I was then eighteen years old--a good time!

I walked and walked along the cold wet sand, making my chattering

teeth warble in honour of cold and hunger, when suddenly, as I was

carefully searching for something to eat behind one of the empty

crates, I perceived behind it, crouching on the ground, a figure in

woman's clothes dank with the rain and clinging fast to her stooping

shoulders. Standing over her, I watched to see what she was doing. It

appeared that she was digging a trench in the sand with her

hands--digging away under one of the crates.

"Why are you doing that?" I asked, crouching down on my heels quite

close to her.

She gave a little scream and was quickly on her legs again. Now that

she stood there staring at me, with her wide-open grey eyes full of

terror, I perceived that it was a girl of my own age, with a very

pleasant face embellished unfortunately by three large blue marks.

This spoilt her, although these blue marks had been distributed with a

remarkable sense of proportion, one at a time, and all were of equal

size--two under the eyes, and one a little bigger on the forehead just

over the bridge of the nose. This symmetry was evidently the work of

an artist well inured to the business of spoiling the human

physiognomy.

The girl looked at me, and the terror in her eyes gradually died

out... She shook the sand from her hands, adjusted her cotton

head-gear, cowered down, and said:

"I suppose you too want something to eat? Dig away then! My hands are

tired. Over there"--she nodded her head in the direction of a

booth--"there is bread for certain ... and sausages too... That booth

is still carrying on business."

I began to dig. She, after waiting a little and looking at me, sat

down beside me and began to help me.

We worked in silence. I cannot say now whether I thought at that

moment of the criminal code, of morality, of proprietorship, and all

the other things about which, in the opinion of many experienced

persons, one ought to think every moment of one's life. Wishing to

keep as close to the truth as possible, I must confess that apparently

I was so deeply engaged in digging under the crate that I completely

forgot about everything else except this one thing: What could be

inside that crate?

The evening drew on. The grey, mouldy, cold fog grew thicker and

thicker around us. The waves roared with a hollower sound than before,

and the rain pattered down on the boards of that crate more loudly and

more frequently. Somewhere or other the night-watchman began springing

his rattle.

"Has it got a bottom or not?" softly inquired my assistant. I did not

understand what she was talking about, and I kept silence.

"I say, has the crate got a bottom? If it has we shall try in vain to

break into it. Here we are digging a trench, and we may, after all,

come upon nothing but solid boards. How shall we take them off? Better

smash the lock; it is a wretched lock."

Good ideas rarely visit the heads of women, but, as you see, they do

visit them sometimes. I have always valued good ideas, and have always

tried to utilise them as far as possible.

Having found the lock, I tugged at it and wrenched off the whole

thing. My accomplice immediately stooped down and wriggled like a

serpent into the gaping-open, four cornered cover of the crate whence

she called to me approvingly, in a low tone:

"You're a brick!"

Nowadays a little crumb of praise from a woman is dearer to me than a

whole dithyramb from a man, even though he be more eloquent than all

the ancient and modern orators put together. Then, however, I was less

amiably disposed than I am now, and, paying no attention to the

compliment of my comrade, I asked her curtly and anxiously:

"Is there anything?"

In a monotonous tone she set about calculating our discoveries.

"A basketful of bottles--thick furs--a sunshade--an iron pail."

All this was uneatable. I felt that my hopes had vanished... But

suddenly she exclaimed vivaciously:

"Aha! here it is!"

"What?"

"Bread ... a loaf ... it's only wet ... take it!"

A loaf flew to my feet and after it herself, my valiant comrade. I had

already bitten off a morsel, stuffed it in my mouth, and was chewing

it...

"Come, give me some too!... And we mustn't stay here... Where shall we

go?" she looked inquiringly about on all sides... It was dark, wet,

and boisterous.

"Look! there's an upset canoe yonder ... let us go there."

"Let us go then!" And off we set, demolishing our booty as we went,

and filling our mouths with large portions of it... The rain grew more

violent, the river roared; from somewhere or other resounded a

prolonged mocking whistle--just as if Someone great who feared nobody

was whistling down all earthly institutions and along with them this

horrid autumnal wind and us its heroes. This whistling made my heart

throb painfully, in spite of which I greedily went on eating, and in

this respect the girl, walking on my left hand, kept even pace with

me.

"What do they call you?" I asked her--why I know not.

"Natasha," she answered shortly, munching loudly.

I stared at her. My heart ached within me; and then I stared into the

mist before me, and it seemed to me as if the inimical countenance of

my Destiny was smiling at me enigmatically and coldly.

* * * * *

The rain scourged the timbers of the skiff incessantly, and its soft

patter induced melancholy thoughts, and the wind whistled as it flew

down into the boat's battered bottom through a rift, where some loose

splinters of wood were rattling together--a disquieting and depressing

sound. The waves of the river were splashing on the shore, and sounded

so monotonous and hopeless, just as if they were telling something

unbearably dull and heavy, which was boring them into utter disgust,

something from which they wanted to run away and yet were obliged to

talk about all the same. The sound of the rain blended with their

splashing, and a long-drawn sigh seemed to be floating above the

overturned skiff--the endless, labouring sigh of the earth, injured

and exhausted by the eternal changes from the bright and warm summer

to the cold misty and damp autumn. The wind blew continually over the

desolate shore and the foaming river--blew and sang its melancholy

songs...

Our position beneath the shelter of the skiff was utterly devoid of

comfort; it was narrow and damp, tiny cold drops of rain dribbled

through the damaged bottom; gusts of wind penetrated it. We sat in

silence and shivered with cold. I remembered that I wanted to go to

sleep. Natasha leaned her back against the hull of the boat and curled

herself up into a tiny ball. Embracing her knees with her hands, and

resting her chin upon them, she stared doggedly at the river with

wide-open eyes; on the pale patch of her face they seemed immense,

because of the blue marks below them. She never moved, and this

immobility and silence--I felt it--gradually produced within me a

terror of my neighbour. I wanted to talk to her, but I knew not how to

begin.

It was she herself who spoke.

"What a cursed thing life is!" she exclaimed plainly, abstractedly,

and in a tone of deep conviction.

But this was no complaint. In these words there was too much of

indifference for a complaint. This simple soul thought according to

her understanding--thought and proceeded to form a certain conclusion

which she expressed aloud, and which I could not confute for fear of

contradicting myself. Therefore I was silent, and she, as if she had

not noticed me, continued to sit there immovable.

"Even if we croaked ... what then...?" Natasha began again, this time

quietly and reflectively, and still there was not one note of

complaint in her words. It was plain that this person, in the course

of her reflections on life, was regarding her own case, and had

arrived at the conviction that in order to preserve herself from the

mockeries of life, she was not in a position to do anything else but

simply "croak"--to use her own expression.

The clearness of this line of thought was inexpressibly sad and

painful to me, and I felt that if I kept silence any longer I was

really bound to weep... And it would have been shameful to have done

this before a woman, especially as she was not weeping herself. I

resolved to speak to her.

"Who was it that knocked you about?" I asked. For the moment I could

not think of anything more sensible or more delicate.

"Pashka did it all," she answered in a dull and level tone.

"And who is he?"

"My lover... He was a baker."

"Did he beat you often?"

"Whenever he was drunk he beat me... Often!"

And suddenly, turning towards me, she began to talk about herself,

Pashka, and their mutual relations. He was a baker with red moustaches

and played very well on the banjo. He came to see her and greatly

pleased her, for he was a merry chap and wore nice clean clothes. He

had a vest which cost fifteen rubles and boots with dress tops. For

these reasons she had fallen in love with him, and he became her

"creditor." And when he became her creditor he made it his business to

take away from her the money which her other friends gave to her for

bonbons, and, getting drunk on this money, he would fall to beating

her; but that would have been nothing if he hadn't also begun to "run

after" other girls before her very eyes.

"Now, wasn't that an insult? I am not worse than the others. Of course

that meant that he was laughing at me, the blackguard. The day before

yesterday I asked leave of my mistress to go out for a bit, went to

him, and there I found Dimka sitting beside him drunk. And he, too,

was half seas over. I said, 'You scoundrel, you!' And he gave me a

thorough hiding. He kicked me and dragged me by the hair. But that was

nothing to what came after. He spoiled everything I had on--left me

just as I am now! How could I appear before my mistress? He spoiled

everything ... my dress and my jacket too--it was quite a new one; I

gave a fiver for it ... and tore my kerchief from my head... Oh, Lord!

What will become of me now?" she suddenly whined in a lamentable

overstrained voice.

The wind howled, and became ever colder and more boisterous... Again

my teeth began to dance up and down, and she, huddled up to avoid the

cold, pressed as closely to me as she could, so that I could see the

gleam of her eyes through the darkness.

"What wretches all you men are! I'd burn you all in an oven; I'd cut

you in pieces. If any one of you was dying I'd spit in his mouth, and

not pity him a bit. Mean skunks! You wheedle and wheedle, you wag your

tails like cringing dogs, and we fools give ourselves up to you, and

it's all up with us! Immediately you trample us underfoot... Miserable

loafers"

She cursed us up and down, but there was no vigour, no malice, no

hatred of these "miserable loafers" in her cursing that I could hear.

The tone of her language by no means corresponded with its

subject-matter, for it was calm enough, and the gamut of her voice was

terribly poor.

Yet all this made a stronger impression on me than the most eloquent

and convincing pessimistic books and speeches, of which I had read a

good many and which I still read to this day. And this, you see, was

because the agony of a dying person is much more natural and violent

than the most minute and picturesque descriptions of death.

I felt really wretched--more from cold than from the words of my

neighbour. I groaned softly and ground my teeth.

Almost at the same moment I felt two little arms about me--one of them

touched my neck and the other lay upon my face--and at the same time

an anxious, gentle, friendly voice uttered the question:

"What ails you?"

I was ready to believe that some one else was asking me this and not

Natasha, who had just declared that all men were scoundrels, and

expressed a wish for their destruction. But she it was, and now she

began speaking quickly, hurriedly.

"What ails you, eh? Are you cold? Are you frozen? Ah, what a one you

are, sitting there so silent like a little owl! Why, you should have

told me long ago that you were cold. Come ... lie on the ground ...

stretch yourself out and I will lie ... there! How's that? Now put

your arms round me?... tighter! How's that? You shall be warm very

soon now... And then we'll lie back to back... The night will pass so

quickly, see if it won't. I say ... have you too been drinking?...

Turned out of your place, eh?... It doesn't matter."

And she comforted me... She encouraged me.

May I be thrice accursed! What a world of irony was in this single

fact for me! Just imagine! Here was I, seriously occupied at this very

time with the destiny of humanity, thinking of the re-organisation of

the social system, of political revolutions, reading all sorts of

devilishly-wise books whose abysmal profundity was certainly

unfathomable by their very authors--at this very time, I say, I was

trying with all my might to make of myself "a potent active social

force." It even seemed to me that I had partially accomplished my

object; anyhow, at this time, in my ideas about myself, I had got so

far as to recognise that I had an exclusive right to exist, that I had

the necessary greatness to deserve to live my life, and that I was

fully competent to play a great historical part therein. And a woman

was now warming me with her body, a wretched, battered, hunted

creature, who had no place and no value in life, and whom I had never

thought of helping till she helped me herself, and whom I really would

not have known how to help in any way even if the thought of it had

occurred to me.

Ah! I was ready to think that all this was happening to me in a

dream--in a disagreeable, an oppressive dream.

But, ugh! it was impossible for me to think that, for cold drops of

rain were dripping down upon me, the woman was pressing close to me,

her warm breath was fanning my face, and--despite a slight odor of

vodka--it did me good. The wind howled and raged, the rain smote upon

the skiff, the waves splashed, and both of us, embracing each other

convulsively, nevertheless shivered with cold. All this was only too

real, and I am certain that nobody ever dreamed such an oppressive and

horrid dream as that reality.

But Natasha was talking all the time of something or other, talking

kindly and sympathetically, as only women can talk. Beneath the

influence of her voice and kindly words a little fire began to burn up

within me, and something inside my heart thawed in consequence.

Then tears poured from my eyes like a hailstorm, washing away from my

heart much that was evil, much that was stupid, much sorrow and dirt

which had fastened upon it before that night. Natasha comforted me.

"Come, come, that will do, little one! Don't take on! That'll do! God

will give you another chance ... you will right yourself and stand in

your proper place again ... and it will be all right..."

And she kept kissing me ... many kisses did she give me ... burning

kisses ... and all for nothing...

Those were the first kisses from a woman that had ever been bestowed

upon me, and they were the best kisses too, for all the subsequent

kisses cost me frightfully dear, and really gave me nothing at all in

exchange.

"Come, don't take on so, funny one! I'll manage for you to-morrow if

you cannot find a place." Her quiet persuasive whispering sounded in

my ears as if it came through a dream...

There we lay till dawn...

And when the dawn came, we crept from behind the skiff and went into

the town... Then we took friendly leave of each other and never met

again, although for half a year I searched in every hole and corner

for that kind Natasha, with whom I spent the autumn night just

described.

If she be already dead--and well for her if it were so--may she rest

in peace! And if she be alive ... still I say "Peace to her soul!" And

may the consciousness of her fall never enter her soul ... for that

would be a superfluous and fruitless suffering if life is to be

lived...

Best Russian Short Stories · 第 75 / 95 题