THE KEEPSAKE.

* * * * *

Without going into a dreamy discussion on the _literature_ of this work,

we venture to say it has rather retrograded from, than improved upon the

volume of last year. Great and titled names only furnish the _gilt:_ and

this fact is now so generally understood, that readers are no longer

deceived by them, in the quality of the gingerbread. Mr. Watts is so

convinced of this fact, that he has given the cut direct to many titled

authors; and, for aught we know, he has produced as good a volume this

year as on any former occasion. The proprietor of the _Keepsake_ appears

to think otherwise; and his editor has accordingly produced a book of

very meagre interest, though of mightier pretensions than his rivals.

Months ago we were told by announcement, paragraph and advertisement, of

a tragedy, _The House of Aspen_, by Sir Walter Scott, which now turns

out to be as dull an affair as any known in these days of dramatic

poverty and theatrical ups and downs. Sir Walter, in an advertisement of

great modesty, dated April 1, says, that "being of too small a size of

consequence for a separate publication, the piece is sent as a

contribution to the _Keepsake_, where its demerits may be hidden amid

the beauties of more valuable articles." The piece has been adapted to a

minor stage with some effect, but nothing higher than a melodrama. We

have neither room nor inclination to extract a scene, but one of the

metrical pieces has tempted us:--

Sweet shone the sun on the fair Lake of Toro,

Weak were the whispers that waved the dark wood,

As a fair maiden bewilder'd in sorrow,

Sigh'd to the breezes and wept to the flood.

"Saints from the mansion of bliss lowly bending,

Virgin, that hear'st the poor suppliant's cry,

Grant my petition, in anguish ascending.

My Frederick restore, or let Eleanor die."

Distant and faint were the sounds of the battle,

With the breezes they rise, with the breezes they fail,

Till the shout, and the groan, and the conflict's dread rattle,

And the chase's wild clamour came loading the gale.

Breathless she gaz'd through the woodland so dreary,

Slowly approaching, a warrior was seen;

Life's ebbing tide mark'd his footstep so weary,

Cleft was his helmet, and woe was his mien.

"Save thee, fair maid, for our armies are flying;

Save thee, fair maid, for thy guardian is low;

Cold on yon heath thy bold Frederick is lying,

Fast through the woodland approaches the foe."

Two of the best stories are The Bride, by Theodore Hook, and the

Shooting Star, an Irish tale, by Lord Nugent; and a Dialogue for the

year 2310, by the author of Granby, has considerable smartness. The

scene is in London, where one of the speakers has just arrived "from out

of Scotland; breakfasted this morning at Edinburgh, and have not been in

town above a couple of hours. The roads are dreadfully heavy now:

conceive my having been seven hours and a half coming from Edinburgh to

London. Killing between four and five thousand head of game in one day

is shooting ill; and one of the party has a gun which would give

twenty-seven discharges in a minute, and mine would give only

twenty-five. I really must change my maker. Have you seen the last new

invention, the hydro-potassian lock?" Hunting machines, that would fly

like balloons over a ten-foot wall--A candidate for the Circumnavigation

Club, who has been four times round the world in his own, yacht--A point

of bad taste to make a morning call by daylight--Dining at twelve

P.M.--A spring-door with a self-acting knocker, which gives a treble

knock, and is opened by a steam porter in livery--A chair mounting from

the hall, through the ceiling, into the drawing room--Talking to a lady

two miles off through a telescope, till one's fingers ache--A

callisthenic academy for the children of pauper operatives--An automaton

note-writer--A lady professing ignorance of Almack's, "a club where

Swift and Johnson used to meet, but I don't profess to be an

antiquarian"--"Love and Algebra," one of the common scientific novels

thumbed by coal-heavers and orange-women, very well for the common

people--Every thing is taught them now by means of scientific novels:

such as "Geological Atoms, or the Adventures of a Dustman"--Doubted

very much whether English wheat is fit for any thing but the brute

creation--Dark times of the 19th century--Six-hourly and half-daily

newspapers--"_apropos_, as the hackney-coachmen say"--Turkey, one

of the southern provinces of Russia--His Majesty Jonathan III. of

Washington--The Emperor of India--The Burmese Republic--English the

language of three-fourths of Asia, nine-tenths of North America, half

Africa, and all the insular states in the South Seas--and England, that

little kingdom, with a population of not more than forty millions, has

had the honour of colonizing half the globe; but "these countries are

our colonies no longer." Such are a few of the wonders of 2130! In the

Dialogue is an admirable joke with a scientific street-sweeper and a

learned beggar, who pleads _necessitas non habet legem_, and "embraces

the profession of an operative mendicant." But here is a _morceau_:

_Lady D._--Ah! Lord A.! Mr. C.! most unexpected persons both! I heard

only yesterday that one of you was in Greenland, and the other in

Africa. What false reports they circulate!

_Lord A._--The reports were true not long ago, and I believe we returned

about the same time. You, Lady D., have been also travelling, I believe.

_Lady D._--Yes, we were out of England in the winter. Our physician

commanded a warmer climate for Lord D. so we took a villa on the Niger,

and afterwards spent a short time at Sackatoo.

_Mr. C._--I suppose you found it full of English?

_Lady D._--Oh, quite full--and such a set! We knew hardly any of them.

In fact, we did not go there for society. We met a few pleasant people,

Australians; the Abershaws, the Hardy Vauxes, and Sir William and Lady

Soames.

_Mr. C._--Did you go by the new Tangier and Timbuctoo road?

_Lady D._--Yes, we did, and we found it excellent. By the bye, Lord A.,

to digress to a different latitude, how did you succeed in your last

excursion to the North Pole?

_Lord A._--To tell you the truth, extremely ill; we had most

improvidently taken with us scarcely enough of the _solvent_ to work our

way through the ice, and our concentrated essence of caloric was found

to be of a very inferior quality. I shall try again next summer.

_Lady D._--I believe we shall go to Spitzbergen ourselves.

_Lord A._--I am happy to think that, in that case, I may perhaps have

the pleasure of meeting you there on my return. I must go to the Pole,

by the way of North Georgia: I am engaged to visit an Eskimaux friend.

Still more ludicrous are the following historical blunders:--One of the

party asks how Napoleon is introduced in an historical novel of 1830?

The reply is--"He and the Emperor Alexander of Russia are introduced

dining with the King at Brighton. Napoleon quarrels with the two

sovereigns, and challenges them to a personal encounter. Each claims the

right of fighting by deputy. The King of England appoints his prime

minister, the Duke of Wellington; the Emperor Alexander appoints Prince

Kutusoff. The Duke of Wellington is to go out first, and is to meet

Napoleon at Battersea Fields. There were open fields at Battersea:

_then_: only think! open fields! I don't know how the duel ends--I am

just in the midst of it--it is so interesting."

The author of _Anastasius_ (Mr. Thos. Hope) has contributed five or six

pages on Self-love, Sympathy, and Selfishness--which are deep enough for

any Lady D. of this or the next century. We expected a powerful and

picturesque tale of the East, and not such sententious matter as

this:--"Every sentient entity, from the lowest of brutes to the highest

of human beings, desires self-gratification:" we may add, a principle as

well understood in Covent-garden as in Portland-place. Mr. Banim has

written The Hall of the Castle, an interesting Irish story; and Lord

Normanby, The Prophet of St. Paul's, of the date of 1514--which

concludes the volume.

Among the Poetry are some pretty verses by Lord Porchester; but it is

well that metrical pieces do not predominate, for some of the writers

are sadly unmusical sonneteers.

The "Letters from Lord Byron to several Friends" are not of interest

enough for the space they occupy.

The _Plates_ are beyond praise. The Frontispiece Portrait of Lady

Georgiana Agar Ellis, by Charles Heath, is one of the most exquisite

ever engraved; and two plates illustrating Sir Walter Scott's _House of

Aspen_ have the effect of beautiful pictures on a blank wall. _Two_

views of Virginia Water are, perhaps, questionable in the same volume;

but they are admirably engraved. Wilkie's "beautiful, though," as Lord

Normanby says, "somewhat slight cabinet picture of the Princess Doria

and the Pilgrims[1]" has been finely executed by Heath; and a View of

Venice, from a drawing by Prout, is a masterpiece of Freebairne. Equal

to either of these is The Faithful Servant, engraved by Goodyear, after

Cooper, and Dorothea, the title-page plate. Of The Bride, engraved by

Charles Heath, from a picture by Leslie, it is impossible to speak in

terms of sufficient praise, as it is, without exception, one of the

loveliest prints ever beheld. We have had our laugh at The Portrait, a

scene from Foote, painted by Smirke, and engraved by Portbury. Its whim

and humour is describable only by the British Aristophanes. We can only

add, that it is Lady Pentweazle sitting to Carmine for her portrait--the

look that he despairs of imitating, as we do Foote's account of her

family:--

[1] Some nice calculators have estimated that the various sums

received by Mr. Wilkie for the supplies he has furnished to the

Illustrations of the Annuals of the coming season amount to

upwards of £1,000.--_Athenaeum_.

"All my family, by the mother's side, are famous for their eyes. I have

a great aunt amongst the beauties at Windsor; she has a sister at

Hampton Court, a perdegeous fine woman! she had but one eye, but that

was a piercer: that one eye got her three husbands."

The painter appears to us to be a portrait of Foote. We ought not to

forget to mention, at least, Francis I. and his Sister, splendidly

engraved by C. Heath, from a picture by Bonington.

* * * * *

The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 402, Supplementary Number (1829) · 第 7 / 21 题