In the beginning of the year 1714 Swift returned to England. He found

his great friends, who sat in the seat of power, much disunited among

themselves. He saw the Queen declining in her health, and distressed in

her situation; while faction was exerting itself, and gathering new

strength every day. He exerted the utmost of his skill to unite the

ministers, and to cement the apertures of the state: but he found his

pains fruitless, his arguments unavailing, and his endeavours, like the

stone of Sisyphus, rolling back upon himself. He retired to a friend's

house in Berkshire, where he remained 'till the Queen died. So fatal an

event terminated all his views in England, and made him return as fast

as possible to his deanery in Ireland, oppressed with grief and

discontent. His hopes in England were now crushed for ever. As Swift was

well known to have been attached to the Queen's last ministry, he met

with several indignities from the populace, and, indeed, was equally

abused by persons of all ranks and denominations. Such a treatment

soured his temper, confined his acquaintance, and added bitterness to

his stile.

From the year 1714, 'till he appeared in the year 1720 a champion for

Ireland, against Wood's halfpence, his spirit of politics and patriotism

was kept almost closely confined within his own breast. Idleness and

trifles engrossed too many of his leisure hours; fools and sycophants

too much of his conversation. His attendance upon the public service of

the church was regular and uninterrupted; and indeed regularity was

peculiar to all his actions, even in the meerest trifles. His hours of

walking and reading never varied. His motions were guided by his watch,

which was so constantly held in his hand, or placed before him on the

table, that he seldom deviated many minutes in the revolution of his

exercises and employments. In the year 1720 he began to re-assume, in

some degree, the character of a political writer. A small pamphlet in

defence of the Irish Manufactures was his first essay in Ireland in that

kind of writing, and to that pamphlet he owed the turn of the popular

tide in his favour. It was entitled, A Proposal for the Universal Use of

Irish Manufacture in Clothes and Furniture of Houses, &c. utterly

rejecting and renouncing every thing wearable that comes from England.

This proposal immediately raised a very violent flame. The Printer was

prosecuted, and the prosecution had the same effect, which generally

attends those kind of measures. It added fuel to flame. But his greatest

enemies must confess, that the pamphlet is written in the stile of a man

who had the good of his country nearest his heart, who saw her errors,

and wished to correct them; who felt her oppressions, and wished to

relieve them; and who had a desire to rouze and awaken an indolent

nation from a lethargic disposition, that might prove fatal to her

constitution. This temporary opposition but increased the stream of his

popularity. He was now looked upon in a new light, and was distinguished

by the title of THE DEAN, and so high a degree of popularity did he

attain, as to become an arbitrator, in disputes of property, amongst his

neighbours; nor did any man dare to appeal from his opinion, or murmur

at his decrees.

But the popular affection, which the dean had hitherto acquired, may be

said not to have been universal, 'till the publication of the Drapier's

Letters, which made all ranks, and all professions unanimous in his

applause. The occasion of those letters was, a scarcity of copper coin

in Ireland, to so great a degree, that, for some time past, the chief

manufacturers throughout the kingdom were obliged to pay their workmen

in pieces of tin, or in other tokens of suppositious value. Such a

method was very disadvantageous to the lower parts of traffic, and was

in general an impediment to the commerce of the state. To remedy this

evil, the late King granted a patent to one Wood, to coin, during the

term of fourteen years, farthings and halfpence in England, for the use

of Ireland, to the value of a certain Aim specified. These halfpence and

farthings were to be received by those persons, who would voluntarily

accept them. But the patent was thought to be of such dangerous

consequence to the public, and of such exorbitant advantage to the

patentee, that the dean, under the character of M. B. Drapier, wrote a

Letter to the People, warning them not to accept Wood's halfpence and

farthings, as current coin. This first letter was succeeded by several

others to the same purpose, all which are inserted in his works.

At the sound of the Drapier's trumpet, a spirit arose among the people.

Persons of all ranks, parties and denominations, were convinced that the

admission of Wood's copper must prove fatal to the commonwealth. The

Papist, the Fanatic, the Tory, the Whig, all listed themselves

volunteers, under the banner of the Drapier, and were all equally

zealous to serve the common cause. Much heat, and many fiery speeches

against the administration were the consequence of this union; nor had

the flames been allayed, notwithstanding threats and proclamations, had

not the coin been totally suppressed, and Wood withdrawn his patent. The

name of Augustus was not bestowed upon Octavius Cæsar with more

universal approbation, than the name of the Drapier was bestowed upon

the dean. He had no sooner assumed his new cognomen, than he became the

idol of the people of Ireland, to a degree of devotion, that in the most

superstitious country, scarce any idol ever obtained. Libations to his

health were poured out as frequent as to the immortal memory of King

William. His effigies was painted in every street in Dublin.

Acclamations and vows for his prosperity attended his footsteps wherever

he passed. He was consulted in all points relating to domestic policy in

general, and to the trade of Ireland in particular; but he was more

immediately looked upon as the legislator of the Weavers, who frequently

came in a body, consisting of 40 or 50 chiefs of their trade, to receive

his advice in settling the rates of their manufactures, and the wages of

their journeymen. He received their address with less majesty than

sternness, and ranging his subjects in a circle round his parlour, spoke

as copiously, and with as little difficulty and hesitation, to the

several points in which they supplicated his assistance, as if trade had

been the only study and employment of his life. When elections were

depending for the city of Dublin, many Corporations refused to declare

themselves, 'till they had consulted his sentiments and inclinations,

which were punctually followed with equal chearfulness and submission.

In this state of power, and popular admiration, he remained 'till he

lost his senses; a loss which he seemed to foresee, and prophetically

lamented to many of his friends. The total deprivation of his senses

came upon him by degrees. In the year 1736 he was seized with a violent

fit of giddiness; he was at that time writing a satirical poem, called

The Legion Club; but he found the effects of his giddiness so dreadful,

that he left the poem unfinished, and never afterwards attempted a

composition, either in verse or prose. However, his conversation still

remained the same, lively and severe, but his memory gradually grew

worse and worse, and as that decreased, he grew every day more fretful

and impatient. In the year 1741, his friends found his passions so

violent and ungovernable, his memory so decayed, and his reason so

depraved, that they took the utmost precautions to keep all strangers

from approaching him; for, 'till then, he had not appeared totally

incapable of conversation. But early in the year 1742, the small remains

of his understanding became entirely confused, and the violence of his

rage increased absolutely to a degree of madness. In this miserable

state he seemed to be appointed the first inhabitant of his own

Hospital; especially as from an outrageous lunatic, he sunk afterwards

to a quiet speechless ideot; and dragged out the remainder of his life

in that helpless situation. He died towards the latter end of October

1745. The manner of his death was easy, without the least pang, or

convulsion; even the rattling of his throat was scarce sufficient to

give an alarm to his attendants, 'till within some very little time

before he expired. A man in possession of his reason would have wished

for such a kind dissolution; but Swift was totally insensible of

happiness, or pain. He had not even the power or expression of a child,

appearing for some years before his death, referred only as an example

to mortify human pride, and to reverse that fine description of human

nature, which is given us by the inimitable Shakespeare. 'What a piece

of work is man! how noble in reason! how infinite in faculty! in form

and moving how express and admirable! in action how like an angel! in

apprehension how like a God! the beauty of the world! the paragon of

animals!' Swift's friends often heard him lament the state of childhood

and idiotism, to which some of the greatest men of this nation were

reduced before their death. He mentioned, as examples within his own

time, the duke of Marlborough and lord Somers; and when he cited these

melancholy instances, it was always with a heavy sigh, and with gestures

that shewed great uneasiness, as if he felt an impulse of what was to

happen to him before he died. He left behind him about twelve thousand

pounds, inclusive of the specific legacies mentioned in his will, and

which may be computed at the sum of twelve hundred pounds, so that the

remaining ten thousand eight hundred pounds, is entirely applicable to

the Hospital for Idiots and Lunatics; an establishment remarkably

generous, as those who receive the benefit, must for ever remain

ignorant of their benefactor.

Lord Orerry has observed, that a propension to jocularity and humour is

apparent in the last works of Swift. His Will, like all his other

writings, is drawn up in his own peculiar manner. Even in so serious a

composition, he cannot help indulging himself in leaving legacies, that

carry with them an air of raillery and jest. He disposes of his three

best hats (his best, his second best, and his third best beaver) with an

ironical solemnity, that renders the bequests ridiculous. He bequeaths,

'To Mr. John Grattan a silver-box, to keep in it the tobacco which the

said John usually chewed, called pigtail.' But his legacy to Mr. Robert

Grattan, is still more extraordinary. 'Item, I bequeath to the Revd. Mr.

Robert Grattan, Prebendary of St. Audeon's, my strong box, on condition

of his giving the sole use of the said box to his brother, Dr. James

Grattan, during the life of the said Doctor, who hath more occasion for

it.'

These are so many last expressions of his turn, and way of thinking, and

no doubt the persons thus distinguished looked upon these instances as

affectionate memorials of his friendship, and tokens of the jocose

manner, in which he had treated them during his life-time.

With regard to Dean Swift's poetical character, the reader will take the

following sketch of it in the words of Lord Orrery. 'The poetical

performances of Swift (says he) ought to be considered as occasional

poems, written either to pleasure[3], or to vex some particular persons.

We must not suppose them designed for posterity; if he had cultivated

his genius that way, he must certainly have excelled, especially in

satire. We see fine sketches in several of his pieces; but he seems more

desirous to inform and strengthen his mind, than to indulge the

luxuriancy of his imagination. He chuses to discover, and correct errors

in the works of others, rather than to illustrate, and add beauties of

his own. Like a skilful artist, he is fond of probing wounds to their

depth, and of enlarging them to open view. He aims to be severely

useful, rather than politely engaging; and as he was either not formed,

nor would take pains to excel in poetry, he became in some measure

superior to it; and assumed more the air, and manner of a critic than a

poet.' Thus far his lordship in his VIth letter, but in his IXth, he

adds, when speaking of the Second Volume of Swift's Works, 'He had the

nicest ear; he is remarkably chaste, and delicate in his rhimes. A bad

rhime appeared to him one of the capital sins of poetry.'

The Dean's poem on his celebrated Vanessa, is number'd among the best of

his poetical pieces. Of this lady it will be proper to give some

account, as she was a character as singular as Swift himself.

Vanessa's real name was Esther Vanhomrich[4]. She was one of the

daughters of Bartholomew Vanhomrich, a Dutch merchant of Amsterdam; who

upon the Revolution went into Ireland, and was appointed by king William

a commissioner of the revenue. The Dutch merchant, by parsimony and

prudence, had collected a fortune of about 16,000 _l_. He bequeathed an

equal division of it to his wife, and his four children, of which two

were sons, and two were daughters. The sons after the death of their

father travelled abroad: The eldest died beyond sea; and the youngest

surviving his brother only a short time, the whole patrimony fell to his

two sisters, Esther and Mary.

With this encrease of wealth, and with heads and hearts elated by

affluence, and unrestrained by fore-sight or discretion, the widow

Vanhomrich, and her two daughters, quitted their native country for the

more elegant pleasures of the English court. During their residence at

London, they lived in a course of prodigality, that stretched itself far

beyond the limits of their income, and reduced them to great distress,

in the midst of which the mother died, and the two daughters hastened in

all secresy back to Ireland, beginning their journey on a Sunday, to

avoid the interruption of creditors. Within two years after their

arrival in Ireland, Mary the youngest sister died, and the small remains

of the shipwreck'd fortune center'd in Vanessa.

Vanity makes terrible devastations in a female breast: Vanessa was

excessively vain. She was fond of dress; impatient to be admired; very

romantic in her turn of mind; superior in her own opinion to all her

sex; full of pertness, gaiety, and pride; not without some agreeable

accomplishments, but far from being either beautiful or genteel:

Ambitious at any rate to be esteemed a wit; and with that view always

affecting to keep company with wits; a great reader, and a violent

admirer of poetry; happy in the thoughts of being reputed Swift's

concubine; but still aiming to be his wife. By nature haughty and

disdainful, looking with contempt upon her inferiors; and with the

smiles of self-approbation upon her equals; but upon Dr. Swift, with the

eyes of love: Her love was no doubt founded in vanity.

Though Vanessa had exerted all the arts of her sex, to intangle Swift in

matrimony; she was yet unsuccessful. She had lost her reputation, and

the narrowness of her income, and coldness of her lover contributed to

make her miserable, and to increase the phrensical disposition of her

mind. In this melancholly situation she remained several years, during

which time Cadenus (Swift) visited her frequently. She often press'd him

to marry her: His answers were rather turns of wit, than positive

denials; till at last being unable to sustain the weight of misery any

longer, she wrote a very tender epistle to him, insisting peremptorily

upon a serious answer, and an immediate acceptance, or absolute refusal

of her as his wife. His reply was delivered by his own hand. He brought

it with him when he made his final visit; and throwing down the letter

upon the table with great passion, hastened back to his house, carrying

in his countenance the frown of anger, and indignation. Vanessa did not

survive many days the letter delivered to her by Swift, but during that

short interval she was sufficiently composed, to cancel a will made in

his favour, and to make another, wherein she left her fortune (which by

a long retirement was in some measure retrieved) to her two executors,

Dr. Berkley the late lord bishop of Cloyne, and Mr. Marshal one of the

king's Serjeants at law. Thus perished under all the agonies of despair,

Mrs. Esther Vanhomrich; a miserable example of an ill-spent life,

fantastic wit, visionary schemes, and female weakness.

It is strange that vanity should have so great a prevalence in the

female breast, and yet it is certain that to this principle it was

owing, that Swift's house was often a seraglio of very virtuous women,

who attended him from morning till night, with an obedience, an awe, and

an assiduity that are seldom paid to the richest, or the most powerful

lovers. These ladies had no doubt a pride in being thought the

companions of Swift; but the hours which were spent in his company could

not be very pleasant, as his sternness and authority were continually

exerted to keep them in awe.

Lord Orrery has informed us, that Swift took every opportunity to expose

and ridicule Dryden, for which he imagines there must have been some

affront given by that great man to Swift. In this particular we can

satisfy the reader from authentic information.

When Swift was a young man, and not so well acquainted with the world as

he afterwards became, he wrote some Pindaric Odes. In this species of

composition he succeeded ill; sublimity and fire, the indispensable

requisites in a Pindaric Ode not being his talent. As Mr. Dryden was

Swift's kinsman, these odes were shewn to him for his approbation, who

said to him with an unreserved freedom, and in the candour of a friend,

'Cousin Swift, turn your thoughts some other way, for nature has never

formed you for a Pindaric poet.'

Though what Dryden observed, might in some measure be true, and Swift

perhaps was conscious that he had not abilities to succeed in that

species of writing; yet this honest dissuasive of his kinsman he never

forgave. The remembrance of it soured his temper, and heated his

passions, whenever Dryden's name was mention'd.

We shall now take a view of Swift in his moral life, the distinction he

has obtained in the literary world having rendered all illustrations of

his genius needless.

Lord Orrery, throughout his excellent work, from which we have drawn our

account of Swift, with his usual marks of candour, has displayed his

moral character. In many particulars, the picture he draws of the Dean

resembles the portrait of the same person as drawn by Mrs. Pilkington.

'I have beheld him (says his lordship) in all humours and dispositions,

and I have formed various speculations from the several weaknesses to

which I observed him liable. His capacity, and strength of mind, were

undoubtedly equal to any talk whatsoever. His pride, his spirit, or his

ambition (call it by what name you please) was boundless; but his views

were checked in his younger years, and the anxiety of that

disappointment had a sensible effect upon all his actions. He was sour

and severe, but not absolutely ill-natur'd. He was sociable only to

particular friends, and to them only at particular hours. He knew

politeness more than he practiced it. He was a mixture of avarice and

generosity; the former was frequently prevalent, the latter seldom

appeared unless excited by compassion. He was open to adulation, and

would not, or could not, distinguish between low flattery and just

applause. His abilities rendered him superior to envy. He was

undisguised, and perfectly sincere. I am induced to think that he

entered into orders, more from some private and fixed resolution, than

from absolute choice: Be that as it may, he performed the duties of the

church with great punctuality, and a decent degree of devotion. He read

prayers, rather in a strong nervous voice, than in a graceful manner;

and although he has been often accused of irreligion, nothing of that

kind appeared in his conversation or behaviour. His cast of mind induced

him to think and speak more of politics than religion. His perpetual

views were directed towards power; and his chief aim was to be removed

to England: But when he found himself entirely disappointed, he turned

his thoughts to opposition, and became the Patron of Ireland.'

Mrs. Pilkington has represented him as a tyrant in his family, and has

discovered in him a violent propension to be absolute in every company

where he was. This disposition, no doubt, made him more feared than

loved; but as he had the most unbounded vanity to gratify, he was

pleased with the servility and awe with which inferiors approached him.

He may be resembled to an eastern monarch, who takes delight in

surveying his slaves, trembling at his approach, and kneeling with

reverence at his feet.

Had Swift been born to regal honours, he would doubtless have bent the

necks of his people to the yoke: As a subject, he was restless and

turbulent; and though as lord Orrery says, he was above corruption, yet

that virtue was certainly founded on his pride, which disdained every

measure, and spurned every effort in which he himself was not the

principal.

He was certainly charitable, though it had an unlucky mixture of

ostentation in it. One particular act of his charity (not mentioned,

except by Mrs. Pilkington, in any account of him yet published) is well

worthy of remembrance, praise, and imitation:--He appropriated the sum

of five-hundred pounds intirely to the use of poor tradesmen and

handicraftsmen, whose honesty and industry, he thought merited

assistance, and encouragement: This he lent to them in small loans, as

their exigencies required, without any interest; and they repaid him at

so much per week, or month, as their different circumstances best

enabled them.--To the wealthy let us say--

"Abi tu et fac similiter."

FOOTNOTES:

[1] Lord Orrery, page 6.

[2] The authors of the Monthly Review have justly remarked, that this

observation of his lordship's seems premature.

The same public rumour, say they, that made HER Sir William Temple's

daughter, made HIM also Sir William's son: Therefore he (Swift)

could never with decency, have acknowledged Mrs. Johnson as his

wife, while that rumour continued to retain any degree of credit;

and if there had been really no foundation for it, surely it might

have been no very hard task to obviate its force, by producing the

necessary proofs and circumstances of his birth: Yet, we do not

find that ever this was done, either by the Dean or his relations.

[3] We are assured, there was one while a misunderstanding subsisting

between Swift and Pope: But that worthy gentleman, the late general

Dormer (who had a great regard for both) reconciled them, e'er it

came to an open rupture:--Though the world might be deprived by the

general's mediation of great matter of entertainment, which the

whetted wit of two such men might have afforded; yet his

good-nature, and sincere friendship, deserves to be remember'd with

honour.--This gentleman Mr. Cibber senior was very intimate with,

and once hinted to him, 'He was concerned to find he stood so ill in

the Dean's opinion, whose great parts, wit, genius, &c. he held in

the highest estimation; nor could he easily account for the Dean's

so frequently appearing his enemy, as he never knowingly had

offended him; and regretted the want of an opportunity of being

better acquainted with him.'--The general had also a great regard

for Mr. Cibber, and wished to bring them together on an agreeable

footing:--Why they were not so, came out soon after.--The secret

was,--Mr. Pope was angry; [for the long-latent cause, look into Mr.

Cibber's letter to Mr. Pope.] Passion and prejudice are not always

friends to truth;--and the foam of resentment never rose higher,

than when it boil'd and swell'd in Mr. Pope's bosom: No wonder then,

that his misrepresentation might make the Dean believe, Mr. Cibber

was not unworthy of that satire and raillery (not always just

neither, and sometimes solicited) which is not unsparingly thrown on

him in the Dean's works:--That this was the case, appears from the

following circumstance.

The Lives of the Poets of Great Britain and Ireland (1753) Volume V. · 第 6 / 24 段