I have sometimes wondered if I grudged to journalism what Steevens stole

from letters. I have not yet quite come to a decision; for, had he never

left the groves of the academic for the crowded career of the man of the

world, we should never have known his amazing versatility, or even a

fraction of his noble character as it was published to the world.

Certainly the book to which this chapter forms a mere pendant must, in

parts, stand as a new revelation no less of the nobility of that

character than of his extraordinary foresight, his wonderful instinct

for the objectiveness of life. I believe that in his earliest childhood

his feeling for the prose of geography was like Wordsworth's

cataract--it "haunted him like a passion." And all the while the

subjective side of life called for the intrusion of his prying eyes. So

that you may say it was more or less pure chance that led him to give

what has proved to be the bulk of his active years to the objective side

of things, the purely actual. Take, in this very book, that which

amounts practically to a prophecy of the difficulty of capturing a point

like Spion Kop, in the passage where he describes how impossible it is

to judge of the value of a hill-top until you get there. (Pope, by the

way--and I state the point not from any desire to be pedantic, but

because Steevens had a classical way with him which would out, disguise

it how he might--Pope, I say, in his "Essay on Criticism," had before

made the same remark.) Then again you have in his chapter on Aliwal the

curiously intimate sketch of the Boer character--"A people hard to

arouse, but, you would say, very hard to subdue." Well, it is by the

objective side of life that we have to judge him. The futility of death

makes that an absolute necessity; but I like to think of a possible

George Steevens who, when the dust and sand of campaigns and daily

journalism had been wiped away from his shoon, would have combined in a

great and single-hearted career all the various powers of his fine mind.

His death, as none needs to be told, came as a great shock and with

almost staggering surprise to the world; and it is for his memory's sake

that I put on record a few of the words that were written of him by

responsible people. An Oxford contemporary has written of him:--

"I first met him at a meeting of the Russell Club at Oxford. He was

a great light there, being hon. sec. It was in 1890, and Steevens

had been head-boy of the City of London School, and then Senior

Scholar at Balliol. Even at the Russell Club, then, he was regarded

as a great man. The membership was, I think, limited to twenty--all

Radical stalwarts. I well remember his witty comments on a paper

advocating Women's Rights. He was at his best when opening the

debate after some such paper. Little did that band of ardent souls

imagine their leader would, in a few short years, be winning fame

for a Tory halfpenny paper.

"He sat next me at dinner, just before he graduated, and he was in

one of those pensive moods which sometimes came over him. I believe

he hardly spoke. In '92 he entered himself as a candidate for a

Fellowship at Pembroke. I recollect his dropping into the

examination-room half an hour late, while all the rest had been

eagerly waiting outside the doors to start their papers at once.

But what odds? He was miles ahead of them all--an easy first. It

was rumoured in Pembroke that the new Fellow had been seen smoking

(a pipe, too) in the quad--that the Dean had said it was really

shocking, such a bad example to the undergraduates, and against all

college rules. How could we expect undergraduates to be moral if Mr

Steevens did such things? How, indeed? Then came Mr Oscar Browning

from Cambridge, and carried off" Steevens to the 'second university

in the kingdom,' so that we saw but little of him. Some worshipped,

others denounced him. The Cambridge papers took sides. One spoke of

'The Shadow' or 'The Fetish,' _au contraire_: another would praise

the great Oxford genius. Whereas at Balliol Steevens was boldly

criticised, at Cambridge he was hated or adored.

"A few initiated friends knew that Steevens was writing for the

'Pall Mall' and the 'Cambridge Observer,' and it soon became

evident that journalism was to be his life-work. Last February I

met him in the Strand, and he was much changed: no more crush hat,

and long hair, and Bohemian manners. He was back from the East, and

a great man now--married and settled as well--very spruce, and

inclined to be enthusiastic about the Empire. But still I remarked

his old indifference to criticism. Success had improved him in

every way: this seems a common thing with Britishers. In September

last I knocked up against him at Rennes during the Dreyfus trial.

As I expected, Steevens kept cool: he could always see the other

side of a question. We discussed the impending war, and he was

eagerly looking forward to going with the troops. I dare not tell

his views on the political question of the war. They would surprise

most of his friends and admirers. On taking leave I bade him be

sure to take care of himself. He said he would."

What strikes me as being peculiarly significant of a certain aspect of

his character appeared in 'The Nursing and Hospital World.' It ran in

this wise--I give merely an extract:--

"Although George Steevens never used his imperial pen for personal

purposes, yet it seems almost as if it were a premonition of death

by enteric fever which aroused his intense sympathy for our brave

soldiers who died like flies in the Soudan from this terrible

scourge, owing to lack of trained nursing skill, during the late

war. This sympathy he expressed to those in power, and we believe

that it was owing to his representations that one of the most

splendid offers of help for our soldiers ever suggested was made by

his chief, the editor of the 'Daily Mail,' when he proposed to

equip, regardless of expense, an ambulance to the Soudan, organised

on lines which would secure, for our sick and wounded, _skilled

nursing on modern lines_, such nursing as the system in vogue at

the War Office denies to them.

"The fact that the War Office refused this enlightened and generous

offer, and that dozens of valuable lives were sacrificed in

consequence, is only part of the monstrous incompetence of its

management. Who can tell! If Mr Alfred Harmsworth's offer had been

accepted in the last war, might not army nursing reform have, to a

certain extent, been effected ere we came to blows with the

Transvaal, and many of the brave men who have died for us long

lingering deaths from enteric and dysentery have been spared to

those of whom they are beloved?"

Another writer in the 'Outlook':--

"As we turn over the astonishing record of George Warrington

Steevens's thirty years, we are divided between the balance of loss

and gain. The loss to his own intimates must be intolerable. From

that, indeed, we somewhat hastily avert our eyes. Remains the loss

to the great reading public, which we believe that Steevens must

have done a vast deal to educate, not to literature so much as to a

pride in our country's imperial destiny. Where the elect chiefly

admired a scarcely exampled grasp and power of literary

impressionism, the man in the street was learning the scope and

aspect of his and our imperial heritage, and gaining a new view of

his duties as a British citizen.

"A potent influence is thus withdrawn. The pen that had taught us

to see and comprehend India and Egypt and the reconquest of the

Soudan would have burned in on the most heedless the line which

duty marks out for us in South Africa. Men who know South Africa

are pretty well united. Now Steevens would have taken all England

to South Africa. Nay, more, we are no longer able to blink the

truth that all is not for the best in the best of all possible

armies, and the one satisfaction in our reverses is that, when the

war is over, no Government will dare to resist a vigorous programme

of reform. Steevens would not have been too technical for his

readers; he would have given his huge public just as many prominent

facts and headings as had been good for them, and his return from

South Africa with the materials of a book must have strengthened

the hands of the intelligent reformer. That journalism which, in a

word, really is a living influence in the State is infinitely the

poorer. And so we believe is literature. There is much literature

in his journalism, but it is in his 'Monologues of the Dead' that

you get the rare achievement and rarer promise which made one

positive that, his wanderings once over, he would settle down to

write something of great and permanent value. Only one impediment

could we have foreseen to such a consummation: he might have been

drawn into public life. For he spoke far better than the majority

of even distinguished contemporary politicians, and to a man of his

knowledge of affairs, influence over others, and clearness of

conviction, anything might have been open.

"Well! he is dead at Ladysmith of enteric fever. Turning over the

pages of his famous war-book we find it written of the Soudan: 'Of

the men who escaped with their lives, hundreds more will bear the

mark of its fangs till they die; hardly one of them but will die

the sooner for the Soudan.' And so he is dead 'the sooner for the

Soudan.' It seems bitter, unjust, a quite superfluous dispensation;

and then one's eye falls on the next sentence--'What have we to

show in return?' In the answer is set forth the balance of gain,

for we love 'to show in return' a wellnigh ideal career. Fame,

happiness, friendship, and that which transcends friendship, all

came to George Steevens before he was thirty. He did everything,

and everything well. He bridged a gulf which was deemed impassable,

for from being a head-boy at school and the youngest Balliol

scholar and a Fellow of his College and the very type of rising

pedagogue, with a career secure to him in these dusty meadows, he

chose to step forth into a world where these things were accounted

lightly, to glorify the hitherto contemned office of the reporter.

Thus within a few years he hurried through America, bringing back,

the greatest of living American journalists tells us, the best and

most accurate of all pictures of America. Thus he saw the face of

war with the conquering Turk in Thessaly, and showed us modern

Germany and Egypt and British India, and in two Soudanese campaigns

rode for days in the saddle in 'that God-accursed wilderness,' as

though his training had been in a stable, not in the quad of

Balliol. These thirty years were packed with the happiness and

success which Matthew Arnold desired for them that must die young.

He not only succeeded, but he took success modestly, and leaves a

name for unselfishness and unbumptiousness. Also he 'did the State

some service.'

"'One paces up and down the shore yet awhile,' says Thackeray, 'and

looks towards the unknown ocean and thinks of the traveller whose

boat sailed yesterday.' And so, thinking of Steevens, we must not

altogether repine when, 'trailing clouds of glory,' an 'ample,

full-blooded spirit shoots into the night.'"

I take this passage from 'Literature,' in connection with Steevens, on

account of the grave moral which it draws from his life-work:--

"His career was an object-lesson in the usefulness of those

educational endowments which link the humblest with the highest

seats of learning in the country. If he had not been able to win

scholarships he would have had to begin life as a clerk in a bank

or a house of business. But he won them, and a good education with

them, wherever they were to be won--at the City of London School,

and at Balliol College, Oxford. He was a first-class man (both in

'Mods' and 'Greats'), _proxime accessit_ for the Hertford, and a

Fellow of Pembroke. He learnt German, and specialised in

metaphysics. A review which he wrote of Mr Balfour's 'Foundations

of Religious Belief' showed how much more deeply than the average

journalist he had studied the subjects about which philosophers

doubt; and his first book--'Monologues of the Dead'--established

his claim to scholarship. Some critics called them vulgar, and they

certainly were frivolous. But they proved two things--that Mr

Steevens had a lively sense of humour, and that he had read the

classics to some purpose. The monologue of Xanthippe--in which she

gave her candid opinion of Socrates--was, in its way, and within

its limits, a masterpiece.

"But it was not by this sort of work that Mr Steevens was to win

his wide popularity. Few writers, when one comes to think of it, do

win wide popularity by means of classical _jeux d'esprit_. At the

time when he was throwing them off, he was also throwing off 'Occ.

Notes' for the 'Pall Mall Gazette.' He was reckoned the humorist

_par excellence_ of that journal in the years when, under the

editorship of Mr Cust, it was almost entirely written by humorists.

He was one of the seceders on the occasion of Mr Cust's retirement,

and occupied the leisure that then presented itself in writing his

book on 'Naval Policy.' His real chance in life came when he was

sent to America for the 'Daily Mail.' It was a better chance than

it might have been, because that newspaper did not publish his

letters at irregular intervals, as usually happens, but in an

unbroken daily sequence. Other excursions followed--to Egypt, to

India, to Turkey, to Germany, to Rennes, to the Soudan--and the

letters, in almost every case, quickly reappeared as a book.

"A rare combination of gifts contributed to Mr Steevens's success.

To begin with, he had a wonderful power of finding his way quickly

through a tangle of complicated detail: this he owed, no doubt, in

large measure to his Oxford training. He also was one of the few

writers who have brought to journalism the talents, and sympathies,

and touch hitherto regarded as belonging more properly to the

writer of fiction. It was the dream of Mr T.P. O'Connor, when he

started the 'Sun,' to have the happenings of the passing day

described in the style of the short-story writer. The experiment

failed, because it was tried on an evening paper with printers

clamouring for copy, and the beginning of the story generally had

to be written before the end of the story was in sight or the place

of the incidents could be determined. Mr Steevens tried the same

experiment under more favourable conditions, and succeeded. There

never were newspaper articles that read more like short stories

than his, and at the same time there never were newspaper articles

that gave a more convincing impression that the thing happened as

the writer described it."

A more personal note was struck perhaps by a writer in the 'Morning

Post':--

"Few of the reading public can fail to be acquainted with the

merits of his purely journalistic work. He had carefully developed

a great natural gift of observation until it seemed wellnigh an

impossibility that he should miss any important detail, however

small, in a scene which he was watching. Moreover, he had a

marvellous power of vivid expression, and used it with such a skill

that even the dullest of readers could hardly fail to see what he

wished them to see. It is given to some journalists to wield great

influence, and few have done more to spread the imperial idea than

has been done by Mr Steevens during the last four or five years of

his brief life. Still it must be remembered that, in order to

follow journalism successfully, he had to make sacrifices which he

undoubtedly felt to be heavy. His little book, 'Monologues of the

Dead,' can never become popular, since it needs for its

appreciation an amount of scholarship which comparatively few

possess. Yet it proves none the less conclusively that, had he

lived and had leisure, he would have accomplished great things in

literature. Those who had the privilege of knowing him, however,

and above all those who at one period or another in his career

worked side by side with him, will think but little now of his

success as journalist and author. The people who may have tried, as

they read his almost aggressively brilliant articles, to divine

something of the personality behind them, can scarcely have

contrived to picture him accurately. They will not imagine the

silent, undemonstrative person, invariably kind and ready unasked

to do a colleague's work in addition to his own, who dwells in the

memory of the friends of Mr Steevens. They will not understand how

entirely natural it seemed to these friends that when the long

day's work was ended in Ladysmith he should have gone habitually,

until this illness struck him down, to labour among the sick and

wounded for their amusement, and in order to give them the courage

which is as necessary to the soldier facing disease as it is to

his colleague who has to storm a difficult position. Those who

loved him will presently find some consolation in considering the

greatness of his achievement, but nothing that can now be said will

mitigate their grief at his untimely loss."

Another writer says:--

"What Mr Kipling has done for fiction Mr Steevens did for fact. He

was a priest of the Imperialist idea, and the glory of the Empire

was ever uppermost in his writings. That alone would not have

brought him the position he held, for it was part of the age he

lived in. But he was endowed with a curious faculty, an

extraordinary gift for recording his impressions. In a scientific

age his style may be described as cinematographic. He was able to

put vividly before his readers, in a series of smooth-running

little pictures, events exactly as he saw them with his own intense

eyes. It has been said that on occasion his work contained passages

a purist would not have passed. But Mr Steevens wrote for the

people, and he knew it. Deliberately and by consummate skill he

wrote in the words of his average reader; and had he desired to

offer his work for the consideration of a more select class, there

is little doubt that he would have displayed the same felicity. His

mission was not of that order. He set himself the more difficult

task of entertaining the many; and the same thoroughness which made

him captain of the school, Balliol scholar, and the best

note-writer on the 'Pall Mall Gazette' in its brightest days,

taught him, aided by natural gifts, to write 'With Kitchener to

Khartum' and his marvellous impressions of travel."

* * * * *

This record must close. Innumerable have been the tributes to this brave

youth's power for capturing the human heart and the human mind. The

statesman and the working man--one of these has written very curtly and

simply, "He served us best of all"--each has felt something of the

intimate spirit of his work.

Lord Roberts cabled from Capetown in the following words:--

"Deeply regret death of your talented correspondent, Steevens.

ROBERTS."

And a correspondent writes:--

"To-day I called on Lord Kitchener, in compliance with his request,

having yesterday received through his aide-de-camp, Major Watson,

the following letter:--

"'I am anxious to have an opportunity of expressing to you

personally my great regret at the loss we have all sustained

in the death of Mr Steevens.'

"Lord Kitchener said to me:--

"'I was anxious to tell you how very sorry I was to hear of the

death of Mr Steevens. He was with me in the Sudan, and, of course,

I saw a great deal of him and knew him well. He was such a clever

and able man. He did his work as correspondent so brilliantly, and

he never gave the slightest trouble--I wish all correspondents were

like him. I suppose they will try to follow in his footsteps. I am

sure I hope they will.

"'He was a model correspondent, the best I have ever known, and I

should like you to say how greatly grieved I am at his death.'"

Some "In Memoriam" verses, very beautifully written, for the 'Morning

Post,' may however claim a passing attention:--

"The pages of the Book quickly he turned.

He saw the languid Isis in a dream

Flow through the flowery meadows, where the ghosts

Of them whose glorious names are Greece and Rome

Walked with him. Then the dream must have an end,

For London called, and he must go to her,

To learn her secrets--why men love her so,

Loathing her also. Yet again he learned

How God, who cursed us with the need of toil,

Relenting, made the very curse a boon.

There came a call to wander through the world

And watch the ways of men. He saw them die

In fiercest fight, the thought of victory

Making them drunk like wine; he saw them die

Wounded and sick, and struggling still to live,

To fight again for England, and again

Greet those who loved them. Well indeed he knew

How good it is to live, how good to love,

How good to watch the wondrous ways of men--

How good to die, if ever there be need.

And everywhere our England in his sight

Poured out her blood and gold, to share with all

Her heritage of freedom won of old.

Thus quickly did he turn the pages o'er,

And learn the goodness of the gift of life;

And when the Book was ended, glad at heart--

The lesson learned, and every labour done--

Find at the end life's ultimate gift of rest."

There I leave him. Great-hearted, strong-souled, brave without a

hesitation, tender as a child, intolerant of wrong because he was

incapable of it, tolerant of every human weakness, slashing

controversialist in speech, statesman-like in foresight, finely versed

in the wisdom of many literatures, a man of genius scarce aware of his

innumerable gifts, but playing them all with splendid skill, with full

enjoyment of the crowded hours of life,--here was George Steevens. In

the face of what might have been--think of it--a boy scarce thirty! And

yet he did much, if his days were so few. "Being made perfect in a

little while, he fulfilled long years."

PRINTED BY WILLIAM BLACKWOOD AND SONS.

[Illustration: MAP OF THE SEAT OF WAR IN SOUTH AFRICA]

End of Project Gutenberg's From Capetown to Ladysmith, by G. W. Steevens

From Capetown to Ladysmith: An Unfinished Record of the South African War · 第 6 / 6 段