III

Three o’clock went into four. The room paled, the dark outside was

shot through with damp and chill, and Wessel, cupping his brain in his

hands, bent low over his table, tracing through the pattern of knights

and fairies and the harrowing distresses of many girls. There were

dragons chortling along the narrow street outside; when the sleepy

armorer’s boy began his work at half-past five the heavy clink and

clank of plate and linked mail swelled to the echo of a marching

cavalcade.

A fog shut down at the first flare of dawn, and the room was grayish

yellow at six when Wessel tiptoed to his cupboard bedchamber and

pulled open the door. His guest turned on him a face pale as parchment

in which two distraught eyes burned like great red letters. He had

drawn a chair close to Wessel’s _prie-dieu_ which he was using as

a desk; and on it was an amazing stack of closely written pages. With

a long sigh Wessel withdrew and returned to his siren, calling himself

fool for not claiming his bed here at dawn.

The clump of boots outside, the croaking of old beldames from attic to

attic, the dull murmur of morning, unnerved him, and, dozing, he

slumped in his chair, his brain, overladen with sound and color,

working intolerably over the imagery that stacked it. In this restless

dream of his he was one of a thousand groaning bodies crushed near the

sun, a helpless bridge for the strong-eyed Apollo. The dream tore at

him, scraped along his mind like a ragged knife. When a hot hand

touched his shoulder, he awoke with what was nearly a scream to find

the fog thick in the room and his guest, a gray ghost of misty stuff,

beside him with a pile of paper in his hand.

“It should be a most intriguing tale, I believe, though it requires

some going over. May I ask you to lock it away, and in God’s name let

me sleep?”

He waited for no answer, but thrust the pile at Wessel, and literally

poured himself like stuff from a suddenly inverted bottle upon a couch

in the corner; slept, with his breathing regular, but his brow

wrinkled in a curious and somewhat uncanny manner.

Wessel yawned sleepily and, glancing at the scrawled, uncertain first

page, he began reading aloud very softly:

_The Rape of Lucrece_

“_From the besieged Ardea all in post,

Borne by the trustless wings of false desire,

Lust-breathing Tarquin leaves the Roman host--_”

“O RUSSET WITCH!”

Merlin Grainger was employed by the Moonlight Quill Bookshop, which

you may have visited, just around the corner from the Ritz-Carlton on

Forty-seventh Street. The Moonlight Quill is, or rather was, a very

romantic little store, considered radical and admitted dark. It was

spotted interiorly with red and orange posters of breathless exotic

intent, and lit no less by the shiny reflecting bindings of special

editions than by the great squat lamp of crimson satin that, lighted

through all the day, swung overhead. It was truly a mellow bookshop.

The words “Moonlight Quill” were worked over the door in a sort of

serpentine embroidery. The windows seemed always full of something

that had passed the literary censors with little to spare; volumes

with covers of deep orange which offer their titles on little white

paper squares. And over all there was the smell of the musk, which the

clever, inscrutable Mr. Moonlight Quill ordered to be sprinkled

about--the smell half of a curiosity shop in Dickens’ London and half

of a coffee-house on the warm shores of the Bosphorus.

From nine until five-thirty Merlin Grainger asked bored old ladies in

black and young men with dark circles under their eyes if they “cared

for this fellow” or were interested in first editions. Did they buy

novels with Arabs on the cover, or books which gave Shakespeare’s

newest sonnets as dictated psychically to Miss Sutton of South Dakota?

he sniffed. As a matter of fact, his own taste ran to these latter,

but as an employee at the Moonlight Quill he assumed for the working

day the attitude of a disillusioned connoisseur.

After he had crawled over the window display to pull down the front

shade at five-thirty every afternoon, and said good-bye to the

mysterious Mr. Moonlight Quill and the lady clerk, Miss McCracken, and

the lady stenographer, Miss Masters, he went home to the girl,

Caroline. He did not eat supper with Caroline. It is unbelievable that

Caroline would have considered eating off his bureau with the collar

buttons dangerously near the cottage cheese, and the ends of Merlin’s

necktie just missing his glass of milk--he had never asked her to eat

with him. He ate alone. He went into Braegdort’s delicatessen on Sixth

Avenue and bought a box of crackers, a tube of anchovy paste, and some

oranges, or else a little jar of sausages and some potato salad and a

bottled soft drink, and with these in a brown package he went to his

room at Fifty-something West Fifty-eighth Street and ate his supper

and saw Caroline.

Caroline was a very young and gay person who lived with some older

lady and was possibly nineteen. She was like a ghost in that she never

existed until evening. She sprang into life when the lights went on in

her apartment at about six, and she disappeared, at the latest, about

midnight. Her apartment was a nice one, in a nice building with a

white stone front, opposite the south side of Central Park. The back

of her apartment faced the single window of the single room occupied

by the single Mr. Grainger.

He called her Caroline because there was a picture that looked like

her on the jacket of a book of that name down at the Moonlight Quill.

Now, Merlin Grainger was a thin young man of twenty-five, with dark

hair and no mustache or beard or anything like that, but Caroline was

dazzling and light, with a shimmering morass of russet waves to take

the place of hair, and the sort of features that remind you of

kisses--the sort of features you thought belonged to your first love,

but know, when you come across an old picture, didn’t. She dressed in

pink or blue usually, but of late she had sometimes put on a slender

black gown that was evidently her especial pride, for whenever she

wore it she would stand regarding a certain place on the wall, which

Merlin thought must be a mirror. She sat usually in the profile chair

near the window, but sometimes honored the _chaise longue_ by the

lamp, and often she leaned ’way back and smoked a cigarette with

posturings of her arms and hands that Merlin considered very graceful.

At another time she had come to the window and stood in it

magnificently, and looked out because the moon had lost its way and

was dripping the strangest and most transforming brilliance into the

areaway between, turning the motif of ash-cans and clothes-lines into

a vivid impressionism of silver casks and gigantic gossamer cobwebs.

Merlin was sitting in plain sight, eating cottage cheese with sugar

and milk on it; and so quickly did he reach out for the window cord

that he tipped the cottage cheese into his lap with his free hand--and

the milk was cold and the sugar made spots on his trousers, and he was

sure that she had seen him after all.

Sometimes there were callers--men in dinner coats, who stood and

bowed, hat in hand and coat on arm, as they talked to Caroline; then

bowed some more and followed her out of the light, obviously bound for

a play or for a dance. Other young men came and sat and smoked

cigarettes, and seemed trying to tell Caroline something--she sitting

either in the profile chair and watching them with eager intentness or

else in the _chaise longue_ by the lamp, looking very lovely and

youthfully inscrutable indeed.

Merlin enjoyed these calls. Of some of the men he approved. Others won

only his grudging toleration, one or two he loathed--especially the

most frequent caller, a man with black hair and a black goatee and a

pitch-dark soul, who seemed to Merlin vaguely familiar, but whom he

was never quite able to recognize.

Now, Merlin’s whole life was not “bound up with this romance he had

constructed”; it was not “the happiest hour of his day.” He never

arrived in time to rescue Caroline from “clutches”; nor did he even

marry her. A much stranger thing happened than any of these, and it is

this strange thing that will presently be set down here. It began one

October afternoon when she walked briskly into the mellow interior of

the Moonlight Quill.

It was a dark afternoon, threatening rain and the end of the world,

and done in that particularly gloomy gray in which only New York

afternoons indulge. A breeze was crying down the streets, whisking

along battered newspapers and pieces of things, and little lights were

pricking out all the windows--it was so desolate that one was sorry

for the tops of sky-scrapers lost up there in the dark green and gray

heaven, and felt that now surely the farce was to close, and presently

all the buildings would collapse like card houses, and pile up in a

dusty, sardonic heap upon all the millions who presumed to wind in and

out of them.

At least these were the sort of musings that lay heavily upon the soul

of Merlin Grainger, as he stood by the window putting a dozen books

back in a row after a cyclonic visit by a lady with ermine trimmings.

He looked out of the window full of the most distressing thoughts--of

the early novels of H. G. Wells, of the book of Genesis, of how Thomas

Edison had said that in thirty years there would be no dwelling-houses

upon the island, but only a vast and turbulent bazaar; and then he set

the last book right side up, turned--and Caroline walked coolly into

the shop.

She was dressed in a jaunty but conventional walking costume--he

remembered this when he thought about it later. Her skirt was plaid,

pleated like a concertina; her jacket was a soft but brisk tan; her

shoes and spats were brown and her hat, small and trim, completed her

like the top of a very expensive and beautifully filled candy box.

Merlin, breathless and startled, advanced nervously toward her.

“Good-afternoon--” he said, and then stopped--why, he did not know,

except that it came to him that something very portentous in his life

was about to occur, and that it would need no furbishing but silence,

and the proper amount of expectant attention. And in that minute

before the thing began to happen he had the sense of a breathless

second hanging suspended in time: he saw through the glass partition

that bounded off the little office the malevolent conical head of his

employer, Mr. Moonlight Quill, bent over his correspondence. He saw

Miss McCracken and Miss Masters as two patches of hair drooping over

piles of paper; he saw the crimson lamp overhead, and noticed with a

touch of pleasure how really pleasant and romantic it made the

book-store seem.

Then the thing happened, or rather it began to happen. Caroline picked

up a volume of poems lying loose upon a pile, fingered it absently

with her slender white hand, and suddenly, with an easy gesture,

tossed it upward toward the ceiling where it disappeared in the

crimson lamp and lodged there, seen through the illuminated silk as a

dark, bulging rectangle. This pleased her--she broke into young,

contagious laughter, in which Merlin found himself presently joining.

“It stayed up!” she cried merrily. “It stayed up, didn’t it?” To both

of them this seemed the height of brilliant absurdity. Their laughter

mingled, filled the bookshop, and Merlin was glad to find that her

voice was rich and full of sorcery.

“Try another,” he found himself suggesting--“try a red one.”

At this her laughter increased, and she had to rest her hands upon the

stack to steady herself.

“Try another,” she managed to articulate between spasms of mirth. “Oh,

golly, try another!”

“Try two.”

“Yes, try two. Oh, I’ll choke if I don’t stop laughing. Here it goes.”

Suiting her action to the word, she picked up a red book and sent it

in a gentle hyperbola toward the ceiling, where it sank into the lamp

beside the first. It was a few minutes before either of them could do

more than rock back and forth in helpless glee; but then by mutual

agreement they took up the sport anew, this time in unison. Merlin

seized a large, specially bound French classic and whirled it upward.

Applauding his own accuracy, he took a best-seller in one hand and a

book on barnacles in the other, and waited breathlessly while she made

her shot. Then the business waxed fast and furious--sometimes they

alternated, and, watching, he found how supple she was in every

movement; sometimes one of them made shot after shot, picking up the

nearest book, sending it off, merely taking time to follow it with a

glance before reaching for another. Within three minutes they had

cleared a little place on the table, and the lamp of crimson satin was

so bulging with books that it was near breaking.

“Silly game, basket-ball,” she cried scornfully as a book left her

hand. “High-school girls play it in hideous bloomers.”

“Idiotic,” he agreed.

She paused in the act of tossing a book, and replaced it suddenly in

its position on the table.

“I think we’ve got room to sit down now,” she said gravely.

They had; they had cleared an ample space for two. With a faint touch

of nervousness Merlin glanced toward Mr. Moonlight Quill’s glass

partition, but the three heads were still bent earnestly over their

work, and it was evident that they had not seen what had gone on in

the shop. So when Caroline put her hands on the table and hoisted

herself up Merlin calmly imitated her, and they sat side by side

looking very earnestly at each other.

“I had to see you,” she began, with a rather pathetic expression in

her brown eyes.

“I know.”

“It was that last time,” she continued, her voice trembling a little,

though she tried to keep it steady. “I was frightened. I don’t like

you to eat off the dresser. I’m so afraid you’ll--you’ll swallow a

collar button.”

“I did once--almost,” he confessed reluctantly, “but it’s not so easy,

you know. I mean you can swallow the flat part easy enough or else the

other part--that is, separately--but for a whole collar button you’d

have to have a specially made throat.” He was astonishing himself by

the debonnaire appropriateness of his remarks. Words seemed for the

first time in his life to run at him shrieking to be used, gathering

themselves into carefully arranged squads and platoons, and being

presented to him by punctilious adjutants of paragraphs.

“That’s what scared me,” she said. “I knew you had to have a specially

made throat--and I knew, at least I felt sure, that you didn’t have

one.”

He nodded frankly.

“I haven’t. It costs money to have one--more money unfortunately than

I possess.”

He felt no shame in saying this--rather a delight in making the

admission--he knew that nothing he could say or do would be beyond her

comprehension; least of all his poverty, and the practical

impossibility of ever extricating himself from it.

Caroline looked down at her wrist watch, and with a little cry slid

from the table to her feet.

“It’s after five,” she cried. “I didn’t realize. I have to be at the

Ritz at five-thirty. Let’s hurry and get this done. I’ve got a bet on

it.”

With one accord they set to work. Caroline began the matter by seizing

a book on insects and sending it whizzing, and finally crashing

through the glass partition that housed Mr. Moonlight Quill. The

proprietor glanced up with a wild look, brushed a few pieces of glass

from his desk, and went on with his letters. Miss McCracken gave no

sign of having heard--only Miss Masters started and gave a little

frightened scream before she bent to her task again.

But to Merlin and Caroline it didn’t matter. In a perfect orgy of

energy they were hurling book after book in all directions until

sometimes three or four were in the air at once, smashing against

shelves, cracking the glass of pictures on the walls, falling in

bruised and torn heaps upon the floor. It was fortunate that no

customers happened to come in, for it is certain they would never have

come in again--the noise was too tremendous, a noise of smashing and

ripping and tearing, mixed now and then with the tinkling of glass,

the quick breathing of the two throwers, and the intermittent

outbursts of laughter to which both of them periodically surrendered.

At five-thirty Caroline tossed a last book at the lamp, and gave the

final impetus to the load it carried. The weakened silk tore and

dropped its cargo in one vast splattering of white and color to the

already littered floor. Then with a sigh of relief she turned to

Merlin and held out her hand.

“Good-by,” she said simply.

“Are you going?” He knew she was. His question was simply a lingering

wile to detain her and extract for another moment that dazzling

essence of light he drew from her presence, to continue his enormous

satisfaction in her features, which were like kisses and, he thought,

like the features of a girl he had known back in 1910. For a minute he

pressed the softness of her hand--then she smiled and withdrew it and,

before he could spring to open the door, she had done it herself and

was gone out into the turbid and ominous twilight that brooded

narrowly over Forty-seventh Street.

I would like to tell you how Merlin, having seen how beauty regards

the wisdom of the years, walked into the little partition of Mr.

Moonlight Quill and gave up his job then and there; thence issuing out

into the street a much finer and nobler and increasingly ironic man.

But the truth is much more commonplace. Merlin Grainger stood up and

surveyed the wreck of the bookshop, the ruined volumes, the torn silk

remnants of the once beautiful crimson lamp, the crystalline

sprinkling of broken glass which lay in iridescent dust over the whole

interior--and then he went to a corner where a broom was kept and

began cleaning up and rearranging and, as far as he was able,

restoring the shop to its former condition. He found that, though some

few of the books were uninjured, most of them had suffered in varying

extents. The backs were off some, the pages were torn from others,

still others were just slightly cracked in the front, which, as all

careless book returners know, makes a book unsalable, and therefore

second-hand.

Nevertheless by six o’clock he had done much to repair the damage. He

had returned the books to their original places, swept the floor, and

put new lights in the sockets overhead. The red shade itself was

ruined beyond redemption, and Merlin thought in some trepidation that

the money to replace it might have to come out of his salary. At six,

therefore, having done the best he could, he crawled over the front

window display to pull down the blind. As he was treading delicately

back, he saw Mr. Moonlight Quill rise from his desk, put on his

overcoat and hat, and emerge into the shop. He nodded mysteriously at

Merlin and went toward the door. With his hand on the knob he paused,

turned around, and in a voice curiously compounded of ferocity and

uncertainty, he said:

“If that girl comes in here again, you tell her to behave.”

With that he opened the door, drowning Merlin’s meek “Yessir” in its

creak, and went out.

Merlin stood there for a moment, deciding wisely not to worry about

what was for the present only a possible futurity, and then he went

into the back of the shop and invited Miss Masters to have supper with

him at Pulpat’s French Restaurant, where one could still obtain red

wine at dinner, despite the Great Federal Government. Miss Masters

accepted.

“Wine makes me feel all tingly,” she said.

Merlin laughed inwardly as he compared her to Caroline, or rather as

he didn’t compare her. There was no comparison.

Tales of the Jazz Age · 第 78 / 96 题