IV

On that same Sunday morning, while Anne Charteris and Rudolph Musgrave

contended with little Roger's boredom on the lawn before Matocton,

Patricia and Charteris met by accident on the seventh terrace of the

gardens. Patricia had mentioned casually at the breakfast-table that she

intended to spend the forenoon on this terrace unsabbatically making

notes for a paper on "The Symbolism of Dante," which she was to read

before the Lichfield Woman's Club in October; but Mr. Charteris had not

overheard her.

He was seated on the front porch, working out a somewhat difficult point

in his new book, when it had first occurred to him that this particular

terrace would be an inspiring and appropriate place in which to think

the matter over, undisturbed, he said. And it was impossible he should

have known that anyone was there, as the seventh terrace happens to be

the only one that, being planted with beech-trees, is completely

screened from observation. From the house, you cannot see anything that

happens there.

It was a curious accident, though. It really seemed, now that Patricia

had put an ending to their meetings in the maple-grove, Fate was

conspiring to bring them together.

However, as Mr. Charteris pointed out, there could be no possible

objection to this conspiracy, since they had decided that their

friendship was to be of a purely platonic nature. It was a severe trial

to him, he confessed, to be forced to put aside certain dreams he had

had of the future--mad dreams, perhaps, but such as had seemed very dear

and very plausible to his impractical artistic temperament.

Still, it heartened him to hope that their friendship--since it was to

be no more--might prove a survival, or rather a veritable renaissance,

of the beautiful old Greek spirit in such matters. And, though the blind

chance that mismanaged the world had chained them to uncongenial, though

certainly well-meaning, persons, this was no logical reason why he and

Patricia should be deprived of the pleasures of intellectual

intercourse. Their souls were too closely akin.

For Mr. Charteris admitted that his soul was Grecian to the core, and

out of place and puzzled and very lonely in a sordid, bustling world;

and he assured Patricia--she did not object if he called her

Patricia?--that her own soul possessed all the beauty and purity and

calm of an Aphrodite sculptured by Phidias. It was such a soul as Horace

might have loved, as Theocritus might have hymned in glad Greek song.

Patricia flushed, and dissented somewhat.

"Frankly, _mon ami_," she said, "you are far too attractive for your

company to be quite safe. You are such an adept in the nameless little

attentions that women love--so profuse with lesser sugar-plums of speech

and action--that after two weeks one's husband is really necessary as an

antidote. Sugar-plums are good, but, like all palatable things,

unwholesome. So I shall prescribe Rudolph's company for myself, to ward

off an attack of moral indigestion. I am very glad he has come

back--really glad," she added, conscientiously. "Poor old Rudolph! what

between his interminable antiquities and those demented sections of the

alphabet--What are those things, _mon ami_, that are always going up and

down in Wall Street?"

"Elevators?" Mr. Charteris suggested.

"Oh, you jay-bird! I mean those N.P.'s and N.Y.C.'s and those other

letters that are always having flurries and panics and passed dividends.

They keep him incredibly busy."

And she sighed, tolerantly. Patricia had come within the last two weeks

to believe that she was neglected, if not positively ill-treated, by her

husband; and she had no earthly objection to Mr. Charteris thinking

likewise. Her face expressed patient resignation now, as they walked

under the close-matted foliage of the beech-trees, which made a

pleasant, sun-flecked gloom about them.

Patricia removed her hat--the morning really was rather close--and

paused where a sunbeam fell upon her copper-colored hair, and glorified

her wistful countenance. She sighed once more, and added a finishing

touch to the portrait of a _femme incomprise_.

"Pray, don't think, _mon ami_," she said very earnestly, "that I am

blaming Rudolph! I suppose no wife can ever hope to have any part in her

husband's inner life."

"Not in her own husband's, of course," said Charteris, cryptically.

"No, for while a woman gives her heart all at once, men crumble theirs

away, as one feeds bread to birds--a crumb to this woman, a crumb to

that--and such a little crumb, sometimes! And his wife gets what is left

over."

"Pray, where did you read that?" said Charteris.

"I didn't read it anywhere. It was simply a thought that came to me,"

Patricia lied, gently. "But don't let's try to be clever. Cleverness is

always a tax, but before luncheon it is an extortion. Personally, it

makes me feel as if I had attended a welsh-rabbit supper the night

before. Your wife must be very patient."

"My wife," cried Charteris, in turn resolved to screen an unappreciative

mate, "is the most dear and most kind-hearted among the Philistines. And

yet, at times, I grant you--"

"Oh, but, of course!" Patricia said impatiently. "I don't for a moment

question that your wife is an angel."

"And why?" His eyebrows lifted, and he smiled.

"Why, wasn't it an angel," Patricia queried, all impishness now, "who

kept the first man and woman out of paradise?"

"If--if I thought you meant that----!" he cried; and then he shrugged

his shoulders. "My wife's virtues merit a better husband than Fate has

accorded her. Anne is the best woman I have ever known."

Patricia was not unnaturally irritated. After all, one does not take the

trouble to meet a man accidentally in a plantation of young beech-trees

in order to hear him discourse of his wife's good qualities; and

besides, Mr. Charteris was speaking in a disagreeably solemn manner,

rather as if he fancied himself in a cathedral.

Therefore Patricia cast down her eyes again, and said:

"Men of genius are so rarely understood by their wives."

"We will waive the question of genius." Mr. Charteris laughed heartily,

but he had flushed with pleasure.

"I suppose," he continued, pacing up and down with cat-like fervor,

"that matrimony is always more or less of a compromise--like two

convicts chained together trying to catch each other's gait. After a

while, they succeed to a certain extent; the chain is still heavy, of

course, but it does not gall them as poignantly as it used to do. And I

fear the artistic temperament is not suited to marriage; its capacity

for suffering is too great."

Mr. Charteris caught his breath in shuddering fashion, and he paused

before Patricia. After a moment he grasped her by both wrists.

"We are chained fast enough, my lady," he cried, bitterly, "and our

sentence is for life! There are green fields yonder, but our allotted

place is here in the prison-yard. There is laughter yonder in the

fields, and the scent of wild flowers floats in to us at times when we

are weary, and the whispering trees sway their branches over the

prison-wall, and their fruit is good to look on, and they hang within

reach--ah, we might reach them very easily! But this is forbidden fruit,

my lady; and it is not included in our wholesome prison-fare. And so

don't think of it! We have been happy, you and I, for a little. We

might--don't think of it! Don't dare think of it! Go back and help your

husband drag his chain; it galls him as sorely as it does you. It galls

us all. It is the heaviest chain was ever forged; but we do not dare

shake it off!"

"I--oh, Jack, Jack, don't you dare to talk to me like that! We must be

brave. We must be sensible." Patricia, regardless of her skirts, sat

down upon the ground, and produced a pocket-handkerchief. "I--oh, what

do you mean by making me so unhappy?" she demanded, indignantly.

"Ah, Patricia," he murmured, as he knelt beside her, "how can you hope

to have a man ever talk to you in a sane fashion? You shouldn't have

such eyes, Patricia! They are purple and fathomless like the ocean, and

when a man looks into them too long his sanity grows weak, and sinks

and drowns in their cool depths, and the man must babble out his foolish

heart to you. Oh, but indeed, you shouldn't have such eyes, Patricia!

They are dangerous, and to ask anybody to believe in their splendor is

an insult to his intelligence, and besides, they are much too bright to

wear in the morning. They are bad form, Patricia."

"We must be sensible," she babbled. "Your wife is here; my husband is

here. And we--we aren't children or madmen, Jack dear. So we really must

be sensible, I suppose. Oh, Jack," she cried, upon a sudden; "this isn't

honorable!"

"Why, no! Poor little Anne!"

Mr. Charteris's eyes grew tender for a moment, because his wife, in a

fashion, was dear to him. Then he laughed, very musically.

"And how can a man remember honor, Patricia, when the choice lies

between honor and you? You shouldn't have such hair, Patricia! It is a

net spun out of the raw stuff of fire and blood and of portentous

sunsets; and its tendrils have curled around what little honor I ever

boasted, and they hold it fast, Patricia. It is dishonorable to love

you, but I cannot think of that when I am with you and hear you speak.

And when I am not with you, just to remember that dear voice is enough

to set my pulses beating faster. Oh, Patricia, you shouldn't have such a

voice!"

Charteris broke off in speech. "'Scuse me for interruptin'," the old

mulattress Virginia was saying, "but Mis' Pilkins sen' me say lunch

raydy, Miss Patrisy."

Virginia seemed to notice nothing out-of-the-way. Having delivered her

message, she went away quietly, her pleasant yellow face as

imperturbable as an idol's. But Patricia shivered.

"She frightens me, _mon ami_. Yes, that old woman always gives me

gooseflesh, and I don't know why--because she is as deaf as a post--and

I simply can't get rid of her. She is a sort of symbol--she, and how

many others, I wonder!... Oh, well, let's hurry."

So Mr. Charteris was never permitted to finish his complaint against

Patricia's voice.

It was absolutely imperative they should be on time for luncheon; for,

as Patricia pointed out, the majority of people are censorious and lose

no opportunity for saying nasty things. They are even capable of

sneering at a purely platonic friendship which is attempting to preserve

the beautiful old Greek spirit.

* * * * *

She was chattering either of her plans for the autumn, or of Dante and

the discovery of his missing cantos, or else of how abominably Bob

Townsend had treated Rosalind Jemmett, and they had almost reached the

upper terrace--little Roger, indeed, his red head blazing in the

sunlight, was already sidling by shy instalments toward them--when

Patricia moaned inconsequently and for no ascertainable cause fainted.

It was the first time for four years she had been guilty of such an

indiscretion, she was shortly afterward explaining to various members of

the Musgraves' house-party. It was the heat, no doubt. But since

everybody insisted upon it, she would very willingly toast them in

another bumper of aromatic spirits of ammonia.

"Just look at that, Rudolph! you've spilt it all over your coat sleeve.

I do wish you would try to be a little less clumsy. Oh, well, I'm spruce

as a new penny now. So let's all go to luncheon."

V

Patricia had not been in perfect health for a long while. It seemed to

her, in retrospect, that ever since the agonies of little Roger's birth

she had been the victim of what she described as "a sort of

all-overishness." Then, too, as has been previously recorded, Patricia

had been operated upon by surgeons, and more than once....

"Good Lord!" as she herself declared, "it has reached the point that

when I see a turkey coming to the dinner-table to be carved I can't help

treating it as an ingénue."

Yet for the last four years she had never fainted, until this. It

disquieted her. Then, too, awoke faint pricking memories of certain

symptoms ... which she had not talked about ...

Now they alarmed her; and in consequence she took the next morning's

train to Lichfield.

The Rivet in Grandfather's Neck: A Comedy of Limitations · 第 60 / 88 题