town as an assessor. Gualandi, iv. 35.
_Modena._--Donatello also visited this town in 1451, and received a
first instalment towards the equestrian statue of Borso d'Este.
Campori, "Gli artisti Italiani." Modena, 1855, p. 185.
For _Mantua_ he made a large number of works, including columns,
capitals, images of the Madonna in stone and terra-cotta, a St. Andrew
in tufo, &c.; also the design for a shrine of St. Anselm. See
documents in Archivio Storico Lombardo, 1886, p. 666. At _Rome_ a St.
John Baptist, "Una testa" in the Minerva Church, and the portrait of
Canon Morosini in Santa Maria Maggiore.
At _Siena_ a Goliath, a silver crucifix, gates for the Cathedral, and
a marble statue of San Bernardino.
At _Ancona_ and _Orvieto_ statues of St. John the Baptist.
At _Florence_ the following works are lost: the Dovizia, a figure of
Plenty, which stood in the Mercato Vecchio; two bronze heads for the
Cantoria; the Colossi for the Cathedral; four large stucco Saints in
San Lorenzo; a statue with drapery of gilded lead made with
Brunellesco. San Rossore for Ogni Santi; a reliquary of Santa Verdiana
(Richa, ii. 231); Albizzi tombs. The Cathedral gates were never made.
Bocchi, Cinelli, Vasari, and Borghini mention a large number of
smaller works now unidentified; plaquettes, Madonnas, crucifixes,
heraldic shields, busts and reliefs.
APPENDIX II
DOCUMENTS
These are printed as specimens of the original authorities upon which
our authentic knowledge of Donatello is based.
A.
Denunzia de' Beni of 1427, stating Donatello's home, his substance,
his partnership with Michelozzo; referring also to the bronze relief
for the Siena Font and the figure of San Rossore. Also a list of the
sculptor's family. (Gaye, i. 120.)
Donato di nicholo di betto, intagliatore, prestanziato nel quartiere
di Sco. Spirito, gonfalone nichio, in fior. 1. s. 10 den. 2. Sanza
niuna sustanza, eccietto un pocho di maserizie per mio uso edella mia
famiglia.
E più esercito la detta arte insieme e a conpagnia con Michelozzo di
bartolomeo, sanza niuna chorpo, salvo flor. 30 in più ferramenti et
masserizie per detta arte.
E di detta conpagnia e bottegha tralgho quella sustanza et in quello
modo, che per la scritta della sustanza di Michelozzo sopradetto
appare nel quartiere di Sco. Giovanni G. dragho, che dice in lionardo
di bartolomeo di gherardo e frategli. Eppiù ò avere dall' operaio di
duomo di Siena fior. 180 per chagione duna storia dottone, gli feci
più tempo fa.
Eppiù dal convento e frati dogni santi ò avere per chagione duna meza
fighura di bronzo di Sco. rossore della quale non sà fatto merchato
niuno. Chredo restare avere più che fior 30.
truovomi con questa famiglia in chasa:
Donato danni 40.
M^a Orsa mia madre 80.
M^a Tita mia sirochia, vedova, sanza dote 45.
Giuliano figliuolo di detta M^a tita atratto 18.
Sto a pigione in una chasa di ghuglielmo adimari, posta ne chorso
degli adimari e nel popolo Sco. Cristofano,--paghone fior. 15 l'anno.
B.
The contract for the payment of 1900 florins to Donatello in respect
of the Bronze Gates for the Sacristy doors of the Cathedral, a work
which was subsequently entrusted to Luca della Robbia. (Semper, p.
284.)
21. ii. 1487. Item commiserunt Nicolao Johannotii de Biliottis et
Salito Jacobi de Risalitis duobus ex eorum officio locandi Donato
N.B.B. civi Florentino magistro intagli faciendo duas portas de bronzo
duabus novis sacristiis cathedralis ecclesie florentine pro pretio in
totum flor. 1900 pro eo tempore et cum illis pactis et storiis et
modis pro ut eis videbitur fore utilius et honorabilius pro dicta
opera et quidquid fecerint circa predictum intelligatur et sit ac si
factum foret per totum eorum officium.
C.
Payment for casting the bronze statue of St. Louis for the Paduan
altar; also for two of the Miracle reliefs and two symbols of the
Evangelists. (Gloria.)
19. vi. 1447. E a dì dicto avà M^o Andrea dal Mayo per far getare duy
de i miracholli de S. Antonio e dui guagnelista e un S. Luixe. i quali
va in lanchona de laltaro grande--lire 45 soldi 12.
D.
Payment to Donatello and some of his assistants (Gloria.)
11. ii. 1447. E a dì ii dicto avè Donatello da Fiorenza per so nome de
luy e de urbano e de Zuan da Pixa e de Antonio Celino e de Francesco
del Vallente su garzon e de Nicolo depentor so desipollo over garzon
per parte over sora la anchona over palla el dicto e i dicti de
(_i.e._, devono) fare al altaro grande del curo (_i.e._, coro) del
santo,--lire cento e soldi dexe.
APPENDIX III
BOOKS OF REFERENCE
Albertini, "Memoriale di molte statues," 1863 (1st ed., Florence,
1510).
Anonimo Morelliano, "Notizie d'opere di disegno," written about 1530,
1884 (1st ed. 1800).
Bocchi, F., "Eccellenza della statua di San Giorgio," Florence, 1584;
edited by Cinelli, "Bellezze della città di Firenze," 1677 (1st ed.
1592).
Bode, W., "Donatello à Padoue," Paris, 1883; "Florentiner Bildhauer
der Renaissance," Berlin, 1902.
Boïto, Camillo, "L'Altare di Donatello," Milan, 1897.
Borghini, "Riposo," Florence, 1730 (1st ed. 1586).
Bottari, G., "Lettere pittoriche," 8 vols. 1822 (1st ed.).
Cellini, B., "Due Trattati," edited by Carlo Milanesi, 1857.
Cicognara, "Storia della scultura," Venice, 1823, 7 vols.
Gauricus, P., "De Sculptura," Florence, 1504.
Gaye, "Carteggio inedito d'artisti," Florence, 1839, 3 vols.
Ghiberti, L., "Commentaries" in Vasari, vol. i.
Gloria, Michael Angelo, "Donatello fiorentino e le sue opere, ... in
Padova," Padua, 1895.
Gnoli, Article on "Donatello in Rome"; "Arch. storico dell' arte,"
1888.
Gonzati, "La Chiesa di S. Antonio di Padova," 1852, 2 vols.
Gualandi, "Memorie," Bologna, 1840.
Lindsay, Lord, "Christian Art," 1885, 2 vols.
"L'Osservatore Fiorentino," 1821, 3 vols. (1st ed. 1797).
Lusini, V., "Il San Giovanni di Siena," Florence, 1901.
Milanesi, C., "Documenti dell' arte Senese," Siena, 1854, 3 vols.
Milanesi, G., "Catalogo delle opere di Donatello," Florence, 1888.
Molinier, E., "Les Plaquettes," Paris, 1886, 2 vols.
Müntz E., "Les Précurseurs de la Renaissance," Paris, 1882;
"Donatello," Paris, 1885.
Perkins, C., "Tuscan Sculptors," 1864, 2 vols.
Reymond, M., "La Sculpture Florentine," Florence, 1898.
Richa, "Notizie istoriche," Florence, 1754, 10 vols.
Schmarsow, A., "Donatello," Breslau, 1886.
Semper, H., "Donatellos Leben und Werke," Innsbruck, 1887; "Donatello,
seine zeit und Schule," Vienna, 1875.
Semrau, M., "Donatello's Kanzeln in San Lorenzo," Breslau, 1891.
Tanfani-Centofanti, "Notizie di Artisti ... Pisani," Pisa, 1898.
Titi, "Ammaestramento Utile," Rome, 1686.
Vasari, "Vite dei Pittori," Florence, Lemonnier, ed. 1846, 14 vols.
(1st ed. 1550).
Von Tschudi, "Donatello e la critica moderna," Turin, 1887.
INDEX
Abraham: statue, 10, 30
Alberti, L.B.: on Art, 22
Ambras: entombment, 177
Ammanati: sculptor, 102
Amorino: bronze, Bargello, 113, 114
Ancona: Baptist for, 59
André (Madame) Collection:
Prophet, 7;
St. John, 57;
profile warrior, 98;
bronze children, 114;
marble boy, 115;
Gonzaga bust, 127;
St. Sebastian, 177
Andrew, St.: statue (lost), 199
Annunciation: Sta. Croce, 49, 113, 154
Anselm, St.: projected shrine, 199
Antonio, St.: at Padua, bronze, 153
Aquila, Andrea del: sculptor, 191
Aragazzi: _see_ Tombs
Architect: Donatello as, 59, 65
Arduino: engineer, 143
Aretino: letter from, 76
_Assistants_, Donatello's:
Moscatello, 64, 168;
Giovanni da Pisa, 75, 168, 190, 203;
Nani, G., 167;
Cocaro, N., 168;
Meo of Florence, 168;
Pipo of Florence, 168;
Antonio of Lugano, 168;
Bartolommeo of Ferrara, 168;
Jacomo, goldsmith, 168;
Squarcione, 150;
Giovanni da Becato, 168;
Francesco del Mayo, 168;
Andrea delle Caldiere, 168;
Urbano da Cortona, 168, 169;
Francesco Valente, 168, 203;
Antonio of Pisa, 168;
Bellano, 170, 190;
Bertoldo, 189, 191
Assumption: Brancacci tomb, 80
Assyrian low relief, 81
Athos, Mount: conventionalised art, 22
Aurelius, M.: equestrian statue, 173
Banco, Nanni di: sculptor, 30, 190
Bandinelli, 46, 102, 186
Baptist, St. John: _see_ St. John
Baptistery gates, 2;
competition, 3;
Magdalen, 144;
Coscia tomb, 72
Bardini Collection:
Madonna, 54, 185;
fountain, 66;
tomb slab, 85;
Crucifixion, 178
Bas-relief: its limitations, 137
Bastianini, 182
Battoni, P.: painter, 145
Becchi: shield, 68
Beckerath: Madonna, 182
Bellano, 170, 189, 190
Benda Collection: bust, 118
Benedetto da Maiano, 191
Bentivoglio: medal of, 82
Bergamo: Madonna, 183
Berlin Museum:
bust, terra cotta, 120;
Gonzaga, bronze, 127;
bronze head of old man, 128;
St. John, bronze, 147;
putto, bronze, from Siena, 114;
Flagellation, marble, 178;
David, bronze, 52;
Madonnas, 180
Bernardino, St.: projected statue, 146, 199
Bertoldo, 189, 191
Blondius, F., 193
Bocchi: passim
Bologna: sculpture at, 9, 85, 143
Boni: shield, 68
Boniface VIII.: statues of, 9
Borso d'Este: projected statue, 199
Botticelli, 99
Bramantino: drawings, 90
Brancacci: _see_ Tombs
Bronzino, 52, 102
Brosses, des: criticisms, 138, 144
Brunellesco:
model for gates, 3;
co-operation with Donatello, 37, 200
Buggiano, 191
Busts:
Benda Collection, 118;
Dreyfus Collection, 118;
Duke of Westminster's Collection, 118;
Hainauer Collection, 119;
Faenza St. John, 119;
Martelli St. John, 118;
San Lorenzo, Florence, 126;
St. Cecilia, London, 126;
Gonzaga bronze, 127;
old man's head, bronze, 128;
Gattamelata, 99, 129;
Vanchettoni, 118;
Vecchio Barbuto, Florence, 130;
Roman Emperor, Florence, 130;
old woman, bronze, 130;
San Rossore, 130, 201;
Niccolò da Uzzano, 121
Caldiere, Andrea, Donatello's bronze caster, 168
Camondo, Comte de: Crucifixion, 178
Canigiani: Palazzo, sculpture, 191
Canon of Art, 20
Cantoria:
San Lorenzo, 64;
Cathedral, 103, 107, 199;
Luca della Robbia's, 106-8
Capodalista: horse, 175
Castiglione: Sabba del, 119, 193
Cecilia, St. (London), 126;
ditto, Lord Wemyss, 172
Cellini, B., 141, 193
Charge to Peter (London), 95
Chartres Cathedral: statuary, 41
Cherichini, supposed portrait of, 20
Childhood, Donatello's representation of, 103
Chimæra: Etruscan, 69
Choristers of bronze, Padua, 163
Cinelli: passim
Ciuffagni: sculptor, 60, 66
Civitali, M., sculptor, 13
Classical influences, 4, 90, 103, 104;
architecture, 160
Cocaro, Donatello's assistant, 168
Colle, Simone da: sculptor, 3
Colleone: equestrian statue, 150
Colossi, 34
Coronation window, 60
Coscia: _see_ Tombs
Cozzarelli: sculptor, 192
Criticism on Donatello, early, 193;
later, 93
Croce, Santa, sculpture in, 49, 113, 38
Crowds: Donatello's treatment of, 156
Crucifix: Santa Croce, 47, 156
Crucifixion:
Bargello bronze, 178;
Camondo, bronze, 178;
Berlin, 178
Cyriac of Ancona, 194
Daniel: statue, 10
St., at Padua, bronze, 154
Dante, 45, 90
Davanzati: shield, 68
David:
marble statue, 16;
Martelli's statue, 52;
bronze, 99;
Berlin, 52
Dello: his epitaph, 13
Denunzia, 1, 76, 201
Desiderio, 133, 191
Doni, A.: criticism of Ghiberti, 138
Dovizia: statue, 142, 199
Drapery: Donatello's treatment of, 31
Drawings by Donatello, 60
Dreyfus Collection:
marble bust, 118;
Christ and St. John, relief, 133;
St. Jerome, bronze, 170;
Madonna bronze, 177;
Verrocchio, putto, 105
Eagle: the Walpole, 162
Entombment:
Vienna, 177
Padua: marble, 161
Eremitani altar, 169
Evangelist symbols at Padua, 161
Siena, 169
Eve: bas-relief, 142
Faenza:
bust of St. John, 119;
St. Jerome, 148
Faith: statuette at Siena, 71
Fazio, B., 193
Filarete, 91
Flagellation:
London, 62;
Paris, 177;
Berlin, 177
Flaxman's criticism, 93
Florence:
Cathedral façade, 6, 8, 9;
cupola, 65;
cantoria, 107;
sacristy carving, 115;
window, 60;
colossi, 34;
gates, 200, 202
Font:
Siena, 70, 105, 201;
at Pietra Santa, 191
Fontainebleau: Madonna, 184
Fountains, 66, 70
Francis, St.: at Padua, 153
Fulgosio: monument, Padua, 168
Gagini: sculptors, 131
Gattamelata:
bust, 99, 129;
tombs, 171;
equestrian statue, 173
Gauricus, 60, 73, 193
Gems: employment of, 97-99, 129
George, St.:
statue, 39;
relief, 42, 72
Ghiberti:
bronze gates, 3, 137;
relation with Donatello, 190;
classical ideas, 89, 91
Ghiberti, Vettorio: drawings, 63, 74
Ghini: Simone, 88
Giacomone da Faenza: drawings, 155
Gianfigliazzi: shield, 68
Gilbert, Alfred, R.A., 82
Giovanni da Pisa, 75, 168, 190, 203
Giuliano: Donatello's nephew, 2, 202
Goliath: statue (lost), 199
Gonzaga, Louis of: bust, 127
Gori: criticisms, 93
Gothic Art:
Donatello's relations with, 5, 42;
survivals of, 91
Gozzoli, Benozzo, 9
Grouping: Donatello's ideas of, 30, 138, 142, 161
Guidarelli: monument, 171
Habakkuk: statue, 23
Hands: Donatello's treatment of, 31
Henry VII.: tomb of, 136
Heraldic sculpture, 67
Hertford House: reliefs, 110
Hope: statuettes, 71, 75
Horse of Colleone, 174;
Gattamelata, 173;
Capodalista, 174
Horse's head: Naples, 175
Horses of St. Mark's, Venice, 173;
of Monte Cavallo, 189
Icarus in Greek Art, 165
Ilaria del Caretto: tomb, 82
Intarsia, 161
Isotta da Rimini, 163
Jeremiah: statue, 20
Jerome, St.: Faenza, 148
John XXIII.: _see_ Tombs, Coscia
St. John Bapt.:
Campanile statue, 18;
Martelli statue, 56;
Bargello statue, 57, 58;
Dilke Collection, 57;
Orvieto, 59, 147;
Ancona, 59;
Rome, 56, 57;
Faenza, 119;
Louvre, 120;
Berlin, bronze, 146;
Berlin, terra-cotta, 120;
Siena, 146;
Venice, 146;
Hainauer Collection, 149
St. John Ev.:
statue, 14;
reliefs, 134
Judith, 140
Justina, St.: at Padua, 154
Kaufmann:
Madonna, 182;
statuette, 189
Lafreri: engraver, 189
Lasca, 193
Lavabo, San Lorenzo, 67
Laurana, F.: sculptor, 131
Leopardi, 175
Ligorio: architect, 90
Lille relief, 5, 72, 113
Lions in Florence, 67-9
London collection:
Flagellation, 62;
charge to Peter, 95;
St. Cecilia, 126;
marble relief of woman, 132;
Magdalen, 149;
lamentation over dead Christ, 165;
shrine of St. Justina, 171;
Martelli patera, 176;
Deposition, bronze, 178;
oval Madonna, 184;
bronze boy, 115
Lorenzo, San:
pulpits, 107, 186;
sacristy, 133, 139;
bronze doors, 135;
lavabo, 191;
statues perished, 199
Lorenzetti; early paintings, 145
Louis, St.:
bronze Santa Croce, 38;
bronze at Padua, 155, 202
Louvre collection:
Pot tomb, 79;
bronze by Valadier, 97;
marble Baptist, 120;
drawings, 61;
Madonnas, 181-185;
painting of St. John, 120;
portrait of Donatello, 195;
Flagellation, 177
Lucca, Siege of, 65
Luke, St.: statue, 124
Lytton, Earl of, medallion portrait, 82
Madonnas:
Bardini, 54, 178, 181;
Beckerath, 182;
Berlin, Pazzi, marble, 181;
Orlandini, marble, 181;
S.M.M. dei Pazzi, 185;
Brancacci, 80;
Capella Medici, group, 185;
Courajod, 185;
Dreyfus Desiderio, 81, 177;
delle Treppe, 192;
Eremitani, Paris, 184;
Fontainebleau, 184;
Kaufmann, 182;
London-Weisbach, oval, 184;
Milan, Pierino da Vinci, 81;
Madonna of the Rose, London, 183;
Padua, large bronze, 152;
small relief, 180;
Pietra Piana, 182;
Piot, Louvre, 55, 183;
Quincy Shaw, 81;
Siena Cathedral, 181;
Verona, 182;
Wemyss, Earl of, 81
Magdalen:
Florence baptistery, 144;
London, 149;
Berlin, 149
Malatesta Annalena: bust, 130
Mandorla door:
prophets, 7
profile heads, 34
Manetti:
biographer, 63, 195;
supposed portrait, 11
Mantegna: relation to Donatello, 96, 150, 161, 187
Mark, St.: statue, 37
Martelli, David, 52, 113;
patera, 176;
shield, 68;
St. John, 118
Martin V.: tomb of, 88
Marzocco, 67
Masaccio: paintings by, 161, 164, 195
Mataloni: horse's head, 175
Medallions in Medici palace, 97
Medallists, 59, 82
Medici:
fountain, 166;
exile, 88, 97;
medallions, 97;
Lorenzo de', 175
Medici, Capella, 185
Mengs, R.: criticism by, 27, 93
Meo: Donatello's assistant, 168
Michael Angelo:
Moses, 15;
technique, 53, 101;
San Petronio, 71;
relation to Donatello's art, 192;
Bacchus, 192
Michelozzo, 39, 43, 48;
partnership with Donatello, 72, 201;
Brancacci tomb, 77;
Aragazzi tomb, 76;
Prato pulpit, 109;
work at Milan, 115;
statues of St. John, 149
Mino da Fiesole, 53, 191
Miracle reliefs at Padua, 156
Mocenigo: tomb, 14, 41
Montepulciano, Pasquino da, 75
Montorsoli, 46
Morosini: medallion, 97, 199
Moses: statue, 15
Nani: Donatello's assistant, 167
Nanni di Banco, 30, 190
Naples:
Brancacci tomb, 77;
bronze horse's head, 175
Narni: _see_ Gattamelata
Neroccio: sculptor, 70, 180, 192
Niccolò da Uzzano: bust, 121
Niccolo Niccoli, 194
Nollekens, 62
Nude: studies from, 101
Obadiah: statue, 18
d'Olanda, Francesco, 193
Orcagna, 6
Orlandini, Madonna, Berlin, 181
Orsa: Donatello's mother, 2, 202
Or san Michele: niche, 63, 104
Orvieto: Baptist for, 59
Padua in 1443, 149;
work for altar, 149-176, 202
Pagno di Lapo, 78, 83
Painter: Donatello as, 59
Parthenon, 25, 105, 122
Pasquino da Montepulciano, 75
Patera Martelli, 176
Pazzi, Madonna, Berlin, 181
Pazzi:
fountain, 66;
shield, 68;
frieze, 135
Pellegrini: chapel, 135, 184
Perseus, by Cellini, 141
Perugino: drawing by, 60
Peruzzi: drawings by, 60
Peter, St.: statue, 36
Petrarch, 90
Piero, Niccolo di; sculptor, 124
Pietà at Padua, bronze, 164
Piot: Madonna, 65
Pisa: Donatello at, 59, 78
Pisano Niccolo, 91
Pistoja: silver altar, 191
Plaquettes, 176
Pocetti, B.: drawing of façade of Duomo, 10
Poggio:
statue, 12;
on Rome, 90
Politics, influence of, 143
Pollaiuolo: his battle-piece, 179
Polychromacy, 121
Portrait of Donatello, 195
Pot tomb, Louvre, 79
Prato pulpit, 109
Procdocimus, St.: at Padua, bronze, 155
Pulpit Prato, 109
San Lorenzo, 186
Quaratesi: shield, 68
Quercia: Jacopo della, 3, 70, 53;
his school, 191;
Siena font, 70
Realism, 26
Reymond, Marcel: criticism, 108
Reynolds, Sir J.:
on drapery, 31;
on Gothic art, 45
Riccio, 191
Robbia:
Andrea della, 104;
Donatello's pall bearer, 194
Robbia:
Luca della, 73;
cantoria, 106, 108;
portraits by, 125;
bronze doors, 135, 202;
lunettes, 151
Rome:
Donatello's first journey to, 4;
statue of St. John at, 57;
Crivelli tomb, 83;
Donatello's second journey to, 88;
Rome in 1433, 88;
tabernacle in St. Peter's, 94
Rossellino, 66, 91, 119, 191
Rosso: sculptor, 18, 191
Rossore, San: bust, 130, 201
Savonarola, 21
Sebastian, St.:
bronze, M. André, 177
wood (now lost), 199
Sense of distance, 23
light and shade, 29
proportion, 30
nature, 27
Sermoneta: Duca di, 9
Shields:
heraldic, 67;
Martelli, 68
Siena:
cathedral font, 70, 201;
figures from font, 114, 105;
Pecci tomb, 84;
marble Madonna, 181;
St. John Baptist, 146;
statues on façade, 175
Simone: sculptor, 2, 88, 191
Soderini: supposed portrait of, 20
Sogliani, T.: work on Magdalen, 144
Sportello Venice, 177
Siena, 71
Squarcione, 150
Stiacciato, 80
Strabo: on marble, 78
Strozzi Filippo, 91
Strozzi Palla, 150
Summonte, 194
Sword hilt at Turin, 176
Symbols of Evangelists: Padua, 161
Tabernacle in Rome, 94
Technique: Donatello's, 53
Tita: Donatello's sister, 2, 202
Tombs:
Coscia, drawings for, 61;
history of, 72;
Brancacci, 73, 77;
Assumption, 80;
Martin V., 88;
Aragazzi, 73, 76;
Medici Giovanni de', 72;
Caretto, 82;
Sixtus IV., 82;
Albizzi, 83;
Chellini, 83;
Accaiuoli, 83;
Crivelli, 83;
Pecci, 84;
Scaligers, 86;
Rococo style, 87;
Saltarello, 109;
Fulgosio, 168;
Gattamelata, 171;
Roycelli, 170
Torrigiano, 80, 136
Turin sword hilt, 176
Turini, 70, 192
Ucello, Paolo: painter, 69, 195
Uffizzi gallery: drawings, 60
Urbano da Cortona, 191
Uzzano, Niccolò da: bust, 121
Valadier: sculptor, 97
Valente: Donatello's assistant, 168, 203
Vandalism, 8
in Rome, 88
Vasari: passim
Vecchietta: sculptor, 191
Venice: horses of St. Mark's, 173
statue of St. John, 146
Sportello, 177
Verdiana, St.: reliquary, 200
Verona:
Madonna, 182;
sculpture on cathedral, 124;
sculpture on San Zeno, 124
Verrocchio, 73, 99, 101, 105, 174
Vienna: entombment, 177
Vinci: Leonardo da, 22, 29, 66
Visconti, Marquise A.: Collection, 132, 185
Wallace Collection: reliefs, 110
Warfare: Donatello and, 65
Weisbach: Madonna, 184
Wemyss, Earl of, collection:
Madonna, 81;
St. Cecilia, 172;
Walpole eagle, 162
Wood: employment in sculpture, 148
Zeno, San: Verona, 124
Zuccone: statue, 26, 96
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MICHAEL ANGELO BUONARROTI
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"Mr. Holroyd has done excellent service. This story of a marvellous
career is full of human charm.... Valuable book."--_Standard._
"A serviceable and competent biography which many will be glad to
see.... Numerous and excellent illustrations."--_Literary World._
"A book that both the student and the general reader will find full of
interest. Extremely interesting and vividly recorded."--_Westminster
Gazette._
"Mr. Holroyd's comprehensive study will be found useful and
interesting. The illustrations are numerous and good."--_Manchester
Guardian._
"A really admirable picture of one who is perhaps the greatest
personality in the history of Art; and a sympathetic, yet critical
account of his works. Mr. Holroyd writes with knowledge and
enthusiasm.... Numerous and well-executed illustrations."--_Yorkshire
Post._
"This excellent work ... is as suited to the general reader as to the
artist. We do not find those deserts of literary speculation so common
to the lives of artists."--_Spectator._
"The volume gives in a convenient form almost everything that the
student for whom it is intended will need to know about Michael
Angelo, and will prove a safe guide to his works. The illustrations
are well chosen.... We are especially grateful for the engravings of
those frescoes in the Pauline Chapel which every one writes about and
no one publishes."--_New York Evening Post._
* * * * *
THE PUBLISHERS HAVE ARRANGED TO ISSUE A
LIBRARY OF ART
IN STYLE SIMILAR TO THIS VOLUME
_ALL SCHOOLS AND PERIODS will be represented, but only the Greatest
Masters will emerge as Biographies. The rest will be treated in
relation to their fellows and forerunners as incidents of a
development._
_The Series will, it is hoped, reflect the subject in its true
proportions more closely than has been attempted hitherto. At the same
time, the scope of the Series will admit of occasional monographs on
little-known artists, when some specialist has been able to throw
light by new researches on an obscure period. The æsthetic side will
not be neglected, but the aim will be to make the Series a store-house
of that positive knowledge which must form the basis of all opinion._
* * * * *
_The following is a List of the Volumes now arranged for_
THE CRITICISM OF ART
By A.J. FINBERG
SIX GREEK SCULPTORS
MYRON, PHEIDIAS
POLYKLEITOS, SKOPAS, PRAXITELES, AND LYSIPPOS
By ERNEST GARDNER
Professor of Greek Archæology at University College, London
ROMAN ART, FROM AUGUSTUS TO CONSTANTINE
By Mrs. ARTHUR STRONG (EUGÈNIE SELLERS), LL.D.
MEDIÆVAL ART, TO GIOTTO
By W.R. LETHABY
DUCCIO, AND THE BEGINNINGS OF ITALIAN PAINTING
By PROFESSOR LANGTON DOUGLAS
GIOTTO
By B. DE SELINCOURT
GHIRLANDAJO AND THE EARLIER FLORENTINES
By BECKWITH SPENCER
Assistant Professor at the South Kensington School of Art
DONATELLO
By LORD BALCARRES [_Ready._
PISANELLO
By G.F. HILL
Of the Department of Coins and Medals in the British Museum
THE THREE BELLINI AND THE EARLIER VENETIANS
By G. McNEIL RUSHFORTH
Late Director of the British School at Rome
MICHAEL ANGELO BUONARROTI
By CHARLES HOLROYD [_Ready._
RAPHAEL AND HIS SCHOOL IN ROME
By C. RICKETTS
TITIAN
By DR. GEORG GRONAU
DÜRER
By T. STURGE MOORE
CORREGGIO
By T. STURGE MOORE
FRENCH PAINTING IN THE SIXTEENTH CENTURY
By L. DIMIER [_Immediately._