CHAPTER XXI

BROBY FAIR

On the first Friday in October the big Broby Fair begins, and lasts

one week. It is the festival of the autumn. There is slaughtering and

baking in every house; the new winter clothes are then worn for the first

time; the brandy rations are doubled; work rests. There is feasting on

all the estates. The servants and laborers draw their pay and hold long

conferences over what they shall buy at the Fair. People from a distance

come in small companies with knapsacks on their backs and staffs in

their hands. Many are driving their cattle before them to the market.

Small, obstinate young bulls and goats stand still and plant their

forefeet, causing much vexation to their owners and much amusement to the

by-standers. The guest-rooms at the manors are filled with guests, bits

of news are exchanged, and the prices of cattle discussed.

And on the first Fair day what crowds swarm up Broby hill and over the

wide market-place! Booths are set up, where the tradespeople spread out

their wares. Rope-dancers, organ-grinders, and blind violin-players are

everywhere, as well as fortune-tellers, sellers of sweetmeats and of

brandy. Beyond the rows of booths, vegetables and fruit are offered for

sale by the gardeners from the big estates. Wide stretches are taken up

by ruddy copper-kettles. It is plain, however, by the movement in the

Fair, that there is want in Svartsjö and Bro and Löfvik and the other

provinces about the Löfven: trade is poor at the booths. There is most

bustle in the cattle-market, for many have to sell both cow and horse to

be able to live through the winter.

It is a gay scene. If one only has money for a glass or two, one can keep

up one’s courage. And it is not only the brandy which is the cause of the

merriment; when the people from the lonely wood-huts come down to the

market-place with its seething masses, and hear the din of the screaming,

laughing crowd, they become as if delirious with excitement.

Everybody who does not have to stay at home to look after the house and

cattle has come to this Broby Fair. There are the pensioners from Ekeby

and the peasants from Nygård, horse-dealers from Norway, Finns from the

Northern forests, vagrants from the highways.

Sometimes the roaring sea gathers in a whirlpool, which turns about a

middle point. No one knows what is at the centre, until a couple of

policemen break a way through the crowd to put an end to a fight or to

lift up an overturned cart.

Towards noon the great fight began. The peasants had got it into their

heads that the tradespeople were using too short yardsticks, and it began

with quarrelling and disturbance about the booths; then it turned to

violence.

Every one knows that for many of those who for days had not seen

anything but want and suffering, it was a pleasure to strike, it made no

difference whom or what. And as soon as they see that a fight is going

on they come rushing from all sides. The pensioners mean to break through

to make peace after their fashion, and the tradesmen run to help one

another.

Big Mons from Fors is the most eager in the game. He is drunk, and he is

angry; he has thrown down a tradesman and has begun to beat him, but at

his calls for help his comrades hurry to him and try to make Mons let him

go. Then Mons sweeps the rolls of cloth from one of the counters, and

seizes the top, which is a yard broad and five yards long and made of

thick planks, and begins to brandish it as a weapon.

He is a terrible man, big Mons. It was he who kicked out a wall in the

Filipstad-jail, he who could lift a boat out of the water and carry it on

his shoulders. When he begins to strike about him with the heavy counter,

every one flies before him. But he follows, striking right and left. For

him it is no longer a question of friends or enemies: he only wants some

one to hit, since he has got a weapon.

The people scatter in terror. Men and women scream and run. But how can

the women escape when many of them have their children by the hand?

Booths and carts stand in their way; oxen and cows, maddened by the

noise, prevent their escape.

In a corner between the booths a group of women are wedged, and towards

them the giant rages. Does he not see a tradesman in the midst of the

crowd? He raises the plank and lets it fall. In pale, shuddering terror

the women receive the attack, sinking under the deadly blow.

But as the board falls whistling down over them, its force is broken

against a man’s upstretched arms. One man has not sunk down, but raised

himself above the crowd, one man has voluntarily taken the blow to save

the many. The women and children are uninjured. One man has broken the

force of the blow, but he lies now unconscious on the ground.

Big Mons does not lift up his board. He has met the man’s eye, just as

the counter struck his head, and it has paralyzed him. He lets himself be

bound and taken away without resistance.

But the report flies about the Fair that big Mons has killed Captain

Lennart. They say that he who had been the people’s friend died to save

the women and defenceless children.

And a silence falls on the great square, where life had lately roared at

fever pitch: trade ceases, the fighting stops, the people leave their

dinners.

Their friend is dead. The silent throngs stream towards the place where

he has fallen. He lies stretched out on the ground quite unconscious; no

wound is visible, but his skull seems to be flattened.

Some of the men lift him carefully up on to the counter which the giant

has let fall. They think they perceive that he still lives.

“Where shall we carry him?” they ask one another.

“Home,” answers a harsh voice in the crowd.

Yes, good men, carry him home! Lift him up on your shoulders and carry

him home! He has been God’s plaything, he has been driven like a feather

before his breath. Carry him home!

That wounded head has rested on the hard barrack-bed in the prison, on

sheaves of straw in the barn. Let it now come home and rest on a soft

pillow! He has suffered undeserved shame and torment, he has been hunted

from his own door. He has been a wandering fugitive, following the paths

of God where he could find them; but his promised land was that home

whose gates God had closed to him. Perhaps his house stands open for one

who has died to save women and children.

Now he does not come as a malefactor, escorted by reeling

boon-companions; he is followed by a sorrowing people, in whose cottages

he has lived while he helped their sufferings. Carry him home!

And so they do. Six men lift the board on which he lies on their

shoulders and carry him away from the fair-grounds. Wherever they pass,

the people move to one side and stand quiet; the men uncover their heads,

the women courtesy as they do in church when God’s name is spoken. Many

weep and dry their eyes; others begin to tell what a man he had been,—so

kind, so gay, so full of counsel and so religious. It is wonderful to

see, too, how, as soon as one of his bearers gives out, another quietly

comes and puts his shoulder under the board.

So Captain Lennart comes by the place where the pensioners are standing.

“I must go and see that he comes home safely,” says Beerencreutz, and

leaves his place at the roadside to follow the procession to Helgesäter.

Many follow his example.

The fair-grounds are deserted. Everybody has to follow to see that

Captain Lennart comes home.

When the procession reaches Helgesäter, the house is silent and deserted.

Again the colonel’s fist beats on the closed door. All the servants are

at the Fair; the captain’s wife is alone at home. It is she again who

opens the door.

And she asks, as she asked once before,—

“What do you want?”

Whereupon the colonel answers, as he answered once before,—

“We are here with your husband.”

She looks at him, where he stands stiff and calm as usual. She looks at

the bearers behind him, who are weeping, and at all that mass of people.

She stands there on the steps and looks into hundreds of weeping eyes,

who stare sadly up at her. Last she looks at her husband, who lies

stretched out on the bier, and she presses her hand to her heart. “That

is his right face,” she murmurs.

Without asking more, she bends down, draws back a bolt, opens the

hall-doors wide, and then goes before the others into the bedroom.

The colonel helps her to drag out the big bed and shake up the pillows,

and so Captain Lennart is once more laid on soft down and white linen.

“Is he alive?” she asks.

“Yes,” answers the colonel.

“Is there any hope?”

“No. Nothing can be done.”

There was silence for a while; then a sudden thought comes over her.

“Are they weeping for his sake, all those people?”

“Yes.”

“What has he done?”

“The last thing he did was to let big Mons kill him to save women and

children from death.”

Again she sits silent for a while and thinks.

“What kind of a face did he have, colonel, when he came home two months

ago?”

The colonel started. Now he understands; now at last he understands.

“Gösta had painted him.”

“So it was on account of one of your pranks that I shut him out from his

home? How will you answer for that, colonel?”

Beerencreutz shrugged his broad shoulders.

“I have much to answer for.”

“But I think that this must be the worst thing you have done.”

“Nor have I ever gone a heavier way than that to-day up to Helgesäter.

Moreover, there are two others who are guilty in this matter.”

“Who?”

“Sintram is one, you yourself are the other. You are a hard woman. I know

that many have tried to speak to you of your husband.”

“It is true,” she answers.

Then she begs him to tell her all about that evening at Broby.

He tells her all he can remember, and she listens silently. Captain

Lennart lies still unconscious on the bed. The room is full of weeping

people; no one thinks of shutting out that mourning crowd. All the doors

stand open, the stairs and the halls are filled with silent, grieving

people; far out in the yard they stand in close masses.

When the colonel has finished, she raises her voice and says,—

“If there are any pensioners here, I ask them to go. It is hard for me to

see them when I am sitting by my husband’s death-bed.”

Without another word the colonel rises and goes out. So do Gösta Berling

and several of the other pensioners who had followed Captain Lennart. The

people move aside for the little group of humiliated men.

When they are gone the captain’s wife says: “Will some of them who have

seen my husband during this time tell me where he has lived, and what he

has done?” Then they begin to give testimony of Captain Lennart to his

wife, who has misjudged him and sternly hardened her heart against him.

It lasted a long time before they all were done. All through the twilight

and the evening they stand and speak; one after another steps forward and

tells of him to his wife, who would not hear his name mentioned.

Some tell how he found them on a sick-bed and cured them. There are wild

brawlers whom he has tamed. There are mourners whom he has cheered,

drunkards whom he had led to sobriety. Every one who had been in

unbearable distress had sent a message to God’s wayfarer, and he had

helped them, or at least he had waked hope and faith.

Out in the yard the crowd stands and waits. They know what is going on

inside: that which is said aloud by the death-bed is whispered from man

to man outside. He who has something to say pushes gently forward. “Here

is one who can bear witness,” they say, and let him pass. And they step

forward out of the darkness, give their testimony, and disappear again

into the darkness.

“What does she say now?” those standing outside ask when some one comes

out. “What does she say?”

“She shines like a queen. She smiles like a bride. She has moved his

arm-chair up to the bed and laid on it the clothes which she herself had

woven for him.”

But then a silence falls on the people. No one says it, all know it at

the same time: “He is dying.”

Captain Lennart opens his eyes and sees everything.

He sees his home, the people, his wife, his children, the clothes; and

he smiles. But he has only waked to die. He draws a rattling breath and

gives up the ghost.

Then the stories cease, but a voice takes up a death-hymn. All join in,

and, borne on hundreds of strong voices, the song rises on high.

It is earth’s farewell greeting to the departing soul.

The Story of Gösta Berling · 第 21 / 23 章