CHAPTER XXIII

The fuss which preceded our wedding was very considerable indeed.

Presents abounded. Even in my house, which is a large one, they got

greatly in the way. There was, for instance, a large picture sent by

Titherington. I do not think he had any malicious intention. He probably

gave an order to a dealer without any details of the kind of work of

art to be supplied. It turned out be a finely coloured photographic

reproduction of a picture which had been very popular a few years

before, called “The Ministering Angel.” It represented a hospital nurse

in the act of exulting over her patient. It reminded me so unpleasantly

of my time in Ballygore that I gave orders to have it set up with its

face to the wall in a passage. There I used to trip over it nearly every

day. Canon Beresford’s position was worse than mine, for his house was

smaller and Lalage’s presents were both numerous and larger than those

sent to me.

I also suffered great inconvenience from the paperers and painters who

came down from Dublin in large numbers and pervaded my favourite rooms.

It was my mother who invited them. She said that the house was in a

disgraceful condition. Lalage took the keenest interest in these men

and their work. She used to come over every morning and harangue them

vehemently.

This was some consolation to me for the paperers and painters certainly

did not like it. I used to enjoy hearing what they said to each after

Lalage had finished with them. Before and after she dealt with the men

she used to consult with my mother about clothes. Miss Battersby was

admitted to these council meetings. I never was. Patterns of materials

arrived from the most distant shops. Some came direct to my mother. I

used to see them piled up behind the letters on the breakfast table.

Others came to Miss Battersby, who brought them over in the Thormanby’s

pony trap. Still more were addressed to Lalage at the rectory. I used to

send for these in the morning and it was while she waited for them that

Lalage gave the paperers and painters her opinion of their incompetence.

It seemed to me quite impossible that any one, during those frenzied six

weeks, could have thought calmly on any serious subject. But Lalage is

a very wonderful young woman and my mother is able to retain her

self-possession under the most trying circumstances. They managed

somehow to snatch an hour or two for that long talk about my future of

which my mother had spoken to me. I do not know whether Miss Battersby’s

advice was asked. Mine certainly was not. Nor was I told at the time the

result of the deliberations. That leaked out long afterward, when the

wedding was over and we had returned home to settle down, I scarcely

hoped, in peace. I suspected, of course, that I should be made to do

something, and I was agreeably surprised that no form of labour was

directly imposed on me for some time. Lalage, acting no doubt on my

mother’s advice, decided to shepherd rather than goad me along the way

on which it was decided that I should go.

She began by saying in a casual way, one night after dinner, that she

did not think I had any real taste for political life. I agreed with

her heartily. Then she and my mother smiled at each other in a way which

made me certain that they had some other career for me in mind. Shortly

afterward they took to talking a great deal about books, especially at

meal times, and several literary papers appeared regularly on my study

table. I came to the conclusion that they wished me to become a patron

of literature, perhaps to collect a library or to invite poets to spend

their holidays with us. I was quite willing to fall in with this plan,

but I determined, privately, only to become acquainted with poets of

a peaceable kind who wrote pastorals or elegies and went out for long,

solitary walks to commune with nature. In my eagerness to please Lalage

I went so far as to write to Selby-Harrison, asking him to make out for

me a list of the leading poets of the meditative and mystical schools. I

also gave an order to a bookseller for all the books of original poetry

published during that autumn. The number of volumes I received surprised

me. I used to exhibit them with great pride to my mother and Lalage. I

once offered to read out extracts from them in the evening.

“The bent of your genius,” said Lalage, “is evidently literary.”

My mother backed her up of course.

“It is,” I said, “and always was. It’s a great pity that it wasn’t found

out sooner. Think of the time I wasted in Portugal and of that wretched

episode in East Connor. However, there’s no use going back on past

mistakes.”

“They weren’t altogether mistakes,” said Lalage. “We couldn’t have known

that you were literary until we found out that you weren’t any good at

anything else.”

“That view of literature,” I said, “as the last refuge of the

incompetent, is quite unworthy of you, Lalage. Recollect that you

once edited a magazine yourself. You should have more respect for the

profession of letters.”

“Don’t argue,” said Lalage. “All we say is that if you can’t do anything

else you must be able to write.”

Then the truth began to become clear to me. My dream of a life of

cultured ease, spent, with intervals for recreation, in the society of

gentle poets, faded.

“Do you mean,” I said, “that I’m to----?”

“Certainly,” said Lalage.

“To write a book?” I said desperately.

“That’s the reason,” said Lalage, “why I refurnished your study and

bought that perfectly sweet Dutch marquetry bureau and hung up the

picture of Milton dictating ‘Paradise Lost’ to his two daughters.”

I have hated that picture since the day it first appeared in in my

study. I only agreed to letting it in because I knew the alternative was

Titherington’s hospital nurse. The Dutch bureau, if it is Dutch, is most

uncomfortable to write at. There was no use, however, wrangling about

details. I brought forward the one strong objection to the plan which

occurred to me at the moment.

“Has my uncle been consulted?” I asked. “From what I know of Thormanby

I should say he’s not at all likely to agree to my spending my life in

writing poetry.”

“His idea,” said my mother, “is that you should bring out a

comprehensive work on the economic condition of Ireland in the twentieth

century.”

“He thinks,” Lalage added, “that when you do go into Parliament it will

be a great advantage to you to be a recognized authority on something,

even if it’s only Irish economics.”

I knew, of course, that I should have to give in to a certain extent

in the end; but I was not prepared to fall in with Thormanby’s absurd

suggestion.

“Very well,” I said, “I shall write a book. I shall write my

reminiscences.”

“Reminiscences,” said Lalage, “are rather rot as a rule.”

“The bent of my genius,” I said, “is entirely reminiscent.”

Rather to my surprise Lalage accepted the reminiscences as a tolerable

substitute for the economic treatise. I suppose she did not really care

what I wrote so long as I wrote something.

“Very well,” she said. “We’ll give you six months.”

I had, I am bound to say, a very pleasant and undisturbed life during

the six months allowed me by Lalage. I did my writing, for the most

part, in the morning, working at the Dutch marquetry bureau from ten

o’clock until shortly after noon. I soon came to find a great deal of

pleasure in my work. The only thing which ever put me out of temper was

the picture of Milton dictating to two plump young women who had taken

off their bodices in order to write with more freedom. If there are any

peevish or ill-humoured passages in my book they are to be attributed

entirely to the influence of that picture, chiefly to the tousled look

of the younger daughter. The fact that her father was blind was no

excuse for her neglecting to do her hair when she got up in the morning.

I have secured, by the help of Selby-Harrison, a publisher for the book.

He insists on bringing it out as a novel and refuses to allow it to

be called “Memories of My Early Life,” the title I chose. “Lalage’s

Lovers,” the name under which it appears in his list of forthcoming

fiction, seems to me misleading. It suggests a sentimental narrative and

will, I fear, give rise to some disappointment. However, I suppose

that the book may sell better if we pretend that it is not true. But

in Ireland, at least, this device will be vain. The things with which I

deal were not done in a corner. There are many bishops who still smart

from Lalage’s attack on them, and Titherington, at all events, is not

likely to forget last year’s epidemic of influenza. I shall, indeed,

be very glad if the publisher’s ruse succeeds and the public generally

believes that I have invented the whole story. Now that the moment of

publication comes near and I am engaged in adding a few final sentences

to the last chapter I am beginning to feel nervous and uncomfortable.

There may be a good deal of trouble and annoyance when the book comes

out.

I have set down nothing except the truth and this ought to please

Lalage; but I am not at all sure that it will. I have noticed that of

late she has shown signs of disliking any mention of the _Anti-Tommy-Rot

Gazette_ or the campaign of the Association for the Suppression of

Public Lying in East Connor. She pulled me up very abruptly yesterday

when I asked her what Hilda’s surname really is. I wanted it in order

to make my book as complete as possible. Lalage seemed to think that I

intended to annoy her by talking over past events.

“I wish,” she said, “that you wouldn’t always try to make yourself out a

fool. You’ve known Hilda intimately since she was quite a girl.”

That, of course, was my difficulty all along. I have known Hilda too

intimately. If our friendship had been more formal or had begun more

formally, I should, at first at all events, have called her “Miss”

something instead of simply “Hilda.” Then I should not be in my present

awkward position.

I am also doubtful about Thormanby’s reception of the book. He ought

to be pleased, for he appears in my pages as a bluff, straightforward

nobleman, devoted to the public good and full of sound common-sense

though slightly choleric. This is exactly what he is; but I have

noticed that people are not always pleased with faithful portraits of

themselves.

The case of the Archdeacon, now bishop, is more serious. He has not yet

married Miss Battersby, although Lalage has done her best to throw them

together and the advantages of the match become every day more obvious.

It is just possible that the publication of my reminiscences may create

an awkwardness--a constraint of manner on the part of the bishop, a

modest shrinking in Miss Battersby, which will tend to put off the final

settlement of the affair. I ventured to hint to Lalage that it might

be well to bring the business to a head, if possible, before my book is

published. Lalage expressed considerable surprise.

“What on earth has your book got to do with their marriage?” she said.

I saw no good in anticipating what is likely to be an evil day by

offering a premature explanation.

“Nothing,” I said, “nothing at all.”

“Then why do you want to have them married before the book comes out?”

“I don’t,” I said. “I merely want them to be engaged. My idea is to give

them the book as a wedding present, nicely bound in calf of course.”

“Poor Pussy,” said Lalage; “I intend to give her something better than

that.”

Lalage has not read my book. It was a bargain from the very first that

neither she nor my mother should ask to see the manuscript. She cannot

know, therefore, whether it will be better or worse than the silver

teapot which I expect she has in mind for Miss Battersby’s wedding

present.

Another thing which troubles me is the future of Selby-Harrison. It

has been arranged, chiefly by Lalage, that the bishop, who used to be

Archdeacon, is to ordain Selby-Harrison as curate assistant to Canon

Beresford. There are incidents in the career of Selby-Harrison of which

no bishop can be expected to approve. His part in Lalage’s various

crusades has not hitherto been forced upon the attention of the public.

My book will, I fear, make it plain that he was an active power in

the various reforming societies which caused so much annoyance to

many people. If I could, I would leave Selby-Harrison out of the book

altogether, but to do so would render unintelligible the whole sequence

of events which resulted from the discovery of that text in First

Timothy. Besides, it would scarcely be fair to deprive the young man of

the credit he certainly deserves for the masterly way in which he drew

up the agreements which Titherington and I signed.

All this causes me to hesitate, even now at the eleventh hour, about

publishing the book at all. One consideration, however, decides me to go

on and face the consequences, whatever they may be. This is not the kind

of book which will encourage Thormanby to drive me into Parliament. That

plan, at all events, will be dropped when my reminiscences appear.

Lalage's Lovers · 第 23 / 23 章