ROBERT TANNAHILL.

Robert Tannahill was born at Paisley on the 3d of June 1774. His father,

James Tannahill, a silk-gauze weaver, espoused Janet Pollock, daughter

of Matthew Pollock, owner of the small property of Boghall, near Beith;

their family consisted of six sons and one daughter, of whom the future

poet was the fourth child. On his mother's side he inherited a poetical

temperament; she was herself endowed with strong natural sagacity, and

her maternal uncle Hugh Brodie of Langcroft, a small landowner in

Lochwinnoch, evidenced poetic powers by composing "A Speech in Verse

upon Husbandry."[75] When a mere youth, Tannahill wrote verses; and

being unable, from a weakness in one of his limbs to join in the active

sports of his school-fellows, he occasionally sought amusement by

composing riddles in rhyme for their solution. As a specimen of these

early compositions, we submit the following, which has been communicated

to us by Mr Matthew Tannahill, the poet's surviving brother. It was

composed on old grumbling Peter Anderson, the gardener of King's Street,

a character still remembered in Paisley:--

"Wi' girnin' and chirmin',

His days they hae been spent;

When ither folk right thankfu' spoke,

He never was content."

Along with poetry Tannahill early cultivated the kindred arts of music

and song; a mere youth, he occasionally earned the payment of ten

shillings for playing on the fife at the Greenock parades; he afterwards

became eminent for his skill in the use of the flute. Having completed

his education at school, which consisted of instruction in the

elementary branches, he became apprenticed to a cotton-weaver.

Collecting old or obscure airs, he began to adapt to them suitable

words, which he jotted down as they occurred, upon a rude writing-desk

he had attached to his loom. His spare hours were spent in the general

improvement of his mind. For a period of two years at the commencement

of the century, he prosecuted his handicraft occupation at Bolton in

England. Returning to Paisley in the spring of 1802, he was offered the

situation of overseer of a manufacturing establishment, but he preferred

to resume the labours of the loom.

Hitherto Tannahill had not dreamt of becoming known as a song-writer; he

cultivated his gift to relieve the monotony of an unintellectual

occupation, and the usual auditor of his lays was his younger brother

Matthew, who for some years was his companion in the workshop. The

acquaintance of Robert Archibald Smith, the celebrated musical composer,

which he was now fortunate in forming, was the means of stimulating his

Muse to higher efforts and of awakening his ambition. Smith was at this

period resident in Paisley; and along with one Ross, a teacher of music

from Aberdeen, he set several of Tannahill's best songs to music. In

1805 he was invited to become a poetical contributor to a leading

metropolitan periodical; and two years afterwards he published a volume

of "Poems and Songs." Of this work a large impression was sold, and a

number of the songs soon obtained celebrity. Encouraged by R. A. Smith

and others, who, attracted by his fame, came to visit him, Tannahill

began to feel concerned in respect of his reputation as a song-writer;

he diligently composed new songs and re-wrote with attention those which

he had already published. Some of these compositions he hoped would be

accepted by his correspondent, Mr George Thomson, for his collection,

and the others he expected would find a publisher in the famous

bookselling firm of Constable & Co. The failure of both these

schemes--for Constable's hands were full, and Thomson exhibited his

wonted "fastidiousness"--preyed deeply on the mind of the sensitive

bard. A temporary relief to his disappointed expectations was occasioned

by a visit which, in the spring of 1810, he received from James Hogg,

the Ettrick Shepherd, who made a journey to Paisley expressly to form

his acquaintance. The visit is remembered by Mr Matthew Tannahill, who

describes the enthusiasm with which his brother received such homage to

his genius. The poets spent a night together; and in the morning

Tannahill accompanied the Shepherd half-way to Glasgow. Their parting

was memorable: "Farewell," said Tannahill, as he grasped the Shepherd's

hand, "we shall never meet again! Farewell, I shall never see you more!"

The visit of the Ettrick Bard proved only an interlude amidst the

depression which had permanently settled on the mind of poor Tannahill.

The intercourse of admiring friends even became burdensome to him; and

he stated to his brother Matthew his determination either to leave

Paisley for a sequestered locality, or to canvass the country for

subscribers to a new edition of his poems. Meanwhile, his person became

emaciated, and he complained to his brother that he experienced a

prickling sensation in the head. During a visit to a friend in Glasgow,

he exhibited decided symptoms of insanity. On his return home, he

complained of illness, and took to bed in his mother's house. He was

visited by three of his brothers on the evening of the same day, and

they left him about ten o'clock, when he appeared sufficiently composed.

Returning about two hours afterwards to inquire for him, and for their

mother, who lay sick in the next apartment, they found their brother's

bed empty, and discovered that he had gone out. Arousing the neighbours,

they made an immediate search, and at length they discovered the poet's

lifeless body at a deep spot of the neighbouring brook. Tannahill

terminated his own life on the 17th May 1810, at the age of thirty-six.

The victim of disappointments which his sensitive temperament could not

endure, Tannahill was naturally of an easy and cheerful disposition. "He

was happy himself," states his surviving brother, "and he wished to see

every one happy around him." As a child, his brother informs us, his

exemplary behaviour was so conspicuous, that mothers were satisfied of

their children's safety, if they learned that they were in company with

"_Bob_ Tannahill." Inoffensive in his own dispositions, he entertained

every respect for the feelings of others. He enjoyed the intercourse of

particular friends, but avoided general society; in company, he seldom

talked, and only with a neighbour; he shunned the acquaintance of

persons of rank, because he disliked patronage, and dreaded the

superciliousness of pride. His conversation was simple; he possessed,

but seldom used, considerable powers of satire; but he applied his

keenest shafts of declamation against the votaries of cruelty. In

performing acts of kindness he took delight, but he was scrupulous of

accepting favours; he was strong in the love of independence, and he had

saved twenty pounds at the period of his death. His general appearance

did not indicate intellectual superiority; his countenance was calm and

meditative, his eyes were gray, and his hair a light-brown. In person,

he was under the middle size. Not ambitious of general learning, he

confined his reading chiefly to poetry. His poems are much inferior to

his songs; of the latter will be found admirers while the Scottish

language is sung or understood. Abounding in genuine sweetness and

graceful simplicity, they are pervaded by the gentlest pathos. Rich in

description of beautiful landscapes, they softly tell the tale of man's

affection and woman's love.[76]

[75] See Semple's "Continuation of Crawford's History of Renfrewshire,"

p. 116.

[76] Tannahill was believed never to have entertained particular

affection towards any of the fair sex. We have ascertained that, at

different periods, he paid court to two females of his own rank. The

first of these was Jean King, sister of his friend John King, one of the

minor poets of Paisley; she afterwards married a person of the name of

Pinkerton; and her son, Mr James Pinkerton, printer, Paisley, has

frequently heard her refer to the fear she had entertained lest "Rob

would write a song about her." His next sweetheart was Mary Allan,

sister of the poet Robert Allan. This estimable woman was a sad mourner

on the poet's death, and for many years wept aloud when her deceased

lover was made the subject of conversation in her presence. She still

survives, and a few years since, to join some relations, she emigrated

to America. Some verses addressed to her by the poet she continues to

retain with the fondest affection.

The Modern Scottish Minstrel, Volume 2. The Songs of Scotland of the Past Half Century · 第 104 / 298 题