At length, dear friend, your letter has reached me, and the

messenger-paper has brought me your words—brought me them

from the western shore of Chester's Dee, where with prone

stream it seeks the Vergivian wave. Much, believe me, it

delights me that foreign lands have nurtured a heart so loving

of ours, and a head so faithfully mine; and that a distant

part of the country now owes me my sprightly companion,

whence, however, it means soon, on being summoned, to send him

back. Me at present that city contains which the Thames washes

with its ebbing wave; and me, not unwilling, my father's house

now possesses. At present it is not my care to revisit the

reedy Cam; nor does the love of my forbidden rooms yet cause

me grief (_nec dudum vetiti me laris angit amor_). Nor do

naked fields please me, where soft shades are not to be had.

How ill that place suits the votaries of Apollo! Nor am I in

the humour still to bear the threats of a harsh master (_duri

minas perferre magistri_), and other things not to be

submitted to by my genius (_cæteraque ingenio non subeunda

meo_). If this be exile (_si sit hoc exilium_), to have gone

to my father's house, and, free from cares, to be pursuing

agreeable relaxations, then certainly I refuse neither the

name nor the lot of a fugitive (_non ego vel profugi nomen

sortemque recuso_), and gladly I enjoy the condition of exile

(_lætus et exilii conditione fruor_). Oh that that poet, the

tearful exile in the Pontic territory had never endured worse

things! Then had he nothing yielded to Ionian Homer, nor would

the supreme reputation of having surpassed him be yours, O

Maro! For it is in my power to give my leisure up to the

placid Muses; and books, which are my life, have me all to

themselves. When I am wearied, the pomp of the winding theatre

takes me hence, and the garrulous stage calls me to its noisy

applauses—whether it be the wary old gentleman that is heard,

or the prodigal heir; whether the wooer, or the soldier with

his helmet doffed, is on the boards, or the lawyer, prosperous

with a ten years' lawsuit, is mouthing forth his gibberish to

the unlearned forum. Often the wily servant is abetting the

lover-son, and at every turn cheating the very nose of the

stiff father; often there the maiden, wondering at her new

sensations, knows not what love is, and, while she knows not,

loves. Or, again, furious Tragedy shakes her bloody sceptre

and rolls her eyes, with dishevelled locks, and it is a pain

to look, and yet it is a pleasure to have looked and been

pained; for sometimes there is a sweet bitterness in tears. Or

the unhappy boy leaves his untasted joys, and falls off, a

pitiful object, from his broken love; or the fierce avenger of

crime recrosses the Styx from the shades, perturbing guilty

souls with his funeral torch. Or the house of Pelops or that

of noble Ilium is in grief, or the palace of Creon expiates

its incestuous ancestry. But not always within doors, nor even

in the city, do we mope; nor does the season of spring pass by

unused by us. The grove also planted with thick elms, has our

company, and the noble shade of a suburban neighborhood. Very

often here, as stars breathing forth mild flames, you may see

troops of maidens passing by. Ah! how often have I seen the

wonders of a worthy form, which might even repair the old age

of Jove! Ah! how often have I seen eyes surpassing all gems

and whatever lights revolve round either pole; and necks twice

whiter than the arms of living Pelops, and than the way which

flows tinged with pure nectar; and the exquisite grace of the

forehead; and the trembling hair which cheating love spreads

as his golden nets; and the inviting cheeks, compared with

which hyacinthine purple is poor, and the very blush, Adonis,

of thy own flower! . . . But for me, while the forbearance of

the blind boy allows it, I prepare as soon as possible to

leave these happy walls, and, using the help of divine

all-heal, to flee far from the infamous dwellings of the

sorceress Circe. It is fixed that I do go back to the rushy

marshes of Cam, and once more approach the murmur of the

hoarse-murmuring school. Meanwhile accept the little gift of

your faithful friend, and these few words forced into

alternate measures.

_To Alexander Gill, Jr._ (_Familiar Letters_, No. III.)

. . . Indeed, every time I recollect your almost constant

conversations with me (which even in this Athens, the

University itself, I long after and miss), I think

immediately, and not without grief, what a quantity of benefit

my absence from you has cheated me of,—me who never left

your company without a manifest increase and ἐπίδοσις of

literary knowledge, just as if I had been to some emporium of

learning. Truly, amongst us here, as far as I know, there are

hardly one or two that do not fly off unfeathered to Theology

while all but rude and uninitiated in either Philology or

Philosophy,—content also with the slightest possible touch of

Theology itself, just as much as may suffice for sticking

together a little sermon anyhow, and stitching it over with

worn patches obtained promiscuously: a fact giving reason for

the dread that by degrees there may break in among our clergy

the priestly ignorance of a former age. For myself, finding

almost no real companions in study here, I should certainly be

looking straight back to London, were I not meditating a

retirement during this summer vacation into a deep literary

leisure and a period of hiding, so to speak, in the bowers of

the Muses. But, as this is your own daily practice, I think

it almost a crime to interrupt you longer with my din at

present. Farewell.

CAMBRIDGE, July 2, 1628.

_To Thomas Young._ (_Familiar Letters_, No. IV.)

. . . Having been invited to your part of the country, as soon

as spring is a little advanced, I will gladly come, to enjoy

the delights of the season, and not less of your conversation,

and will withdraw myself from the din of town for a while to

your Stoa of the Iceni, as to that most celebrated Porch of

Zeno or the Tusculan Villa of Cicero, where you, with moderate

means but regal spirit, like some Serranus or Curius, placidly

reign in your little farm, and, contemning fortune, hold, as

it were, a triumph over riches, ambition, pomp, luxury, and

whatever the herd of men admire and are marked by. . . .

CAMBRIDGE, July 21, 1628.

_To Charles Diodati_,

making a stay in the country, who, having written to the author on the

13th of December, and asked him to excuse his verses, if they were less

good than usual, on the ground that, in the midst of the festivities

with which he had been received by his friends, he was unable to give a

sufficiently prosperous attention to the Muses, had the following reply:

. . . You seem to be enjoying yourself rarely. How well you

describe the feasts, and the merry December and preparations

for Christmas, and the cups of French wine round the gay

hearth! Why do you complain that poesy is absent from these

festivities? Festivity and poetry are surely not

incompatible. . . . One sees the triple influence of Bacchus,

Apollo, and Ceres, in the verses you have sent me. And, then,

have you not music—the harp lightly touched by nimble hands,

and the lute giving time to the fair ones as they dance in the

old tapestried room? Believe me, where the ivory keys leap,

and the accompanying dance goes round the perfumed hall, there

will the Song-god be. But let me not go too far. Light Elegy

is the care of many gods, and calls any one of them by turns

to her assistance—Bacchus, Erato, Ceres, Venus, and little

Cupid besides. To poets of this order, therefore, conviviality

is allowable; and they may often indulge in draughts of good

old wine. _But the man who speaks of high matters—the heaven

of the full-grown Jove, and pious heroes, and demigod leaders

of men, the man who now sings the holy counsels of the gods

above, and now the subterranean realms guarded by the fierce

dog—let him live sparely, after the manner of the Samian

master; let herbs afford him his innocent diet, let clear

water in a beechen cup stand near him, and let him drink sober

draughts from a pure fountain! To this be there added a youth

chaste and free from guilt, and rigid morals, and hands

without stain. Being such, thou shalt rise up, glittering in

sacred raiment and purified by lustral waters, an augur about

to go into the presence of the unoffended gods._ So is wise

Tiresias said to have lived, after he had been deprived of his

sight; and Theban Linus; and Calchas the exile; and old

Orpheus. So did the scantily-eating, water-drinking Homer

carry his hero Ulysses through the monster-teeming hall of

Circe, and the straits insidious with the voices of the

Syrens, and through thy courts, too, O infernal King, where he

is said to have held the troops of shades enthralled by

libations of black blood. For the poet is sacred and the

priest of the gods; and his breast and his mouth breathe the

indwelling Jove.

And now, if you will know what I am myself doing (if indeed

you think it is of so much consequence to know if I am doing

anything), here is the fact: we are engaged in singing the

heavenly birth of the King of Peace, and the happy age

promised by the holy books, and the infant cries and cradling

in a manger under a poor roof of that God who rules, with his

Father, the Kingdom of Heaven, and the sky with the new-sprung

star in it, and the ethereal choirs of hymning angels, and the

gods of the heathen suddenly fleeing to their endangered

fanes. This is the gift which we have presented to Christ's

natal day. On that very morning, at daybreak, it was first

conceived. The verses, which are composed in the vernacular,

await you in close keeping; you shall be the judge to whom I

shall recite them.

_Prolusiones quædam Oratoriæ_

Some University Latin Oratorical Exercises, seven in number, first

published in 1674, the year of Milton's death, along with his Familiar

Letters (Epistolæ Familiares), 'as a make-weight to counterbalance the

paucity of the Letters,' have an autobiographic value; but, with the

exception of a small bit, space does not allow the admission of them

here. 'They throw light,' says Masson, 'upon Milton's career at

Cambridge. They illustrate the extent and nature of his reading, his

habits and tastes as a student, the relation in which he stood to the

University system of his time, and to the new intellectual tendencies

which were gradually affecting that system. They also settle in the most

conclusive manner the fact that Milton passed through two stages in his

career at the University,—a stage of decided unpopularity, in his own

College at least, which lasted till about 1628, and a final stage of

triumph, when his powers were recognized.'

Masson characterizes the seventh oratorical exercise as 'one of the

finest pieces of Latin prose ever penned by an Englishman.'

The following is a passage, in Masson's close translation, from this

exercise, which exhibits what continued to be Milton's attitude through

life:

'I regard it, my hearers, as known and accepted by all, that the great

Maker of the Universe, when he had constituted all things else as

fleeting and corruptible, did mingle up with Man, in addition to that of

him which is mortal, a certain divine breath, as it were part of

Himself, immortal, indestructible, free from death and extinction;

which, after it had sojourned purely and holily for some time in the

earth as a heavenly guest, should flutter aloft to its native heaven,

and return to its proper home and fatherland: accordingly, that _nothing

can deservedly be taken into account as among the causes of our

happiness that does not somehow or other regard both that everlasting

life and this civil life below_.'

'When his earlier writings,' says Masson, 'are compared with those of

his coevals at the University, what strikes one most, next to their

vastly greater merit altogether, is their more ideal tone. As, more than

any of them, he was conscious of the _os magna soniturum_, the mouth

formed for great utterances, so all that he does utter has a certain

character and form of magnitude.'

Milton's Latin poem, 'Ad Patrem' (To Father), was occasioned, as may be

seen in the poem, by an expressed dissatisfaction on the part of his

father with his continued devotion, after leaving the University, to his

favorite studies and the Muses, to the exclusion of all consideration of

a profession. He had, while yet at the University, fully decided that

the Church, for which he was destined by his parents, was not for him,

bowing, as it was, beneath the galling 'yoke of prelaty'; and to the

legal profession he must have been equally, if not more, averse.

Such a tribute of filial affection and gratitude, as is this poem,

certainly overcame all objections the father may have expressed in

regard to his course of life at the time.

We learn from this poem, which was no doubt composed soon after Milton's

final return to his father's house at Horton, in 1632, he being then in

his twenty-fourth year, that, along with the Latin and the Greek, he had

acquired, and by his father's advice, a knowledge of the French,

Italian, and Hebrew. We also learn of the father's musical genius, both

instrumental and vocal, and of the son's lofty estimate of the power of

poesy. He ascribes to it a divine nature which evidences man's heavenly

origin, and bespeaks him illuminated from above.

I give the translation by the poet Cowper, which, while being somewhat

free, is, I think, altogether the best and most poetical that has been

made. That by Masson, in hexameters, is closer to the original, but has

in it a dactylic dance which is not so much in harmony with the tone of

the original as is Cowper's blank-verse translation.

_To Father_

Oh, that Pieria's spring would thro' my breast

Pour its inspiring influence, and rush

No rill, but rather an o'erflowing flood!

That, for my venerable father's sake,

All meaner themes renounced, my muse, on wings 5

Of duty borne, might reach a loftier strain.

For thee, my father! howsoe'er it please,

She frames this slender work, nor know I aught

That may thy gifts more suitably requite;

Though to requite them suitably would ask 10

Returns much nobler, and surpassing far

The meagre stores of verbal gratitude;

But, such as I possess, I send thee all.

This page presents thee in their full amount

With thy son's treasures, and the sum is nought; 15

Nought, save the riches that from airy dream

In secret grottos and in laurel bowers

I have, by golden Clio's gift, acquired.

Verse is a work divine; despise not thou

Verse, therefore, which evinces (nothing more) 20

Man's heavenly source, and which, retaining still

Some scintillations of Promethean fire,

Bespeaks him animated from above.

The gods love verse; the infernal Powers themselves

Confess the influence of verse, which stirs 25

The lowest deep, and binds in triple chains

Of adamant both Pluto and the Shades.

In verse the Delphic priestess, and the pale

Tremulous Sibyl make the future known;

And he who sacrifices, on the shrine 30

Hangs verse, both when he smites the threatening bull,

And when he spreads his reeking entrails wide

To scrutinize the Fates enveloped there.

We, too, ourselves, what time we seek again

Our native skies, and one eternal now 35

Shall be the only measure of our being,

Crowned all with gold, and chaunting to the lyre

Harmonious verse, shall range the courts above,

And make the starry firmament resound;

And, even now, the fiery spirit pure 40

That wheels yon circling orbs, directs, himself,

Their mazy dance with melody of verse

Unutterable, immortal, hearing which

Huge Ophiuchus holds his hiss suppressed,

Orion, softened, drops his ardent blade, 45

And Atlas stands unconscious of his load.

Verse graced of old the feasts of kings ere yet

Luxurious dainties, destined to the gulph

Immense of gluttony, were known, and ere

Lyæus deluged yet the temperate board. 50

Then sat the bard a customary guest

To share the banquet, and, his length of locks

With beechen honours bound, proposed in verse

The characters of heroes, and their deeds

To imitation, sang of Chaos old, sword, belt, and club; 55

Of nature's birth, of gods that crept in search

Of acorns fallen, and of the thunder bolt

Not yet produced from Etna's fiery cave.

And what avails, at last, tune without voice,

Devoid of matter? Such may suit perhaps 60

The rural dance, but such was ne'er the song

Of Orpheus, whom the streams stood still to hear

And the oaks followed. Not by chords alone

Well touched, but by resistless accents more

To sympathetic tears the ghosts themselves 65

He moved; these praises to his verse he owes.

Nor thou persist, I pray thee, still to slight

The sacred Nine, and to imagine vain

And useless, powers by whom inspired thyself

Art skilful to associate verse with airs 70

Harmonious, and to give the human voice

A thousand modulations, heir by right

Indisputable of Arion's fame.

Now say, what wonder is it if a son

Of thine delight in verse, if so conjoined 75

In close affinity, we sympathize

In social arts and kindred studies sweet?

Such distribution of himself to us

Was Phœbus' choice; thou hast thy gift and I

Mine also; and between us we receive, 80

Father and son, the whole inspiring god.

No! howsoe'er the semblance thou assume

Of hate, thou hatest not the gentle Muse,

My Father! for thou never bad'st me tread

The beaten path and broad that leads right on 85

To opulence, nor didst condemn thy son

To the insipid clamours of the bar,

To laws voluminous and ill observed;

But, wishing to enrich me more, to fill

My mind with treasure, ledst me far away 90

From city din to deep retreats, to banks

And streams Aonian, and, with free consent,

Didst place me happy at Apollo's side.

I speak not now, on more important themes

Intent, of common benefits and such 95

As nature bids, but of thy larger gifts,

My Father! who, when I had opened once

The stores of Roman rhetoric, and learned

The full-toned language of the eloquent Greeks,

Whose lofty music graced the lips of Jove, 100

Thyself didst counsel me to add the flowers

That Gallia boasts, those, too, with which the smooth

Italian his degenerate speech adorns,

That witnesses his mixture with the Goth;

And Palestine's prophetic songs divine. 105

To sum the whole, whate'er the heaven contains,

The earth beneath it, and the air between,

The rivers and the restless deep, may all

Prove intellectual gain to me, my wish

Concurring with thy will; Science herself, 110

All cloud removed, inclines her beauteous head,

And offers me the lip, if, dull of heart,

I shrink not and decline her gracious boon.

Go now and gather dross, ye sordid minds

That covet it; what could my Father more? 115

What more could Jove himself, unless he gave

His own abode, the heaven, in which he reigns?

More eligible gifts than these were not

Apollo's to his son, had they been safe,

As they were insecure, who made the boy 120

The world's vice-luminary, bade him rule

The radiant chariot of the day, and bind

To his young brows his own all-dazzling wreath.

I, therefore, although last and least, my place

Among the learned in the laurel grove 125

Will hold, and where the conqueror's ivy twines,

Henceforth exempt from the unlettered throng

Profane, nor even to be seen by such.

Away then, sleepless Care, Complaint away,

And Envy, with thy 'jealous leer malign!' 130

Nor let the monster Calumny shoot forth

Her venomed tongue at me. Detested foes!

Ye all are impotent against my peace,

For I am privileged, and bear my breast

Safe, and too high for your viperean wound. 135

But thou, my Father! since to render thanks

Equivalent, and to requite by deeds

Thy liberality, exceeds my power,

Suffice it that I thus record thy gifts,

And bear them treasured in a grateful mind! 140

Ye, too, the favourite pastime of my youth

My voluntary numbers, if ye dare

To hope longevity, and to survive

Your master's funeral, not soon absorbed

In the oblivious Lethæan gulph 145

Shall to futurity perhaps convey

This theme, and by these praises of my sire

Improve the Fathers of a distant age!

_An English letter to a friend (unknown), who, it appears, had been

calling him to account for his apparent indifference as to his work in

life_

This letter has an exceptional autobiographic value. The sonnet, which

is inserted, appears to have been independently written some time

before, and was originally published in 1645, with the heading 'On his

having arrived at the age of twenty-three.'

'SIR,—Besides that in sundry respects I must acknowledge me

to profit by you whenever we meet, you are often to me, and

were yesterday especially, as a good watchman to admonish that

the hours of the night pass on (for so I call my life, as yet

obscure and unserviceable to mankind), and that the day with

me is at hand, wherein Christ commands all to labor, while

there is light. Which, because I am persuaded you do to no

other purpose than out of a true desire that God should be

honoured in every one, I therefore think myself bound, though

unasked, to give you an account, as oft as occasion is, of

this my tardy moving, according to the precept of my

conscience, which I firmly trust is not without God. Yet now I

will not strain for any set apology, but only refer myself to

what my mind shall have at any time to declare herself at her

best ease.

But if you think, as you said, that too much love of learning

is in fault, and that I have given up myself to dream away my

years in the arms of studious retirement, like Endymion with

the moon, as the tale of Latmus goes, yet consider that, if it

were no more but the mere love of learning, whether it proceed

from a principle bad, good, or natural, it could not have held

out thus long against so strong opposition on the other side

of every kind. For, if it be bad, why should not all the fond

hopes that forward youth and vanity are fledge with, together

with gain, pride, and ambition, call me forward more

powerfully than a poor, regardless, and unprofitable sin of

curiosity should be able to withhold me; whereby a man cuts

himself off from all action, and becomes the most helpless,

pusillanimous, and unweaponed creature in the world, the most

unfit and unable to do that which all mortals most aspire to,

either to be useful to his friends or to offend his enemies?

Or, if it be to be thought a natural proneness, there is

against that a much more potent inclination inbred, which

about this time of a man's life solicits most—the desire of

house and family of his own; to which nothing is esteemed more

helpful than the early entering into credible employment, and

nothing hindering than this affected solitariness. And, though

this were enough, yet there is another act, if not of pure,

yet of refined nature, no less available to dissuade prolonged

obscurity—a desire of honour and repute and immortal fame,

seated in the breast of every true scholar; which all make

haste to by the readiest ways of publishing and divulging

conceived merits—as well those that shall, as those that

never shall, obtain it. Nature, therefore, would presently

work the more prevalent way, if there were nothing but this

inferior bent of herself to restrain her. Lastly, the love of

learning, as it is the pursuit of something good, it would

sooner follow the more excellent and supreme good known and

presented, and so be quickly diverted from the empty and

fantastic chase of shadows and notions, to the solid good

flowing from due and timely obedience to that command in the

Gospel set out by the terrible feasing of him that hid the

talent.

It is more probable, therefore, that not the endless delight

of speculation, but this very consideration of that great

commandment, does not press forward, as soon as many do, to

undergo, but keeps off, with a sacred reverence and religious

advisement how _best_ to undergo, not taking thought of being

_late_, so it give advantage to be more _fit_; for those that

were latest lost nothing when the master of the vineyard came

to give each one his hire. And here I am come to a streamhead,

copious enough to disburden itself, like Nilus, at seven

mouths into an ocean. But then I should also run into a

reciprocal contradiction of ebbing and flowing at once, and do

that which I excuse myself for not doing—preach and not

preach. Yet, that you may see that I am something suspicious

of myself, and do take notice of a certain belatedness in me,

I am the bolder to send you some of my nightward thoughts some

while since, because they come in not altogether unfitly, made

up in a Petrarchian stanza, which I told you of:

How soon hath Time, the subtle thief of youth,

Stolen on his wing my three-and-twentieth year!

My hasting days fly on with full career;

But my late spring no bud or blossom shew'th.

Perhaps my semblance might deceive the truth 5

That I to manhood am arrived so near;

And inward ripeness doth much less appear,

That some more timely-happy spirits indu'th.

Yet be it less or more, or soon or slow,

It shall be still in strictest measure even 10

To that same lot, however mean or high,

Toward which Time leads me, and the will of Heaven.

All is, if I have grace to use it so,

As ever in my great Task-Master's eye.

By this I believe you may well repent of having made mention

at all of this matter; for, if I have not all this while won

you to this, I have certainly wearied you of it. This,

therefore, alone may be a sufficient reason for me to keep me

as I am, lest, having thus tired you singly, I should deal

worse with a whole congregation and spoil all the patience of

a parish; for I myself do not only see my own tediousness, but

now grow offended with it, that has hindered me thus long from

coming to the last and best _period_ of my letter, and that

which must now chiefly work my pardon,—that I am

Your true and unfeigned friend, etc.'

_To Alexander Gill, Jr._ (_Familiar Letters_, No. V.)

An Introduction to the Prose and Poetical Works of John Milton Comprising All the Autobiographic Passages in His Works, the More Explicit Presentations of His Ideas of True Liberty. · 第 4 / 23 段