Before concluding these observations, I have one or two remarks to make

on MODERN GREEK, which have a vital connexion with the state of the

argument. The reader will observe that I have from the beginning spoken

of Greek as a living language, having had a continuous uninterrupted

existence, though under various and well-marked modifications, from

the days of Cadmus and his earth-sown brood to the present hour. Now

the vulgar notion is, that Romaic, as it used to be called, though

the present Greeks have with a just pride, I understand, rejected the

epithet, is not only a different dialect of the Greek, from that spoken

by Plato and Demosthenes, but a different language altogether, in the

same way that Italian and Spanish are languages formed on Latin indeed,

but with an organic type altogether their own. In this view Greek

becomes a dead language; and the mass of scholastic and academical men

who teach it habitually as such, without any regard to its existing

state, will receive a justification of which they are not slow to

make use. But this vulgar notion, like many others, has grown out of

pedantic prejudice, and is supported by sheer ignorance. How such a

notion should have got abroad is easy enough to explain. I mentioned

already, that the English scholars—who have been allowed to give the

law on such subjects—have so completely disfigured the classical

features of Greek speech, that when they happen to meet Greeks, or to

travel in Greece and attempt conversation, they can make no more of

the answer they receive, than they can of the twitter of swallows, or

the language of any other bird. Again, at Oxford and Cambridge, as is

well known, the majority confine themselves to a very limited range

even of strictly classical Greek, so that a man may well have received

high honours for working up his Æschylus and his Aristotle, and yet be

quite unfit to make out the meaning of a plain modern Greek book when

he sees it; but the fact is, I have good reason to believe, there is

not one among a hundred of their scholars that ever saw such a thing.

Thirdly, we must consider under what a system of prim classical prudery

these gentlemen are often brought up. They are taught to believe, and

have been taught here also in Scotland publicly, that after a certain

golden age of Attic or Atticizing purity, the limits of which are very

arbitrarily fixed, a race of Greek writers succeeded who “increased

immensely the vocabulary of the language, while they injured its

simplicity and debased its beauty;” and under the influence of this

salutary fear they regard with a strong jealousy whole centuries of

the most interesting and instructive authors who do not come under

their arbitrary definition of “classical.” Men who think that the

vocabulary of the Hellenic language should have been finally closed at

the time of Polybius, and who pass a philologic interdict against any

phrase or idiom introduced after that period, will not be very likely

to look with peculiar favour on the prose of Perrhæbus, or the poetry

of Soutzos. But by a large-minded philologist all this prudery is

disregarded. He knows that grammarians can as little cause a language

to be corrupted and to die, by any dainty squeamishness of theirs, as

they with their meagre art can create a single word, or manufacture

one verse of a poem. Looking at the language of Homer and Plato as a

real historical phenomenon, and not as a mere record in grammatical

books, he sees that it went on growing and putting forth fresh buds and

blossoms long after nice lexicographers had declared that it ceased

to possess vitality. A language lives as long as a people lives—a

distinct and tangible social totality—speaking it, nor has it the power

to die at any point, where grammarians may choose to draw a line,

and say that its authors are no longer classical. What “classical”

means is hard to say; but as a matter of fact many persons will read

the Byzantine historians with much more pleasure than Xenophon’s

Hellenics, and not be able to explain intelligibly why the Greek of

the one should not be considered as good as the Greek of the other.

Greek certainly was not a dead language in any sense at the taking

of Constantinople in the year 1453. If it is dead, it has died since

that date; but the facts to those who will examine them, prove that

it is not dead. No doubt, under the oppressive atmosphere of Turkish

and Venetian domination, the stout old tree began to droop visibly,

and became encrusted with leprous scabs, and to shew livid blotches,

which were not pleasant to behold; but such a strong central vitality

had God planted in that noble organism, that, with the returning

breeze of freedom, and the spread of intelligence since the great year

1789, the inward power of healthy life began again to act powerfully,

and the Turkish and Venetian disfigurement dropt off speedily like a

mere skin-disease as it was; and smooth Greek sounded glibly again,

not only in the pulpit, which was the strong refuge of its prolonged

vitality, but in the forum and from the throne. Those who doubt what I

say in this matter, had best go to Athens and see; meanwhile, for the

sake of those to whom the subject may be altogether new,—and from the

general pedantic narrowness of our academical Greek I fear there may be

many such—I shall set down a passage from Perrhæbus, and another from a

common Greek newspaper, from which the fact will be abundantly evident

that the language of Homer is not dead, but lives, and that in a state

of purity, to which, considering the extraordinary duration of its

literary existence—2500 years at least,—there is no parallel perhaps on

the face of the globe, in Europe certainly not.

“Κατὰ τὸ 1820 διατρίβων εἰς τὴν Σπάρτην ὁ Πεῤῥαιβὸς

ἐπὶ ἡγεμονίας τοῦ Πέτρου Μαυρομιχάλη, διέβη εἰς

Κωνσταντινούπολιν, κἀκεῖθεν εἰς Δακίαν, Βασσαραβίαν

καὶ Ὀδησσὸν, ὅπου εὗρε τὸν Ἀλέξανδρον Ὑψηλάντην

καὶ Γεώργιον Καντακοζηνὸν, φέροντας τὰ πρῶτα

τῆς Ἑταιρείας, καὶ μὲ ἀπερίγραπτον ἔνθουσιασμὸν

ἐτοιμαζομένους διὰ νὰ κινηθῶσι κατὰ τοῦ Σουλτάνου.

Τὸν αὐτὸν σχεδὸν ἐνθουσιασμὸν ἔβλεπέ τις οὐ μόνον

κατ’ ἐκεῖνα τὰ μέρη, ἀλλὰ καθ’ ὅλην τὴν Ἑλλάδα,

τόσον εἰς σημαντικοὺς, ὅσον καὶ παντὸς ἐπαγγέλματος

Ἕλληνας κατοικοῦντας εἰς πόλεις, χώρας καὶ χωρία.

Δὲν συστέλλομαι νὰ ὁμολογήσω, ὅτι ἤμην ἐναντίος τοῦ

τοιούτου κινήματος κατὰ τοῦ Σουλτάνου· ὄχι διότι

δὲν ἐπεθύμουν τὴν ἐλευθερίαν τοῦ Ἔθνους μου, ἀλλὰ

διότι μ’ ἐφαίνετο ἄωρον τὸ κίνημα, μὲ τὸ νὰ ἦσαν

ἀπειροπόλεμοι οἱ Ἕλληνες, καὶ οἱ πλεῖστοι ἄοπλοι, ὁ

δὲ κίνδυνος μέγας.”[40]

=Ο ΚΟΣΣΟΥΤ ΕΝ ΑΜΕΡΙΚΗ=.

“Τήν 6 Δεκεμβρίου εἰσήλθεν ὁ ἀρχηγὸς τῆς Οὐγγαρικῆς

δημοκρατίας εἰς τὴν πρωτεύουσαν πόλιν τῶν ἡνωμένων

Πολιτειῶν. Ἀπὸ τῆς πρώτης στιγμῆς τῆς ἀφίξεως του

ὅλοι οἱ ζωγράφοι παρουσιάσθησαν διὰ νὰ λάβωσι τὴν

εἰκόνα τοῦ διὰ τῆς ἡλιοτυπίας, ἀλλ’ ὁ Κοσσοὺθ κατ’

οὐδένα πρόπον δὲν ἠθέλησε νὰ δεχθῇ τοῦτο. Ἄλλος τις

εὐφυέστερος καλλιτέχνης ἐφεῦρε τὸ μέσον νὰ τὴν λάβῃ

ἄκοντος αὐτοῦ. Ἔθεσε τὴν μηχανήν του εἴς τι παράθυρον

κατα τὴν διάβασίν του καὶ ἐπροκάλεσε μίαν ἔριν ὲν τῇ

ὁδῷ διὰ νὰ σταματήσῃ τὴν τέθριππόν του. Τοιουτοτρόπως

δὲ κατώρθωσε νὰ λάβῃ λάθρα οὐχὶ μόνον τὴν εἰκόνα τοῦ

Μαγυάρου Ἥρωος, ἀλλὰ καὶ ἄλλων τεσσάρων εὑρισκομένων

μετ’ αὐτοῦ ἐν τῇ ἁμάξῃ. Ὁ Κοσσοὺθ εὕρισκετο ἐντὸς

ἁμάξης ὑπὸ ἕξ καστανοχρόων ἵππων συρομένης ἐφόρει

δὲ στολὴν Οὐγγρικὴν, καὶ ἐπὶ τοῦ πίλου τοῦ μέλαν

πτερόν.”[41]

[40] “Ἀπομνημονεύματα Πολεμικὰ, διαφόρων μαχῶν συγκροτηθεισῶν μεταξὺ

Ἑλλήνων καὶ Ὀθωμάνων κατά τε τὸ Σούλιον καὶ Ἀνατολικὴν Ελλάδα ἀπὸ

τοῦ 1820 μέχρι τοῦ 1829 ἔτους. Συγγραφέντα παρὰ τοῦ Συνταγματαρχοῦ

Χριστοφόρου Πεῤῥαίβου τοῦ ἐξ Ὀλύμπου τῆς Θετταλίας, καὶ διῃρήμενκ εἰς

τόμους δύω. Ἐν Ἀθήναις, ἐκ τῆς Τυπογραφίας Ἀνδρέου Κορόμηλα, Ὁδός

Ἓρμου, Ἀριθ. 215. 1836.”

[41] “Αθηνα, Decemb. 31, 1851.”

These are as fair specimens of the current dialect of Greece as I can

produce. For it is manifest that while it would be quite easy on the

one hand to select a specimen of the living dialect written by mere

men of learning, (as from the works of ŒCONOMUS,) which should make

a much nearer approach to the idiom of Xenophon, it would be equally

open on the other to produce a brigand’s song from the mountains of

Acarnania containing a great deal more of the elements of what the

admirers of unmixed Atticism would be entitled to call corruption. But

it is evident that a specimen of the first kind would be no more a

fair specimen of the average Greek now spoken, than the polished style

of George Buchanan was of the average Latin current in his day; and

a brigand’s song were just as fair a specimen of the Greek spoken by

people of education in modern Athens, as a ballad in the Cumberland

or the Craven dialect is of the English of Macaulay’s History, or

Wordsworth’s White Doe. With this remark, by way of explanation, let

any person who can read common classical Greek without a dictionary,

tell me with what face it can be asserted that the above is a specimen

of a new language, in the same sense that Italian is a different

language from Latin, and Dutch from German. I find nothing in the

extracts given, but such slight variations in verbal form, and in

the use of one or two prepositions and pronouns, as the reader of

Xenophon will find in far greater abundance when he turns to Homer. The

principal syntactic difference observable is the use of νὰ (for ἵνα),

with the subjunctive mood, instead of the infinitive, which the modern

Greeks have allowed to drop; but this is a usage, borrowed from the

Latin I have often thought, of which very frequent examples occur in

the New Testament; and besides, a mere new fashion in the syntactical

form of a sentence was never dreamt of by any sane grammarian, as

the sufficient sign of a new language. In English, for instance, we

say, _I beg you will accept this_, and, _I beg you to accept this_.

Now suppose one of these forms of expression to become obsolete, by a

change which mere fashion may effect any day, and the other to become

all dominant, could, I ask, any such change as this, or a whole score

of such changes, be said to corrupt the English language in such a

degree as to constitute a new tongue? Much less could the introduction

of a few new words, formed according to the analogy of the language,

be said to achieve such a transformation, though an academic purist

might indeed refuse to put such words as ἡλιοτυπία (photography),

and ἀτμοπλoῖov (a steam-boat), into his lexicon. As little could a

philosophical classical scholar be offended by the loss of the optative

mood, (used in the New Testament so sparingly,) and the substitution

for it of the auxiliary verb θέλω, which, though it is of comparatively

rare occurrence, is just as much according to the genius of the Greek

language, as the frequent use of the other auxiliary verb _to be_,

both in classical Greek and Latin. Instead of fastening upon such

insignificant peculiarities, a catholic-minded scholar will rather be

astonished to find that _in three columns of a Greek newspaper of the

year 1852, there do not certainly occur three words that are not pure

native Greek_. In fact the language, so far from being corrupt, as its

ignorant detractors assert, is the most uncorrupt language in Europe,

perhaps in the world, at the present moment. The Germans boast of their

linguistic purity, and sing songs to Hermann who sent the legions of

Varus with their lingo so bravely out of the Westphalian swamps; but

let any man compare a column of a German newspaper with a column from

the =ΑΘΗΝΑ=, or any other ἐφημερίς issued within the girth of King

Otho’s dominions, and he will understand that while the Greek language

even now is as a perfectly pure vestment, the German in its familiar

use is defaced by the ingrained blots of many ages, which no philologic

sponge of Adelung or Jacob Grimm will ever prevail to wash out. There

are reasons for this remarkable phenomenon in the history of language,

which to a thoughtful student of the history of the Greek people will

readily suggest themselves. I content myself with stating the fact.

These things being so, the natural observation that will occur to

every one, as bearing on our present inquiry, is, that as the Greek is

manifestly a living language, and never was dead, but only suffering

for a season under a cutaneous disease now thrown off, those who speak

that language are entitled to a decisive voice in the question how

their language is to be pronounced, _and this on the mere ground that

they are alive and speak it_; and to their decision we must bow on the

sole ground of living authority and possessory right. For every living

language exercises this despotic authority over those who learn it;

and it is not in the nature of things that one should escape from such

a sovereignty. No doubt there may be certain exceptions to which, for

certain special philological purposes, this general rule of obedience

is liable; but the rule remains. Such an exception, for instance,

in the literature of our existing English language, is the peculiar

accentuation of many words that occur in Shakspeare, and even in

Milton, different from that now used, whereby their rhythm limps to

our ear in the places where such words occur. Such exceptions, also,

are the dissyllabic words in Chaucer, that are now shortened into

monosyllables, and yet must be read as dissyllables by all those who

will enjoy the original harmony of the poet’s rhythm. In Greek, as I

have already observed, the whole quantitative value of the language has

had its poles inverted; in which practice we cannot possibly follow

the living users of the tongue, because we learn the language not to

speak with them, as a main object, (though this also has its uses

seldom thought of by schoolmasters,[42]) but to read the works of their

ancient poets, the rhythmical value of whose works their living speech

disowns. This is a sweeping exception to that dominancy of usage which

Horace recognises as supreme in language; but philological necessity

compels; and the modern Athenians must even submit in such points to

receive laws from learned foreigners. But with all this large exceptive

liberty, we dare not disown the rule. We must follow the authority of

their living dictation, so far as the object we have in view allows;

and if we are philosophical students of the language, our object never

can be resolutely to ignore all knowledge of the elocutional genius

and habits of the living people who speak it. It must be borne in mind

also, with how much greater ease a living language can be acquired than

a dead one; so that were it only for the sake of the speedy mastery of

the ancient dialect, a thorough practical familiarity with the spoken

tongue ought first to be cultivated. The present practice, indeed,

of teaching Greek in our schools and colleges, altogether as a dead

language, can be regarded only as a great scholastic mistake; and it

may be confidently affirmed by any person who has reflected on the

method of nature in teaching languages, that more Greek will be learned

by three months’ well-directed study at Athens, where it is spoken,

than by three years’ devotion to the language under the influence of

our common scholastic and academic appliances in this country.

[42] Perhaps some classical young gentleman at Oxford or Cambridge

may be moved by the consideration brought forward in the following

passage:—“I was much delighted with this really Grecian ball, at which

I was the only foreigner. The Grecian fair I have ever found peculiarly

agreeable in society. They are not in the smallest degree tainted with

the artificial refinements and affectations of more civilised life,

while they have all its graces and fascinations; and I cannot help

thinking that as some one thought it worth while to learn ancient Greek

at the age of seventy, for the sole purpose of reading the Iliad, so it

is well worthy the pains of learning modern Greek at _any_ age, for the

pleasure of conversing, in her own tongue, with a young and cultivated

Greek beauty.”—_Wanderings in Greece_, by GEORGE COCHRAN, Esq. London,

1837.

I am now led, in the last place, to observe, that whatever may be

thought of Itacism and of accents, as the dominant norm for the

teaching of Greek in this country, one thing is plain, that no scholar

of large and catholic views can, after what has been said and proved

in this paper, content himself with teaching Greek according to the

present arbitrary and anti-classical fashion _only_. The living dialect

also must be taught with all its peculiarities, not only because the

heroic exploits of a modern Admiral Miaulis are as well worthy of the

attention of a Hellenic student as those of an ancient Phormion; but

for strictly philological uses also, and that of more kinds than one.

The transcribers of the MSS., for one thing, in the Middle Ages, all

wrote with their ear under the habitual influence of the pronunciation

which now prevails; and were accordingly constantly liable to make

mistakes that reveal themselves at once to those who are acquainted

with that pronunciation, but will only slowly be gathered by those

whose ears have not been trained in the same way. But what is of more

consequence for Hellenic philologers to note accurately is, that the

spoken dialect of the Greek tongue, though modern in name and form,

is nowise altogether modern in substance: but like the conglomerate

strata of the geologists, contains imbedded very valuable fragments

of the oldest language of the country. Of this it were easy to adduce

proofs from so common a book as Passow’s Greek-German Dictionary, where

occasional reference is made to the modern dialect in illustration of

the ancient; from which source, I presume, with much else that is of

first-rate excellence in lexicography, such references have passed into

the English work of Liddell and Scott. But on this head I shall content

myself with simply directing the student’s attention to the fact, and

appending below the testimony of Professor Ross of Halle—a man who has

travelled much in Greece, can write the language with perfect fluency,

and is entitled, if any man in Europe is, to speak with the voice of

authority on such a point.[43]

[43] In a paper on the Comparison of the Forms of the Nominative

Case in certain Latin and Greek Nouns, (_Zeitschrift für die

Alterthums-Wissenschaft. 9ͭͤͬ Jahrgang_, No. 49,) Professor Ross writes

to Professor BERGH of Marburg, as follows:—“My views are founded

chiefly on the observation of the dialect used by the common people of

Greece, among whom and with whom I lived so long. This dialect, indeed,

now spoken by the Greek shepherds and sailors, and which, of course,

is not to be learnt from books, but from actual intercourse with the

people, the majority of philologists are apt to hold cheap, but it

has been to me a mine of rich instruction, and I have no hesitation

in saying that, at all events, in reference to the non-Attic dialects

of the Greek tongue, to Latin, Oscan, and even Etruscan, more may be

got from this source than from the many bulky commentaries of the

grammarians of the Middle Ages. See what I have said on this point in

my _Reisen auf den Griechischen Inseln_, iii. p. 155.”

I have now finished all that I had to say on this subject, which has

proved perhaps more fertile of speculative suggestion and of practical

direction than the title at first promised. What I have said will at

least serve the purpose for which it was immediately intended, that

of justifying my conduct should I find it expedient to introduce

any decided innovations in the practice of teaching Greek in our

metropolitan University. And if it should further have the effect

of inducing any thoughtful teacher to inquire into a curious branch

of philology which he may have hitherto overlooked, and to question

the soundness of the established routine of classical inculcation in

some points, whatever disagreeable labour I may have gone through in

clearing the learned rubbish from so perplexed a path will not have

been without its reward. Any sympathizing reader who may communicate

with me, wishing that I should explain, reconsider, or modify any

statement here made, will find me, I hope, as willing to listen as to

speak, and not more zealous for victory than for truth.

EDINBURGH: T. CONSTABLE, PRINTER TO HER MAJESTY.

The pronunciation of Greek; accent and quantity. A philological inquiry · 第 4 / 4 段