ARIZONA FOLLOWS ITS LAWLESS IMPULSE
When Clay two hours later took the Sixth Avenue L for a plunge into
Bohemianism he knew no more about Greenwich Village than a
six-months-old pup does about Virgil. But it was characteristic of him
that on his way downtown he proceeded to find out from his chance
seat-mate something about this unknown terrain he was about to visit.
The man he sat beside was a patrolman off duty, and to this engaging
Westerner he was quite ready to impart any information he might have.
"Fakirs," he pronounced promptly. "They're a bunch of long-haired
nuts, most of 'em--queer guys who can't sell their junk and kid
themselves into thinking they're artists and writers. They pull a lot
of stuff about socialism and anarchy and high art."
"Just harmless cranks--gone loco, mebbe?"
"Some of 'em. Others are there for the mazuma. Uptown the Village is
supposed to be one hell of a place. The people who own the dumps down
there have worked up that rep to draw the night trade. They make a
living outa the wickedness of Greenwich. Nothin' to it--all fake
stuff. They advertise September Morn balls with posters something
fierce, and when you go they are just like any other dances. Bum
drawings of naked women on the walls done by artist yaps, decorations
of purple cows, pirates' dens--that's the kind of dope they have."
The Sea Siren was already beginning to fill up when Clay descended
three steps to a cellar and was warily admitted. A near-Hawaiian
orchestra was strumming out a dance tune and a few couples were on the
floor. Waitresses, got up as Loreleis, were moving about among the
guests delivering orders for refreshments.
The Westerner sat down in a corner and looked about him. The walls
were decorated with crude purple crayons of underfed sirens. A statue
of a nude woman distressed Clay. He did not mind the missing clothes,
but she was so dreadfully emaciated that he thought it wise for her to
cling to the yellow-and-red draped barber pole that rose from the
pedestal. On the base was the legend, "The Weeping Lady." After he
had tasted the Sea Siren fare the man from Arizona suspected that both
her grief and her anaemia arose from the fact that she had been fed on
it.
A man in artist's velveteens, minus a haircut, with a large, fat, pasty
face, sat at an adjoining table and discoursed to his friends.
Presently, during an intermission of the music, he rose and took the
rest of those present into his confidence. With rapt eyes on the
faraway space of distant planets he chanted his apologia.
"I believe in the Cosmic Urge, in the Sublimity of my Ego. I follow my
Lawless Impulse where the Gods of Desire shall drive. I am what I Am,
Son of the Stars, Lord of my Life. With Unleashed Love I answer the
psychic beat of Pulse to Pulse, Laughter, Tears and Woe, the keen edge
of Passion, the Languor of Satiety: all these are life. Open-armed, I
embrace them. I drink and assuage my thirst. For Youth is here
to-day. To-morrow, alas, it has gone. Now I am. In the Then I shall
not be. Kismet!"
The poet's fine frenzy faded. He sank back into his chair, apparently
worn out by his vast mental effort.
Clay gave a deep chuckle of delight. This was good.
"Heap much oration," he murmured. "Go to it, old-timer. Steam off
again. Git down in yore collar to it."
To miss none of the fun he hitched a little closer on the bench. But
the man without the haircut was through effervescing. He began to talk
in a lower voice on world politics to admiring friends who were basking
in his reflected glory.
"Bourgeois to the core," he announced with finality, speaking of the
United States, in answer to a question. "What are the idols we
worship? Law, the chain which binds an enslaved people; thrift, born
of childish fear; love of country, which is another name for crass
provincialism. I--I am a Cosmopolite, not an American. Bohemia is my
land, and all free souls are my brothers. Why should I get wrinkles
because Germany sunk the Lusitania a month or two ago? That's her
business, not mine."
Clay leaned forward on a search for information. "Excuse me for
buttin' in, and me a stranger. But isn't it yore business when she
murders American women and children?"
The pasty-faced man looked at him with thinly disguised contempt. "You
wouldn't understand if I explained."
"Mebbeso I wouldn't, but you take a whirl at it and I'll listen high,
wide, and handsome."
The man in velveteens unexpectedly found himself doing as he was told.
There was a suggestion of compulsion about the gray-blue eyes fastened
on his, something in the clamp of the strong jaw that brought him up
for a moment against stark reality.
"The intelligentsia of a country knows that there can be no freedom
until there is no law. Every man's duty is to disregard duty. So, by
faring far on the wings of desire, he helps break down the slavery that
binds us. Obey the Cosmic Urge of your soul regardless of where it
leads you, young man."
It was unfortunate for the poet of Bohemia that at this precise moment
Kitty Mason, dressed in sandals and a lilac-patterned smock, stood
before him with a tray of cigarettes asking for his trade. The naive
appeal in her soft eyes had its weight with the poet. What is the use
of living in Bohemia if one cannot be free to follow impulse? He
slipped an arm about the girl and kissed the crimson lips upturned to
him.
Kitty started back with a little cry of distress.
The freedom taken by the near-poet was instantly avenged.
A Cosmic Urge beat in the veins of the savage from Arizona. He took
the poet's advice and followed his Lawless Impulse where it led.
Across the table a long arm reached. Sinewy fingers closed upon the
flowing neckwear of the fat-faced orator and dragged him forward,
leaving overturned glasses in the wake of his course.
The man in velveteens met the eyes of the energetic manhandler and
quailed. This brown-faced barbarian looked very much like business.
"Don't you touch me! Don't you dare touch me!" the apostle of anarchy
shrilled as the table crashed down. "I'll turn you over to the police!"
Clay jerked him to his feet. Hard knuckles pressed cruelly into the
soft throat of the Villager. "Git down on yore ham bones and beg the
lady's pardon, Son of the Stars, or I'll sure make you see a whole
colony of yore ancestors. Tell her you're a yellow pup, but you don't
reckon you'll ever pull a bone like that again. Speak right out in
meetin' _pronto_ before you bump into the tears and woe you was makin'
heap much oration about."
The proprietor of the cafe seized the cowpuncher by the arm hurriedly.
"Here, stop that! You get out of the place! I'll not stand for any
rough-house." And he murmured something about getting in bad with the
police. Clay tried to explain. "Me, I'm not rough-housing. I'm
tellin' this here Lord of Life to apologize to the little lady and let
her know that he's sorry he was fresh. If he don't I'll most ce'tainly
muss up the Sublimity of his Ego."
The companions of the poet rushed forward to protest at the manhandling
of their leader. Those in the rear jammed the front ones close to Clay
and his captive. The cowpuncher gently but strongly pushed them back.
"Don't get on the prod," he advised in his genial drawl. "The poet
he's got an important engagement right now."
A kind of scuffle developed. The proprietor increased it by his
hysterical efforts to prevent any trouble. Men joined themselves to
the noisy group of which Clay was the smiling center. The excitement
increased. Distant corners of the room became the refuge of the women.
Some one struck at the cowpuncher over the heads of those about him.
The mass of closely packed human beings showed a convulsive activity.
It became suddenly the most popular indoor sport at the Sea Siren to
slay this barbarian from the desert who had interfered with the
amusements of Bohemia.
But Clay took a lot of slaying. In the rough-and-tumble life of the
outdoor West he had learned how to look out for his own hand. The
copper hair of his strong lean head rose above the tangle of the melee
like the bromidic Helmet of Navarre. A reckless light of mirth bubbled
in his dare-devil eyes. The very number of the opponents who
interfered with each other trying to get at him was a guarantee of
safety. The blows showered at him lacked steam and were badly timed as
to distance.
The pack rolled across the room, tipped over a table, and deluged an
artist and his affinity with hot chocolate before they could escape
from the avalanche. Chairs went over like ninepins. Stands collapsed.
Men grunted and shouted advice. Girls screamed. The Sea Siren was
being wrecked by a cyclone from the bad lands.
Against the wall the struggling mob brought up with a crash. The
velveteen poet caught at "The Weeping Lady" to save himself from going
down. She descended from her pedestal into his arms and henceforth
waltzed with him as a part of the subsequent proceedings.
The writhing mass caromed from the wall and revolved toward the
musicians. A colored gentleman jumped up in alarm and brandished his
instrument as a weapon.
"Keep away from this heah niggah!" he warned, and simultaneously he
aimed the drum of the mandolin at the red head which was the core of
the tangle. His aim was deflected and the wood crashed down upon the
crown of "The Weeping Lady." For the rest of the two-step it hung like
a large ruff around her neck.
Arms threshed wildly to and fro. The focal point of their destination
was the figure at the center of the disturbance. Most of the blows
found other marks. Four or five men could have demolished Clay.
Fifteen or twenty found it a tough job because they interfered with
each other at every turn. They were packed too close for hard hitting.
Clay was not fighting but wrestling. He used his arms to push with
rather than to strike blows that counted.
The Arizonan could not afterward remember at exactly what stage of the
proceedings the face of Jerry Durand impinged itself on his
consciousness. Once, when the swirl of the crowd flung him close to
the door, he caught a glimpse of it, tight-lipped and wolf-eyed, turned
to him with relentless malice. The gang leader was taking no part in
the fight.
The crowd parted. Out of the pack a pair of strong arms and lean broad
shoulders ploughed a way for a somewhat damaged face that still carried
a debonair smile. With pantherish litheness the Arizonan ducked a
swinging blow. The rippling muscles of the plunging shoulders tossed
aside a little man in evening dress clawing at him. Yet a moment, and
he was outside taking the three steps that led to the street.
Into his laboring lungs he drew deliciously the soft breath of the
night. It cooled the fever of his hammered face, was like an icy bath
to his hot body. A little dizzy from the blows that had been rained on
him, he stood for a moment uncertain which way to go. From his throat
there rippled a low peal of joyous mirth. The youth in him delighted
in the free-for-all from which he had just emerged.
Then again he became aware of Durand. The man was not alone. He had
with him a hulking ruffian whose heavy, hunched shoulders told of
strength. There was a hint of the gorilla in the way the long arms
hung straight from the shoulders as he leaned forward. Both of the men
were watching the cowpuncher as steadily as alley cats do a housefinch.
"Hell's going to pop in about three seconds," announced Clay to himself.
Silently, without lifting their eyes from their victim for an instant,
the two men moved apart to take him on both sides. He clung to the
wall, forcing a frontal attack. The laughter had gone out of his eyes
now. They had hardened to pinpoints. This time it was no amateur
horseplay. He was fighting for his life. No need to tell Clay Lindsay
that the New York gangster meant to leave him as good as dead.
The men rushed him. He fought them back with clean hard blows. Jerry
bored in like a wild bull. Clay caught him off his balance, using a
short arm jolt which had back of it all that twenty-three years of
clean outdoors Arizona could give. The gangster hit the pavement hard.
He got up furious and charged again. The Arizonan, busy with the other
man, tried to sidestep. An uppercut jarred him to the heel. In that
instant of time before his knees began to sag beneath him his brain
flashed the news that Durand had struck him on the chin with brass
knucks. He crumpled up and went down, still alive to what was going
on, but unable to move in his own defense. Weakly he tried to protect
his face and sides from the kicks of a heavy boot. Then he floated
balloon-like in space and vanished into unconsciousness.