh century the hermits of the Mount Carmel, fleeing from the
persecution of Saracens, came to Italy, some to one city, some to
another. A handful of them rested at Naples, bringing with them an
antique picture of the Madonna, said to have been painted by St. Luke,
and established themselves in this spot close outside the city walls,
near a hospital for sick sailors of which in later days they obtained
the site. There they built a humble church, and either found or
excavated a grotto underneath it, in which they placed their picture.
The image became famous, and to this day is known amongst the people
as "La Madonna della Grotticella," or more commonly as "La Bruna."
Indeed there was no similitude of Our Lady of Sorrows in all south
Italy which wrought more wondrous miracles or better earned her
sanctity; and when the jubilee came round in the year 1500 the
Neapolitans could think of no better deed than to take La Bruna out of
her grotto and carry her in procession to Rome, which they did
accordingly, and many were the marvels which she wrought upon the long
journey through the mountains.
But in Rome La Bruna was not well received by the Vicegerent of God.
That intelligent and subtle man Rodrigo Borgia was Pope, and his
equally keen-witted son Caesar Borgia was in fact, though not in name,
chief counsellor. Both had schemes for which much money was needed,
and that money they looked to make out of the jubilee. They looked
about them with their practical clear sight, and took note of the fact
that La Bruna was very active, working miracles in fact on every side.
Had the proceeds fallen into their pockets this would have been well,
but as they did not it was ill. Madonnas from other cities must not
come emptying the pockets of the pilgrims in that style, or what would
be left for the Holy Father and the ex-Cardinal, his son? So La Bruna
was packed off home, and the procession went back through the
mountains. I should think the Madonna was glad enough to get out of
the Roman stews of the Borgia days, and the Fathers who accompanied
her had cause for thankfulness that they escaped without tasting those
chalices with which the Pope and Caesar removed all such as stood in
their way.
The wonders of the Carmine do not begin or end with La Bruna. There is
another miraculous image in the church, a large figure of the dead
Christ extended on the cross. Now in the year 1439, when the House of
Anjou was tottering to its fall, sustained only by the feeble hands of
Rene, last sovereign of his house, Alfonso of Aragon was besieging
Naples, pounding the city without much care for considerations other
than mere military ones. His brother, Don Pietro of Aragon, seems to
have suspected that the Carmine was a sort of fort, and indeed its
conspicuous steeple was used as a battery. Accordingly he turned his
guns upon it, and a ball flew straight towards the head of our Lord,
which lay back slightly raised as if communing with heaven. The ball
carried away the crown of thorns, and would certainly have destroyed
the head also of the sacred figure had it not bowed suddenly, as if it
were alive, and let the shot go by. But the miracle did not end there.
The ball, though having struck nothing but the light tracery of the
crown of thorns, was checked in midair, hung there for an instant, and
then dropped within the altar rails.
This very striking miracle is famous yet in Naples. Brantome records
it, but in his careless way sets down the wonder as having happened in
the days of Lautrec, and attributes it to a statue of the Madonna.
King Alfonso when he took the city made a careful examination of the
neck of the figure, to discover whether there were not some hidden
mechanism, but found none, and became convinced that human agency had
naught to do with it.
From every point of view this Church of the Carmine is to me the most
interesting of all Naples, not by reason of its architecture, though
even that, as I suspect and guess, was beautiful before the hideous
Barocco passion ruined it. Every nook and corner of it has been filled
with vulgar and unmeaning ornament, so that the old graceful outlines
are lost for ever. But it is for the abounding richness of its life,
both past and present, that I visit it again and again. Standing in
the poorest quarter of the city, within sight of the swarming
population which crowds the streets and alleys around the Porta Nolana
and the ancient rookeries which abut upon the Church of St. Eligio,
endeared to the people by the miracles of which I have just spoken,
there is no feast or saint's day on which the popolane do not visit it
in thousands. I go to see it in its Easter glory. The wide vestibule
is packed with women of the people, vilely dirty; and inside the
church one can scarcely move through the swarming crowd, surging this
way and that, now pressing forwards to the altar rails, where a priest
is chanting in a loud monotone, now clustering thick about the image
of the Madonna, holding on her knees the lifeless bleeding body of the
Christ. The women press forward, kissing her robe with passion and
holding up the babies to do the like. The chairs are packed with men
staring vacantly before them, as if they wondered what had brought
them there, and over the feverish bustle of the throng the fine grave
figure of Conradin rises carved in snowy marble.
The sanctity of this great and ancient church, its propinquity to the
Mercato and to the teeming populations of the old alleys of the city,
has made it in all ages a central point of that turbulent hot life
which fills the history of Naples with tales of blood and terror. The
associations of the place are infinite, and would in themselves fill a
portly volume were they all set down with the detail which their rich
interest demands. One tale there is which must be told in full, for
its tragedy is too great to be forgotten, and has indeed rung round
all the world.
In the year 1647, when England was convulsed by civil war, Naples had
lain for near a century and a half beneath the Spanish yoke, governed
by viceroys, some good, others saturated with the greed and
covetousness which have made the name of Proconsul odious since Verres
drained the lifeblood out of Sicily. Naples was rich, but not rich
enough for Spanish greed. The huge, unwieldy Spanish Empire began to
fall on troublous days. The old rivalry with France was pressing hard
on the statesmen of Madrid. Europe was unsettled, and war was
constant. Fleets and armies are the most expensive toys of nations,
and all viceroys were given to understand that the only road to royal
favour was to remit more and still more money. Unhappily at Naples the
effect of this hint on the Duke of Arcos, who then ruled in the palace
often occupied by wiser men, was to set him angling in a well of which
his predecessors had fished out the bottom. It was really very
difficult to see how another penny could be got out of Naples, but
nothing was more certain than that the penny must be found. So the
Viceroy, having called a Parliament which met, after the custom of
that time, in the convent attached to the Church of San Lorenzo,
persuaded that august body to announce a fresh gabelle, to be levied
on all the fruit brought into Naples.
Nobody who has visited Naples in the summer, and noted the abounding
plenty of the fruit stalls at every corner of the ancient streets--the
ruddy grapes, the vast piles of blackening figs, the immense water
melons, sliced so as to show their black seeds and their brimming
juice, so cool and tempting when the August sun burns down upon the
houses,--nobody who has seen how the Neapolitans feed on fruit
throughout the scorching dogdays can doubt that to tax it must be
dangerous. If the risk was not self-evident, there was example of it
to be found in the memory of men then living. Not fifty years before
the same expedient had resulted in riot. A prudent governor would have
been warned; the more so as the people were already oppressed and
sullen, restless and indignant under the unending exactions of the
farmers of the taxes, and divided by the memory of many bitter
outrages from the nobles of native birth who should have been their
natural leaders and protectors. Naples was full of a sullen, dangerous
temper; but those who were responsible for the safety of the city had
not wit enough to understand its state.
The gabelle on fruit was imposed early in the year; and on many days
of spring, even before the burden of the tax was felt, crowds ran
beside the Viceroy's coach demanding angrily that the duty should be
repealed. As the warm days drew on, the angry temper rose. Every
market day whipped it up to fever heat and set the people thinking of
their miseries. It is said--and the thing is probable enough--that
many days before the actual outbreak of revolt a rising was being
planned by several agents, of whom one was a Carmelite monk. The day
selected for its commencement was carefully chosen in such a manner as
to secure the patronage and protection of the most popular Madonna of
the crowded city; but before it came an accident precipitated the
disturbance.
It was the custom in those days to hold a kind of popular game in the
Piazza del Mercato, a few days before the Festival of the Madonna of
the Carmine. The ragged population chose a captain, under whom they
attacked and stormed a wooden castle reared in the centre of the
piazza. In this year the lot of the people had fallen on Tommaso
Anello, who in their contracted and musical dialect was known as
"Mas'aniello," a native of Amalfi, by origin, if not by birth, driven
perhaps into the city by fear of the constant incursions of the Turks,
which went near to depopulate the coasts from Salerno to
Castellammare. By one account Mas'aniello was thirsting to revenge an
insult offered to his wife by one of the collectors. Other writers
assert that chance alone thrust him into the foremost position in what
followed.
On Sunday the 7th of July the Mercato was seething with life. Out of
all the rookeries around the Porta Nolana, and behind the Church of
Sant' Eligio, the people poured out intent on frolic. Festivity was in
the air--that joyousness which in southern Italy is very apt to smear
itself with blood ere night. The women crowded in and out of the
churches. The bells chimed. From all the towns and villages on either
side of Naples the peasant women had brought in their fruit, and the
thirsty people bought it greedily. Among the crowd Mas'aniello and his
army of ragamuffins were going up and down armed with canes; when
suddenly there arose a loud and angry bawling, and everyone pressed
forward to see what had happened.
It was a dispute between the peasants who brought in the fruit and the
keepers of the stalls who sold it. They could not agree which should
bear the burden of the new tax. The people's magistrate was called in
and decided in favour of the stall men; on which a fellow who had
brought in figs from Pozzuoli flung down his baskets on the ground,
and trampled on them in a fit of rage. The guard, insulted by the
act, and still more by the words which accompanied it, seized the
fellow and beat him. His cries gathered more and more people. So did
the figs, which rolled about in every direction, while the boys
scrambled for them, and some laughed, while others shouted angrily,
"Take off the gabelle!" The guard tried to disperse the crowd; but
scattering in one place, it reassembled in another. Soon sticks and
stones began to fly--even the fruit upon the stalls was used for
missiles. The guard gave way. The magistrate fled to the beach, with a
gang of angry ruffians at his heels, and got off with difficulty in a
boat; while Mas'aniello, reuniting his forces, led them against the
office of the Gabelle in the Mercato, wrecked it, and burnt the books.
By this time all the turbulence of the city was aroused; its
suppressed passions had found a rallying point, and from every quarter
there poured forth an army, ragged and dangerous, carrying for the
most part no other weapons than sticks and stones, but roaring with a
single voice for the abolition of the gabelle. Mas'aniello seized
rapidly on these raw levies, ordered them into bands, and sent them in
various directions through the city with orders to break down the
stalls of the collectors wherever they found them; while he himself,
at the head of a mighty crowd, marched up to the Toledo and down that
famous street towards the palace of the Viceroy.
That feeble ruler had come out upon the balcony of his palace to
behold the sight. As far as he could see there stretched a forest of
angry men and women, a sight most terrible and menacing in the eyes of
any ruler. The Spaniard's inclination would have been to soothe and
quiet them with pikes; but he had not men enough at his command, and
so tried cooing at them, professing his immediate willingness to do
everything they wished. It is uncertain what the result of this
accommodating policy might have been if only the people could have
heard him or would have waited to attend to the written messages he
sent them out. Unluckily neither words nor notes were heeded. The mob
broke into the palace and swarmed up the stairs, sweeping away the
guards. The Viceroy, impelled by prudence, slipped out down the secret
stair, and entering a private coach, attempted to pass through the mob
towards the Castel dell'Uovo. His carriage had not travelled far
before he met a crowd which recognised him and threatened to drag him
out of his carriage. A few handfuls of gold scattered in the air
opened a lane through the dense ranks of the rioters, and the Viceroy,
taking advantage of the momentary diversion, slipped into the Church
of San Luigi and took refuge there. Meantime the mob went on to sack
his palace.
It must appear passing strange that no effort was made by the Spanish
soldiery in Naples to defend the authority of the Viceroy. There was a
garrison in each of the three castles, and in the length and breadth
of Naples there must have been a sufficient number of well-disposed
persons to furnish valuable accessions of strength to any central body
of trained soldiery. But whether it was that the strength of the
garrison had been so far drained off for the wars in Tuscany and
elsewhere that the remnant possessed no fighting power, or whether, as
seems also possible, the very suddenness of the revolt had paralysed
the regular troops, dreading as all soldiers do a conflict with an
undisciplined and ardent enemy in the streets of a great
city--whichever reason may be the true one, the fact remains that
throughout the ten days of this revolt the mob was not attacked, and
its disposition to excess was restrained by little else than by its
own moderation, which by all accounts was conspicuous and wonderful.
If, however, the Viceroy took no steps to repress the rising by force
of arms, it is not to be supposed that he lay idle in the Church of
San Luigi grasping the horns of the altar. By no means. On the
contrary, Don Gabriele Tontoli, an eye-witness of these disasters,
assures us that the great man in this crisis, while the mob were
battering and howling at the doors of the church, forgot nothing which
was due to his exalted position, but climbed out nobly on the roof of
the church and addressed the people in affectionate accents, seeking
to draw them back to the duteous loyalty which they seemed for the
moment to have forgotten. Oddly enough these paternal admonitions were
little heeded by the mob, who, if they spared a look for the pleading
Viceroy on the roof, only roared the louder and battered at the door
the harder. Indeed, there can be little doubt that they would have
battered down the door ere long, and the Viceroy's position was
growing so perilous that Don Gabriele compares it aptly with that of
the innocent Andromeda bound to the rock and awaiting the onset of the
sea monster. But Perseus arrived, as in the classical tale, just in
the nick of time, wearing the odd garb of a cardinal of the Roman
Catholic Church. In fact, he was no other than the Archbishop of
Naples, Cardinal Ascanio Filamarino, a man destined to play a
considerable part in the coming troubles.
Perseus took in the situation at a glance, and being unluckily
unprovided with a Gorgon's head with which to turn the monster into
stone, he saw no other way of saving the rhetorical Andromeda
discanting eloquently on the roof than by translating some of his
promises into actions. Taking his stand, therefore, on the steps of
the church, he sent up word through the grid that the Viceroy must
instantly make out an order for the abolition of the gabelle and send
it down to him. The Viceroy sent it without delay, and the Cardinal,
who appears to have been one of the very few men of mark in Naples
possessing any credit with the mob, produced an instant sensation by
waving the paper in the air. With a singular good judgment he allowed
no one to see it on that spot, but getting into his coach, still
waving the document high above his head, he drew off the people from
the church, and so opened a way for the escape of the Viceroy.
It was perhaps hoped that the remission of the duty on fruit would
quiet the city; but greater purposes were already taking shape in the
minds of those who led the people. The Spanish tyranny had bitten deep
into their hearts, and the very promptitude of their success made them
hope the moment had arrived to end many things. The Convent of San
Lorenzo in the Strada Tribunali was an armoury well stored with pikes
and harquebusses. The crowd, led by a Sicilian who had played a
foremost part in a revolt upon his native island, attacked the
convent, and fierce fighting took place between the citizens and the
small body of defenders who had thrown themselves into the convent.
The Sicilian was shot in the forehead, but the attacks continued, and
a day or two later the arsenal became untenable, and was surrendered
with the cannon and munitions which it contained.
[Illustration: IN THE STRADA DI TRIBUNALI, NAPLES]
The night of Sunday was full of terror. Throughout the hours of
darkness mobs raged through the city; and the excellent Don Gabriele,
after vainly endeavouring to sleep, tells us that he got up and looked
out to see what they were doing. They were going by in gangs,
brandishing torches which flared and dripped with pitch. For standards
they bore a loaf stuck on the point of a pike in derision of its tiny
size, the result of the gabelle on flour. Of opposition from the
guardians of order there was none at all, and had the mob elected to
burn the city to the ground it is not clear what force could have
restrained them. The strange thing was that the ragamuffins made so
little use of their opportunities. It was as if already, in these
first moments of the insurrection, the rule of the leaders was
respected. Mas'aniello was busy throughout the night in the Mercato
and the piazza of the Carmine, organising, directing, and restraining.
He must have had some rare quality of command, some spark of that
divine faculty for swaying men which is recognised and honoured
instinctively in moments of sharp crisis. Otherwise it could not have
happened that the mob, unbridled and passionate, would have gone
through the streets by night chanting "Viva, viva il re di Spagna,"
and abstaining from gross outrages as they did. Even Don Gabriele,
whose mouth is full of fulsome praises of the powers that were,
asserts that among the rabble, needy and starving as many of them
were, none plundered for himself without being repressed by his
companions, while one who did so was instantly tossed into the flames
of a burning house, in punishment for an offence which could but bring
disgrace on the whole movement.
So Don Gabriele watched the crowds go by, and consoled himself amid
his natural fears of what might happen next by the sage reflection
that the whole disturbance had been foretold as long ago as in the
days when the Book of Ecclesiastes was written. It may probably puzzle
even well-read men to discover any reference to Mas'aniello in that
sacred book; but Don Gabriele was convinced of the fact, and anyone
who desires to verify his references will find the passages on which
he relied in the tenth chapter.
When morning came all Naples was in arms, and the authority of
Mas'aniello was supreme. In the Piazza di Mercato, opposite the house
in which he lived, some rope dancers had erected a platform for their
exhibition, and on this throne sat the fisherman's boy, in trousers
and shirt, both torn and dirty, girded with a rusty sword, and
delivering his orders like a conqueror, calm and confident in the
knowledge of his strength. The business which chiefly occupied his
mind was the discovery of fresh arms and munitions. Early in the day,
by the secret help of a woman, the rioters had discovered five cannon
hidden in the city. Powder they also found, flooded by the Spaniards,
but not beyond the possibility of being dried. Meantime most of the
prisons were flung open. Hour by hour the forces mustering in the
Carmine increased, and already bands were told off to destroy the
houses and property of those nobles who were hated by the people.
As for the Viceroy, he saw no resource but in sending messages of
peace. For this purpose he released from prison the Duke of Maddaloni,
head of the Carafa family, who had incurred the displeasure of the
Crown, and despatched him to the Mercato, with instructions to use his
influence in any way which seemed to him most likely to disperse the
people to their homes. But, as Don Gabriele remarks quaintly, the
people obstinately refused to taste the perfect liquor out of this
caraffe, esteeming it indeed rank poison. Nor was their refusal merely
passive. On the contrary, they hunted the Duke through the piazza till
he fled for his life to the shelter of the Carmine, convinced that he
was sent to play them false and delude them with worthless promises,
in place of the restoration of the privileges bestowed on Naples by
the great Emperor Charles the Fifth, which charter they were resolved
to obtain and re-establish.
It is quite clear that the nobles of Naples had no real sympathy with
the mob in the most reasonable of their grievances. Had any one among
them come forward to support and to restrain them, the issue of the
revolt might have been very different. Indeed, the part played by the
nobles rankled in the minds of the citizens for many a year; and when,
in the next century, the nobles themselves sought to organise a
rising, an old man who had been out with Mas'aniello cast it in their
teeth and called upon the people to go to their homes, which they did.
But finding that the rioters would have naught to say to nobles, the
Cardinal Filamarino went himself to the Mercato. He was received with
deference, if not with enthusiasm. The Cardinal was a cunning
statesman. "Like a skilful hunter," says Don Gabriele, who is lost in
admiration of his wisdom, "he knew well how to whistle the birds into
his net." A churchman trained at Rome was scarcely likely to be
baffled by the rough sincerity of fishermen and fruitsellers, ignorant
of all the niceties which salve the conscience of diplomatists. The
Cardinal spoke as one of themselves, as a father to his dear and
faithful children. He sympathised with their complaints. He admitted
their grievances, even exaggerating them. He commended their courage,
and assured them of entire success if only they would be guided by his
advice. He showed no horror at the steps taken by the rioters,
watching bands told off to destroy houses, or erect fortifications
without remonstrance. All his efforts were exerted to gain dominion
over Mas'aniello and his followers. To this end he took up his
quarters in the Carmine, and admitted the fisher's boy to audience at
all hours. He was aided by the natural piety of Mas'aniello, who
looked up to him as little less than divine, and always fell upon his
knees before he spoke to him, seeking counsel in every difficulty,
with absolute confidence that the church in which he trusted could not
delude or trick him.
It cost the cunning Cardinal but little pains to win over a man so
reverential and so humble. At the Cardinal's bidding Mas'aniello laid
aside his scheme of punishing the nobles by still further destruction
of their property, and in reward for this mark of obedience the
Cardinal produced the much-desired charter of Charles the Fifth, with
an order of the Viceroy giving it validity. On the next day
Mas'aniello was to go in state to the palace to receive confirmation
of these privileges, and the night of Tuesday fell upon a pleasing
scene, the good Cardinal receiving the thanks and blessings of his
grateful flock.
During that night, however, somebody, vaguely described as "a
personage," was devising an elaborate scheme of murder. Don Gabriele
is sure it could not have been the Cardinal, but he does not tell us
who it was. Perhaps some enemy of the worthy Cardinal, designing to
filch his credit while he slept, posted the murderers in the very
Church of the Carmine, without the knowledge of either the good
Fathers or their excellent Archbishop! There at any rate they were,
and in the morning Mas'aniello, going into the church, was greeted by
a salvo of balls, every one of which, by a miracle naturally set down
to the credit of the Madonna della Carmine, flew past him harmlessly.
The people, having wreaked summary vengeance on the would-be
murderers, were unreasonable enough to suspect the Cardinal of
complicity in the crime. But that good man had abundant evidence that
it was not so, and Mas'aniello, yielding to reverence again, publicly
declared his contrition for the unworthy suspicion he had formed.
Whereupon the Cardinal, who was too great to harbour resentment,
mounted the steeple of the Carmine and blessed the crowd. But still
the identity of the personage is not revealed. Don Gabriele is
contemptuous of his folly in thinking to kill the hydra by a premature
and badly devised attack. When the personage tried next his scheme was
better laid.
Meantime all went on wheels. An audience with the Viceroy was
appointed, and Mas'aniello, having with great difficulty been
persuaded to array himself in garments of silver cloth, which
splendour he considered quite unsuited to his humble origin, mounted a
richly caparisoned steed and rode towards the palace at the head of an
innumerable crowd of people. What a change of state was there! On
Sunday morning this fellow was among the basest of a great city, not
even a fish-seller, but the ragged attendant who provided scraps of
paper in which to wrap up the fish. On Wednesday, clothed like an
emperor and followed by a crowd which adored him, he rode in triumph
to meet the Viceroy of the proudest monarchy on earth. Surely never,
save in the wild fantasy of Eastern fairy tales, has fortune turned
her wheel so swiftly, or given more lightly what she caught no less
rapidly away.
Mas'aniello cast himself humbly at the feet of the Viceroy, who raised
him in the sight of all the people and embraced him with tears of
affection. Don Gabriele makes no reference to Judas at this point,
which is odd, seeing how well equipped he was with apt references to
Scripture. The crowd roared with pleasure at the great man's
condescension, making such a noise that no one of the gracious words
used by the Duke of Arcos could be heard. On this--and the fact was
noted as a striking proof of the ease with which the people could be
swayed by one they trusted--Mas'aniello turned towards them and laid
his finger on his lip. Instantly the roars ceased, and all the vast
crowd stood as mute as carven statues. He waved his hand, in sign that
they should go, and as if by magic the wide piazza, crowded to
suffocation only a moment previously, stood bare and empty. The
Viceroy offered him a rich jewel, but he refused it, declaring that it
was his set purpose to go back to his lowly station: and indeed,
having obtained decrees which confirmed the ordinances of the previous
day, Mas'aniello returned to the Piazza del Mercato, doffed his
splendid raiment, and put on once more the rags he had been used to
wear when he followed humbly in the rear of his master who sold fish.
The work of quieting the city was almost done. During Thursday and
Friday the tumults were steadily repressed; and on Saturday the
Cardinal, leaving his temporary quarters at the Carmine, returned to
his own palace in solemn procession, followed by Mas'aniello upon
horseback. The streets were decorated. The people thanked and blessed
their saviours. But already the strain of his position was telling on
Mas'aniello. It was noticed that he did not sleep, but was possessed
by a feverish activity which kept him sitting all day long in the
scorching summer sun, organising, judging, and directing. The constant
apprehension of murder weighed upon him; and even on the Wednesday,
after discovering the plot to kill him, he was disposed to credit a
wild story that the Viceroy had caused the fountains to be poisoned, a
belief which could only be dissipated when the Cardinal, sending for a
great beaker of fresh water from the fountain of the Carmine, drank it
off in full sight of the crowd. Fatigue, excitement, some natural fear
of death--there was nothing more the matter with the lad than a day's
rest with some peace of mind would have repaired. But fate gave him
the opportunity for neither; and indeed, if one calculates the
possibilities before him, the power of the forces which he had
offended, and the treacherous nature of the popular favour which was
his only strength, one may well ask whether fate, kinder to mankind
than they ever realise, did not show charity and love when she gave
him death as the meed of his unselfish service to the people.
It is certain that ere the week was over Mas'aniello began to show
signs of unsettled brain, infirmity of temper, extravagance of manner.
The people began to be impatient of him, turning rapidly as ever
against those who serve them best.
"Amor di padrone, e vino di fiasco,
La sera e buono e la mattina e guasto."
The people were Mas'aniello's "padrone," and like the wine in the
flask, their favour was sweet at night but sour in the morning. There
is no need to tell the history of the next two days in full, or to
drag out the obscure conspiracy which culminated on the Tuesday
morning. The poor lad knew well what was in store for him, and the
knowledge may have completed his mental agitation. The Feast of the
Madonna del Carmine came at last, and Mas'aniello went early to the
church to await the Cardinal. When he saw the great man coming he ran
to meet him and broke out, "Eminence and Lord, I see already that my
people are abandoning me and betraying me. Now for my consolation I
beg that there may be public procession to this most holy Lady of the
Carmine, headed by the Viceroy, and I desire that your Eminence will
also join it." The Cardinal embraced the agitated lad, and praised his
devotion, assuring him that all should happen as he wished.
The Mass began. The church was packed with people so close that one
could scarcely breathe. In the face of this vast crowd Mas'aniello
mounted into the pulpit, and in burning words reproached the people
for their inclination to desert him, reminding them of all that he had
achieved, not for himself, but for them. Then turning on his past
life, with some passionate remembrance of the holy character of the
day on which he spoke, he laid bare his sins, calling loudly on the
people to do the like, confessing them humbly before God. Then as his
passion and delirium increased, he lost control utterly of himself,
stripped off his clothes, and threatened to dash himself down from the
pulpit on the floor of the church. By sheer force he was restrained,
and being led away into the cloister of the convent, leaned out of an
open window which looked towards the sea, seeking to cool his head
with the fresh breeze that blew from Capri or from Ischia.
But for the second time the murderers were hidden in the Carmine. In
the cloister they lurked waiting for the order of the Viceroy. The
order arrived. The murderers came out openly and went along the
corridor, calling "Signor Mas'aniello." The lad heard them, and went
towards them saying, "What is it, my people?" on which they shot him,
and he fell, crying "Ah, traitors and unjust!"
Such was the end of Mas'aniello, a death which at the moment it
occurred seems to have caused no sort of sorrow to the people. In
fact, when the head of the prince-fisherman was cut off and carried
through the streets on a pike there were few found who did not curse
it, while the headless trunk was dragged about the Mercato by children
in derision. But not many days passed before the instable people
discovered how great a loss he was to them. The gabelles were
reimposed, bread grew dear again. There was no longer any protector
for the people; and by a quick revulsion of feeling, when it was too
late, the corpse was dug up, the head reunited to the body, and those
funeral pomps accorded which I spoke of in a former chapter.
And so the Viceroy and the Cardinal won the game, as rulers often win
it in this world when they cast aside both faith and honour. But for
all such crimes history reserves its chastisement. She speaks without
fear or favour, and declares that these two princes cut a sorry figure
beside the fisher boy whom they betrayed and slew. Both alike, whether
spiritual or temporal, are of that poor scum of humanity which merits
nothing but contempt; whereas Mas'aniello is heroic, stained by no
unworthy action, and bearing himself right nobly in a crisis as
wondrous as any in the whole history of man.