VI

As a contrast to this violent scene which was not so wholly violent

but that it was relieved by a boy teasing a cat with his cap in the

foreground, and the sweet singing of canaries in the windows of the

houses near, I may commend the Casa de los Venerables, ecclesiastics

somehow related to the cathedral and having their tranquil dwelling not

far from it. The street we took from the Duke of Alva’s palace was so

narrow and crooked that we scraped the walls in passing, and we should

never have got by one heavily laden donkey if he had not politely pushed

the side of his pannier into a doorway to make room for us. When we did

get to the Casa de los Venerables we found it mildly yellow-washed and

as beautifully serene and sweet as the house of venerable men should be.

Its distinction in a world of _patios_ was a _patio_ where the central

fountain was sunk half a story below the entrance floor, and encircled

by a stairway by which the humble neighbor folk freely descended to fill

their water jars. I suppose that gentle mansion has other merits, but

the fine staircase that ended under a baroque dome left us facing a

bolted door, so that we had to guess at those attractions, which I leave

the reader to imagine in turn.

I have kept the unique wonder of Seville waiting too long already for

my recognition, though in its eight hundred years it should have learned

patience enough for worse things. From its great antiquity alone, if

from nothing else, it is plain that the Giralda at Seville could not

have been studied from the tower of the Madison Square Garden in New

York, which the American will recall when he sees it. If the case must

be reversed and we must allow that the Madison Square tower was studied

from the Giralda, we must still recognize that it is no servile copy,

but in its frank imitation has a grace and beauty which achieves

originality. Still, the Giralda is always the Giralda, and, though there

had been no Saint-Gaudens to tip its summit with such a flying-footed

nymph as poises on our own tower, the figure of Faith which crowns it is

at least a good weather-vane, and from its office of turning gives the

mighty bell-tower its name. Long centuries before the tower was a belfry

it served the mosque, which the cathedral now replaces, as a minaret

for the muezzin to call the faithful to prayer, but it was then only

two-thirds as high. The Christian belfry which continues it is not in

offensive discord with the structure below; its other difference in form

and spirit achieves an impossible harmony. The Giralda, however, chiefly

works its enchantment by its color, but here I must leave the proof of

this to the picture postal which now everywhere takes the bread out

of the word-painter’s mouth. The time was when with a palette full

of tinted adjectives one might hope to do an unrivaled picture of the

Giralda; but that time is gone; and if the reader has not a colored

postal by him he should lose no time in going to Seville and seeing the

original. For the best view of it I must advise a certain beautifully

irregular small court in the neighborhood, with simple houses so low

that you can easily look up over their roofs and see the mighty bells of

the Giralda rioting far aloof, flinging themselves beyond the openings

of the belfry and deafeningly making believe to leap out into space. If

the traveler fails to find this court (for it seems now and then to be

taken in and put away), he need not despair of seeing the Giralda fitly.

He cannot see Seville at all without seeing it, and from every point,

far or near, he sees it grand and glorious.

[Illustration: 26 THE COURT OF FLAGS AND TOWER OF THE GIRALDA]

I remember it especially from beyond the Guadalquivir in the drive

we took through Triana to the village of Italica, where three Roman

emperors were born, as the guide-books will officiously hasten to tell,

and steal away your chance of treating your reader with any effect

of learned research. These emperors (I will not be stopped by any

guide-book from saying) were Trajan, Hadrian, and Theodosius; and Triana

is named for the first of them. Fortunately, we turned to the right

after crossing the bridge and so escaped the gipsy quarter, but we

paused through a long street so swarming with children that we wondered

to hear whole schoolrooms full of them humming and droning their lessons

as we made our way among the tenants. Fortunately, they played mostly in

the gutters, the larger looking after the smaller when their years

and riches were so few more, with that beautiful care which childhood

bestows on babyhood everywhere in Europe. To say that those Spanish

children were as tenderly watchful of these Spanish babies as English

children is to say everything. Now and then a mother cared for a babe as

only a mother can in an office which the pictures and images of the Most

Holy Virgin consecrate and endear in lands where the sterilized bottle

is unknown, but oftenest it was a little sister that held it in her arms

and crooned whatever was the Spanish of--

Rack back, baby, daddy shot a b’ar;

Rack back, baby, see it hangin’ thar.

For there are no rocking-chairs in Triana, as there were none in our

backwoods, and the little maids tilted to and fro on the fore legs and

hind legs of their chairs and lulled their charges to sleep with seismic

joltings. When the street turned into a road it turned into a road a

hundred feet wide; one of those roads which Charles III., when he came

to the Spanish throne from Naples, full of beneficent projects and

ideals, bestowed upon his unwilling and ungrateful subjects. These roads

were made about the middle of the eighteenth century, and they have been

gathering dust ever since, so that the white powder now lies in the

one beyond Triana five or six inches deep. Along the sides occasional

shade-trees stifled, and beyond these gaunt, verdureless fields widened

away, though we were told that in the spring the fields were red with

flowers and green with young wheat. There were no market-gardens,

and the chief crop seemed brown pigs and black goats. In some of the

foregrounds, as well as the backgrounds, were olive orchards with

olives heaped under them and peasants still resting from their midday

breakfast. A mauve bell-shaped flower plentifully fringed the wayside;

our driver said it had no name, and later an old peasant said it was

“bad.”

Familiar Spanish Travels · 第 87 / 111 题