XI

In 1920 Roscoe Button’s first child was born. During the attendant

festivities, however, no one thought it “the thing” to mention, that

the little grubby boy, apparently about ten years of age who played

around the house with lead soldiers and a miniature circus, was the

new baby’s own grandfather.

No one disliked the little boy whose fresh, cheerful face was crossed

with just a hint of sadness, but to Roscoe Button his presence was a

source of torment. In the idiom of his generation Roscoe did not

consider the matter “efficient.” It seemed to him that his father, in

refusing to look sixty, had not behaved like a “red-blooded

he-man”--this was Roscoe’s favourite expression--but in a curious and

perverse manner. Indeed, to think about the matter for as much as a

half an hour drove him to the edge of insanity. Roscoe believed that

“live wires” should keep young, but carrying it out on such a scale

was--was--was inefficient. And there Roscoe rested.

Five years later Roscoe’s little boy had grown old enough to play

childish games with little Benjamin under the supervision of the same

nurse. Roscoe took them both to kindergarten on the same day, and

Benjamin found that playing with little strips of coloured paper,

making mats and chains and curious and beautiful designs, was the most

fascinating game in the world. Once he was bad and had to stand in the

corner--then he cried--but for the most part there were gay hours in

the cheerful room, with the sunlight coming in the windows and Miss

Bailey’s kind hand resting for a moment now and then in his tousled

hair.

Roscoe’s son moved up into the first grade after a year, but Benjamin

stayed on in the kindergarten. He was very happy. Sometimes when other

tots talked about what they would do when they grew up a shadow would

cross his little face as if in a dim, childish way he realised that

those were things in which he was never to share.

The days flowed on in monotonous content. He went back a third year to

the kindergarten, but he was too little now to understand what the

bright shining strips of paper were for. He cried because the other

boys were bigger than he, and he was afraid of them. The teacher

talked to him, but though he tried to understand he could not

understand at all.

He was taken from the kindergarten. His nurse, Nana, in her starched

gingham dress, became the centre of his tiny world. On bright days

they walked in the park; Nana would point at a great gray monster and

say “elephant,” and Benjamin would say it after her, and when he was

being undressed for bed that night he would say it over and over aloud

to her: “Elyphant, elyphant, elyphant.” Sometimes Nana let him jump on

the bed, which was fun, because if you sat down exactly right it would

bounce you up on your feet again, and if you said “Ah” for a long time

while you jumped you got a very pleasing broken vocal effect.

He loved to take a big cane from the hat-rack and go around hitting

chairs and tables with it and saying: “Fight, fight, fight.” When

there were people there the old ladies would cluck at him, which

interested him, and the young ladies would try to kiss him, which he

submitted to with mild boredom. And when the long day was done at five

o’clock he would go upstairs with Nana and be fed on oatmeal and nice

soft mushy foods with a spoon.

There were no troublesome memories in his childish sleep; no token

came to him of his brave days at college, of the glittering years when

he flustered the hearts of many girls. There were only the white, safe

walls of his crib and Nana and a man who came to see him sometimes,

and a great big orange ball that Nana pointed at just before his

twilight bed hour and called “sun.” When the sun went his eyes were

sleepy--there were no dreams, no dreams to haunt him.

The past--the wild charge at the head of his men up San Juan Hill; the

first years of his marriage when he worked late into the summer dusk

down in the busy city for young Hildegarde whom he loved; the days

before that when he sat smoking far into the night in the gloomy old

Button house on Monroe Street with his grandfather-all these had faded

like unsubstantial dreams from his mind as though they had never been.

He did not remember.

He did not remember clearly whether the milk was warm or cool at his

last feeding or how the days passed--there was only his crib and

Nana’s familiar presence. And then he remembered nothing. When he was

hungry he cried--that was all. Through the noons and nights he

breathed and over him there were soft mumblings and murmurings that he

scarcely heard, and faintly differentiated smells, and light and

darkness.

Then it was all dark, and his white crib and the dim faces that moved

above him, and the warm sweet aroma of the milk, faded out altogether

from his mind.

Tales of the Jazz Age · 第 74 / 96 题