CARDS TOLD BY POETICAL INSPIRATION.

Lay sixteen cards on the table in four rows of four each, face up.

You state that you will leave the room, and, on your return, name any

one card touched in your absence.

[Illustration: Fig. 164.]

All the clue you ask is such a one as may be found in a passage read out

of any poet on your return by any one. This any one, however, must be

your confederate. The cards should be placed in the order in which they

are here shown, you previously making your confederate acquainted with

your mode of proceeding, which is thus: The cards are supposed to be

divided into four classes, as A, B, C, D; you class everything in the

world as biped (A), quadruped (B), vegetable (C), and mineral (D). Each

class is subdivided similarly Class A, No. 1 is the biped; 2, the

quadruped; 3, the vegetable; and 4, the mineral; and so with the other

classes. When performing the trick your confederate must take care to

select an appropriate passage. For example, we will suppose the card No.

12 to have been touched, and that, a volume of Wordsworth having been

presented to your confederate to select from, he gives the following

lines to be read:

“A _violet_ by a mossy _stone_,” &c.

The first word which can be classed as above is “violet;” you may thus

be certain that the card touched is in class C, a violet being a

vegetable. The next word you can fix upon is “stone,” which you rank in

the mineral class, and know that card No. 12 was the one touched, it

being the mineral of the vegetable class.

Suppose the trick to be repeated, as is very likely, and that Shakspeare

is given to your partner; he selects the passage in “Othello”

commencing:

“My mother had a maid called Barbara, &c.”

You know, “mother” being the first word that can be classed, the card

touched must be in class A (biped), and the next word “maid” being also

a biped, the card touched must have been No. 1, which is the biped of

the biped class. Many appropriate passages may be easily selected, and

your confederate should select a long passage to be read, as it gives

greater scope, and helps to mislead the rest of the company; for should

they imagine that the card is discovered by the number of lines read,

and they touch the same card again, he can select another passage,

desiring them to read only as many lines as they choose.

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