I. RUINS

1

If I had to present some particular scene as typical of the peculiar

vileness and mischief wrought by this modern warfare that Germany has

elaborated and thrust upon the world, I do not think I should choose as

my instance any of those great architectural wrecks that seem most to

impress contemporary writers. I have seen the injuries and ruins of the

cathedrals at Arras and Soissons and the wreckage of the great church

at Saint Eloi, I have visited the Hotel de Ville at Arras and seen

photographs of the present state of the Cloth Hall at Ypres--a building

I knew very well indeed in its days of pride--and I have not been very

deeply moved. I suppose that one is a little accustomed to Gothic ruins,

and that there is always something monumental about old buildings; it is

only a question of degree whether they are more or less tumble-down. I

was far more desolated by the obliteration of such villages as Fricourt

and Dompierre, and by the horrible state of the fields and gardens

round about them, and my visit to Arras railway station gave me all the

sensations of coming suddenly on a newly murdered body.

Before I visited the recaptured villages in the zone of the actual

fighting, I had an idea that their evacuation was only temporary,

that as soon as the war line moved towards Germany the people of the

devastated villages would return to build their houses and till their

fields again. But I see now that not only are homes and villages

destroyed almost beyond recognition, but the very fields are destroyed.

They are wildernesses of shell craters; the old worked soil is buried

and great slabs of crude earth have been flung up over it. No ordinary

plough will travel over this frozen sea, let along that everywhere

chunks of timber, horrible tangles of rusting wire, jagged fragments of

big shells, and a great number of unexploded shells are entangled in the

mess. Often this chaos is stained bright yellow by high explosives, and

across it run the twisting trenches and communication trenches eight,

ten, or twelve feet deep. These will become water pits and mud pits into

which beasts will fall. It is incredible that there should be crops from

any of this region of the push for many years to come. There is no shade

left; the roadside trees are splintered stumps with scarcely the spirit

to put forth a leaf; a few stunted thistles and weeds are the sole

proofs that life may still go on.

The villages of this wide battle region are not ruined; they are

obliterated. It is just possible to trace the roads in them, because

the roads have been cleared and repaired for the passing of the guns

and ammunition. Fricourt is a tangle of German dug-outs. One dug-out

in particular there promises to become a show place. It must be the

masterpiece of some genius for dug-outs; it is made as if its makers

enjoyed the job; it is like the work of some horrible badger among

the vestiges of what were pleasant human homes. You are taken down a

timbered staircase into its warren of rooms and passages; you are shown

the places under the craters of the great British shells, where the wood

splintered but did not come in. (But the arrival of those shells must

have been a stunning moment.) There are a series of ingenious bolting

shafts set with iron climbing bars. In this place German officers and

soldiers have lived continually for nearly two years. This war is,

indeed, a troglodytic propaganda. You come up at last at the far end

into what was once a cellar of a decent Frenchman's home.

But there are stranger subterranean refuges than that at Fricourt. At

Dompierre the German trenches skirted the cemetery, and they turned the

dead out of their vaults and made lurking places of the tombs. I walked

with M. Joseph Reinach about this place, picking our way carefully

amidst the mud holes and the wire, and watched the shells bursting away

over the receding battle line to the west. The wreckage of the graves

was Durereqsue. And here would be a fragment of marble angle and here

a split stone with an inscription. Splinters of coffins, rusty iron

crosses and the petals of tin flowers were trampled into the mud, amidst

the universal barbed wire. A little distance down the slope is a brand

new cemetery, with new metal wreaths and even a few flowers; it is

a disciplined array of uniform wooden crosses, each with its list of

soldiers' names. Unless I am wholly mistaken in France no Germans will

ever get a chance for ever more to desecrate that second cemetery as

they have done its predecessor.

We walked over the mud heaps and litter that had once been houses

towards the centre of Dompierre village, and tried to picture to

ourselves what the place had been. Many things are recognisable in

Dompierre that have altogether vanished at Fricourt; for instance,

there are quire large triangular pieces of the church wall upstanding

at Dompierre. And a mile away perhaps down the hill on the road towards

Amiens, the ruins of the sugar refinery are very distinct. A sugar

refinery is an affair of big iron receptacles and great flues and pipes

and so forth, and iron does not go down under gun fire as stone or brick

does. The whole fabric wars rust, bent and twisted, gaping with shell

holes, that raggedest display of old iron, but it still kept its general

shape, as a smashed, battered, and sunken ironclad might do at the

bottom of the sea.

There wasn't a dog left of the former life of Dompierre. There was not

even much war traffic that morning on the worn and muddy road. The guns

muttered some miles away to the west, and a lark sang. But a little way

farther on up the road was an intermediate dressing station, rigged up

with wood and tarpaulins, and orderlies were packing two wounded men

into an ambulance. The men on the stretchers were grey faced, as though

they had been trodden on by some gigantic dirty boot.

As we came back towards where our car waited by the cemetery I heard

the jingle of a horseman coming across the space behind us. I turned and

beheld one of the odd contrasts that seem always to be happening in

this incredible war. This man was, I suppose, a native officer of some

cavalry force from French north Africa. He was a handsome dark brown

Arab, wearing a long yellow-white robe and a tall cap about which ran

a band of sheepskin. He was riding one of those little fine lean horses

with long tails that I think are Barbary horses, his archaic saddle rose

fore and aft of him, and the turned-up toes of his soft leather boots

were stuck into great silver stirrups. He might have ridden straight

out of the Arabian nights. He passed thoughtfully, picking his way

delicately among the wire and the shell craters, and coming into

the road, broke into a canter and vanished in the direction of the

smashed-up refinery.

2

About such towns as Rheims or Arras or Soissons there is an effect of

waiting stillness like nothing else I have ever experienced. At Arras

the situation is almost incredible to the civilian mind. The British

hold the town, the Germans hold a northern suburb; at one point near the

river the trenches are just four metres apart. This state of tension has

lasted for long months.

Unless a very big attack is contemplated, I suppose there is no

advantage in an assault; across that narrow interval we should only

get into trenches that might be costly or impossible to hold, and so it

would be for the Germans on our side. But there is a kind of etiquette

observed; loud vulgar talking on either side of the four-metre gap leads

at once to bomb throwing. And meanwhile on both sides guns of various

calibre keep up an intermittent fire, the German guns register--I think

that is the right term--on the cross of Arras cathedral, the British

guns search lovingly for the German batteries. As one walks about the

silent streets one hears, “_Bang_---Pheeee---woooo” and then

far away “_dump._” One of ours. Then presently back comes

“Pheeee---woooo---_Bang!_” One of theirs.

Amidst these pleasantries, the life of the town goes on. _Le Lion

d'Arras_, an excellent illustrated paper, produces its valiant sheets,

and has done so since the siege began.

The current number of _Le Lion d'Arras_ had to report a local German

success. Overnight they had killed a gendarme. There is to be a public

funeral and much ceremony. It is rare for anyone now to get killed;

everything is so systematised.

You may buy postcards with views of the destruction at various angles,

and send them off with the Arras postmark. The town is not without a

certain business activity. There is, I am told, a considerable influx

of visitors of a special sort; they wear khaki and lead the troglodytic

life. They play cards and gossip and sleep in the shadows, and may not

walk the streets. I had one glimpse of a dark crowded cellar. Now and

then one sees a British soldier on some special errand; he keeps to the

pavement, mindful of the spying German sausage balloon in the air. The

streets are strangely quite and grass grows between the stones.

The Hotel de Ville and the cathedral are now mostly heaps of litter,

but many streets of the town have suffered very little. Here and there

a house has been crushed and one or two have been bisected, the front

reduced to a heap of splinters and the back halves of the rooms left

so that one sees the bed, the hanging end of the carpet, the clothes

cupboard yawning open, the pictures still on the wall. In one place

a lamp stands on a chest of drawers, on a shelf of floor cut off

completely from the world below.... Pheeee---woooo---_Bang!_ One would

be irresistibly reminded of a Sunday afternoon in the city of London, if

it were not for those unmeaning explosions.

I went to the station, a dead railway station. A notice-board requested

us to walk around the silent square on the outside pavement and not

across it. The German sausage balloon had not been up for days; it had

probably gone off to the Somme; the Somme was a terrible vortex just

then which was sucking away the resources of the whole German line; but

still discipline is discipline. The sausage might come peeping up at any

moment over the station roof, and so we skirted the square. Arras was

fought for in the early stages of the war; two lines of sand-bagged

breastworks still run obliquely through the station; one is where the

porters used to put luggage upon cabs and one runs the length of the

platform. The station was a fine one of the modern type, with a glass

roof whose framework still remains, though the glass powders the floor

and is like a fine angular gravel underfoot. The rails are rails of

rust, and cornflowers and mustard and tall grasses grow amidst the

ballast. The waiting-rooms have suffered from a shell or so, but there

are still the sofas of green plush, askew, a little advertisement hung

from the wall, the glass smashed. The ticket bureau is as if a giant had

scattered a great number of tickets, mostly still done up in bundles, to

Douai, to Valenciennes, to Lens and so on. These tickets are souvenirs

too portable to resist. I gave way to that common weakness.

I went out and looked up and down the line; two deserted goods trucks

stood as if they sheltered under a footbridge. The grass poked out

through their wheels. The railway signals seemed uncertain in their

intimations; some were up and some were down. And it was as still and

empty as a summer afternoon in Pompeii. No train has come into Arras for

two long years now.

We lunched in a sunny garden with various men who love Arras but are

weary of it, and we disputed about Irish politics. We discussed the

political future of Sir F. E. Smith. We also disputed whether there was

an equivalent in English for _embusque._ Every now and then a shell came

over--an aimless shell.

A certain liveliness marked our departure from the town. Possibly the

Germans also listen for the rare infrequent automobile. At any rate, as

we were just starting our way back--it is improper to mention the exact

point from which we started--came “Pheeee---woooo.” Quite close. But

there was no _Bang!_ One's mind hung expectant and disappointed. It was

a dud shell.

And then suddenly I became acutely aware of the personality of our

chauffeur. It was not his business to talk to us, but he turned his

head, showed a sharp profile, wry lips and a bright excited eye, and

remarked, “_That_ was a near one--anyhow.” He then cut a corner over

the pavement and very nearly cut it through a house. He bumped us over

a shell hole and began to toot his horn. At every gateway, alley, and

cross road on this silent and empty streets of Arras and frequently in

between, he tooted punctiliously. (It is not proper to sound motor horns

in Arras.) I cannot imagine what the listening Germans made of it. We

passed the old gates of that city of fear, still tooting vehemently, and

then with shoulders eloquent of his feelings, our chauffeur abandoned

the horn altogether and put his whole soul into the accelerator....

3

Soissons was in very much the same case as Arras. There was the same

pregnant silence in her streets, the same effect of waiting for the

moment which draws nearer and nearer, when the brooding German lines

away there will be full of the covert activities of retreat, when the

streets of the old town will stir with the joyous excitement of the

conclusive advance.

The organisation of Soissons for defence is perfect. I may not describe

it, but think of whatever would stop and destroy an attacking party or

foil the hostile shell. It is there. Men have had nothing else to do and

nothing else to think of for two years. I crossed the bridge the English

made in the pursuit after the Marne, and went into the first line

trenches and peeped towards the invisible enemy. To show me exactly

where to look a seventy-five obliged with a shell. In the crypt of the

Abbey of St. Medard near by it--it must provoke the Germans bitterly to

think that all the rest of the building vanished ages ago--the French

boys sleep beside the bones of King Childebert the Second. They shelter

safely in the prison of Louis the Pious. An ineffective shell from a

German seventy-seven burst in the walled garden close at hand as I came

out from those thousand-year-old memories again.

The cathedral at Soissons had not been nearly so completely smashed up

as the one at Arras; I doubt if it has been very greatly fired into.

There is a peculiar beauty in the one long vertical strip of blue sky

between the broken arches in the chief gap where the wall has tumbled

in. And the people are holding on in many cases exactly as they are

doing in Arras; I do not know whether it is habit or courage that is

most apparent in this persistence. About the chief place of the town

there are ruined houses, but some invisible hand still keeps the grass

of the little garden within bounds and has put out a bed of begonias. In

Paris I met a charming American writer, the wife of a French artist, the

lady who wrote _My House on the Field of Honour._ She gave me a queer

little anecdote. On account of some hospital work she had been allowed

to visit Soissons--a rare privilege for a woman--and she stayed the

night in a lodging. The room into which she was shown was like any other

French provincial bedroom, and after her Anglo-Saxon habit she walked

straight to the windows to open them.

They looked exactly like any other French bedroom windows, with neat,

clean white lace curtains across them. The curtains had been put there,

because they were the proper things to put there.

“Madame,” said the hostess, “need not trouble to open the glass. There

is no more glass in Soissons.”

But there were curtains nevertheless. There was all the precise delicacy

of the neatly curtained home life of France.

And she told me too of the people at dinner, and how as the little

serving-maid passed about a proud erection of cake and conserve and

cream, came the familiar “Pheeee---woooo---_Bang!_”

“That must have been the Seminaire,” said someone.

As one speaks of the weather or a passing cart.

“It was in the Rue de la Bueire, M'sieur,” the little maid asserted with

quiet conviction, poising the trophy of confectionery for Madame Huard

with an unshaking hand.

So stoutly do the roots of French life hold beneath the tramplings of

war.

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