_November 25, 1813._ _A Long Pull, a Strong Pull, and a Pull All

together._ Published by T. Tegg (233).--The end of 1813 promised to

witness the downfall of the great 'little Boney;' one misfortune

followed another; ally after ally abandoned the conqueror, who in the

hour of victory had behaved magnanimously to the subjugated States,

and they in return deserted their new friend when disasters were

pressing on him--a sure proof of the danger of confiding in alliances

extracted at the point of the sword or made in bad faith on grounds

of desperate expediency. As we have seen, the blow came from the

North: the treachery of Bernadotte, King of Sweden, a man who owed

his elevation to the Emperor, pointed the way to prostrate Europe to

free herself from the ambitious thraldom of Napoleon; the Russian Bear

broke his false slumbers, the Austrian and Prussian Eagles escaped

from their chains, Spain was cleared of the invaders, and lastly the

Kingdom of Holland revolted in the rear of the disabled Corsican. The

king, Napoleon's brother, Louis, whom he had imposed on this kingdom,

had voluntarily abdicated the crown in favour of his son, a minor, in

1810. The subject is treated allegorically by Rowlandson. _The Sun of

Tyranny_ is setting on the deep; the fleets of the allies are riding on

the seas, which are once more free, and the Dutch are helping to push

off the Texel fleet to join the common cause. As the Allies marched

against France after Napoleon's defeat at Leipzig, a combined force

was sent against Holland, which had been incorporated with the French

Empire in 1810, and placed under the constitution of Jan. 1, 1811, the

seventeen provinces of the Netherlands being united under the dominion

of France. The Prussian and Russian forces, under General Bülow, were

joined by a detachment from England under General Graham; the old

Orange party once more came into activity, and on November 30, 1813,

the hereditary Stadtholder arrived at the Hague. The caricaturist has

simplified his view of the situation by ignoring the change of affairs

that had intervened since 1810, when the Duke of Piacenza became the

Emperor's representative in Amsterdam until 1811, when the State was

merged into the French Empire. The artist has assumed that the kingdom

had remained as administered at the resignation of Louis, July 1, 1810;

and accordingly the abdicated monarch, without his crown, is pictured

dancing about in a distracted state on the soil of Holland, deploring:

'Oh! Brother Nap, Brother Nap, we shan't be left with half a crown

a-piece!' Napoleon is represented, according to the usual fashion of

the satirists, flying about in an ungovernable frenzy as he views the

receding fleet and recognises the revolt of the Netherlanders: 'Oh!

Brother Joe, I'm all fire; my passion eats me up! Such unlooked-for

storms of ills fall on me! It beats down all my cunning; I cannot

bear it! My ears are filled with noise, my eyes grow dim, and feeble

shakings seize every limb!'

The _Long Pull, Strong Pull, and a Pull all together_ is taking place

on the mainland. The weight and persevering force of John Bull is

telling on the towing-line; the Don Spaniard is hand-over-hand with the

national prototype, a condition of things marvellously altered since

the days of the caricature. A Russian, in furs, is the next in energy;

an Austrian huzzar has the rope well over his shoulder; a Prussian and

others are throwing their exertions into the haul; and all is moving as

merrily as could be desired.

_November 27, 1813._ _The Corsican Toad under a Harrow._ Published by

R. Ackermann, 101 Strand.--The Corsican, who is represented as both

prematurely aged and haggard, is sprawled, spread-eaglewise, on the

ground; upon him is a formidable harrow, which is kept in its place by

the obese figure of a traditional Hollander, who is leisurely smoking,

with his hands in his pockets and an Orange favour in his hat, in

philosophic indifference to the situation and sufferings of the victim,

who is exclaiming, 'Oh! this heavy Dutchman! Oh! had I not enough to

bear before!!!'

A Cossack is goading on the prostrate leader of the French with his

lance; and a bird of prey is swooping down, attracted by the smell of

carrion. The harrow is in vigorous hands, representatives of Austria,

Prussia, and other German Powers; Spaniards, Portuguese, and a British

tar are tugging away with hearty good-will.

_November 27, 1813._ _The Execution of two celebrated Enemies of Old

England, and their Dying Speeches, November 5th, 1813._ Published by

R. Ackermann, 101 Strand.--The effigy of Guy Faux, with his lantern,

is suspended by a rope round his neck to a gallows, and facing him, on

another gallows, is the figure of the Emperor Napoleon, in his uniform

as general of the French army. A bonfire is blazing up bravely, and a

party of schoolboys and villagers are the delighted spectators. A note

informs us that the scene is not an imaginary one, but is a faithful

representation of a 'bonfire at Thorpe Hall, near Louth, Lincolnshire,

on 5th November, 1813, given by the Rev. W. C---- to the boys belonging

to the seminary at Louth, in consequence of the arrival of news of the

decisive defeat of Napoleon Buonaparte by the Allies, at 11 o'clock

P.M. on the 4th, and Louth bells ringing all night.'

_Guy Faux's Dying Speech._

I, Guy Faux, meditating

my country's ruin by the

clandestine and diabolical

means of Gunpowder Plot, was

most fortunately discovered

and brought to condign

punishment by Old England,

and here I bewail my fate.

_Napoleon Buonaparte's Dying Speech._

I, Napoleon Buonaparte, flattered by all the French

nation that I was invincible, have most cruelly and most

childishly attempted the subjugation of the world. I have

lost my fleets, I have lost the largest and finest armies ever

heard of, and I am now become the indignation of the

world and the scorn and sport of boys. Had I not spurned

the firm wisdom of the Right Hon. William Pitt, I might

have secured an honourable peace, I might have governed

the greatest nation; but, alas! my ambition has deceived

me, and Pitt's plans have ruined me.

_November 29, 1813._ _Dutch Nightmare, or the Fraternal Hug Returned

with a Dutch Squeeze._ Published by R. Ackermann.--The great Emperor is

stretched, sleepless, on his imperial state bed, with the diadem above

and a row of captive crowns embroidered round the canopy, the fasces

of Roman lictors at the feet, and the furniture powdered with golden

eagles and fleur-de-lis. This luxurious couch is not to be coveted,

since tranquil rest is out of the question. The Emperor is writhing

in agony, saddled with a nightmare which is not to be dislodged.

The Hollanders at this time contrived to shake themselves free from

their fraternal friends the French, who had laid their country under

contributions until the disciples of freedom prayed to be delivered

from their tutors. The example of Holland and the victories ending

with the triumph at Leipzig gained by the Allies, and especially the

successes secured under Wellington, re-encouraged the subjugated and

prostrate Powers to look forward to the recovery of their freedom,

and to take their revenge on the little conqueror. A stout Dutchman,

dressed in his national costume, and wearing the Orange cockade, is,

according to the picture, returning the lesson in fraternity which had

cost him dear at the hands of the French, by showing his instructor the

vigour of a hearty Dutch squeeze. This heavy incubus, with his hands

in his pockets, is smoking his pipe, and puffing the distasteful fumes

full into the face of the powerless and disgusted Corsican, and crying,

'Orange Boven!'

_November 30, 1813._ _Plump to the Devil we boldly Kicked both Nap and

his Partner Joe._ Published by T. Tegg (234).--The heavy Hollander,

still sporting his Orange colours, is finally roused to dispose of the

intruders by the most summary and quickest method possible; with his

pipe in one hand and a squab bottle of Schiedam, or Dutch courage, held

like a mallet in the other, Mynheer is giving Nap a taste of Dutch

weight; one vigorous kick has propelled the little Corsican high into

the air and plump into the arms of the Father of Evil, who is emerging

from his 'Brimstone Lake' to make sure of his friend. In the distance

another Dutchman, provided with a pitchfork, is prodding Napoleon's

brother Louis--who had been created King of Holland--towards the same

refuge for the destitute; the usurper's crown being left behind in the

flight.

_December 4, 1813._ _The Corsican Munchausen--humming the Lads

of Paris._ Published by R. Ackermann, 101 Strand.--The Emperor,

with all the bombast, bravado, and speciousness of which he had an

excellent command, has summoned a meeting of his faithful subjects and

supporters--who, judging from the expression of their faces, appear

but an unwilling and disaffected audience--in order to present his

infant son to the people. The scion of the great captain is dressed

in a miniature uniform, with a long sabre trailing on the ground,

and a gold stick, which he is trying to fancy is a riding-horse. The

Imperial throne, the back of which bears a Medusa's head and a globe of

the world, is capsized by Munchausen's manoeuvrings. The Corsican is

vapouring on a grand scale, trying ineffectually to raise the ardour of

his dupes: 'Did I not swear I would destroy Austria? Did I not swear

I would destroy Prussia? Did I not leave the Russians 1,200 pieces of

cannon to build a monument of the victory of Moscow? Did I not lead

498,000 men to gather fresh laurels in Russia? Did I not burn Moscow,

and leave 400,000 brave soldiers to perish in the snow, for the good

of the French nation? Did I not swear I would destroy Sweden? Did I

not swear I would have colonies and commerce? Did I not build more

ships than you could find sailors for? Did I not burn all the British

produce, bought and paid for by my faithful merchants, before their

faces, for the good of them and of my good people of Paris? Have I not

called my troops from Holland, that they might not winter in that foggy

climate? Have I not called my troops from Spain and Portugal, to the

ruin of the English? Did I not change my religion and turn Turk, for

the good of the French nation? Have I not blown up the corporal for

blowing up the bridge? Have I not robbed the churches of twenty flags

to send to my Empress, for the loss of my own flags and eagles? And

now, for the good of my Empire, behold, O ye Lads of Paris! I have put

the King of Rome in breeches!!!'

_December 6, 1813._ _Funking the Corsican._ Published by R.

Ackermann.--The situation of the Emperor, as pictured by Rowlandson, is

becoming critical; he is elevated on a cask of 'real Hollands Geneva,'

on the top of which he is dancing about in exasperation, unable to

assist himself, and surrounded by his enemies, who are all putting the

great conqueror to his wits' end and revenging themselves by smoking

out the Corsican; each of the representatives of the rebellious States

and Powers being armed with a pipe, and pouring volumes of the fumes

round the person of the tortured general; Spain, Portugal, Hanover; the

Cossack, the Pole, Austria, Sweden, Bavaria, and Prussia, seated on a

cannon, are all assisting; the King of Würtemburg is provided with a

flask of 'Würtemburg drops;' John Bull has his foaming jug of 'brown

stout;' while the Dutch Mynheer, seated on a cask of Dutch herrings,

with his tobacco-pouch and twists of pigtail, is drawing a flagon of

Geneva to drink success to his Serene Highness, sending out a volume

of tobacco-fumes, which are completing the irritation of the badgered

Corsican, who is kicking off the head of the Hollands cask, into which

he will evidently plump head over ears--

The fly that sips treacle is lost in the sweets.

Before disappearing condign vengeance is threatened on the heads of his

enemies: 'Oh! you base traitors and deserters! Eleven hundred thousand

Lads of Paris shall roast every one of you alive, as soon as they can

catch you!'

_December 10, 1813._ _The Mock Phoenix!!! or a vain attempt to rise

again._ Published by R. Ackermann.--Holland, in the person of a Dutch

skipper, and Russia, in that of a Cossack, are blowing and stirring

a fire which is to consume the Corsican. Flames are issuing from the

furnace, and, in spite of the exertions of the stokers, the figure of

the Emperor is seen dwarfed, but still intact, in the thick of the

fire, but whether he will rise seems doubtful; his diadem is in full

blaze, while the orb and sceptre are snatched away by certain diabolic

claws, and the phoenix process threatens to prove a signal failure.

Serpents are crawling out of the mouth of the furnace; showers of

snakes, dragons, devils, and all kinds of monsters, kin of the phoenix,

are hovering amidst the smoke, and making hostile demonstrations

against the declining conqueror.

_December 12, 1813._ _Friends and Foes--up he Goes--Sending the

Corsican Munchausen to St. Cloud._ Published by R. Ackermann.--The

Emperor is left, unsupported, in the hands of his enemies, now turned

into tormentors: he is thrown into a blanket and tossed up into the

air, and is suffering worse discomforts than did Sancho Panza under

a similar infliction; crown, sceptre, and sword are shaken off. '_O

misericorde!_' cries the flying Munchausen as he is sent up to the

clouds. John Bull (whose wig and hat have been thrown aside), the

Dutch Mynheer, and Spanish Don are performing wonders with their side

of the blanket; then come the Cossack, the Pope, the Pole, the Prince

Imperial of Austria, the Emperors of Russia and Austria, and the Kings

of Prussia, Hanover, and Würtemburg, who are all lending a hand to

torment the Corsican.

_December 14, 1813._ _Political Chemists and German Retorts, or

Dissolving the Rhenish Confederacy._ Published by R. Ackermann.--A

delicate operation, which has engaged the attention of all the leading

Powers of Europe, is supposed to be proceeding. The colossal power

of the Corsican is undergoing transmutation, and the conqueror is

gradually being resolved into his original elements. A _German Stove_

supplies the furnace, and the fuel is recruited from John Bull's _Coal

Tub_; that patriotic person is assisting the process as one of the

leading experimental chemists; _Dutch bellows_ are furnishing various

powerful blasts; the _Spanish Don_ is pounding some effectually

irresistible chemicals in his famous mortar, _Saragossa_. The Corsican

has been forced into a receiver; Bernadotte is pouring in a portion of

_sulphate of Swedish iron_ before the cover is fixed on; the Emperor,

who has been reduced to mere pigmy proportions, is praying for time:

'Oh, spare me till the King of Rome is ripe for mischief yet to come!'

In various retorts are seen the several elements which entered into

the Imperial analysis, now resolved apart--_Intrigue and Villany_,

_Ambition and Folly_, _Gasconade and Lies_, _Arrogance and Atrocity_,

_Fire and Sword_, _Murder and Plunder_. All the leading States of

Europe are engaged in the operation; the King of Würtemburg is giving

his instructions; Prussia, Austria, Hesse, &c., are all interested

in the success of the operation. The Pope has contributed two potent

agents, _Fulminating powder_, and _Drops from the vial of wrath_.

Russia, Poland, the Emperor of Austria, &c., are seated, as chemists,

at a table dividing out the agents selected to dissolve the structure

raised by Napoleon. From certain tracts at the Cossack's feet we learn

that the 'liberty of Germany' and the 'downfall of Boney' are settled

projects; while the name of Napoleon, as protector of the Rhenish

confederacy, is crossed out, and that of 'Francis, Emperor of Austria,

restored 1813,' is substituted in its old ascendency.

_Napoléon le Grand. Inventée par Dubois; Alex. Tardieu effigiem del.

Deposée à la Bibliothèque Impériale._--A parody of the French plate of

Napoleon's apotheosis--

Astre brillant, immense, il éclaire, il féconde,

Et seul fait, à son gré, tous les destins du monde.-VIGÉE.

The head of Napoleon appears as the centre of the constellation, _Polar

Star_, elevated, in this case, like that of a traitor, on a pole, and

surrounded by entwined and hissing serpents. Above is the face of

Satan, wearing a crown of _Damnation_, supported by two escutcheons,

marked _Heart of Tyrant_, and _Vulture_, with scourges and pronged

forks. The pole is elevated on the great globe; in either corner

is a French eagle; above the Imperial ensigns are pikes, axes, and

standards, 'flags manufactured for the Empress,' &c.

The lustre of the constellation, Napoleon, is likely to suffer an

eclipse from the sudden descent of a Dutch comet--a philosophic

Hollander, seated astride on a barrel of Hollands Schiedam, the

contents of which he is ignominiously discharging over the head of

the solitary star of the firmament. The golden rays with which the

_astre brillant_ is illuminating the universe owe their source to the

following luminous achievements:--

Assisting in the assassination of Louis the Sixteenth, my

Benefactor.

Murdering the citizens of Paris under Robespierre.

Murdering the citizens of Toulon.

Insulting the Pope, robbing and plundering the churches, &c., &c.

Poisoning my own sick soldiers at the hospital at Jaffa.

Murdering the Duke d'Angouléme.

Treacherously betraying the King of Spain and his family.

Murdering the inhabitants of Madrid in cold blood.

Murdering Captain Wright in the Temple, at Paris.

Marrying two wives and intriguing with the daughter of one of them.

The murder of Palm, of Hofer, &c., &c.

Leading 500,000 Frenchmen to perish in Russia by the severity of

the season 1812.

Losing another similar army the following year in Germany, 1813.

Writing lying bulletins.

Losing all the colonies, commerce, and shipping.

And for all these brilliant exploits I am now to be sent headlong to

the Devil.

_December 25, 1813._ _Mock Auction, or Boney Selling Stolen Goods._

Published by R. Ackermann, 101 Strand.--Napoleon is pictured, before

his reverses became of a decided character, contemplating realising

the conquests he had in hand, with a possible view of retiring from

the trade. The Emperor has a sale-pulpit, and is himself officiating

as auctioneer; the lot which is being offered is the crown of Spain;

an old general is holding up the diadem, and the auctioneer, impatient

at the indifference of the purchasers, is crying, 'What! no bidding

for the crown of Spain? Then take the other crowns and lump them

into one lot'--referring to a pile of diadems, the crowns of Russia,

Austria, Prussia, the Papal tiara, &c., thrown into a corner, with

bundles of standards, 'lots of useless eagles,' &c. Lot 2, 'Twenty

flags, the property of the Empress,' 'Kingdom of Prussia,' 'Kingdom of

Westphalia,' 'Saxony,' 'United Provinces,' &c. The Empress is standing

behind her husband, with the infant prince in her arms. Napoleon's

heir is dressed in a uniform like his father's; his face is that of a

monkey. 'I suppose daddy will put us up for sale?' he is represented as

saying to the Empress.

The Mock Auction has drawn plenty of company together. The Dutchman

is smoking his pipe with his accustomed philosophy; a British tar is

patting him on the back, as his very cordial ally, and ridiculing

the Corsican's failure. The King of Würtemburg, Russia pictured as a

Cossack, Austria as a huzzar, Prussia, Bavaria, and other Powers are

present. The Spanish Don is making light of Buonaparte's pretence of

offering his crown for sale; 'That a crown!' he is shouting. 'It's not

worth half a crown!'

_December 30, 1813._ _How to Vault in the Saddle, or a new-invented

Patent Crane for the Accommodation of Rheumatic Rectors._ Rowlandson

delin. and publisher.--The incident depicted is taking place at the

door of the rectory, beside the church porch, where a crane has been

erected for the accommodation of the gouty and unwieldy divine. Two

frisky and solidly-built damsels are hauling away at a rope, to

which a sling is attached. The corpulent rector is swinging in mid

air, preparatory to being lowered into the saddle; in his pocket is

shown a discourse on the apposite text--'_He that humbleth himself

shall be exalted_.' A grinning groom is holding the head of a

high-cruppered horse; the minister's steed is a curiously constructed

instance of equine anatomy, fondly reviving the image of the faithful

_Grizzle_, rendered memorable as the _Rosinante_ of Doctor Syntax,

the long-enduring companion of his famous _Tour in Search of the

Picturesque_.

1813 (?). _Witches in a Hayloft._ Woodward delin., Rowlandson

sculp. Published by T. Tegg (226).--Two witches of orthodox type,

with broomsticks, red cloaks, and steeple-crowned hats, are seated

at a cauldron, working incantations, to assist at which serpents,

hobgoblins, and various weird monsters are conjured up. A rustic clown,

with a lantern and hayfork, who has thrown back the trapdoor, and is

ascending to the hayloft for some purpose, is paralysed with horror and

affright at the unholy spectacle suddenly revealed to his sight.

1813. _Business and Pleasure._ Published by T. Tegg. (272).

1813. _The Glutton._ Published by T. Tegg (274).

1813. _The Quaker and the Commissioners of Excise._ Woodward del.,

Rowlandson sculp. Published by T. Tegg (276).--Four well-fed

Commissioners, the members of a board, seated at the green baize, are

cross-questioning a Quaker, represented in a suit of conventional

sad-coloured apparel, and wearing the typical broad-brimmed hat. The

humility of the sectarian has proved too deep for the inquisitors,

whose exactions he is evading. The chairman is indignantly remarking,

'What an impertinent fellow to keep on his hat before such a dignified

assembly!' Cries one of the examiners, 'None of your _thees_ and

_thous_ here, sir--come to the point--we know you have evaded certain

duties.' 'Pray, sir, do you know what we sit here for?' pertinently

demands another commissioner; to which the Quaker, with clasped hands,

and rocking himself, like _Mawworm_, on his toes, responds, 'Verily I

do--some sit here for five hundred, others for a thousand; and moreover

I have heard it reported that some sit here for two thousand pounds per

annum!'

[Illustration: DR. SYNTAX, IN THE MIDDLE OF A SMOKING HOT POLITICAL

SQUABBLE, WISHES TO WET HIS WHISTLE.]

1813. _Doctor Syntax, in the Middle of a Smoking Hot Political

Squabble, wishes to Wet his Whistle._ Published by Thomas Tegg,

Cheapside (209).

1813 (?). _A-going! A-going!_ Newton del., Rowlandson sculp., Published

by T. Tegg.--A wretched invalid--propped up in an armchair, without the

power to assist himself--has evidently done with the 'prescriptions,

boluses, and blisters' at his side, since the ranges of physic-bottles

which ornament his apartment have, to all appearance, finished

the patient's business effectually; he is visited by a corpulent

self-satisfied practitioner, whose hat is under one arm and his cane

under the other; the doctor is addressing his unconscious patient: 'My

dear sir, you look this morning the picture of health; I have no doubt

at my next visit I shall find you utterly cured of all your earthly

infirmities.'

1813 (?). _Giving up the Ghost, or one too many._ Newton del.,

Rowlandson sculp. Published by T. Tegg (292).--Stretched on a poor

pallet, in a bare chamber, lies a wretched sufferer; by his side,

sleeping in an armchair, is a lace-ruffled and powdered doctor, in

whose pocket appears a dose labelled _Final_. An undertaker, in

professional weeds, is coming in at the door, with his crape-bound

mute's wand in his hand, and a coffin strapped on his shoulder. The

ghostly personification of Death, as a skeleton, holding up his

hour-glass, is pointing his dart through the latticed window. Below the

chair of the smug slumbering practitioner appears a paper bearing the

well-known lines:--

I purge, I bleeds, I sweats 'em;

Then, if they die, I lets 'em!

1813. _The Cobbler's Cure for a Scolding Wife._ Published by T. Tegg

(294).

[Illustration: THE COBBLER'S CURE FOR A SCOLDING WIFE.]

1813 (?). _Cracking a Joke._ Woodward del., Rowlandson sculp. Published

by T. Tegg (296).

1813 (?). _The Ghost of my Departed Husband, or whither, my Love, ah!

whither art thou gone?_ Rowlandson sculp.--A grotesque scene in a

churchyard. An old lady is rolling over in consternation amongst the

graves, and with apparently some substantial motive for her alarm; a

fantastic monster, in a red nightcap, has tripped her up, while an

old gentleman, cautiously proceeding with staff and lantern, is very

considerably shocked at the lady's sudden upset.

1813. _Hopes of the Family, or Miss Marrowfat at Home for the

Holidays._ Published by T. Tegg (296).

1813. Engelbach (Lewis). _Letters from Italy_, (_Repository of Arts_,

1809-13). Republished as _Naples and the Campana Felice_. Seventeen

plates by T. Rowlandson. (See 1815.)

1813. _Poetical Sketches of Scarborough._ Text signed 'J. P.' (J. B.

Papworth), text initialled 'W.' (Rev. Francis Wrangham), and anonymous

text written by William Combe. The titlepage runs thus:--'_Poetical

Sketches of Scarborough. Illustrated by twenty-one engravings of

humorous subjects. Coloured from original designs made upon the spot

by J. Green, and etched by T. Rowlandson._ London: Printed for R.

Ackermann, 101 Strand. 1813.'

'Advertisement.--The originals of the plates introduced in this

volume were sketches made as _souvenirs_ of the place during a visit

to Scarborough in the season of 1812. They were not intended for

publication; but being found to interest many persons of taste, several

of whom expressed a desire to possess engravings of them, and some

gentlemen having offered to add metrical illustrations to each, the

present form of publication has been adopted.

'The several authors were not personally acquainted with each other. If

this circumstance, and that of every design having been made previously

to the composition of a single couplet, be considered fair ground of

extenuation for faults, they claim its advantages.'

_Illustrations._

Frontispiece.--Widow Ducker, and her Nymphs.

A Trip to Scarbro'. (The Coach upset in a Duckpond.) (York.)

The Breakfast. (Parlour of the 'Old Bell Inn.')

The Spa. (Spa Well Stairs.)

Spa Terrace.

Boot and Shoe Shop.

The Castle (and North Shore).

The Warm Bath.

Cornelian Bay.

Sea Bathing.

A Drive on the Sands (Newby and Scalby).

The Church and Churchyard.

The Shower Bath.

The Library.

The Promenade.

The Theatre.

The Ball-room.

The Terrace Steps.

The Water Party.--Wet Quakers.

The Post Office.

The Departure.

_August 16, 1813._ _The Tour of Doctor Syntax in Search of the

Picturesque. A Poem._ Illustrations drawn and etched by T. Rowlandson.

Rowlandson the Caricaturist; a Selection from His Works. Vol. 2 · 第 23 / 42 段