(See collection in the Editor's possession.)
An Out-of-door Scene in Paris. (Companion.)
A Squabble in St. Giles's.
The Awkward Servant. (See collection in possession of the Editor.)
Horse-Racing: Introducing a Novice to a spirited Mount.
Mrs. Clarke and the York Shop. Mrs. C. receiving bribes as a
commission agent.
'Tis woman that seduces all mankind.
Also in the collection of Thomas Capron, Esq.--
Portrait of a Foreigner.
Portrait of an Old Gentleman. The face of this figure may be a
caricatured representation of the artist's appearance late in life.
Portrait of an Old Lady.
An Equestrian Military Portrait. (German officer.)
Portrait of a Quaker.
Looking at a Procession in the Park.
An Allegorical Design.
Carisbrooke Castle.
Hunting Scene.
The Thames at Twickenham.
The Social Day.
Interior of Exeter Cathedral (during sermon time).
View in the Environs of London.
Continental View, in Rowlandson's early manner (a cloister).
Yeomanry Cavalry Refreshing at an Inn.
Cattle Watering.
Scene at a Seaport.
Chatham: View of the Medway and Men-of-war; Troops and Military Train
riding along the shore.
Waterside Scene, near a port on the South coast; Passengers landing,
&c.
Views of Cornwall, Devonshire, Somerset, &c.
ORIGINAL DRAWINGS BY THOS. ROWLANDSON IN THE POSSESSION OF JOHN
CHESTER, ESQ., OF OLD SQUARE, LINCOLN'S INN.
Toilette of an Antiquated Belle. A large and fine drawing, after the
school of the old masters.
The Village Festival. Figures dancing in a ring on the green,
skittle-players, &c. Important subject, somewhat in the manner of
Teniers the Younger.
Interior of a Pawnbroker's Shop. 'The Last Shift' (engraved and
published November 1, 1808).
Taste, or Milord Anglais and Italian Picture-Dealers. (Engraved 1812.
See p. 234.)
A Scold.--
A smoking chimney, and a scolding wife.
A Breezy Day.
Death at the Door. An upright subject, earlier than the series
entitled the 'Dance of Death.'
An Old Miser and a Young Wife.
An Old Woman and her Cat at a Window.
Original frontispiece to the collected series of 'Miseries of Human
Life.'
Designs for illustrations to the 'Dance of Death.'
The Squire.
The Shipwreck.--
The dangers of the ocean o'er,
Death wrecks the sailors on the shore.
ORIGINAL DRAWINGS BY THOS. ROWLANDSON IN THE POSSESSION OF A. H. BATES,
ESQ., EDGBASTON, BIRMINGHAM.
An Old Soldier's Widow. 6 × 5-1/2 inches.
A Fat Man and Death. 5 × 4.
The Widower's Consolation. 6 × 4-1/2.--
Two bores all at once have taken a trip:
I've buried my rib, and got rid of the hip.
Woman on a rock by a stormy sea, on which is an empty boat, &c.
7 × 4-1/2.
Doctor Syntax at a Bookstall. Folio. (Engraved on a reduced scale in
the 'Humourist,' by W. H. Harrison.)
A Nobleman Cutting Down his Timber to Pay his Debts. 10 inches in
length.
A sheet of grotesque heads formed of vegetables, &c.
Death and the Glutton. Large 8vo.
Exterior of a Public House. 8vo.
Sepulchres. 8vo.
Doctor Eady and his Patients. 8vo.
Execution Dock. 5 × 6.
The Old Blind Sexton. Folio.
Three figures seated at table; one said to be the portrait of
Hamilton, the artist. 8vo.
The Milkmaid's Tempter. 5 × 4.
Drawing-room scene. Milliner displaying a dress. Numerous figures,
probably designed as frontispiece for a magazine of fashions.
Domestic Jars. 9 × 4 in. Man and woman quarrelling; the former seated
in a chair, with a large bass-viol beside him.
LIST OF ORIGINAL DRAWINGS BY THOMAS ROWLANDSON IN THE COLLECTION
OF WILLIAM BATES, ESQ., B.A., M.R.C.S, &c., BIRMINGHAM.[33]
'Cornish Peasantry.' 10-1/4 × 6-1/2. Five peasants, admirably grouped,
seated on a sort of timber-cart, drawn by two oxen. Woody background.
Signed 'Rowlandson.'
Acis and Galatea. 8-1/2 × 6.
Apollo and Daphne. 8-1/2 × 6. Companion to the above. A
vigorously-drawn recollection of the antique.
The Cottage Door. 11-1/2 × 8-1/2. A group of rustics seated at the
door of a cottage. On the right hand a man with a donkey laden with
vegetables. In the manner of Morland.
'The Road to Ruin.' 13-1/2 × 9-1/2. The young squire is seated at a
round table, with his mistress on his knee. Opposite to him is a
'led-captain,' dealing out cards and inciting the squire to bet. In
the centre, standing at the table, is a plethoric chaplain, wholly
intent upon the manufacture of a bowl of punch, the ingredients for
which he is pouring simultaneously from two bottles into the bowl.
The complete absorption of each of these personages in his own
special object is admirably depicted.
Brentford Market Place. 17-1/2 × 12. An admirable drawing, exhibiting
hundreds of market-people disposed in groups, with the Town House in
the central background and the 'Three Kings' inn on the right hand.
The grouping is excellent, the scene full of animation and bustle,
the sense of space and general keeping perfect, and the whole equal
in power and effect to the works of the Dutch painters.
Shepherd and Sheep. 17-1/4 × 4-1/2. A standing figure in the middle of
a group of five sheep; something in the manner of Gainsborough.
The Funeral. 7 × 4-1/2. The parson advances, reading the burial
service. Next comes the clerk, carrying a child's coffin, and
followed by a group of female mourners, wringing their hands, holding
handkerchiefs to their eyes, and some carrying umbrellas. To the
right a female gravedigger, holding a spade in one hand and tolling
the bell with the other. To illustrate the old song of 'The Vicar and
Moses':--
When come to the grave the clerk humm'd a stave,
Whilst the surplice was wrapped round the priest;
When so droll was the figure of Moses and Vicar,
That the parish still laugh at the jest.
Singing tol de rol, &c.
An Oriental Scene. 8-1/2 × 5-1/2. In the foreground a gibbet, from
which is hanging in chains the headless body of a woman. By the side
an impaling-stake and wheel. Two men in foreign garb are looking on.
In the distance a city, with towers and minarets.
'The Industrious Wife and Idle Husband.' 5-1/2 × 4. The wife is busily
engaged at the washtub; a cradle, with twins asleep, at her back;
while the husband, with pipe, glass, and jug, sits over the fire with
a boon companion. Full of Hogarthian humour.
Burglars Alarmed. 11 × 9-1/2. A drawing of extraordinary vigour. A
brutal-looking ruffian, in a frieze coat, holding a bloody knife in
one hand and enjoining attention with the other, is striding over the
corpses of two women, both with their throats cut. A second ruffian,
with alarm depicted on his countenance, holds a candle in his right
hand and grasps a bloodstained coal-hammer in his left. In the
background a fate is seen peeping through a window. A piece that can
hardly be looked at without a subsequent attack of nightmare.
Landscape. Lake scene, hilly background. 9 × 7. Very broad in
treatment.
Commodore Trunnion and Lieut. Hatchway on their way to the Wedding.
14-1/2 × 8. (See Smollett's 'Peregrine Pickle,' vol. i. chap. 8.)
Jolly Companions. 11 × 8. A group of five, heads and shoulders. A man
is apparently singing from a ballad-sheet. A woman at his right hand
is blowing with the bellows, and the other faces are on the broad
grin.
The Pipe Dance. 4-1/2 × 3. Two Punch-and-Judy-like figures dancing,
and holding a pipe over head. Small, but very spirited.
The Forge. 9-1/2 × 6-1/2. A group of four horses outside a forge. The
blacksmith holds up the hoof of one; the farmer stands by, and a
woman advances holding a cup of ale. Signed 'Rowlandson, 1791.' As
fine as Morland.
Maternal Solicitude. 6-1/2 × 4-3/4. A mother bends over her child on a
couch, both entirely nude.
Nymph and Cupid. 7-1/4 × 5-1/2. A naked nymph recumbent; a winged
cupid, bow in hand, descends towards her.
Henpecked Husbands. 10 × 6-1/4. A woman has hold of the greatly
elongated nose of her husband in one hand, and belabours him with a
whip in the other. On the left a group of women toss a husband in
a blanket, and on the right a wife is thrashing her husband on the
ground, whom she also holds by the nose.
Death in the Pot. 6 × 3-1/2. A plethoric figure drinks from a bowl,
while a skeleton figure is about to strike him from above.
Zion Chapel. 13-1/2 × 8-1/4. A congregation of over fifty persons,
who have just emerged from the portal of 'Zion Chaple' (_sic_),
are passing slowly along. The door is blocked up by the departing
worshippers; a fish-woman standing by indulges in some ribald
observations, and a pious old lady holds up her hands in horror.
The Table d'Hôte. 13-3/4 × 9. A spirited and characteristic drawing,
exhibiting a numerous company of both sexes seated at a dinner-table.
French waiters, pig-tailed and nightcapped, are drawing corks,
filling glasses, and flying to and fro with dishes, &c. One of the
guests is teaching a dog to beg; a woman and girl, with tambourine
and triangle, appear on the left to amuse the company.
Interior of a Prison. 9-1/2 × 6. From the collection of the celebrated
Henry Angelo, the professor of fencing, who in his 'Reminiscences'
(vol. ii. p. 324) gives an account of its production. Rowlandson,
it appears, had been robbed one night, and went next day in search
of the thief. 'We first repaired,' says the reminiscent, 'to St.
Giles's, Dyott Street, and Seven Dials. In one of the night-houses
four ill-looking fellows, _des coupes-jarret_, so attracted our
attention that, whilst we sat over our noggins of spirits, as he
(Rowlandson) always carried his sketch-book with him, he made an
excellent caricature group of them for me, introducing a prison in
the background.... He afterwards finished it for me in his best
style, superior to the greater part of his works. This is now (1830)
about forty years ago. The coloured drawing was once included in
my collection.' Here we have the four thieves sitting and lying in
various positions. Prisoners in another group are playing cards.
Another ruffian is stretched at full length asleep in the foreground.
The drawing, grouping, and colouring are alike admirable, and would
have done honour to Salvator Rosa.
'The Miser Lying in State: the Prodigal Heir-Apparent.' 14 × 9-1/2.
The 'heir-apparent,' with his profligate companions, male and female,
is seated at a table, on which we see a punchbowl, &c. A coffin
occupies an elevated position in the background, and from it appears
to be struggling to emerge the supposed defunct miser, while an
allegorical figure above seems to be nailing down the lid.
The Fire. 9-1/2 × 6. On the right a house on fire, flames issuing from
the windows, the doorway crowded with watermen, and persons carrying
out bedding and other effects. On the left firemen manipulating
the hose and directing the stream against the flaming windows,
in ridiculously suggestive attitudes. The central figure is an
enormously fat woman, whose night-dress, drawn up to support a mass
of crockery, displays her _Rubensesque_ and redundant charms to the
watermen, who turn their grinning faces to gaze upon the spectacle.
'Leaving the Premises without Consulting the Landlord.' 11 × 8-1/2.
A cart, seen at the back, heaped up with furniture, occupies the
centre. A woman on the left laden with gridirons, warming-pans, &c.
On the right a girl, graceful as one of Stothard's female figures,
places in the cart a birdcage. In the foreground miscellaneous
articles of minor furniture, and two children playing with the
house-cat.
Outside the Court-House. 14-1/2 × 10-1/2. The scene is apparently the
Magistrate's Court and the Town Hall in some county town. The ground
in front is crowded with various individuals waiting for the cases
in which they are interested to be called on. We see the farmer, the
parson, a jockey, a huntsman, a footman, a butcher, a soldier, an
actor, and many others. The beadle is seated on a step, making love
to an old woman, who holds a tankard in her hand. Dogs are scattered
about, attendant on their masters.
Interior of Eating-House. 7-1/4 × 5. A dining-table, at which are
seated some seventeen people, male and female. One of the guests, a
stout, portly man, has left the table, and is seizing his hat, as if
offended. A neighbour attempts to restrain him, while the waiters
appear amused.
Bridewell. 9 × 6. A procession of fifteen female prisoners are
escorted through the courtyard of Bridewell from one department
of the prison to another, in pairs, in charge of turnkeys, female
warders looking on. Penitence, grief, and hardened impudence are
admirably depicted on the several faces.
Returning from a Voyage. 9-1/2 × 6. A sea beach, with a schooner and
sloops at anchor. A boat has just landed a group of passengers, among
whom is a girl with a cockatoo on her wrist.
Pickaback. 4-1/2 × 3-1/2. A man, carrying a woman on his back, is
fording a brook.
Picture Exhibition. 9 × 5-1/2. Connoisseurs at an exhibition of
pictures.
Gaming House. 9 × 5-1/2. A drawing similar to that which serves as
frontispiece to the 'Beauties of Tom Brown.'
Nymphs Bathing. 8-1/4 × 5-1/4. Eight female figures, entirely nude,
sporting in a stream, or seated on its banks. Leafy background.
Nymphs Attiring. 8-1/4 × 5-1/4. Five female figures, entirely nude,
seated on the banks of a stream, dressing their hair.
The Village Politicians. 15 × 9-3/4. Dated 1821.
FOOTNOTES:
[29] _Vide_ Biography, vol. i. p. 67.
[30] See account of the _Three Tours of Dr. Syntax_, _ante_, pp. 176,
247-252.
[31] Another version of the drawing, in the possession of the Editor,
reproduced (p. 20) as 'The Quay,' in the introductory biographical
sketch to this work.
[32] Antiquity Smith, Author of the 'Life of Nollekens;' once Keeper of
the Prints and Drawings, British Museum, &c.
[33] See _George Cruikshank: the Artist, the Humourist, and the Man,
with some account of his brother Robert. A Critico-Bibliographical
Essay_. By William Bates. B.A., M.R.C.S.E., &c., Professor of Classics
in Queen's College, Birmingham; Surgeon to the Borough Hospital, &c.,
with numerous illustrations by G. Cruikshank, including several from
original drawings in the possession of the author. Houlston and Sons,
1879. Also _The 'Fraser' Portraits. A Gallery of Illustrious Literary
Characters_ (1830-1838), drawn by the late Daniel Maclise, R.A., and
accompanied by Notices chiefly by the late William Maginn, LL.D. Edited
by William Bates, B.A., &c. Chatto and Windus, 1874, 4to.
INDICES.
INDEX OF NAMES, PERSONS, &c.
Ackermann, Rudolph (Rowlandson's publisher), i. 85, 89-93
Ackermann's _Poetical Magazine_, i. 33
Addington, Hon. H., 'The Doctor,' i. 246
Alexander, Emperor of Russia, ii. 281, 294
Angelo, Henry, 'Reminiscences,' i. 55, 64-6, 68, 70-2, 78-9, 85, 87-8,
287, 298-300, 374; ii. 5
Angelo's Fencing Rooms, i. 241
Angelo and Rowlandson at Vauxhall, i. 62-3, 156
-- and Son, Hungarian and Highland Broadsword Exercise, i. 374
-- Henry, his sketch of Simmons, the Murderer, ii. 81
Anstey, Christopher, 'Comforts of Bath,' i. 333-49
Arnold, General, i. 173
Atkinson, Christopher, i. 143-4
Auckland, Lord Eden, i. 173
Austria, Emperor of, ii. 281
Austria, Crown Prince of, ii. 281
Banco to the Knave (Gillray), i. 106
Banks, Sir Joseph, i. 192
Bannister, the Comedian, a Collector, i. 70; ii. 248
-- John, the Comedian, an Art Student, i. 53-4
Barrymore, Lord, i. 58, 161-2, 303
Bate, Dudley, of the _Morning Post_, i. 159
Bates, William, B.A., 'Sketch of Rowlandson's Works,' 'Essay on George
Cruikshank,' ii. 379
Bedford, Duke of, i. 359
Bell, Dr., ii. 216
Beresford, James, ii. 178
Billington, Mrs., i. 158
'Black Dick' (Lord Howe), i. 199
'Blackmantle,' Bernard (pseudo), i. 43; ii. 375, 378-9
Blair, Doctor Hugh, i. 198
Blucher, Prince von, ii. 278-9, 280-1, 293-5
'Book for a Rainy Day,' J. T. Smith, i. 70
Borowloski, Count, 'The Polish Dwarf,' i. 186
Bossy, Doctor, ii. 5
Boswell, James, i. 193-8
Boswell's 'Tour to the Hebrides,' i. 84, 193-8
Buonaparte, the Emperor Napoleon, ii. 42-3, 45, 47, 52, 54, 61, 82-3,
93-102, 130, 159, 162-3, 187, 203-4, 255, 258-64, 271-2, 276-82,
289, 291-3
-- Joseph, King of Spain, ii. 95-6, 98-101
-- Louis, King of Holland, ii. 97, 258-9
Buonaparte's Generals, ii. 291
Brightelmstone in 1789, i. 277
Britannia, 117, 136, 141-2, 247; ii. 6
Buckingham, Marquis of, i. 243
Bullock, Proprietor of 'Bullock's London Museum,' ii. 309
Bunbury, Henry, the Caricaturist, i. 61, 78-80, 369
-- the Caricaturist (illustrated biographical sketch of his life by
Joseph Grego), i. 3
-- Henry, Caricaturist (Gambado's 'Annals of Horsemanship and Academy
for Grown Horsemen'), i. 352-3; ii. 101-15, 217, 221-3
Burdett, Sir Francis, i. 359; ii. 74, 181-2, 184, 365
Burke, Hon. Edmund, i. 112, 118-19, 220, 245, 248, 274, 289; ii. 13
Burton, Alfred, 'Adventures of Johnny Newcome in the Navy,' ii. 363-4
Bute, Lord, i. 141
Butler, S., ii. 174, 198
Camden, Lord, i. 244
Canning, George, verses on 'All the Talents,' ii. 69
Canning, George, ii. 166
Carmarthen, Marquis of, i. 244, 248
Cartright, Major John, i. 121
Castlereagh, Lord, ii. 166
Catalini, Madame, ii. 165
Catharine, Empress of Russia, i. 290
Chambers, Sir William (architect of Somerset House), ii. 217
Charles the Fourth, King of Spain, i. 290, 292; ii. 94
Charlotte, Queen, i. 110, 199-210, 220, 228, 230, 252, 290
Chatham, Lord, i. 244
-- General, ii. 164, 166
Chattelier, Miss (Rowlandson's aunt), i. 52, 63-4
Chiffney (jockey to the Prince of Wales), i. 207
Clarke, Mrs. Mary Anne, ii. 135-64, 166, 181
-- Scandal, The, i. 28; ii. 135-64, 181
Clavering, General, ii. 143
Coleraine, Lord, i. 180, 220, 229. (_See_ Hanger)
Collections of Rowlandson's drawings, i. 5. Appendix
Collings, the Caricaturist, i. 82-4, 191, 193
Combe, William, ii. 247, 268, 317-55, 359-62, 271-2
-- -- (author):
'The Three Tours of Doctor Syntax,' ii. 176, 247-52, 266-7, 269-70,
367, 373, 375
'The Dance of Death,' ii. 317-15
'The Dance of Life,' ii. 359-62
'The History of Johnny Quæ Genus,' ii. 371-2
Corbett, Thomas, High Bailiff for Westminster, ii. 140, 153-4
Cornwall, Views in, ii. 56
Cross Reading (Whiteford's), i. 84
Cruikshank, George, caricaturist, i. 16-19
Cumberland, Duke of, ii. 225
Curtis, Commodore, ii. 163-4
Davy, Sir Humphrey, ii. 366
Derby, Lord, i. 359
Devonshire, Duchess of, i. 124, 126-9, 131-2, 135, 141-2, 152, 158;
ii. 59
Didelot, dancer, i. 283
Don Carlos, ii. 94
Duncannon, Lady, i. 135, 141, 158
Dundas (Lord Melville), i. 121, 134, 243-4, 246; ii. 49-51, 60, 136
Dundas, Sir David, ii. 137
Dunthorne, James, i. 226-7, 314
Elliot, Right Hon. Hugh, English Minister at Dresden, ii. 311
Engelbach, Lewis, 'Letters from Italy, or Naples and the Campagna
Felice,' ii. 267, 301-8
English Caricaturists, i. 2
'English Spy, The,' by 'Bernard Blackmantle,' i. 43
Erskine, Lord, i. 112, 359
'Farquhar,' Ferdinand (pseudo), 'Relics of a Saint,' ii. 317
Ferdinand of Spain, ii. 93
Fielding's 'Tom Jones,' ii. 55-6
Fitzgerald, Mr., i. 161
Fitzherbert, Mrs., i. 170, 220, 226, 248, 276
Fox, Hon. Charles James, ii. 49, 58-61, 109, 112-13, 116-17, 119,
123-7, 129, 131-5, 138-43, 154, 221, 231-2, 245, 248, 270, 359
Fox, General, i. 117
Frederick the Great, i. 182-3
French Ambassador, The, i. 147
Gambado, Geoffrey (pseudo Henry Bunbury), 'Academy for Grown
Horsemen,' i. 352-3
-- -- 'Annals of Horsemanship,' i. 352; ii. 102-15
George the Third, i. 115, 119, 140-1, 182-3, 199-210, 220, 228-9, 248,
251-2, 290, 360; ii. 6, 59, 82, 196
Gillray, the Caricaturist (his life, works, and times, by Joseph
Grego), i. 3-4, 54, 106, 143, 229, 242, 328; ii. 197, 223
Gloucester, Duke of, i. 328
Goldsmith, Oliver, 'The Vicar of Wakefield,' ii. 356-9, 375
Gordon, Duchess of, i. 126, 152
Grafton, Duke of, i. 244, 246-8
Grattan, i. 250, 362
Grego, Joseph:
'An Illustrated Biographical Sketch of Bunbury, the Caricaturist,'
i. 3
'The Works of James Gillray, with the Story of his Life and Times,'
i. 3-4
'A Collection of Drawings by Rowlandson.' Appendix
Grenville, i. 244
-- Lord, ii. 59
Guise, General, his collection of pictures at Oxford, ii. 66
Hadfield. Attempted the life of the King, ii. 6
Hamilton, Sir William, Ambassador at Naples, ii. 311-13
-- Lady, ii. 311-13
Hanger, George, i. 180, 220, 229. (_See_ Coleraine.)
Harrison, W. H., 'The Humourist,' ii. 380-6
Hartley, Mrs. (actress), i. 160
Hastings, Warren, i. 226, 230
-- Marquis of, ii. 299
Haydon, B. R., ii. 378-9
Heath, James, i. 85
-- -- letter to, written by the Caricaturist, ii. 48
Hebrides, Boswell's Journal of a Tour in the, i. 193-8
Heywood ('Old Iron Wig'), i. 70
'Historical Sketch of the Art of Caricaturing,' by J. P. Malcolm,
F.S.A., i. 73-6
'History of Caricature and the Grotesque in Literature and Art,'
i. 3, 76
Hobart, Hon. Mrs. (Lady Buckinghamshire), i. 127, 129-30, 134
Holland, Lord, i. 289
Holman, the actor, i. 165, 190
Hood, Admiral Lord, i. 121, 124, 127, 133, 228
Hook, Theodore, 'Chacun à son Goût,' i. 67
Hooper, the boxer, i. 162
Horne-Tooke, John, i. 327, 359; ii. 74
House, Sam, i. 98-9, 108, 129, 131, 138-9
Howe, Lord, i. 67-8, 199
Howitt, the artist, Rowlandson's brother-in-law, i. 50
John Bull, ii. 42, 43, 47, 50-1, 58, 60-1, 75, 82-3, 93, 101, 130, 159
Johnson, Samuel, LL.D., i. 193-8
Junot, General, ii. 101, 204
Kemble, John Philip, ii. 46, 165
Kent, Duke of, ii. 141-4
King of Prussia, The, i. 182-3
Kingsbury, Caricaturist, i. 242, 290
Knight (Miss Cornelia), authoress, ii. 311-12
Lambert, Daniel, ii. 59-60
Leicestershire Giant, ii. 59-60
Leinster, Duke of, i. 249, 251
Life of Henry Bunbury, the Caricaturist, i. 4, 75-9
Lonsdale (Earl of), i. 136-7
Lord Howe's Action, i. 67-8
Lothian, Marquis of, i. 249, 251
Louis XVI. of France, i. 274, 290
-- XVIII. of France, ii. 292, 295
Lowther, Sir James, i. 136
Loyal Volunteers of London and Environs, i. 375
Lunardi, Vincent, i. 163-4
Malcolm, J. P., F.S.A., 'Historical Sketch of the Art of
Caricaturing,' i. 75-6; ii. 184
Manners, Lord Charles, ii. 215-16
Melville, Lord (_see_ Henry Dundas), ii. 49-51, 60-1, 75
Memoirs of John Bannister, Comedian, i. 47
Mitchell, the Banker, i. 68, 71, 85
Moira, Lord, embarkation for _La Vendée_, i. 68
Morland, George, the Artist, i. 86-7, 239
-- -- Portrait of, by Rowlandson, i. 86; ii. 229, 330
Moser, Michael, Keeper at Somerset House, i. 53
Mulgrave, Lord, ii. 166
Munro, Doctor, i. 124
National Collections of Caricatures, i. 5; ii. Appendix.
Nelson, Admiral Lord, i. 350; ii. 52, 54, 311-13
'Newcome, Johnny' (pseudo), Military Adventures of, ii. 298
Ney, Marshal, ii. 291, 293
Nicols, John, Editor of the _Gentleman's Magazine_, i. 282
Night Auctions, i. 70
Nixon, Henry, the Facetious, i. 82-3; ii. 26, 66
Nollekens, J., Artist, ii. 16, 19
Norfolk, Duke of, i. 359
North, Lord, i. 105-6, 108, 112-13, 116, 119, 124-5, 142, 220
O'Connor, i. 364
O'Kelly, Colonel, i. 259-60
O'Meara, Dr., 146, 155
Orleans, Duke of, i. 252-3, 248, 274
Pacchierolti, i. 98
Paoli, General, i. 193
Papworth, J. B., ii. 268
Parsons, the Comedian, i. 70
Paul, Emperor of Russia, ii. 28-9
Perdita, i. 159
Perry, James, of the _Morning Chronicle_, i. 159
Petersham, Lord, ii. 225
Petty, Lord Henry, ii. 58-60
Picturesque Beauties of Boswell, i. 193-8
'Pindar, Peter,' Trick played off on, i. 71-2
-- -- i. 97, 143, 187-8, 192, 200, 210, 361; ii. 13, 217
Pitt, Hon. William, i. 115, 117, 119, 121, 123, 221, 226, 230, 231-2,
243-8, 360; ii. 22, 28, 49, 50
Pomfret, Lord, ii. 225
Pope Pius the Sixth, i. 290
-- -- the (Pius VII.), ii. 44, 51, 163, 204
Portland, Duchess of, i. 124
-- Duke of, i. 289
Potemkin, i. 292
Priestly, Dr., i. 272
Prince of Wales, i. 110, 132, 140, 152, 159, 170, 220, 226, 229-31,
243, 246-7, 248, 251, 274, 290, 298, 303
-- Regent, ii. 294
Prussia, King of, i. 292
Pugin's 'Microcosm, or London in Miniature,' ii. 125-8
Pyne, W. H. (_Ephraim Hardcastle_), 'Wine and Walnuts,' i. 55-6
-- -- -- _Somerset House Gazette_, i. 55, 57-8, 69
Queen Charlotte, i. 110, 199-200, 220, 228
Queen of Spain, ii. 93
Quirk (Boxer), ii. 226
'Quiz' (pseudo), 'The Grand Master, or Qui Hi in Hindostan,'
ii. 299-301
Ramberg, Caricaturist, i. 223, 225
'Remarks on a Tour to North and South Wales in the Year 1797,'
ii. 19-21
Richmond, Duke of, i. 183, 231, 243-4, 246-8
Robinson, Jack, i. 117-18
-- Mrs., i. 159
Romney (the Painter), ii. 311
Ron, Baron (Quack Dentist), i. 211
Roscius, the Infant, ii. 46
Rosedale, John (Mariner), exhibitor of the pictures at Greenwich
Hospital, ii. 71
Rowlandson, Thomas (the Caricaturist), i. 239, 360