Sure ’tis all false what poets fondly tell

LEWESDON HILL.

LEWESDON HILL,

WITH

OTHER POEMS.

BY

THE REV. WILLIAM CROWE,

PUBLIC ORATOR OF THE UNIVERSITY OF OXFORD.

Χαιρ’ ω πεδον αγχιαλον,

Και μ’ ευπλοιᾳ πεμψον αμεμπτως

Ενθ’ ἡ μεγαλη μοιρα κομιζει,

——χῳ πανδαματωρ

Δαιμων, ος ταυτ’ επεκρανεν.

SOPH.

Farewell thy printless sands and pebbly shore!

I hear the white surge beat thy coast no more,

Pure, gentle source of the high, rapturous mood!—

—Where’er, like the great Flood, by thy dread force

Propell’d—shape Thou my calm, my blameless course,

Heaven, Earth, and Ocean’s Lord!—and Father of the Good!

***

A CORRECTED AND MUCH ENLARGED EDITION, WITH NOTES.

LONDON:

JOHN MURRAY, ALBEMARLE-STREET.

1827.

LONDON:

PRINTED BY THOMAS DAVISON, WHITEFRIARS.

ADVERTISEMENT.

The Hill which gives title to the following Poem is situated in the

western part of Dorsetshire. This choice of a subject, to which the

Author was led by his residence near the spot, may seem perhaps to

confine him to topics of mere rural and local description. But he begs

leave here to inform the Reader that he has advanced beyond those narrow

limits to something more general and important. On the other hand he

trusts, that in his farthest excursions the connexion between him and

his subject will easily be traced. The few notes which are subjoined he

thought necessary to elucidate the passages to which they refer. He will

only add in this place, from Hutchins’s History of Dorsetshire, (vol.

i. p. 366), what is there said of Lewesdon (or, as it is now corruptly

called, Lewson): “This and Pillesdon Hill surmount all the hills, though

very high, between them and the sea. Mariners call them the _Cow and

Calf_, in which forms they are fancied to appear, being eminent sea-marks

to those who sail upon the coast.”

To the top of this Hill the Author describes himself as walking on a May

morning.

TO THE

RIGHT REV. FATHER IN GOD JONATHAN,

LORD BISHOP OF ST. ASAPH,

WHO, IN A LEARNED, FREE, AND LIBERAL AGE,

IS HIMSELF MOST HIGHLY DISTINGUISHED

BY EXTENSIVE, USEFUL, AND ELEGANT LEARNING,

BY A DISINTERESTED SUPPORT OF FREEDOM,

AND BY A TRULY CHRISTIAN LIBERALITY OF MIND,

THIS POEM,

WITH ALL RESPECT, IS DEDICATED

BY HIS LORDSHIP’S MOST OBLIGED

AND MOST OBEDIENT SERVANT,

THE AUTHOR.

_Jan. 1788._

CONTENTS.

Page

LEWESDON HILL 1

Notes 41

Inscribed beneath the picture of an ass 61

Ode to the Lyric Muse. Spoken in the Theatre at the installation

of Lord North, chancellor of the university of Oxford 64

Verses intended to have been spoken in the Theatre to the Duke

of Portland, at his installation as chancellor of the

university of Oxford, in the year 1793 70

On the Death of Captain Cook 75

Elegy to the memory of Dr. W. Hayes, professor of music in the

university of Oxford 80

The World. Intended as an apology for not writing. By a Lady 82

The British Theatre. Written in 1775 84

On two Publications, entitled Editions of two of our Poets 89

The Spleen 92

Lines written with a pencil in a lady’s almanac 98

To a young gentlewoman, with Thomson’s Seasons, doubled down at

the story of Palemon and Lavinia 101

Sonnet 103

Sonnet to Petrarch 105

To a lady, who desired some specimens of the author’s poetry 107

Epitaph on a child who died of a scarlet fever in the fifteenth

month of his age, 1802 108

Epitaph on Sir Charles Turner, bart. in the family mausoleum at

Kirk Leatham, Yorkshire 109

Lines written at the tomb of William of Wykeham, in Winchester

cathedral 111

Translation of a Greek inscription upon a fountain 112

From Lucretius

sæpius olim

Religio peperit scelerosa.—Lib. I. v. 83. 114

From Lucretius

Suave, mari magno turbantibus.—Lib. II. v. 1. 117

From Lucretius

Avia Pieridum peragro loca.—Lib. IV. v. 1. 119

Psalm LXXII. abridged, and adapted to a particular tune 120

Midnight Devotion. Written in the great storm, 1822 123

Silbury Hill 125

To the Daisy 127

Fragment 129

From Purchase’s Pilgrimage, versified and designed as a motto

to “Voyages for the Discovery of a N. W. Passage” 131

Fragment 133

The rape of Proserpine 135

Sonnet 137

Song 139

Song 141

Song 142

To a lady going to her family in Ireland 143

To the Sun 144

Song 146

To a lady, fortune-telling with cards 148

Epigram 150

On two English poets, who flourished in the former half of the

last century, and published complimentary verses on each other 152

Verses to the honour of the London Pastrycook, who marked “No

popery” on his pies, &c. 154

On the funeral of ⸺, in a hearse and six, followed by a mourning

coach and four 157

Parody on Dryden’s “Three poets,” &c. 160

Epigram 161

An expostulatory supplication to Death, after the decease of

Dr. Burney 162

On the decease of Horne Tooke 163

Inscription for the granite sarcophagus brought from Alexandria

to the British Museum 164

Inscription for a statue of field-marshal Suworow 166

On field-marshal Suworow. A dialogue 169

On F. W. the king of Prussia’s ineffectual attempt on Warsaw 171

Political advice to the members of the French Convention.

A dialogue 176

Written when Buonaparte was altering the governments of Germany 178

Suggested by reading Dryden’s Britannia Rediviva, a poem on the

prince born on the 10th of June, 1688 179

Succession 183

Epigram 186

On the increase of human life 188

Ode to the king of France. 1823 189

Verses spoken in the Theatre, Oxford, at the installation of the

chancellor, Lord Grenville, July 10, 1810, by Henry Crowe, a

commoner of Wadham College 193

Ad Musas 198

Ηως

Εργων ἡγητειρα, βιου προπολε θνητοισιν—Or. Hym. 199

Jepthæ Votum 202

Palmyra 204

Ad Hyacinthum. 1791 206

Romulus. Scriptus 1803 208

Helena Insula 215

On Captain Sir M. Murray, wounded at the Westminster election 221

Amnestia Infida 222

Psalm CXIV. 223

Psalm CXXXIII. 225

Psalm CXXXVII. 226

In obitum senis academici, Thomæ Pryor, Armigeri 228

In obitum J. N. Oxoniensis, 1783 229

Bene est cui Deus dederit

Parca quod satis est manu.—Hor. Lib. 3. Od. 16. 230

ΕΙΣ ΚΟΣΣΥΦΟΝ 232

Inscriptio in Horto auctoris apud Alton in com. Wilt. 234

Epicedium 237

De Seipso, mandatum auctoris 239

LEWESDON HILL.

Up to thy Summit, LEWESDON, to the brow

Of yon proud rising, where the lonely thorn

Bends from the rude South-east with top cut sheer

By his keen breath, along the narrow track,

By which the scanty-pastured sheep ascend

Up to thy furze-clad summit, let me climb,—

My morning exercise,—and thence look round

Upon the variegated scene, of hills

And woods and fruitful vales, and villages

Half hid in tufted orchards, and the sea

Boundless, and studded thick with many a sail.

Ye dew-fed vapours, nightly balm, exhaled

From earth, young herbs and flowers, that in the morn

Ascend as incense to the Lord of day,

I come to breathe your odours; while they float

Yet near this surface, let me walk embathed

In your invisible perfumes, to health

So friendly, nor less grateful to the mind,

Administering sweet peace and cheerfulness.

How changed is thy appearance, beauteous hill!

Thou hast put off thy wintry garb, brown heath

And russet fern, thy seemly-colour’d cloak

To bide the hoary frosts and dripping rains

Of chill December, and art gaily robed

In livery of the spring: upon thy brow

A cap of flowery hawthorn, and thy neck

Mantled with new-sprung furze and spangles thick

Of golden bloom: nor lack thee tufted woods

Adown thy sides: tall oaks of lusty green,

The darker fir, light ash, and the nesh tops

Of the young hazel join, to form thy skirts

In many a wavy fold of verdant wreath:—

So gorgeously hath Nature drest thee up

Against the birth of May: and, vested so,

Thou dost appear more gracefully array’d

Than Fashion’s worshippers, whose gaudy shows,

Fantastical as are a sick man’s dreams,

From vanity to costly vanity

Change ofter than the moon. Thy comely dress,

From sad to gay returning with the year,

Shall grace thee still till Nature’s self shall change.

These are the beauties of thy woodland scene

At each return of spring: yet some[1] delight

Rather to view the change; and fondly gaze

On fading colours, and the thousand tints

Which Autumn lays upon the varying leaf:

I like them not, for all their boasted hues

Are kin to Sickliness; mortal Decay

Is drinking up their vital juice; that gone,

They turn to sear and yellow. Should I praise

Such false complexions, and for beauty take

A look consumption-bred? As soon, if gray

Were mixt in young Louisa’s tresses brown,

I’d call it beautiful variety,

And therefore dote on her. Yet I can spy

A beauty in that fruitful change, when comes

The yellow Autumn and the hopes o’ the year

Brings on to golden ripeness; nor dispraise

The pure and spotless form of that sharp time,

When January spreads a pall of snow

O’er the dead face of th’ undistinguish’d earth.

Then stand I in the hollow comb beneath,

And bless this friendly mount, that weather-fends

My reed-roof’d cottage, while the wintry blast

From the thick north comes howling: till the Spring

Return, who leads my devious steps abroad,

To climb, as now, to LEWESDON’S airy top.

Above the noise and stir of yonder fields

Uplifted, on this height I feel the mind

Expand itself in wider liberty.

The distant sounds break gently on my sense,

Soothing to meditation: so methinks,

Even so, sequester’d from the noisy world,

Could I wear out this transitory being

In peaceful contemplation and calm ease.

But Conscience, which still censures on our acts,

That awful voice within us, and the sense

Of an Hereafter, wake and rouse us up

From such unshaped retirement; which were else

A blest condition on this earthly stage.

For who would make his life a life of toil

For wealth, o’erbalanced with a thousand cares;

Or power, which base compliance must uphold;

Or honour, lavish’d most on courtly slaves;

Or fame, vain breath of a misjudging world;

Who for such perishable gaudes would put

A yoke upon his free unbroken spirit,

And gall himself with trammels and the rubs

Of this world’s business; so he might stand clear

Of judgment and the tax of idleness

In that dread audit, when his mortal hours

(Which now with soft and silent stealth pace by)

Must all be counted for? But, for this fear,

And to remove, according to our power,

The wants and evils of our brother’s state,

’Tis meet we justle with the world; content,

If by our sovereign Master we be found

At last not profitless: for worldly meed,

Given or withheld, I deem of it alike.

From this proud eminence on all sides round

Th’ unbroken prospect opens to my view,

On all sides large; save only where the head

Of Pillesdon rises, Pillesdon’s lofty Pen:

So call (still rendering to his ancient name

Observance due) that rival Height south-west,

Which like a rampire bounds the vale beneath.

There woods, there blooming orchards, there are seen

Herds ranging, or at rest beneath the shade

Of some wide-branching oak; there goodly fields

Of corn, and verdant pasture, whence the kine

Returning with their milky treasure home

Store the rich dairy: such fair plenty fills

The pleasant vale of Marshwood, pleasant now,

Since that the Spring has deck’d anew the meads

With flowery vesture, and the warmer sun

Their foggy moistness drain’d; in wintry days

Cold, vapourish, miry, wet, and to the flocks

Unfriendly, when autumnal rains begin

To drench the spungy turf: but ere that time

The careful shepherd moves to healthier soil,

Rechasing, lest his tender ewes should coath[2]

In the dank pasturage. Yet not the fields

Of _Evesham_, nor that ample valley named

Of the _White Horse_, its antique monument

Carved in the chalky bourne, for beauty and wealth

Might equal, though surpassing in extent,

This fertile vale, in length from LEWESDON’S base

Extended to the sea, and water’d well

By many a rill; but chief with thy clear stream,

Thou nameless Rivulet, who, from the side

Of LEWESDON softly welling forth, dost trip

Adown the valley, wandering sportively.

Alas, how soon thy little course will end!

How soon thy infant stream shall lose itself

In the salt mass of waters, ere it grow

To name or greatness! Yet it flows along

Untainted with the commerce of the world,

Nor passing by the noisy haunts of men;

But through sequester’d meads, a little space,

Winds secretly, and in its wanton path

May cheer some drooping flower, or minister

Of its cool water to the thirsty lamb:

Then falls into the ravenous sea, as pure

As when it issued from its native hill.

So to thine early grave didst thou run on,

Spotless Francesca, so, after short course,

Thine innocent and playful infancy

Was swallowed up in death, and thy pure spirit

In that illimitable gulf which bounds

Our mortal continent. But not there lost,

Not there extinguish’d, as some falsely teach,

Who can talk much and learnedly of life,

Who know our frame and fashion, who can tell

The substance and the properties of man,

As they had seen him made,—aye and stood by

Spies on Heaven’s work. They also can discourse

Wisely, to prove that what must be must be,

And show how thoughts are jogg’d out of the brain

By a mechanical impulse; pushing on

The minds of us, poor unaccountables,

To fatal resolution. Know they not,

That in this mortal life, whate’er it be,

We take the path that leads to good or evil,

And therein find our bliss or misery?

And this includes all reasonable ends

Of knowledge or of being; farther to go

Is toil unprofitable, and th’ effect

Most perilous wandering. Yet of this be sure,

Where freedom is not, there no virtue is:

If there be none, this world is all a cheat,

And the divine stability of Heaven

(That assured seat for good men after death)

Is but a transient cloud, display’d so fair

To cherish virtuous hope, but at our need

Eludes the sense, and fools our honest faith,

Vanishing in a lie. If this be so,

Were it not better to be born a beast,

Only to feel what is, and thus to ’scape

The aguish fear that shakes the afflicted breast

With sore anxiety of what shall be—

And all for nought? Since our most wicked act

Is not our sin, and our religious awe

Delusion, if that strong Necessity

Chains up our will. But that the mind is free,

The Mind herself, best judge of her own state,

Is feelingly convinced; nor to be moved

By subtle words, that may perplex the head,

But ne’er persuade the heart. Vain argument,

That with false weapons of Philosophy

Fights against Hope, and Sense, and Nature’s strength!

See how the Sun, here clouded, afar off

Pours down the golden radiance of his light

Upon the enridged sea; where the black ship

Sails on the phosphor-seeming waves. So fair,

But falsely-flattering, was yon surface calm,

When forth for India sail’d, in evil time,

That Vessel, whose disastrous fate, when told,

Fill’d every breast with horror, and each eye

With piteous tears, so cruel was the loss[3].

Methinks I see her, as, by the wintry storm

Shatter’d and driven along past yonder Isle,

She strove, her latest hope, by strength or art,

To gain the port within it, or at worst

To shun that harbourless and hollow coast

From Portland eastward to the Promontory[4],

Where still St. Alban’s high built chapel stands.

But art nor strength avail her—on she drives,

In storm and darkness to the fatal coast:

And there ’mong rocks and high-o’erhanging cliffs

Dash’d piteously, with all her precious freight

Was lost, by Neptune’s wild and foamy jaws

Swallow’d up quick! The richliest-laden ship

Of spicy Ternate, or that Annual, sent

To the Philippines o’er the Southern main

From Acapulco, carrying massy gold,

Were poor to this;—freighted with hopeful Youth,

And Beauty, and high Courage undismayed

By mortal terrors, and paternal Love

Strong, and unconquerable even in death—

Alas, they perish’d all, all in one hour!

Now yonder high way view, wide-beaten, bare

With ceaseless tread of men and beasts, and track

Of many indenting wheels, heavy and light,

That in their different courses as they pass,

Rush violently down precipitate,

Or slowly turn, oft resting, up the steep.

Mark how that road, with mazes serpentine,

From Shipton’s[5] bottom to the lofty down

Winds like a path of pleasure, drawn by art

Through park or flowery garden for delight.

Nor less delightful this—if, while he mounts

Not wearied, the free Journeyer will pause

To view the prospect oft, as oft to see

Beauty still changing: yet not so contrived

By fancy, or choice, but of necessity,

By soft gradations of ascent to lead

The labouring and way-worn feet along,

And make their toil less toilsome. Half way up,

Or nearer to the top, behold a cot,

O’er which the branchy trees, those sycamores,

Wave gently: at their roots a rustic bench

Invites to short refreshment, and to taste

What grateful beverage the house may yield

After fatigue, or dusty heat; thence call’d

The TRAVELLER’S REST. Welcome, embower’d seat,

Friendly repose to the slow passenger

Ascending, ere he takes his sultry way

Along th’ interminable road, stretch’d out

Over th’ unshelter’d down; or when at last

He has that hard and solitary path

Measured by painful steps. And blest are they,

Who in life’s toilsome journey may make pause

After a march of glory: yet not such

As rise in causeless war, troubling the world

By their mad quarrel, and in fields of blood

Hail’d victors, thence renown’d, and call’d on earth

Kings, heroes, demi-gods, but in high Heaven

Thieves, ruffians, murderers; these find no repose:

Thee rather, patriot Conqueror, to thee

Belongs such rest; who in the western world,

Thine own deliver’d country, for thyself

Hast planted an immortal grove, and there,

Upon the glorious mount of Liberty

Reposing, sit’st beneath the palmy shade.

And Thou, not less renown’d in like attempt

Of high achievement, though thy virtue fail’d

To save thy little country, Patriot Prince,

Hero, Philosopher—what more could they

Who wisely chose thee, PAOLI, to bless

Thy native Isle, long struggling to be free?

But Heaven allow’d not—yet may’st thou repose

After thy glorious toil, secure of fame

Well-earn’d by virtue: while ambitious France,

Who stretch’d her lawless hand to seize thine isle,

Enjoys not rest or glory; with her prey

Gorged but not satisfied, and craving still

Against th’ intent of Nature. See Her now

Upon the adverse shore, her Norman coast,

Plying[6] her monstrous labour unrestrained!

A rank of castles in the rough sea sunk,

With towery shape and height, and armed heads

Uprising o’er the surge; and these between,

Unmeasurable mass of ponderous rock

Projected many a mile to rear her wall

Midst the deep waters. She, the mighty work

Still urging, in her arrogant attempt,

As with a lordly voice to the Ocean cries,

‘Hitherto come, no farther; here be staid

‘The raging of thy waves; within this bound

‘Be all my haven’—and therewith takes in

A space of amplest circuit, wide and deep,

Won from the straiten’d main: nor less in strength

Than in dimensions, giant-like in both,—

On each side flank’d with citadels and towers

And rocky walls, and arches massy proof

Against the storm of war. Compared with this

Less[7] and less hazardous emprize achieved

Resistless Alexander, when he cast

The strong foundations of that high-raised mound

Deep in the hostile waves, his martial way,

Built on before him up to sea-girt Tyre.

Nor[8] aught so bold, so vast, so wonderful,

At Athos or the fetter’d Hellespont,

Imagined in his pride that Asian vain,

Xerxes,—but ere he turn’d from Salamis

Flying through the blood-red waves in one poor bark,

Retarded by thick-weltering carcasses.

Nor[9] yet that elder work (if work it were,

Not fable) raised upon the Phrygian shore,

(Where lay the fleet confederate against Troy,

A thousand ships behind the vasty mole

All shelter’d) could with this compare, though built

It seem’d, of greatness worthy to create

Envy in the immortals; and at last

Not overthrown without th’ embattled aid

Of angry Neptune. So may He once more

Rise from his troubled bed, and send his waves,

Urged on to fury by contending winds,

With horned violence to push and whelm

This pile, usurping on his watry reign!

From hostile shores returning, glad I look

On native scenes again; and first salute

Thee, Burton[10], and thy lofty cliff, where oft

The nightly blaze is kindled; further seen

Than erst was that love-tended cresset, hung

Beside the Hellespont: yet not like that

Inviting to the hospitable arms

Of Beauty and Youth, but lighted up, the sign

Of danger, and of ambush’d foes to warn

The stealth-approaching Vessel, homeward bound

From Havre or the Norman isles, with freight

Of wines and hotter drinks, the trash of France,

Forbidden merchandize. Such fraud to quell

Many a light skiff and well-appointed sloop

Lies hovering near the coast, or hid behind

Some curved promontory, in hope to seize

These contraband: vain hope! on that high shore

Station’d, th’ associates of their lawless trade

Keep watch, and to their fellows off at sea

Give the known signal; they with fearful haste

Observant, put about the ship, and plunge

Into concealing darkness. As a fox,

That from the cry of hounds and hunters’ din

Runs crafty down the wind, and steals away

Forth from his cover, hopeful so t’ elude

The not yet following pack,—if chance the shout

Of eager or unpractised boy betray

His meditated flight, back he retires

To shelter him in the thick wood: so these

Retiring, ply to south, and shun the land

Too perilous to approach: and oft at sea

Secure (or ever nigh the guarded coast

They venture) to the trackless deep they trust

Their forfeitable cargo, rundlets small,

Together link’d upon their cable’s length,

And to the shelving bottom sunk and fixt

By stony weights; till happier hour arrive

To land it on the vacant beach unrisk’d.

But what is yonder Hill[11], whose dusky brow

Wears, like a regal diadem, the round

Of ancient battlements and ramparts high,

And frowns upon the vales? I know thee not—

Thou hast no name, no honourable note,

No chronicle of all thy warlike pride,

To testify what once thou wert, how great,

How glorious, and how fear’d. So perish all,

Who seek their greatness in dominion held

Over their fellows, or the pomp of war,

And be as thou forgotten, and their fame

Cancell’d like thine! But thee in after times

Reclaim’d to culture, Shepherds visited,

And call’d thee Orgarston; so thee they call’d

Of Orgar, Saxon Earl, the wealthy sire

Of fair Elfrida; She, whose happy Bard

Has with his gentle witchery so wrought

Upon our sense, that we can see no more

Her mad ambition, treacherous cruelty,

And purple robes of state with royal blood

Inhospitably stain’d; but in their place

Pure faith, soft manners, filial duty meek,

Connubial love, and stoles of saintly white.

Sure ’tis all false what poets fondly tell

Of rural innocence and village love;

Else had thy simple annals, Nethercombe,

Who bosom’d in the vale below dost look

This morn so cheerful, been unstain’d with crimes,

Which the pale rustic shudders to relate.

There lived, the blessing of her father’s age,—

I fable not, nor will with fabled names

Varnish a melancholy tale all true,—

A lowly maid; lowly, but like that flower,

Which grows in lowly place, and thence has name,

Lily o’ the vale, within her parent leaves

As in retreat she lives; yet fair and sweet

Above the gaudiest Blooms, that flaunt abroad,

And play with every wanton breath of Heaven.

Thus innocent, her beauties caught the eye

Of a young villager, whose vows of love

Soon won her easy faith: her sire meantime,

Alas! nor knowing nor suspecting ought,

Till that her shape, erewhile so graceful seen,

(Dian first rising after change was not

More delicate) betray’d her secret act,

And grew to guilty fulness: then farewell

Her maiden dignity, and comely pride,

And virtuous reputation. But this loss

Worse follow’d, loss of shame, and wilful wreck

Of what was left her yet of good, or fair,

Or decent: now her meek and gentle voice

To petulant turn’d; her simply-neat attire

To sluttish tawdry: her once timid eye

Grew fix’d, and parley’d wantonly with those

It look’d on. Change detestable! For she,

Erewhile the light of her fond father’s house,

Became a grievous darkness: but his heart

Endured not long; all in despair he went

Into the chambers of the grave, to seek

A comfortless repose from sorrow and shame.

What then befell this daughter desolate?

For He, the partner of her earliest fault,

Had left her, false perhaps, or in dislike

Of her light carriage. What could then befall,

What else, but of her self-injurious life

The too sad penance—hopeless penury,

Loathsome disease unpitied, and thereto

The brand of all-avoided infamy

Set on her, like the fearful token o’er

A plague-infested house:—at length to death

Impatient and distract she made bold way.

Fain would I view thee, Corscombe, fain would hail

The ground where Hollis[12] lies; his choice retreat,

Where, from the busy world withdrawn, he lived

To generous Virtue, and the holy love

Of Liberty, a dedicated spirit;

And left his ashes there; still honouring

Thy fields, with title given of patriot names,

But more with his untitled sepulchre.

That envious ridge conceals thee from my sight,

Which, passing o’er thy place north-east, looks on

To Sherburne’s ancient towers and rich domains,

The noble Digby’s mansion; where he dwells

Inviolate, and fearless of thy curse,

War-glutted Osmund,[13] superstitious Lord!

Who with Heaven’s justice for a bloody life

Madest thy presumptuous bargain; giving more

Than thy just having to redeem thy guilt,

And darest bid th’ Almighty to become

The minister of thy curse. But sure it fell,

So bigots fondly judged, full sure it fell

With sacred vengeance pointed on the head

Of many a bold usurper: chief on thine

(Favourite of Fortune once, but last her thrall),

Accomplish’d[14] Raleigh! in that lawless day

When, like a goodly hart, thou wert beset

With crafty blood-hounds, lurching for thy life,

While as they feign’d to chase thee fairly down;

And that foul Scot, the minion-kissing King,

Pursued with havoc in the tyrannous hunt.

How is it vanish’d in a hasty spleen,

The Tor of Glastonbury! Even but now

I saw the hoary pile cresting the top

Of that north-western hill; and in this Now

A cloud hath pass’d on it, and its dim bulk

Becomes annihilate, or if not, a spot

Which the strain’d vision tires itself to find.

And even so fares it with the things of earth

Which seem most constant: there will come the cloud

That shall infold them up, and leave their place

A seat for Emptiness. Our narrow ken

Reaches too far, when all that we behold

Is but the havoc of wide-wasting Time,

Or what he soon shall spoil. His outspread wings

(Which bear him like an eagle o’er the earth)

Are plumed in front so downy soft, they seem

To foster what they touch, and mortal fools

Rejoice beneath their hovering: woe the while!

For in that indefatigable flight

The multitudinous strokes incessantly

Bruise all beneath their cope, and mark on all

His secret injury; on the front of man

Gray hairs and wrinkles; still as Time speeds on

Hard and more hard his iron pennons beat

With ceaseless violence; nor overpass,

Till all the creatures of this nether world

Are one wide quarry: following dark behind,

The cormorant Oblivion swallows up

The carcasses that Time has made his prey.

But, hark! the village clock strikes nine—the chimes

Merrily follow, tuneful to the sense

Of the pleased clown attentive, while they make

False-measured melody on crazy bells.

O wond’rous Power of modulated sound!

Which, like the air (whose all-obedient shape

Thou makest thy slave), canst subtilly pervade

The yielded avenues of sense, unlock

The close affections, by some fairy path

Winning an easy way through every ear,

And with thine unsubstantial quality

Holding in mighty chains the hearts of all;

All, but some cold and sullen-temper’d spirits,

Who feel no touch of sympathy or love.

Yet what is music, and the blended power

Of voice with instruments of wind and string?

What but an empty pageant of sweet noise?

’Tis past: and all that it has left behind

Is but an echo dwelling in the ear

Of the toy-taken fancy, and beside,

A void and countless hour in life’s brief day.

But ill accords my verse with the delights

Of this gay month:—and see the Villagers

Assembling jocund in their best attire

To grace this genial morn. Now I descend

To join the worldly crowd; perchance to talk,

To think, to act as they: then all these thoughts,

That lift th’ expanded heart above this spot

To heavenly musing, these shall pass away

(Even as this goodly prospect from my view)

Hidden by near and earthy-rooted cares.

So passeth human life—our better mind

Is as a Sunday’s garment, then put on

When we have nought to do; but at our work

We wear a worse for thrift. Of this enough:

To-morrow for severer thought; but now

To breakfast, and keep festival to-day.

NOTES.

Note 1, page 4, line 10.

_At each return of spring: yet some delight, &c._

An adventitious beauty, arising from that gradual decay, which loosens

the withering leaf, gilds the autumnal landscape with a temporary

splendor superior to the verdure of spring, or the luxuriance of summer.

The infinitely various and ever-changing hues of the leaves at this

season, melting into every soft gradation of tint and shade, have long

engaged the imitation of the painter, and are equally happy ornaments in

the description of the poet.—Aikin’s Essay on the Character of Thompson’s

Seasons, prefixed to his edition of them, 1791.

Note 2, p. 10, line 7.

_Rechasing, lest his tender ewes should coath._

To _coath_, Skinner says, is a word common in Lincolnshire, and

signifies, to _faint_. He derives it from the Anglo-Saxon coðe, a

_disease_. In Dorsetshire it is in common use, but it is used of sheep

only: a _coathed_ sheep is a _rotten_ sheep; to _coath_ is to _take the

rot. Rechasing_ is also a term in that county appropriated to flocks:

_to chase and rechase_ is to drive sheep at certain times from one sort

of ground to another, or from one parish to another.

The author having ventured to introduce some provincial and other terms,

takes this occasion to say, that it is a liberty in which he has not

indulged himself, but when he conceived them to be allowable for the sake

of ornament or expression.

Note 3, page 16, line 4.

_With piteous tears, so cruel was the loss._

The distressful condition of the Halswell here alluded to is thus

circumstantially described in the narrative of her loss, p. 13.

“Thursday the 5th, at two in the morning, the wind came to the southward,

blew fresh, and the weather was very thick; at noon Portland was seen,

bearing N. by E. distance two or three leagues; at eight at night it

blew a strong gale at S. and at this time the Portland lights were seen

bearing N. W. distance four or five leagues, when they wore ship, and

got her head to the westward; but finding they lost ground upon that

tack, they wore again, and kept stretching on eastward, in hopes to have

weathered Peverel-point, in which case they intended to have anchored in

Studland Bay: at 11 at night it cleared, and they saw St. Alban’s-head

a mile and a half to the leeward of them; upon which they took in sail

immediately, and let go the small bower anchor, which brought up the

ship at a whole cable, and she rode for about an hour, but then drove;

they now let go the sheet anchor, and wore away a whole cable, and the

ship rode for about two hours longer, when she drove again. They were

then driving very fast on shore, and might expect every moment to strike!”

Note 4, page 16, line 10.

_From Portland eastward to the Promontory._

“Not far from this (Encombe) stands _St. Aldene_’s Chapel; which took

name from the dedication to St. Adeline, the first bishop of Sherbourne

in this shire: but now it serves for a sea-mark.”—Coker’s Survey of

Dorsetshire, p. 47.

“Near the sea is the high land of _St. Aldhelm_’s, commonly called _St.

Alban_’s, a noted sea-mark. The cliff here is 147 yards perpendicular. On

this promontory, about a mile south of _Worth_, stands a chapel of the

same name.” Hutchins’s Dorsetsh. vol. i. p. 228. But this headland is not

marked by name in Hutchins’s map. “The very utter part of _St. Aldhelm_’s

point is five miles from _Sandwich_ (_Swanwich_).”—Lel. Itin. vol. iii.

p. 53.

Note 5, page 18, line 6.

_From Shipton’s bottom to the lofty down._

Shipton is a hill, which, according to common report, is so called from

its shape; the top of it being formed like a ship with the keel upwards.

It stands three miles from Bridport on the road towards London; which

road passes by the foot of it to the North.

Note 6, page 22, line 1.

_Plying her monstrous labour unrestrained._

The works now carrying on at Cherburgh, (A. D. 1787) to make a haven

for ships of war, are principally the following. Of these however it

is not intended to give a full description; but only to mention some

particulars, from which an idea may be formed of the greatness of the

scheme.

In the open sea, above a league from the town, and within half a mile

west of a rock called _L’isle Pelée_, a pier is begun, with design of

conducting it on to the shore somewhat beyond _Point Hommet_, about

two miles westward of Cherburgh. In order to this, a strong frame of

timber-work, of the shape of a truncated cone, having been constructed on

the beach, was buoyed out, and sunk in a depth of water; which at lowest

ebb is 35 feet, and where the tide rises near 20 feet. The diameter of

this cone at bottom is about 60 yards, its height 70 feet; and the area

on its top large enough to receive a battery of cannon, with which it is

hereafter to be fortified. Its solid contents are 2500 French toises;

which, in our measure (allowing the French foot to be to the English as

144 to 135), will amount to 24,250 cubic yards nearly. Several other

cones, of equal dimensions, are sunk at convenient distances from each

other, forming the line of the pier: their number, when complete, it

is said, will be forty. As soon as any one of these is carried to its

place, it is filled with stones, which are dug from mount _Rouille_ and

other rocks near the coast, and brought on horses to the shore: whence

they are conveyed to the cones in vessels of forty, sixty, or eighty

tons burden. In like manner, but with much greater labour and expense,

the spaces between the cones are filled up with stones thrown loosely

into the sea, till the heap is raised above the water. On this mass, as

on a foundation, a wall of masonry-work is to be erected. The length

of the whole is near five miles. On _L’isle Pelée_ and _Point Hommet_

before-mentioned large fortifications are constructed bomb-proof, to

defend the haven and pier. It is the opinion of some persons that

this stupendous mole may be injured or destroyed by what is called a

ground-sea, _i. e._ a sea when the waters are agitated to the bottom: and

this happens when a strong wind, after having put the waves in motion,

suddenly shifts to the opposite quarter. The description given in the

Poem of this vast undertaking closes with an allusion to this opinion.

Note 7, page 23, lines 5 and 6.

_Less and less hazardous emprize achieved_

_Resistless Alexander._

Quint. Curt. lib. 4, cap. 2, 3.

Note 8, page 23, line 10.

_Nor aught so bold, so vast, so wonderful._

——creditur olim

Velificatus Athos—

Densa cadavera prora.

JUV. Sat. x. v. 173. 186.

Note 9, page 24, line 2.

_Nor yet that elder work._

——τειχος εδειμαν,——

——αμαλδυνηται Αχαιων.

HOM. IL. vii. v. 436. 463.

Ὡσ ὁ μεν εν κλισιησι,—

——καλλιροον ὑδωρ.

IL. xii. v. 1, 33.

Note 10, page 25, line 3.

_Thee, Burton, and thy lofty cliff._

Burton is a village near the sea, lying S. E. from Lewesdon, and about

two miles S. of Shipton hill before mentioned. The cliff is among the

loftiest of all upon that coast; and smugglers often take advantage of

its height for the purpose related in the poem.

Note 11, page 27, line 11.

_But what is yonder Hill, whose dusky brow._

“Eggardon Hill is a very high hill, and gives name to the hundred. Mr.

Coker says it is uncertain whether it takes its name from Edgar, king of

the West Saxons, or from Orgarus, earl of Cornwall: and indeed this last

derivation is the truest; there being little reason to doubt that it is

the old _Orgarestone_. The camp on the brow of this hill is a large and

strong fortification, and seems to be Roman.”—Hutchins’s Dorset, vol.

i. p. 289; where there is an engraving of this camp. But Hutchins has

misrepresented Mr. Coker, who indeed prefers the derivation from Orgar.

His words are these: “That it takes name from Edgar, the West Saxon king,

I dare not affirm, having nothing to prove it but the nearnesse of the

name. It better likes me to think this the place which in Doomsday-book

is called Orgareston; but whether it take name from Orgareus, earl of

Cornwall, I know not; though I think I should run into no great error to

believe it.”—Coker’s Survey of Dorsetshire, p. 26.

Note 12, page 33, line 2.

_The ground where Hollis lies; his choice retreat._

“Mr. Hollis, in order to preserve the memory of those heroes and patriots

for whom he had a veneration, as the assertors and defenders of his

country, called many of the farms and fields in his estate at Corscombe

by their names; and by these names they are still distinguished. In the

middle of one of those fields, not far from his house, he ordered his

corpse to be deposited in a grave ten feet deep; and that the field

should be immediately ploughed over, that no trace of his burial-place

might remain.”—Memoirs of Thomas Hollis, Esq. vol. i. p. 481.

Note 13, page 34, line 1.

_War-glutted Osmund, superstitious lord!_

Of the strange curse belonging to Shireburne-Castle. From a MS. of

the late Bishop of Ely (Bishop John More) now in the Royal Library at

Cambridge.

“Osmund, a Norman knight, who had served _William_ Duke of _Normandy_

from his youth, in all his wars against the French king, and the duke’s

(_William_’s) subjects, with much valour and discretion, for all his

faithful service (when his master had by conquest obteyned the crown

of England) was rewarded with many great gifts; among the which was

the earldome of _Dorsett_, and the gift of many other possessions,

whereof the castle and baronie of _Sherburne_ were parcell. But Osmund,

in the declyninge of his age, calling to mynde the great effusion of

blood which, from his infancie, he had shedd; he resolved to leave all

worldly delights, and betake himself to a religious life, the better

to contemplate on his former sinnes, and to obteyn pardon for them.

And, with much importunitie, having gotten leave of the kinge (who was

unwilling to want the assistance of so grave and worthy a counsellor)

to resign his temporal honors; and having obteyned the bishoprick of

_Sarum_, he gave _Sherburne_, with other lands, to the bishoprick. To

which gift he annexed this curse:—

“‘That whosoever should take those lands from the bishoprick, or

diminish them in great or in small, should be accursed, not only in this

world, but also in the world to come; unless in his life-time he made

restitution thereof.’ And so he died bishop of Sarum.”

Those lands continued in the possession of his successors till the reign

of King Stephen, who took them away: “whereupon (says this account) his

prosperity forsook him.” King Stephen being dead, “these lands came into

the hands of some of the _Montagues_ (after earles of _Sarum_), who

whilest they held the same, underwent many disasters. For one or other

of them fell by misfortune. And finally, all the males of them became

extinct, and the earldome received an end in their name. So ill was their

success.”

After this the lands were restored to the bishoprick; but were taken away

a second time by the Duke of Somerset, in the reign of Edward VI.; “when

the duke, being hunting in the parke of _Sherburne_, he was sent for

presently unto the kinge (to whome he was protector) and at his coming

up to _London_, was forthwith committed unto the _Tower_, and shortly

after lost his head.” The lands then, in a suit at law, were adjudged to

the Bishop of Sarum; and so remained, “till Sir Walter Raleigh procured

a grant of them; he afterwards unfortunately lost them, and at last his

head also. Upon his attainder they came, by the king’s gift, to Prince

_Henry_; who died not long after the possession thereof. After Prince

_Henry_’s death, the Earle of _Somerset_ (_Carr_) did possesse them.

Finally, he lost them, and many other fortunes.”—Peck’s Desid. Cur. Lib.

14. No. 6.

Note 14, page 34, line 11.

_Accomplish’d Raleigh! in that lawless day._

“How Dr. _John Coldwell_, of a physitian, became a bishop, I have heard

by more than a good many; and I will briefly handle it, and as tenderly

as I can; bearing myself equal between the living (Sir _Walter Raleigh_)

and the dead (Bishop _Coldwell_). Yet the manifest judgements of God

on both of them I may not pass over with silence. And to speak first

of the knight, who carried off the _Spolia opima_ of the bishoprick.

He, having gotten _Sherborne_ castle, park, and parsonage, was in those

days in so great favour with the queen, as I may boldly say, that with

less suit than he was fain to make to her, ere he could perfect this

his purchase, and with less money than he bestowed since in _Sherborne_

(in building, and buying out leases, and in drawing the river through

rocks into his garden), he might, very justly, and without offence of

either church or state, have compassed a much better purchase. Also, as

I have been truly informed, he had a presage before he first attempted

it, which did foreshow it would turn to his ruin, and might have kept

him from meddling with it, _Si mens non læva fuisset_: for, as he was

riding post between _Plymouth_ and the court (as many times he did upon

no small employments), this castle being right in the way, he cast such

an eye upon it as _Ahab_ did upon _Naboth_’s vineyard. And, once above

the rest, being talking of it (of the commodiousness of the place,

of the strength of the seat, and how easily it might be got from the

bishoprick), suddenly over and over came his horse, that his very face

(which was then thought a very good face) plowed up the earth where he

fell. This fall was ominous, I make no question; and himself was apt to

construe it so. But his brother _Adrian_ would needs have him interpret

it as a conqueror, that his fall presaged the quiet possession of it.

And accordingly, for the present, it so fell out. So that with much

labor, cost, envy, and obloquy, he got it _habendum et tenendum_ to him

and his heirs. But see what became of him. In the public joy and jubilee

of the whole realm (when favor, peace, and pardon, were offered even to

offenders), he who in wit, in wealth, in courage, was inferior to few,

fell suddenly (I cannot tell how) into such a downfall of despair, as his

greatest enemy would not have wished him so much harm, as he would have

done himself. Can any man be so willfully blind as not to see, and say,

_Digitus Dei hic est_!”—Harrington’s Brief View, p. 88.

* * * * *

To these Notes are added the following, taken from Æschylus, to show the

resemblance between the expressions of that author and certain passages

in this poem.

——Let me walk embathed

In your invisible perfumes.—P. 2, v. 16.

Τις οδμα προσεπτα μ’ αφεγγης; Prom. Vinc. 115.

——For worldly meed,

Given or withheld, I deem of it alike.—P. 8, v. 98.

ου δ’ αινειν ειτε με ψεγειν θελεις,

Ομοιον. Agam. 1412.

The aguish fear that shakes th’ afflicted breast

With sore anxiety of what shall be—

And all for nought.—P. 14, v. 179.

ματαιος εκ γυκτων φοβας

Κινει, ταρασσει, και διωκεται πολεως

Χαλχηκλατῳ πλαστιγγι λυμανθεν δεμας. Choeph. 286.

To shun that harbourless and hollow coast.—P. 16, v. 204.

μολοντες αλιμενον χθονα

Ες νυκτ’ αποστειχοντος ἡλιου, φιλει

Ωδινα τικτειν νυξ χυβερνητῃ σοφῳ. Supplices, 775.

——the promontory

Where still St. Alban’s high-built chapel stands.—P. 16. v. 205.

Την αιπυνωτον αμφι Δωδωνην, ινα

Μαντεια θωκος τ’ εστι Θεσπρωτου Διος. Prom. Vinct. 829.

Was lost, by Neptune’s wild and foamy jaws

Swallow’d up quick.—P. 17, v. 211.

ενθεν εκραγησονταιν ποτε

Ποταμοι πυρος δαπτοντες αγριαις γναθοις. Prom. Vinct. 367.

Alas! they perish’d all: all in one hour!—P. 17, v. 220.

In the Persæ the Chorus demand of Xerxes what was become of his friends

the Nobles; he answers, “I left them wrecked on the shores of Salamis:”

they ask farther, “Where is Pharnuchus and Ariomardus? Where is the royal

Sebalces?” &c. Xerxes replies,

Ιω, ιω, μοι μοι

παντες

Ενι πιτυλῳ,

(Ε, ε, ε,) τλαμονες

Ασπαιρουσι χερσῳ. 978.

——flank’d with citadels and towers,

And rocky walls, and arches massy-proof

Against the storm of war.—P. 23, v. 292.

Συ δ’ ωστε νηος κεδνος διακοστροφος

Φραξαι πολισμα, πριν καταιγισαι πνοας

Αρεος. Sept. cont. Theb. 62.

With horned violence to push and whelm

This pile.—P. 24, v. 319.

ἁι δε, κερωτυπουμεναι βιᾳ

Χειμωνοτυφῳ, συν ζαλῃ τ’ ομβροκτυπῳ. Agam. 664.

Χειμωνοτυφῳ; so I read the passage, instead of Χειμωνι, τυφω, κτλ.

In the Supplices of this author there is a similar phrase on a similar

subject,

Πεμψατε ποντονδ’, ενθα δε λαιλαπι

Χειμωνοτυπῳ, βροντη στεροπη

Τ’, ομβροφοροισι τ’ ανεμοις αγριας

Αλος αντησαντες ολοιντο. 34.

In the Clouds of Aristophanes, A. 1. S. 4, this word occurs,

ἑκατογκεφαλατυφω, and the Scholiast says, in τυφων or τυφως the first

syllable is long.

To generous Virtue, and the holy love

Of liberty, a dedicated spirit.—P. 33, v. 433.

In the Eumenides the Fury calls Orestes

δαιμοναν σκια

Εμοι τραφεις τε και καθιερωμενος. 303.

So fares it with the things of earth

Which seem most constant: there will come the cloud

That shall enfold them up.—P. 35, v. 466.

Ιω βροτεια πραγματ’· ευτυχουντα μεν

Σκια τις αντρεψειεν. Agam. 1336.

The multitudinous strokes incessantly

Bruise all, &c.—P. 36, v. 478.

There is a singular similarity in the length of the words here, and in

the following passage of the Choephori, where Electra speaks of the

murder of her father; intending, perhaps, to express the multitude of

wounds by the polysyllabic term;

πολυπλαγκτα δ’ ην ιδειν

Επασσυτεροτριβη τα χερος ορεγματα. 423.

POEMS.

INSCRIBED BENEATH THE PICTURE OF AN ASS.

Meek animal, whose simple mien

Provokes th’ insulting eye of Spleen

To mock the melancholy trait

Of patience in thy front display’d,

By thy Great Author fitly so pourtray’d,

To character the sorrows of thy fate;

Say, Heir of misery, what to thee

Is life?—A long, long, gloomy stage

Through the sad vale of labour and of pain!

No pleasure hath thine youth, no rest thine age,

Nor in the vasty round of this terrene

Hast thou a friend to set thee free,

Till Death, perhaps too late,

In the dark evening of thy cheerless day,

Shall take thee, fainting on thy way,

From the rude storm of unresisted hate.

Yet dares the erroneous crowd to mark

With folly thy despised race,

Th’ ungovernable pack, who bark

With impious howlings in Heaven’s awful face,

If e’er on their impatient head

Affliction’s bitter show’r is shed.

But ’tis the weakness of thy kind

Meekly to bear the inevitable sway;

The wisdom of the human mind

Is to murmur and obey.

ODE TO THE LYRIC MUSE.

SPOKEN IN THE THEATRE AT THE INSTALLATION OF LORD NORTH, CHANCELLOR OF

THE UNIVERSITY OF OXFORD.

STROPHE I.

Fair sov’reign of the golden lyre,

Descend, Thalia, from th’ enchanted grove

Of Mona, where thou lov’st to rove,

List’ning the echoes of thy Druid quire;

The ling’ring sounds that yet respire

Waked by the breezes of the Western main;

And bring some high and solemn strain,

Such as was heard that solemn day

When Rome’s dread Eagle stoop’d to prey

On Mona’s free-born sons, while Liberty

Struck on the magic harp her dying song.—

Dealing vengeance on her foes,

The mortal Genius of battle rose,

And call’d Despair and Death to lead her host along.

STROPHE II.

O, Muse divine! whene’er thy strain

Devotes the tyrant head to shame,

The Patriot Virtues brighten in thy train;

And Glory hears the loud appeal;

And thou, unconquerable flame,

First-born of ancient Freedom, Public Zeal:

Thou in the dark and dreary hour

When Tyranny her dragon-wing outspread,

And Sloth a sullen influence shed,

And every coward Vice that loves the night

Revell’d on Corsica’s ill-fated shore;

Thou didst one dauntless heart inflame,

Lo, PAOLI, father of his country, came,

And with a giant-voice

Cried, “Liberty!” unto the drowsy race

That slept in Slav’ry’s dull embrace;

Roused at the sound, they hail’d thy glorious choice,

And ev’ry manly breast

Shook off the unnerving load of rest;

And Virtue chasing the foul forms of night,

Rose like a summer sun, and shed a golden light.

ANTISTROPHE I.

Lewesdon Hill, with other poems · 第 1 / 4 段