Last Scene of All

After John Calleron was hit he carried on in a kind of twilight of the

mind. Things grew dimmer and calmer; harsh outlines of events became

blurred; memories came to him; there was a singing in his ears like

far-off bells. Things seemed more beautiful than they had a while ago;

to him it was for all the world like evening after some quiet sunset,

when lawns and shrubs and woods and some old spire look lovely in the

late light, and one reflects on past days. Thus he carried on, seeing

things dimly. And what is sometimes called “the roar of battle,”

those aërial voices that snarl and moan and whine and rage at

soldiers, had grown dimmer too. It all seemed further away, and

littler, as far things are. He still heard the bullets: there is

something so violently and intensely sharp in the snap of passing

bullets at short ranges that you hear them in deepest thought, and

even in dreams. He heard them, tearing by, above all things else. The

rest seemed fainter and dimmer, and smaller and further away.

He did not think he was very badly hit, but nothing seemed to matter

as it did a while ago. Yet he carried on.

And then he opened his eyes very wide and found he was back in London

again in an underground train. He knew it at once by the look of it.

He had made hundreds of journeys, long ago, by those trains. He knew

by the dark, outside, that it had not yet left London; but what was

odder than that, if one stopped to think of it, was that he knew

exactly where it was going. It was the train that went away out into

the country where he used to live as a boy. He was sure of that

without thinking.

When he began to think how he came to be there he remembered the war

as a very far-off thing. He supposed he had been unconscious a very

long time. He was all right now.

Other people were sitting beside him on the same seat. They all seemed

like people he remembered a very long time ago. In the darkness

opposite, beyond the windows of the train, he could see their

reflections clearly. He looked at the reflections but could not quite

remember.

A woman was sitting on his left. She was quite young. She was more

like some one that he most deeply remembered than all the others were.

He gazed at her, and tried to clear his mind.

He did not turn and stare at her, but he quietly watched her

reflection before him in the dark. Every detail of her dress, her

young face, her hat, the little ornaments she wore, were minutely

clear before him, looking out of the dark. So contented she looked you

would say she was untouched by war.

As he gazed at the clear calm face and the dress that seemed neat

though old and, like all things, so faraway, his mind grew clearer and

clearer. It seemed to him certain it was the face of his mother, but

from thirty years ago, out of old memories and one picture. He felt

sure it was his mother as she had been when he was very small. And yet

after thirty years how could he know? He puzzled to try and be quite

sure. But how she came to be there, looking like that, out of those

oldest memories, he did not think of at all.

He seemed to be hugely tired by many things and did not want to think.

Yet he was very happy, more happy even than tired men just come home

all new to comfort.

He gazed and gazed at the face in the dark. And then he felt quite

sure.

He was about to speak. Was she looking at him? Was she watching him,

he wondered. He glanced for the first time to his own reflection in

that clear row of faces.

His own reflection was not there, but blank dark showed between his

two neighbours. And then he knew he was dead.

Tales of War · 第 35 / 36 题