THOU DIDST NOT LEAVE.
The next day the curate found himself so ill at ease, from the
reaction after excitement of various kinds, that he determined to
give himself a holiday. His notion of a holiday was a very simple
one: a day in a deep wood, if such could be had, with a volume fit
for alternate reading and pocketing as he might feel inclined. Of
late no volume had been his companion in any wanderings but his New
Testament.
There was a remnant of real old-fashioned forest on the Lythe, some
distance up: thither he went by the road, the shortest way, to
return by the winding course of the stream. It was a beautiful day
of St. Martin's summer. In the forest, if the leaves were gone,
there was the more light, and sun and shadow played many a lovely
game. But he saw them as though he saw them not, for fear and hope
struggled in his heart, and for a long time prayer itself could not
atone them. At length a calm fell, and he set out to return home,
down the bank of the river.
Many-hued and many-shaped had been the thoughts, not that came to
him from the forest, but that he had carried thither with him:
through all and each of them, ever and again had come dawning the
face of Helen, as he had seen it in church the day before, where she
sat between her aunt and her cousin, so unlike either. For, to their
annoyance, she had insisted on going to church, and to hers, they
had refused to let her go alone. And in her face the curate had seen
something he had never seen there until then,--a wistful look, as if
now she would be glad to pick up any suitable crumb to carry home
with her. In that dawn of coming childhood, though he dared not yet
altogether believe it such, the hard contemptuous expression of
Bascombe's countenance, and the severe disapproval in Mrs.
Ramshorn's, were entirely lost upon him.
All the way down the river, the sweet change haunted him. When he
got into the park, and reached that hollow betwixt the steep ferny
slopes where he sat on the day with which my narrative opens, he
seated himself again on the same stone, and reviewed the past twelve
months. This was much such a day as that, only the hour was
different: it was the setting sun that now shone upon the ferns, and
cast shadows from them big enough for oaks. What a change had passed
upon him! That day the New Testament had been the book of the
church--this day it was a fountain of living waters to the man
Thomas Wingfold. He had not opened his Horace for six months. Great
trouble he had had; both that and its results were precious. Now a
new trouble had come, but that also was a form of life: he would
rather love and suffer and love still, a thousand times rather, than
return to the poverty of not knowing Helen Lingard; yet a thousand
times rather would he forget Helen Lingard than lose from his heart
one word of the Master, whose love was the root and only pledge and
security of love, the only power that could glorify it--could
cleanse it from the mingled selfishness that wrought for its final
decay and death.
The sun was down ere he left the park, and the twilight was rapidly
following the sun as he drew near to the Abbey on his way home.
Suddenly, more like an odour than a sound, he heard the organ, he
thought. Never yet had he heard it on a week-day: the organist was
not of those who haunt their instrument. Often of late had the
curate gazed on that organ as upon a rock filled with sweet waters,
before which he stood a Moses without his rod; sometimes the solemn
instrument appeared to him a dumb Jeremiah that sat there from
Sunday to Sunday, all the week long, with his head bowed upon his
hands, and not a Jebusite to listen to him: if only his fingers had
been taught the craft, he thought, how his soul would pour itself
out through the song-tubes of that tabernacle of sweetness and
prayer, and on the blast of its utterance ascend to the throne of
the most high! Who could it be that was now peopling the silence of
the vast church with melodious sounds, worshipping creatures of the
elements? If the winds and the flames of fire are his augels, how
much more the grandly consorting tones of the heavenly organ! He
would go and see what power informed the vaporous music.
He entered the church by one of the towers, in which a stair led
skyward, passing the neighbourhood of the organ, and having a door
to its loft. As he ascended, came a pause in the music;--and then,
like the breaking up of a summer cloud in the heavenliest of
rain-showers, began the prelude to the solo in the Messiah, THOU
DIDST NOT LEAVE HIS SOUL IN HELL. Up still the curate crept softly.
All at once a rich full contralto voice--surely he had heard it
before--came floating out on the torrent, every tone bearing a word
of sorrowful triumph in its bosom.
He reached the door. Very gently he opened it, and peeped in. But
the back of the organ was towards him, and he could see nothing. He
stepped upon the tiles of the little apse. One stride cleared the
end of the organ, and he saw the face of the singer: it WAS Helen
Lingard!
She started. The music folded its wings and dropped--like a lark
into its nest. But Helen recovered herself at once, rose from her
ministration at the music-altar, and approached the curate.
"Have I taken too great a liberty?" she said, in a gentle, steady
voice.
"No, surely," he answered. "I am sorry I startled you. I wish you
would wake such sounds oftener."
"He didn't leave my brother's soul in hell, did he, Mr. Wingfold?"
she said abruptly, and her eyes shone through the dusk.
"If ever a soul was taken out of hell, it was Leopold's," returned
the curate. "And it lifts mine out of it too," he added, "to hear
you say so."
"I behaved very badly to you. I confess my fault. Will you forgive
me?" she said.
"I love you too much to be able to forgive you:" that was the word
in the curate's heart, but a different found its way to his lips.
"My heart is open to you, Miss Lingard," he said: "take what
forgiveness you think you need. For what I can tell, it may be my
part to ask forgiveness, not to grant it. If I have been harder to
you than there was need, I pray you to forgive me. Perhaps I did not
enter enough into your difficulties."
"You never said one word more than was right, or harder than I
deserved. Alas! I can no more--in this world at least--ask Leopold
to forgive me, but I can ask you and Mr. Polwarth, who were as the
angels of God to him, to pardon me for him and for yourselves too. I
was obstinate and proud and selfish.--Oh, Mr. Wingfold, can you, do
you really believe that Leopold is somewhere? Is he alive this
moment? Shall I ever--ever--I don't mind if it's a thousand years
first--but shall I EVER see him again?"
"I do think so. I think the story must be true that tells us Jesus
took to himself again the body he left on the cross, and brought it
with him out of its grave."
"Will you take me for a pupil--a disciple--and teach me to
believe--or hope, if you like that word better--as you do?" said
Helen humbly.
How the heart of the curate beat--like the drum of a praising
orchestra!
"Dear Miss Lingard," he answered, very solemnly, "I can teach you
nothing; I can but show you where I found what has changed my life
from a bleak November to a sunny June--with its thunder-storms no
doubt--but still June beside November. Perhaps I could help you a
little if you were really set out to find Jesus, but you must
yourself set out. It is you who must find him. Words of mine, as the
voice of one crying in the wilderness, may let you know that one is
near who thinks he sees him, but it is you who must search, and you
who must find. If you do search, you will find, with or without help
of mine.--But it is getting dark.--You have the key of the north
door, I suppose?"
"Yes."
"Then will you lock the door, and take the key to Mrs. Jenkins. I
will stay here a while, and then follow you home, if you will allow
we, where we can have a little talk together. Ah, what an anthem the
silent organ will play for me!"
Helen turned and went down into the church, and thence home.
The curate remained with the organ. It was silent, and so were his
lips, but his heart--the music was not latent there, for his praise
and thanksgiving ascended, without voice or instrument, essential
harmony, to the ear that hears thought, and the heart that vibrates
to every chord of feeling in the hearts it has created. Ah! what is
it we send up thither, where our thoughts are either a dissonance or
a sweetness and a grace? Alone in the dusky church, the curate's
ascended like a song of the angels, for his heart was all a
thanksgiving--not for any perfected gift, but for many a lovely
hope. He knelt down by the organ and worshipped the God and Father
of the Lord Jesus Christ--that God and no other was the God of his
expectation. When he rose from his knees, the church was dark, but
through the windows of the clerestory many stars were shining.
THE END.