THE QUINTESSENCE OF QUAINTNESS IN ONE ACT

_The Scene is the Exterior of a Cottage in West Issacshire on a

desperately Arcadian afternoon in August._ MR. ICKY, _quaintly

dressed in the costume of an Elizabethan peasant, is pottering and

doddering among the pots and dods. He is an old man, well past the

prime of life, no longer young. From the fact that there is a burr in

his speech and that he has absent-mindedly put on his coat wrongside

out, we surmise that he is either above or below the ordinary

superficialities of life._

_Near him on the grass lies_ PETER, _a little boy._

PETER, _of course, has his chin on his palm like the pictures

of the young Sir Walter Raleigh. He has a complete set of features,

including serious, sombre, even funereal, gray eyes--and radiates that

alluring air of never having eaten food. This air can best be radiated

during the afterglow of a beef dinner. He is looking at_ MR.

ICKY, _fascinated._

_Silence. . . . The song of birds._

PETER: Often at night I sit at my window and regard the stars.

Sometimes I think they’re my stars.... (_Gravely_) I think I

shall be a star some day....

MR. ICKY: (_Whimsically_) Yes, yes ... yes....

PETER: I know them all: Venus, Mars, Neptune, Gloria Swanson.

MR. ICKY: I don’t take no stock in astronomy.... I’ve been thinking o’

Lunnon, laddie. And calling to mind my daughter, who has gone for to

be a typewriter.... (_He sighs._)

PETER: I liked Ulsa, Mr. Icky; she was so plump, so round, so buxom.

MR. ICKY: Not worth the paper she was padded with, laddie. (_He

stumbles over a pile of pots and dods._)

PETER: How is your asthma, Mr. Icky?

MR. ICKY: Worse, thank God!...(_Gloomily.)_ I’m a hundred years

old... I’m getting brittle.

PETER: I suppose life has been pretty tame since you gave up petty

arson.

MR. ICKY: Yes... yes.... You see, Peter, laddie, when I was fifty I

reformed once--in prison.

PETER: You went wrong again?

MR. ICKY: Worse than that. The week before my term expired they

insisted on transferring to me the glands of a healthy young prisoner

they were executing.

PETER: And it renovated you?

MR. ICKY: Renovated me! It put the Old Nick back into me! This young

criminal was evidently a suburban burglar and a kleptomaniac. What was

a little playful arson in comparison!

PETER: (_Awed_) How ghastly! Science is the bunk.

MR. ICKY: (_Sighing_) I got him pretty well subdued now. ’Tisn’t

every one who has to tire out two sets o’ glands in his lifetime. I

wouldn’t take another set for all the animal spirits in an orphan

asylum.

PETER: (_Considering_) I shouldn’t think you’d object to a nice

quiet old clergyman’s set.

MR. ICKY: Clergymen haven’t got glands--they have souls.

(_There is a low, sonorous honking off stage to indicate that a

large motor-car has stopped in the immediate vicinity. Then a young

man handsomely attired in a dress-suit and a patent-leather silk hat

comes onto the stage. He is very mundane. His contrast to the

spirituality of the other two is observable as far back as the first

row of the balcony. This is_ RODNEY DIVINE.)

DIVINE: I am looking for Ulsa Icky.

(MR. ICKY _rises and stands tremulously between two dods._)

MR. ICKY: My daughter is in Lunnon.

DIVINE: She has left London. She is coming here. I have followed her.

(_He reaches into the little mother-of-pearl satchel that hangs at

his side for cigarettes. He selects one and scratching a match touches

it to the cigarette. The cigarette instantly lights._)

DIVINE: I shall wait.

(_He waits. Several hours pass. There is no sound except an

occasional cackle or hiss from the dods as they quarrel among

themselves. Several songs can be introduced here or some card tricks

by_ DIVINE _or a tumbling act, as desired._)

DIVINE: It’s very quiet here.

MR. ICKY: Yes, very quiet....

(_Suddenly a loudly dressed girl appears; she is very worldly. It

is_ ULSA ICKY. _On her is one of those shapeless faces peculiar to

early Italian painting._)

ULSA: (_In a coarse, worldly voice_) Feyther! Here I am! Ulsa did

what?

MR. ICKY: (_Tremulously_) Ulsa, little Ulsa. (_They embrace

each other’s torsos._)

MR. ICKY: (_Hopefully_) You’ve come back to help with the

ploughing.

ULSA: (_Sullenly_) No, feyther; ploughing’s such a beyther. I’d

reyther not.

(_Though her accent is broad, the content of her speech is sweet and

clean._)

DIVINE: (_Conciliatingly_) See here, Ulsa. Let’s come to an

understanding.

(_He advances toward her with the graceful, even stride that made

him captain of the striding team at Cambridge._)

ULSA: You still say it would be Jack?

MR. ICKY: What does she mean?

DIVINE: (_Kindly_) My dear, of course, it would be Jack. It

couldn’t be Frank.

MR. ICKY: Frank who?

ULSA: It _would_ be Frank!

(_Some risqué joke can be introduced here._)

MR. ICKY: (_Whimsically_) No good fighting...no good fighting...

DIVINE: (_Reaching out to stroke her arm with the powerful movement

that made him stroke of the crew at Oxford_) You’d better marry me.

ULSA: (_Scornfully_) Why, they wouldn’t let me in through the

servants’ entrance of your house.

DIVINE: (_Angrily_) They wouldn’t! Never fear--you shall come in

through the mistress’ entrance.

ULSA: Sir!

DIVINE: (_In confusion_) I beg your pardon. You know what I mean?

MR. ICKY: (_Aching with whimsey_) You want to marry my little

Ulsa?...

DIVINE: I do.

MR. ICKY: Your record is clean.

Tales of the Jazz Age · 第 89 / 96 题