VI

Fireflies have been celebrated in Japanese poetry from ancient time;

and frequent mention of them is made in early classical prose. One

of the fifty-four chapters of the famous novel, _Genji-Monogari_,

for example,--written either toward the close of the tenth century

or at the beginning of the eleventh,--is entitled, "Fireflies"; and

the author relates how a certain noble person was enabled to obtain

one glimpse of a lady's face in the dark by the device of catching

and suddenly liberating a number of fireflies. The first literary

interest in fireflies may have been stimulated, if not aroused, by

the study of Chinese poetry. Even to-day every Japanese child knows a

little song about the famous Chinese scholar who, in the time of his

struggles with poverty, studied by the light of a paper bag filled with

fireflies. But, whatever the original source of their inspiration,

Japanese poets have been making verses about fireflies during more than

a thousand years. Compositions on the subject can be found in every

form of Japanese poetry; but the greater number of firefly poems are in

_hokku_,--the briefest of all measures, consisting of only seventeen

syllables. Modern love-poems relating to the firefly are legion; but

the majority of these, written in the popular twenty-six-syllable form

called _dodoïtsu_, appear to consist of little more than variants of

one old classic fancy, comparing the silent burning of the insect's

light to the consuming passion that is never uttered.

*

Perhaps my readers will be interested by the following selection of

firefly poems. Some of the compositions are many centuries old:--

Kotto: Being Japanese Curios, with Sundry Cobwebs · 第 52 / 74 题