CONTRARY to the doctor's prophecy, Margaret Gannon's progress
toward recovery was slow and rather uncertain. Constance professed
to be sorry, but in her heart she was thankful, since the hesitant
convalescence gave her time to try many expedients pointing toward
the moral rehabilitation of her protégée. Ignoring Margaret's bodeful
prediction, Constance coursed far and wide, quartering the domestic
field diligently; but inasmuch as she was careful in each instance
to state the exact truth, each endeavor was but the introduction to
another failure.
"Why, Constance Elliott! The idea of your proposing such a thing to
me!" said Mrs. Calmaine, upon whose motherly good sense Connie had
leaned from childhood. "That is what comes of a girl growing up as
you have without a mother to watch over her. Can't you understand how
dreadful it is for you to mix up in such things? You can't touch pitch
and not be defiled."
Connie was moved, first to tears, and presently to indignation.
"No, I can't understand anything of the kind," she retorted. "It's your
privilege not to take Margaret if you don't want her; but it's mine
to help her, if I can. And I mean to do it in spite of all the cruel
prejudice in the world!"
"You talk like a foolish child, Connie. I can tell you beforehand that
you won't succeed in getting the woman into any respectable household
in Denver, unless you do it under false pretenses."
"So much the worse for our Christianity, then," Connie asserted
stoutly. "If people won't help, they'll have it to answer to One who
wasn't afraid to take a much worse woman by the hand. That's all I have
to say about it."
Mrs. Calmaine smiled benignantly. She had daughters of her own, and
knew how to make allowances for youthful enthusiasm.
"You will get over it, after a while, and then you'll see how foolish
it is to try to reform the world single-handed," she rejoined. "You
might as well try to move Pike's Peak as to think you can remodel
society after your own enthusiastic notions. And when the reflective
after-time comes, you'll be glad that society didn't let you make a
martyr of yourself at its expense.
"And, Connie, dear; there is another side of the question which you
should consider," she continued, going to the door with her visitor.
"It's this: since society as a unit insists upon having this particular
kind of reformative work turned over to organizations designed for the
purpose, there must be a sufficient reason for it. You are not wiser
than the aggregated wisdom of the civilized centuries."
Constance went her way, silenced, but by no means convinced; and
she added three more failures to her long list before going home to
luncheon. In the afternoon, she laid hold of her courage yet once
again, and went to her minister, good Dr. Launceston, pastor of St.
Cyril's-in-the-Desert. Here, indeed, she found sympathy without stint,
but it was hopelessly void of practical suggestion.
"It is certainly most pitiful, Miss Elliott, pitiful to a degree; but
I really don't see what is to be done. Had you any plan in view that,
ah"--
"It is because all my plans have come to grief that I am here," said
Connie.
"Dear, dear! and those cases are so very hard to deal with. Now, if it
were a question of money, I dare say we could manage it quite easily."
Constance had some very clear ideas on reformative subjects, and one of
them was that it was not less culpable to pauperize than to ignore.
"It isn't that," she made haste to say. "I could get money easily
enough, but Margaret wouldn't take it. If she would, I should have
small hopes for her."
"No," rejoined the clergyman reflectively; "you are quite right. It is
not a problem to be solved by money. The young woman must be given a
chance to win her way back to respectability by her own efforts. Do I
understand that she is willing to try if the opportunity should present
itself?"
"I'm afraid I can't say that she is--not without reservation," Connie
admitted. "You see, she knows the cruel side of the world; and she
is quite sure that any effort she might make would end in defeat and
deeper disgrace."
"A very natural apprehension, and one for which there are only too
good grounds," said the clergyman sadly. "We are compassionate and
charitable in the aggregate, but as individuals I fear we are very
unmerciful. Had you thought of trying to send her to one of our
institutional homes in the East? I might possibly be able to make such
representations as would"--
Constance shook her head. "Margaret is a Roman Catholic, and I
suggested the House of the Good Shepherd in one of our earlier talks.
She fought the idea desperately, and I don't know that I blame her.
She is just a woman like other women, and I believe she would gladly
undertake an honest woman's work in the world; but that isn't saying
she'd be willing to become a lay-sister."
"No, I suppose not; I quite agree with you. But what else can you do
for her?"
"I don't know, Doctor Launceston,--oh, I don't know! But I'll never
give up till I've done something."
In the momentary afflatus of which fine determination Constance went
her way again, not wholly comfortless this time, but apparently quite
as far from the solution of the problem as when she had latched Mrs.
Calmaine's gate behind her.
As for the clergyman, the precious fervor of the young enthusiast
left a spark in his heart which burst into flame on the following
Sunday morning, when he preached a stirring sermon from the text, "Who
is my neighbor?" to the decorous and well-fed congregation of St.
Cyril's-in-the-Desert.
Leaving the rectory, Constance postponed the quest for that afternoon
and went to pay her daily visit to Margaret. On the way downtown a
happy thought came to her, and she welcomed it as an inspiration,
setting it to work as soon as she had put the convalescent's room in
order.
"You are feeling better to-day, aren't you, Margaret?" she began.
"Yes. I'm thinking I'll be able to go to work again before long; only
Pete Grim mightn't have no use for me."
Constance brought the hair-brush, and letting Margaret's luxuriant hair
fall in heavy masses over the back of the chair, began another of her
ministries of service.
"Do you really want to go back to the Bijou?" she asked, knowing well
enough what the answer would be.
"You know you needn't to ask that; it's just Pete Grim's place or
something worse. I can't do no different"--she paused and the fingers
of her clasped hands worked nervously--"and you can't help it, Miss
Constance. I know you've been trying and worrying; but it ain't no use."
Connie did not find words to reply at once, but after a little she
said: "Tell me more about your old home, Margaret."
"I've told you all there was to tell, many's the time since you found
me with the fever."
"Let me see if I can remember it. You said your father was the village
blacksmith, and that you used to sit in the shop and watch the sparks
fly from the anvil as he worked. And when his day's work was done, he
would take you on his shoulder and carry you home to your mother, who
called you her pretty colleen, and loved you because you were the only
girl. And then"--
"Oh, _don't_!" There was sharp anguish in the cry, and Margaret covered
her eyes with her hands as if to shut out the picture. Constance waited
until she thought she had given the seed time to germinate. Then she
went on.
"And when you left home they mourned for you, not as one dead, but as
one living and still beloved; and as long as they could keep track of
you they begged you to come back to them. Margaret, won't you go?"
Margaret shook her head in passionate negation. "I can't--_I can't!_
that's the one thing I can't do! Didn't I bring them shame enough and
misery enough in the one day? and will I be going back to stir it all
up again? having the people say, 'There's Pat Gannon's girl come back;
she that went to the bad and broke her mother's heart.' Indeed, I'll
not do that, Miss Constance, though the saints and the holy angels'll
tell you I'd do anything else you'd ask."
This was Connie's happy thought; to induce Margaret to go back to her
parents. When it proved to be but another rope of sand, she allowed it
one sigh and changed front so cheerfully that Margaret never knew the
cost of the effort.
"Then we must try something else," she insisted. "I'll never let you go
back to the theatre--that's settled. You told me once you could trim
hats. Have you ever done any other kind of sewing?"
Margaret knelt before her trunk and threw out an armful of her stage
finery. "I made them," she said.
Constance examined the work critically. It was good, and she took
courage. "That is our way out of the trouble, Margaret. Why didn't
we think of it before? When you are well enough, I'll get you a
sewing-machine and find you all the work you can do."
Margaret went to the window and stood there so long that Constance
began to tremble lest the battle were going evilward at the last
moment. The fear was groundless, as she found out when the girl came
back to kneel and cry silently with her face in Connie's lap.
"It isn't so much the love of you," she sobbed; "it's the knowing that
somebody cares whether the likes of me goes straight to the devil or
not. And never so much as a word about behaving myself, or confessing
to the priest, or anything. Miss Constance,"--this with uplifted
face, grown suddenly beautiful and glorified in the outshining of
penitence,--"the devil may fly away with me,--he did that same one
day,--but if he does, I'll not live to leave him have the good of it. I
promise you that."
"I can trust you," said Constance; and she took her leave presently,
wondering how the many-sided world could so unify itself in its
merciless condemnation of the Magdalenes.
When she had closed Margaret's door behind her and was halfway to
the stair, she heard sounds as of a scuffle coming from a corridor
intersecting the main hallway at the landing. Her first impulse was to
retreat to Margaret Gannon's room; but when she recognized Tommie's
voice uplifted in alternate plea and imprecation, she went forward
quickly. At the turn she met a gaunt, unshaven man leading Tommie by
the ear, and her indignation slipped the leash without a thought of
consequences.
"Aren't you ashamed of yourself to abuse a child like that!" she began;
and then two things happened: Jeffard released the boy, and Constance
recognized in the gaunt figure the wreck of the man whom she had bidden
God-speed on the stair at the Calmaine dancing party.
Jeffard flattened himself against the wall, bowed low, and was about to
apologize, when Tommie, scenting an accusation, proceeded to vindicate
himself by exploding a veritable bomb of consternation between the two.
"I warn't doin' ary single thing, Miss Constance, 'ceptin' jest wot you
telled me to do. I caught on to his nibs down on de street an' follered
him up yere; an' w'en I was takin' a squint t'rough de keyhole, jest to
make sure, he outs an' nabs me."
For one dreadful instant Connie thought she must scream and run away.
Then her wits came back, and she saw that deliverance could come only
through swift confession.
"Tommie," she said hastily, "run down and wait for me on the sidewalk."
And then to Jeffard: "The poor boy wasn't to blame; he was doing just
what he had been told to do, and you have a right to ask--to--to
know"--She stopped in pitiable embarrassment, and Jeffard flung himself
into the breach with chivalric tact.
"Not another word, Miss Elliott, I implore you. It isn't the first time
I have been taken for my double, and in broad daylight at that. May I
go down and make my peace with the boy?"
Constance was too greatly perturbed not to catch gratefully at the
chance to escape, and she made use of it while Jeffard was talking to
Tommie at the foot of the stair. Taking Constance's nod and smile in
passing as tokens of amity, the urchin allowed himself to be placated;
and when Jeffard went back to his room he knew all that Tommie could
tell him about Miss Elliott and her deeds of mercy.
That night, before he went out to tramp himself weary, Jeffard did a
characteristic thing. He wrapped his last five-dollar note around a
bit of plaster dug from the wall, and creeping through the corridor in
his stocking feet, tossed the pellet over the transom into Margaret
Gannon's room.