O, WEEL BEFA' THE MAIDEN GAY.[58]

O, weel befa' the maiden gay,

In cottage, bught, or penn,

An' weel befa' the bonny May

That wons in yonder glen;

Wha loes the modest truth sae weel,

Wha 's aye kind, an' aye sae leal,

An' pure as blooming asphodel

Amang sae mony men.

O, weel befa' the bonny thing

That wons in yonder glen!

'Tis sweet to hear the music float

Along the gloaming lea;

'Tis sweet to hear the blackbird's note

Come pealing frae the tree;

To see the lambkins lightsome race--

The speckled kid in wanton chase--

The young deer cower in lonely place,

Deep in her flowing den;

But sweeter far the bonny face

That smiles in yonder glen!

O, had it no' been for the blush

O' maiden's virgin flame,

Dear beauty never had been known,

An' never had a name;

But aye sin' that dear thing o' blame

Was modell'd by an angel's frame,

The power o' beauty reigns supreme

O'er a' the sons o' men;

But deadliest far the sacred flame

Burns in a lonely glen!

There 's beauty in the violet's vest--

There 's hinney in the haw--

There 's dew within the rose's breast,

The sweetest o' them a'.

The sun will rise an' set again,

An' lace wi' burning goud the main--

The rainbow bend outow'r the plain,

Sae lovely to the ken;

But lovelier far the bonny thing

That wons in yonder glen!

[58] This song was written at Elleray, Mr Wilson's seat in Westmoreland,

where a number of my very best things were written. There was a system

of competition went on there, the most delightful that I ever engaged

in. Mr Wilson and I had a "Queen's Wake" every wet day--a fair set-to

who should write the best poem between breakfast and dinner, and, if I

am any judge, these friendly competitions produced several of our best

poems, if not the best ever written on the same subjects before. Mr

Wilson, as well as Southey and Wordsworth, had all of them a way of

singing out their poetry in a loud sonorous key, which was very

impressive, but perfectly ludicrous. Wilson, at that period, composed

all his poetry by going over it in that sounding strain; and in our

daily competitions, although our rooms were not immediately adjoining, I

always overheard what progress he was making. When he came upon any

grand idea, he opened upon it full swell, with all the energy of a fine

fox-hound on a hot trail. If I heard many of these vehement aspirations,

they weakened my hands and discouraged my heart, and I often said to

myself, "Gude faith, it 's a' ower wi' me for this day!" When we went

over the poems together in the evening, I was always anxious to learn

what parts of the poem had excited the sublime breathings which I had

heard at a distance, but he never could tell me.--_Hogg._

The Modern Scottish Minstrel, Volume 2. The Songs of Scotland of the Past Half Century · 第 50 / 298 题