SCENE II: The Cross-ways: on the Long Road to Rudersheim.

A wooded country: high hills at back. The place is wild and overgrown,

like the haunted spot it is reputed to be. In the foreground, right,

a ruined stone well appears, in a mass of weeds and vines. Opposite,

left, tall trees and dense thickets. Where the roads cross (to left of

centre), stands a large, neglected shrine, with a weather-worn figure

of Christ,--again the 'Lonely Man'--facing towards Hamelin.--The stage

is empty, at rise of the curtain; but the sound of chanting from burghers

just gone by fades slowly, on the road to Rudersheim.

From the hillside at the rear comes the PIPER, wrapped in a long green

cloak, his pipe in his hand. He looks after the procession, and back

to Hamelin.--Enter, springing from the bushes to the right, MICHAEL,

who seizes him.

Their speech goes breathlessly.

MICHAEL

QUICK!--tell me--

PIPER

Patience.

MICHAEL

Patience?--Death and hell!

Oh, save her--save her! Give the children back.

PIPER

Never. Have you betrayed us?

MICHAEL

I!--betrayed?

PIPER

So, so, lad.

MICHAEL

But to save her--

PIPER

There's a way,--

Trust me! I save her, or we swing together

Merrily, in a row.--How did you see her?

MICHAEL

By stealth: two days ago, at evening,

Hard by the vine-hid wall of her own garden,

I made a warbling like a nightingale;

And she came out to hear.

PIPER

A serenade!

Under the halter!

MICHAEL

Hush.--A death-black night,

Until she came.--Oh, how to tell thee, lad!

She came,--she came, not for the nightingale,

But even dreaming that it would be I!

PIPER

She knew you?--We are trapped, then.

MICHAEL

No, not so!

She smiled on me.--Dost thou remember how

She smiled on me that day? Alas, poor maid,

She took me for some noble in disguise!

And all these days,--she told me,--she had dreamed

That I would come to save her!

PIPER

Said she this?

MICHAEL

All this--all this, and more! . . .

What could lies do?--I lied to her of thee;

I swore I knew not of thy vanishment,

Nor the lost children. But I told her true,

I was a stroller and an outcast man

That hid there, like a famished castaway,

For one more word, without a hope,--a hope;

Helpless to save her.

PIPER

And she told thee then,

She goes to be a nun?

MICHAEL

Youth to the grave!

And I--vile nothing--cannot go to save her,

Only to look my last--

PIPER

Who knows?

MICHAEL

[bitterly]

Ah, thou!--

PIPER

Poor Nightingale!

[Fingers Us pipe, noiselessly.]

MICHAEL

[rapt with grief]

Oh, but the scorn of her!

PIPER

She smiled on thee.

MICHAEL

Until she heard the truth:--

A juggler,--truly,--and no wandering knight!

Oh, and she wept.

[Wildly]

Let us all hang together.

PIPER

Thanks. Kindly spoken.--Not this afternoon!

MICHAEL

Thou knowest they are given up for dead?

PIPER

Truly.

MICHAEL

Bewitched?

PIPER

So are they.

MICHAEL

Sold to the Devil?

PIPER

[Facing softly up and down, with the restless cunning

of a squirrel at watch]

Pfui! But who else? Of course. This same old Devil!

This kind old Devil takes on him all we do!

Who else is such a refuge in this world?

Who could have burned the abbey in this place,

Where holy men did live? Why, 't was the Devil!

And who did guard us one secluded spot

By burying a wizard at this cross-ways?--

So none dare search the haunted, evil place!

The Devil for a landlord!--So say I!

And all we poor, we strollers, for his tenants;

We gypsies and we pipers in the world,

And a few hermits and sword-swallowers,

And all the cast-aways that Holy Church

Must put in cages--cages--to the end!

[To Michael, who is overcome]

Take heart! I swear,--by all the stars that chime!

I'll not have things in Cages!

MICHAEL

Barbara!

So young,--so young and beautiful!

PIPER

And fit

To marry with friend Michael!

MICHAEL

Do not mock.

PIPER

I mock not.--(Baa--Baa--Barbara!)

MICHAEL

Ay, she laughed,

On that first day. But still she gazed.--I saw

Her, all the while! I swallowed--

PIPER

Prodigies!

A thousand swallows, and no summer yet!

But now,--'t is late to ask,--why did you not

Swallow her father?--That had saved us all.

MICHAEL

They will be coming soon. They will cut off

All her bright hair,--and wall her in forever.

PIPER

Never. They shall not.

MICHAEL

[dully]

Will you give them back,

_Now_?

PIPER

I will never give them back. Be sure.

MICHAEL

And she is made an offering for the town!

I heard it of the gossips.--They have sworn

Jacobus shall not keep his one ewe-lamb

While all the rest go childless.

PIPER

And I swear

That he shall give her up,--to none but thee!

MICHAEL

You cannot do it!

PIPER

Have I lived like Cain,

But to make good one hour of Life and Sun?

And have I got this Hamelin in my hands,

To make it pay its thousand cruelties

With such a fool's one-more? . . .

--You know right well,

'T was not the thousand guilders that I wanted

For thee, or me, or any!--Ten would serve.

But there it ached; _there_, in the money-bag

That serves the town of Hamelin for an heart!

That stab was mortal! And I thrust it deep.

Life, life, I wanted; safety,--sun and wind!--

And but to show them how that daily fear

They call their faith, is made of blasphemies

That would put out the Sun and Moon and Stars,

Early, for some last Judgment!

[He laughs, up to the tree-tops]

And the Lord,

Where will He get His harpers and singing-men

And them that laugh for joy?--From Hamelin guilds?--

Will you imagine Kurt the Councillor

Trying to sing?

[He looks at his pipe again; then listens intently.

MICHAEL

His lean throat freeze!--But she--

Barbara! Barbara!--

PIPER

Patience. She will come,

Dressed like a bride.

MICHAEL

Ah, do not mock me so.

PIPER

I mock not.

MICHAEL

She will never look at me.

PIPER

Rather than be a nun, I swear she will

Look at thee twice,--and with a long, long look.

[Chant approaches in the distance, coming from Hamelin.

VOICES

Dies irae, dies illa

Solvet saeclum in favilla,

Teste David cum Sibylla.

Quantus tremor est futurus,

Quando judex est venturus,

Cuncta stricte discussurus!

PIPER

Bah, how they whine! Why do they drag it so?

MICHAEL

[overcome]

Oh, can it be the last of all? O Saints!--

O blessed Francis, Ursula, Catherine!

Hubert--and Crispin--Pantaleone--Paul!

George o' the Dragon!--Michael the Archangel!

PIPER

Michael Sword-eater, canst not swallow a chant?

The well, the well!--Take care.

VOICES

[nearer]

Inter oves locum praesta,

Et ab hoedis me sequestra,

Statuens in parte dextra.

Confutatis maledictis,

Flammis acribus addictis:

Voca me cum benedictis.

[MICHAEL climbs down the ancient well, reaching his head up warily,

to see.

The PIPER waves to him debonairly, points to the tree-tops, left,

and stands a moment showing in his face his disapproval of the

music. He fingers his pipe. As the hymn draws near, he scrambles

among the bushes, left, and disappears.

Enter slowly, chanting, the company of burghers from Hamelin,--men

together first, headed by priests; then the women.--ANSELM and all

the townsfolk appear (saving VERONIKA, the wife of KURT); JACOBUS

is meek; KURT very stern.--As they appear, the piping of the Dance-spell

begins softly, high in air. The hymn wavers; when the first burghers

reach the centre of the stage, it breaks down.

They look up, bewildered: then, with every sign of consternation,

struggle, and vacant fear, they begin to dance, willy-nilly. Their

faces work; they struggle to walk on; but it is useless. The music

whirls them irresistibly into a rhythmic pace of 3/4 time, and

jogs their words, when they try to speak, into the same dance-measure.

One by one,--two and two they go,--round and round like corks at first,

with every sign of struggle and protest, then off, on the long road

to Rudersheim. Fat priests waltz together.--KURT the fierce and

JACOBUS the sleek hug each other in frantic endeavor to be released.

Their words jolt insanely.

KURT, JACOBUS

( No, no.--No, no--No, no.--No, no!

( Yes, yes.--I, yes.--Yes, yes.--Yes, yes!

SOME

( _La--crymos--a--Dies--ill--_

( Bewitched--the Devil!--bewitched--bewitched!

( I will not--will not--will--I will!

( No, no--but where!--Help--help!--To arms!

OTHERS

( _Suppli--canti--suppli--Oh_!

( To Hamelln--back--to Hamelln--stay!

( No, no!--No, no,--Away,--away!

[They dance out, convulsively, towards Rudersheim.

KURT and JACOBUS, still whirling, cry,--

JACOBUS, KURT

( Yes, yes!--yes, yes!--Let go--let go--

( No, no!--I will not--No! . . . No

[Exeunt left, dancing.

OTHERS

( Keep time, keep time! Have mercy!--Time!

( Oh, let me--go!--Let go--let go!

( Yes, yes--Yes, yes--No, no--no--no!

[BARBARA appears, pale and beautiful;--richly dressed in white,

with flowing locks. She is wan and exhausted.--The dance-mania,

as it seizes her, makes her circle slowly and dazedly with a

certain pitiful silliness. The nuns and monks accompanying her

point in horror. But they, too, dance off with each other,

willy-nilly,--like leaves in a tempest. BARBARA is left alone,

still circling slowly. The piping sounds softer. She staggers

against a tree, and keeps on waving her hands and turning her head,

vaguely, in time.

MICHAEL looks forth from the well; then climbs out and approaches her.

MICHAEL

She is so beautiful,--how dare, I tell her?

My heart, how beautiful! The blessed saint! . . .

Fear nothing, fairest Lady.--You are saved.

[She looks at him unseeingly, and continues to dance.--He holds

out his arms to stop her.

Pray you, the danger's gone. Pray you, take breath!

Poor, shining dove,--I would not hold thee here,

Against thy wish.--'Tis Michael, the sword-eater.

[The piping ceases.]

BARBARA

[murmuring]

Yes, yes--I must--I must--I must. . .

[Reenter the PIPER from the thickets.]

MICHAEL

Look, I will guard you like a princess, here;

Yes, like Our Lady's rose-vine.

BARBARA

[gasping]

Ah, my heart!

[The PIPER comes towards her. She sees him and holds out

her arms, crying:--

Oh, he has saved me!--I am thine--thine--thine!

[Falls into his arms half-fainting. The PIPER

stands amazed, alarmed, chagrined.

PIPER

Mine?

MICHAEL

[furiously]

_Thine_?--So was it? All a trap? Cock's blood!

Thine, thine!--And thou hast piped her wits away.

Thine!

PIPER

[holding her off]

No, not mine!

BARBARA

[to him]

Why did you steal me hence?

When did you love me?--Was it on first sight?

PIPER

[confounded]

I, love thee?

MICHAEL

--Knave! thief! liar!

PIPER

--Give me breath.

[Holds off BARBARA gently.]

BARBARA

Where are you taking me?

PIPER

I? Taking thee?

MICHAEL

[to her]

He shall not steal thee!

BARBARA

[in a daze]

I must follow him.

PIPER

No! 'T is too much. You shall not follow me!

I'll not be followed.--Damsel, sit you down.

Here is too much! I love you not.

BARBARA

[wonderingly]

You do not?

Why did you pipe to me?

MICHAEL

--And steal her wits,

Stealer of all the children!

BARBARA

[vaguely]

Are they safe?

PIPER

[to MICHAEL]

Oh, your good faith!--

[To her]

They're safe.

BARBARA

I knew--I knew it!

PIPER

And so art thou. But never shall they go

To Hamelin more; and never shale thou go

To be a nun.

BARBARA

To be a nun,--no, no! Ah me, I'm spent.

Sir, take me with you.

MICHAEL

[still enraged to the PIPES]

Rid her of the spell!

Is this thy pledge?

PIPER

[distracted]

I do but rub my wits--

To think--to think.

[To himself]

What shall I do with her,

Now that she's here!--Suppose her bound to stay!

[To them]

Hearken.--You, Michael, on to Rudersheim--

MICHAEL

And leave her here? No, no!

PIPER

Then take the girl.

BARBARA

To Rudersheim? No, never, never!

PIPER

Well . . .

Hearken.--There is the hermit, over the hill.

[Apart, wildly]

But how--suppose she will not marry him?

I will not take her where the children are.

And yet--

[An idea strikes him. To her]

Hark, now;--hark, now, and tell me truly;

Can you spin cloth?

BARBARA

[amazed]

I? Spin?

PIPER

[eagerly]

Can you make shoes?

BARBARA

I--_I_ make shoes!--Fellow!

PIPER

So.

MICHAEL

Art thou mad!

PIPER

With me you may not go! But you'll be safe.

Hearken:--you, Michael, go to Rudersheim;

And tell the nuns--

BARBARA

No, no! I dare not have it!

Oh, they would send and take me! No, no, no!

PIPER

Would you go back to Hamelin?

BARBARA

No--no--no!

Ah, I am spent.

[Droops towards the PIPER; falters and sinks down on the bank

beside the well, in a swoon.--The PIPER is abashed and rueful

for the moment.

MICHAEL

All this, your work!

PIPER

[looking at her closely]

Not mine.

This is no charm. It is all youth and grief,

And weariness. And she shall follow you.--

Tell the good nuns you found her sore bewitched,

Here in this haunt of 'devils';--clean distraught.

No Church could so receive a dancing nun!

Tell them thou art an honest, piteous man

Desires to marry her.

MICHAEL

Marry the Moon!

PIPER

No, no, the Moon for me!--She shall be yours;

And here she sleeps, until her wits be sound.

[He spreads his cloak over her, gently]

The sun's still high. 'T is barely afternoon.--

[Looks at the sunshine. A thought strikes him with sudden dismay]

'T is--no, the time is going!--On my life,

I had forgot Them!--And They will not stay

After the Rainbow fades.

MICHAEL

[confounded]

Art thou moon-mad?

PIPER

[madly]

No. Stir not! Keep her safe! I come anon.

But first I go.--They'll not mind Cheat-the-Devil!

They'll creep, to find out where the Rainbow went.

I know them! So would I!--They'll all leak out!

MICHAEL

Stay--stay!

PIPER

No; guard her, you!--Anon, anon!

MICHAEL

But you will pipe her up and after you!

PIPER

[flinging him the pipe from his belt]

Do you fear this? Then keep it till I come.

You bide!--The Other cannot.

MICHAEL

Who?

PIPER

The Rainbow,

The Rainbow!--

[He runs madly up the hillside, and away.]

Curtain

The Piper: A Play in Four Acts · 第 2 / 4 章