THE FOLLY OF EDUCATION

OF all the intellectual exercises with which we solace the idle hours

that we devote to thought, none is more engaging and at the same time

perplexing than that of endeavouring to form a clear conception of the

age in which we live. Naturally the difficulty lies, not in lack of

materials on which to base an impression—indeed, we are embarrassed by

the quantity of evidence that accumulates to our hand—but in the fact

that it is hard to see things in true perspective when they are very near

to the observer. The yet unborn historians of the present era will

doubtless lack much of our knowledge, but they will be able to unravel in

the quietude of their studies the tangled threads and stubborn knots that

writhe beneath our fingers with the perpetual changeableness and uneasy

animation of life itself. But if it is impossible to write

dispassionately of a revolution while men are dying at the barricades and

musket-balls are marring the bland uniformity of the wallpaper of the

room in which we write, it is always open to the student of life to fall

back on impressionism, the form of art that seeks to bludgeon life with a

loaded phrase, rather than to woo her to captivity with chosen and

honeyed words. And the brutal method is apt to prove the more

efficacious, as with that frail sex that kisses, so I am told, the

masculine hand that grants the accolade of femininity in that blessed

state of bruiser and bruised that is Nature’s highest conception of the

relationship of the two sexes. While science greets the corpse with

incomprehensible formulæ and the conscientious artist gropes for his

note-book of epithets to suit occasions, impressionism stops her dainty

nose with her diminutive square of perfumed silk, and the dog is dead

indeed.

We are all born impressionists, and it takes the education of years to

eradicate the gift from our natures; many people never lose the habit of

regarding life in this queer, straightforward fashion, and go to their

graves obstinately convinced that grass is green and the sky is blue in

dogged opposition to the scientists, didactic dramatists, eminent

divines, philosophers, æsthetic poets, and human beings born blind. Some

of these subtle weavers of argument would have us believe that

impressionism means just the converse of the sense in which I am using

the word; that, for instance, the fact that grass is green comes to us

from indirect sources, as that of our own natures we would perceive it to

be red or blue. But while we believe our impressions to be our own, we

know that this theory has reached us indirectly, so we can well afford to

ignore it. Others, again, will have it that impressions are not to be

trusted; and the majority of people, while rejecting or failing to

comprehend the philosophic basis on which this doubt is founded, are only

too willing to accept a theory that relieves them in some way of

responsibility for their own individual actions. As a matter of fact,

telling a man to mistrust his impressions is like bidding a mariner

despise his compass. If our senses lie to us, we must live, perforce, in

a world of lies.

But as I hinted above, the young are wont to rely on their impressions

from the moment when a baby first parts its lips in howling criticism of

life. Children have implicit faith in the evidence of their senses until

the grown-up people come along and tell grimy stories of perjured eyes

and lying ears, and the unhappy fate of the unwise babes who trusted

them. What is a child to do? Usually it accepts the new theory of its

own inherent blindness and deafness grudgingly, but it accepts it

nevertheless. It begins to rely on the experience of older human beings,

as if the miracle of its own life were no more than the toneless

repetition of other lives that have been before it. Wonder passes from

its life, as joy passes from pencil and paper when the little fingers are

made to follow certain predestined lines, instead of tracing the fancies

of the moon. The child becomes sensible, obedient, quick at its lessons.

It learns the beauty of the world from pictures and the love of its

mother from books. In course of time its senses become atrophied through

disuse, and it can, in truth, no longer see or hear. When this stage is

reached the education of the individual is completed, and all

civilisation’s requirements are satisfied.

I have described an extreme case, and the judicious reader will realise

that the process is rarely completed in so short a time as the last

paragraph suggests. But sooner or later most men and women come to

believe in experience, and to this belief is due our tyrannous treatment

of the young. I can conceive that an age will come that will shrink with

horror from the excesses we commit in the name of education, and will

regard us who force children to do their lessons against their will very

much in the way in which we regard the slave-owners of the past, only

with added indignation that our tyranny is imposed on the children’s

minds, and not on the bodies of adults. Let those conservative readers

who find this comparison a little strained reflect for a moment on what

it is that we have to teach the next generation, with what manner of

wisdom we chain the children’s imaginations and brand their minds. We

teach them in the first place to express themselves in sounds that shall

be intelligible to us, and this, I suppose, is necessary, though I should

like to doubt it. Further, we invariably instruct them in the sciences

of reading and writing, which seems to me frankly unfortunate. In

Utopia, as I conceive it, the child who thought there was anything worth

reading would teach itself to read, as many children have done before it,

and in the same way the rarer child who desired to express itself on

paper would teach itself to write. That any useful purpose is served by

the general possession of this knowledge I cannot see. Even civilisation

cannot rejoice that her children are able to read the Sunday newspapers

and scrawl gutter sentiments on the walls of churches.

Beyond this we teach children geography, which robs the earth of its

charm of unexpectedness and calls beautiful places by ugly names;

history, which chronicles inaccurate accounts of unimportant events in

the ears of those who would be better employed in discovering the

possibilities of their own age; arithmetic, which encourages the human

mind to set limits to the infinite; botany, which denotes the purposeless

vivisection of flowers; chemistry, which is no more than an indelicate

unveiling of matter; and a hundred other so-called arts and science,

which, when examined without prejudice, will be found to have for their

purpose the standardisation and ultimate belittlement of life.

In Utopia, the average human being would not know how to read or write,

would have no knowledge of the past, and would know no more about life

and the world in general, than he had derived from his own impressions.

The sum of those impressions would be the measure of his wisdom, and I

think that the chances are that he would be a good deal less ignorant

than he is now, when his head is full of confused ideas borrowed from

other men and only half-comprehended. I think that our system of

education is bad, because it challenges the right of the individual to

think constructively for himself. In rustic families, where the father

and mother have never learnt to read and the children have had the

advantages of “scholarship,” the illiterate generation will always be

found to have more intelligence than their educated descendants. The

children were learning French and arithmetic when they should have been

learning life.

And, after all, this is the only kind of education that counts. We all

know that a man’s knowledge of Latin or the use of the globes does not

affect his good-fellowship, or his happiness, or even the welfare of the

State as a whole. What is important is, that he should have passed

through certain experiences, felt certain emotions, and dreamed certain

dreams, that give his personality the stamp of a definite individual

existence. Tomlinson, the book-made man, with his secondhand virtues and

secondhand sins, is of no use to any one. Yet while we all realise this,

we still continue to have a gentle, unreasoning faith in academic

education; we still hold that a man should temper his own impressions

with the experience of others.

The Day Before Yesterday · 第 39 / 43 题