MUSIC AND LAW.

During a recent trial, Mr. EDWARD SOLOMON, the plaintiff testified

that his work was worth to him about thirty-nine pounds per diem.

"Why," exclaimed Mr. Justice LAWRANCE, "if you write a good many

(what?) it is better than----" Whereupon interposed Mr. PAUL

TAYLOR, Counsel for the plaintiff, "Better than the Bar, my lord."

(_Laughter._) Why, of course, Mr. PAUL TAYLOR! Was there no one in

Court with knowledge of the simplest arithmetic sufficient to inform

you that to work at _several bars_ must be worth much more than

to work at _one Bar_? Hasn't Sir ARTHUR SULLIVAN, by composing the

lightest possible operas in the world, achieved that best of all

"possible probable" tunes, a for-tune, that even a judge, whether of

music or at law, might envy? Why, certainly. And the GILLIVAN-SULBERT

Savoyards could, if they liked, tell Judge LAWRANCE that "thirty-nine

pounds per diem" is not an over-estimate of the share apportioned to

each of the three leading scions of the House of the Savoy, composer,

librettist, and manager, during the run of one of their real

successes, such, for example, as was _The Mikado_. 'Tis a pity

Composer SOLOMON did not call Composer SULLIVAN to testify to what

might be the pecuniary value of a successful composition. We wish the

deserving TAYLOR better luck with the next suit he takes in hand.

* * * * *

Punch, or the London Charivari, Vol. 105 December 23rd, 1893 · 第 11 / 30 题