DOING UP OLD FURNITURE.
I want to make these articles entirely practical and within the scope
of the readers of THE GIRL'S OWN PAPER, so I take a girl's room--a bed
sitting-room, because I feel sure that I shall appeal to a wider circle
than if I merely dealt with the decoration of a sitting-room only, and
I shall hope to show her how much the girl owner may do herself in
the beautifying of her "den." I want to avoid launching into expense,
so I shall first of all deal with the doing up of old furniture, for
in every house one finds what may be called derelicts, articles of
furniture which have outwardly at least had their day, and yet like
many an old weather-beaten craft there is a lot of good work still in
them if one takes a little trouble and spends a little time in putting
on a coat or two of paint and a little varnish.
I had myself three such derelicts, one a chiffonier which had
originally been grained in imitation of mahogany, but which had got
chipped and worn until it looked worth nothing more than firing. Yet
as a piece of woodwork it was in good condition, for I daresay it was
fifty years old, when furniture was much better made than it is now.
The first thing was to clean it thoroughly, and to this end I got some
soft soap and an old painter's brush (a good scrubbing brush will do),
and with some boiling hot water gave it a thorough cleansing. It took
some time to do this, for the dirt had collected in the corners, and
the grease from two generations of dirty fingers had to be removed. It
is most important where you are going to paint to have every vestige
of grease removed; otherwise your paint will not dry. While you are
washing it have a piece of pumice-stone (procurable at a good oil shop
or decorator's colourman), and thoroughly rub down all the old paint so
as to remove any roughnesses, blisters or other blemishes, and obtain a
nice smooth surface. Don't hurry this part of the work, as much of the
after success depends upon your preliminary efforts. Give the furniture
a rinse in clean hot water and then wipe it dry with an old towel. The
next day or within an hour or two it is ready for the first coat of
paint.
[Illustration: FIG. 1.--_Chiffonier painted white and decorated with
stencilling._]
PLAIN PAINTING.
I like white painted furniture, so I shall assume here that you will
also paint your furniture white or cream, and I shall reserve my
remarks on painting in darker tones of colour for another occasion.
White goes with anything and is easily decorated, as I shall hope to
show. For a girl's room it looks cool, clean and dainty. White paint
can be bought ready mixed, either in tins or by the pound, and if you
know a reliable decorator you might purchase some off him ready for
use, but of course you have to pay him for his trouble, and what you
buy in tins is not only much more expensive than if you mix it up
yourself, but is often adulterated. It is very little trouble to mix it
yourself, and about half the price, so I will tell you how to set about
this. Buy at some good oil shop or decorators say a couple of pounds
of white lead ground in oil, a pint of best linseed oil, a pennyworth
of patent driers and a pint of turpentine. The whole lot will cost you
about 1s. 1d. A patent tobacco tin with a lid is a useful thing to keep
your paint in, as when not in use the lid will keep it air-tight, and
your paint will keep for a long time if not exposed to the air. Cover
the lead with oil and if it is in a pound tin the oil should be an
inch or more above the lead. Stir up with a palette knife to allow the
oil to mix with the white, and add a tablespoonful or so of turps, and
in a few hours the white will become the consistency of cream. If you
find it too thick add more oil and a little turps and the driers, and
proceed to strain through a piece of muslin. If you have another empty
tin strain your paint into it by putting the muslin loosely over the
empty tin, pouring some colour into the muslin and working it through
by brushing it every now and again with a hog hair brush. The paint
will gradually pass through the muslin, leaving any sediment or bits
behind, and you then pour out a little more colour and work through,
and so on until all is strained. You can finally squeeze the muslin
with your palette knife against the side of the tin, but be careful
not to allow any of the bits to pass through into your strained paint.
The proportion of turps to oil should be one of former to three of
latter, and of driers a piece the size of a walnut to the pound, but
the tradesman of whom you buy your colour will tell you this. The paint
for use should be the consistency of cream (not clotted or thickened)
and should be put on evenly with a good brush, so you put enough oil
and turps to make it this consistency. The brush is a very important
item, and this is why amateur painters so often fail; they haven't a
decent brush to work with. A good house painter's brush which has been
in use some time is the ideal tool, and if you can borrow or hire such
a one do. A wide, flat hog, say three inches wide will do, but it will
not hold the colour that a house painter's brush will, and the constant
filling of it adds to the labour of painting. Your brush should carry
its colour so that you only have to use force enough to work the colour
out on to your surface. You don't try to load the furniture with
colour, but get on so much as easily passes from the brush to the wood.
In filling your brush only dip the end into the paint, and then knock
it against the side of pot or tin so as to distribute it through the
hair and then it will not drop about when you use it. So many amateurs
try to get a lot of colour on at once, and so get it on too thickly in
places. Remember that you can only get a good surface by applying some
three or four coats. Your first coat, as the under colour is dark, will
look very dirty and thin, but this first coat is only a grounding one.
The second coat, which must be applied when the first is quite dry,
say in two days, will look much better, while the fourth coat ought to
look nice and white. A painter to get a good surface keeps his paint
the way of the grain of the wood. Thus the panel of the door would be
vertical in grain, the drawer front horizontal. Take the panel for
instance. You will get your colour on using your brush up and down.
When it is covered "stroke" the paint evenly from left to right, and
then "stroke" it again up and down. This will distribute the colour
evenly, and if you do this carefully you will obtain a good surface.
Allow plenty of time between each coat, as to paint over a surface not
quite hard will cause your paint to crack. If you find after your first
coat that there are any cracks or holes in the old paint take a little
of the stiff white lead, and with a little driers added to it use it as
putty and stop up any places, levelling it over smoothly with a knife.
By the time your last coat is on such defects ought not to show. If you
decide not to decorate your furniture, as I have shown in illustration,
then instead of using paint for the last coat buy a tin of white, ivory
or cream enamel and use to finish. The enamel is not so easy to get
on as paint owing to its sticky nature. You must apply it freely, but
don't load it on, for the more evenly you apply it the better will
it look. One coat will suffice if you have three good coats of paint
underneath. When your brushes are not in use put them into a gallipot
or other vessel half filled with water.
(_To be continued._)
[Illustration: FIG. 2.--_Top of chiffonier decorated with stencilling.
The two plants used are the dandelion and cyclamen._]
A NEW PRIZE COMPETITION
THE GIRL'S OWN QUESTIONS AND ANSWERS.
BEING
OUR OWN SCHOOL OF INTERESTING INFORMATION.
[Illustration]
_Let every girl who wishes for the next three months to have something
pleasant to think about, and something sensible with which to occupy
her leisure, read the following_--
* * * * *
WE NOW START A NEW COMPETITION of remarkable interest, and likely, we
believe, to be of great profit to all who take part in it.
THE SUBJECT OF IT is to be
A SERIES OF QUESTIONS AND ANSWERS,
the questions being proposed by the Editor of THE GIRL'S OWN PAPER and
the answers being furnished by our Readers themselves.
THE COMPETITION WILL EXTEND over three months, during which time twelve
questions will appear in THE GIRL'S OWN PAPER every other week. This
will give one question to be answered for every working day, which
should not, we think, prove much of an exertion for anybody.
* * * * *
PRIZES AND CERTIFICATES OF MERIT will be awarded to successful
competitors.
THE PRIZES will be worth struggling for. There will be fifteen of them
in all. Every girl will have a fair chance, and we have tried to plan
so that no one will have to compete against others who in age--and for
that reason possibly in information--are greatly superior to herself.
THE VALUE AND DISTRIBUTION OF THE PRIZES are here shown--
_For Girls of the _1st Prize_ _2nd Prize_ _3rd Prize_
Age of_ £ s. d. s. d. s.
13-14 inclusive 1 1 0 10 6 5
15-16 " 1 1 0 10 6 5
17-18 " 1 1 0 10 6 5
19-20 " 1 1 0 10 6 5
21-23 " 1 1 0 10 6 5
THE CERTIFICATES OF MERIT will be given to girls of any age who gain
the necessary number of marks. They will be first, second and third
class. The total number of marks being reckoned at fifty, all who gain
over forty will be first class; between thirty and forty, second class;
and between twenty-five and thirty, third class.
THESE CERTIFICATES are an important feature. A girl who gains one of
them--even though she may fail to win a prize--will have many reasons
for feeling pleased. It will be something she can take a pride both in
showing and preserving. And when she goes out into the world, it may
be useful as a proof that she is painstaking and persevering--essential
qualities for all who would succeed in life.
* * * * *
AIM THEN, GIRLS, first at taking a prize, and, failing that, a
Certificate of Merit.
BUT EVEN IF YOU OBTAIN neither, your work will not be lost. Prizes
and Certificates are of secondary importance compared with the mental
benefit which will fall to the share of every competitor, no matter who
she may be or what abilities she may possess.
YOU WILL IN ANY CASE add to your stock of information; your life
will be richer because of the something you have stored away in your
"knowledge-box;" you will be brighter because your mind has been
active; and you will get some laughing into the bargain, because we
must go cheerfully and happily about everything.
ARE NOT THESE REASONS ENOUGH why girls should enter upon this
competition with energy and enthusiasm?
* * * * *
ALL OUR READERS ARE CORDIALLY INVITED to take part. It makes no matter
whether they are regular subscribers or only occasional readers--all
are welcome.
* * * * *
THE QUERIES will be of the most varied kind, and no one need hold aloof
on the ground that the competition will contain nothing of special
interest to herself. She may count on its containing something, no
matter whether her tastes run on housekeeping, history, biography,
literature, music, art, or anything else.
* * * * *
FOR INFORMATION ON WHICH TO BASE THEIR ANSWERS competitors may go to
any sources they please. All we are particular about is that they put
the answers in their own words and in their own way.
WHEN IT IS POSSIBLE competitors will, at the foot of each answer, give
the source from which their information is derived.
NO; GIRLS ARE NOT FORBIDDEN to ask their friends. In fact, the
Competition may supply subjects for much useful and entertaining talk,
and in this way be a real boon in many a friendly circle.
* * * * *
A GIRL MAY NOT BE ABLE satisfactorily to answer all the questions--we
shall be surprised if any one is able to do that. But if a Competitor
cannot answer all let her answer as many as she can, remembering
that to do a little well is much better than to do a great deal in a
slipshod manner.
* * * * *
IN JUDGING OF THE ANSWERS we shall take note, first of all, of the
sense. First, then, girls, see that the sense is all right. Next, we
shall observe whether the sense is well expressed. Be sure you look to
that too. Lastly, the neatness with which the papers are written will
count. It is a matter of some importance, so don't forget that either.
* * * * *
THE LENGTH OF THE ANSWERS. The answers are not in length to exceed one
hundred and sixty words, but, if they only observe this restriction,
competitors may, in the matter of length, please themselves. We do not,
however, want too brief replies, say a mere name or date, a yes or a
no. Economy of speech is good sometimes, but not always.
* * * * *
FOR EXAMPLE, supposing the question to be--"Are waves ever really
'Mountains high?'" It would be truthful enough, by way of answer, to
write an emphatic "No," but it would hardly be a satisfying reply or
one of much value to anybody.
We should all think it much better if the answer ran, say--
"_ARE WAVES EVER REALLY 'MOUNTAINS HIGH?'_"
"Waves never roll 'mountains high,' except by poetic license. As a
matter of fact, it is very rare for waves at sea, even in furious
weather, to exceed thirty feet in height.
"At Wick, in the far north of Scotland, where the sea sometimes
displays wonderful energy, waves of about forty feet in height have
been seen to strike the breakwater.
"The highest waves, however, which have been accurately measured, had
their dimensions taken by Dr. William Scoresby, the well known Arctic
explorer and physicist, who made some valuable observations on the
subject in the Atlantic. He found that they reached the height of
forty-three feet above the hollow.
"A foreign writer quotes the observations of others to the effect that
waves have been seen from sixty to a hundred and eight feet high, but
the evidence may not be trustworthy, at any rate he does not say how
the heights were ascertained."
* * * * *
A NUMBER WILL BE PREFIXED to each question--the numbers will run from
1 onwards--and each answer must be preceded by a corresponding number.
After giving the number competitors must also quote the subject of the
query.
* * * * *
EVERY QUERY must be answered on a separate sheet or sheets of
paper--the writing being on one side of the paper only--and the sheets
when sent in must be fastened together at the left hand top corner.
* * * * *
ABOUT SENDING IN THE ANSWERS. During the course of the competition
answers are to be sent in three times; the first time the answers from
Nos. 1 to 24; the second time those from Nos. 25 to 48; and the last
time those from No. 49 to the end.
* * * * *
WHEN A COMPETITOR sends in her second instalment of answers she will
kindly place at the head of the first page--"Answers 1 to 24 sent"
(_giving the date_), and on sending the third instalment she will write
"Answers 25 to 48 sent" (_giving the date_).
* * * * *
THE TIME WHEN PAPERS ARE TO BE SENT IN. Answers to queries are to be
forwarded on or before the last day of each month during the currency
of the competition. The date however will be found given at the foot of
each set of queries so that competitors need have no uncertainty on
this point.
As a general rule, subscribers to the monthly parts will find they have
one clear month for answering each set of 24 queries, and those who
take in our weekly numbers will find they have longer.
* * * * *
THE FULL NAME, AGE, AND ADDRESS of the competitor must be put on the
back of the last page of each instalment. Should the competitor not
wish her name, age, and address to be printed, she should add the name
of her favourite flower instead, and this alone would be published in
the pass lists.
* * * * *
THE PAPERS MUST BE SENT BY POST, addressed to THE EDITOR, THE GIRL'S
OWN PAPER, 56, PATERNOSTER ROW, LONDON, E.C.
* * * * *
AT THE LEFT HAND TOP CORNER of the envelope or wrapper must be clearly
written the words "Questions Competition."
* * * * *
NO PAPERS can in any case be returned.
* * * * *
HERE ARE THE FIRST TWELVE QUESTIONS:--
THE GIRL'S OWN QUESTIONS AND ANSWERS.
Questions 1-12.
1. Did a queen ever voluntarily lay down the sceptre and retire into
private life?
* * * * *
2. What stone is said to endow whoever kisses it with wonderful powers
of speech?
* * * * *
3. How is it that, though the moon turns round on its axis, we never
see its other side?
* * * * *
4. Why is hard water very unsuitable for cooking and washing?
* * * * *
5. What celebrated work was written in a week to defray the cost of the
funeral of the author's mother?
* * * * *
6. How did the thistle come to be the emblem of Scotland?
* * * * *
7. What sea has water so thick that you can move in it with difficulty?
* * * * *
8. What are the characteristics of the music of Chopin?
* * * * *
9. Who is the greatest poetess the world has ever seen?
* * * * *
10. How is a rainbow a sign of bad weather in the morning and a sign of
good weather in the evening?
* * * * *
11. Has a besieged town ever been saved by a pig?
* * * * *
12. How fast can an expert penman write?
THE ANSWERS TO THESE QUESTIONS, Nos. 1-12, together with the Answers to
Questions, Nos. 13-24, which have yet to appear, must be sent in on or
before the 30th of December.
VARIETIES.
A GREAT CHARACTERISTIC OF THE BIBLE.
Writing of the poetry and allusions of the Bible, Dr. Cunningham Geikie
points out one of the great characteristics of the sacred volume.
"It is not," he says, "the production of cloistered ascetics, but
breathes in every page a joyous or meditative intercourse with nature
or mankind. The fields, the hills, the highway, the valleys, the
varying details of country scenes and occupations are interspersed
among pictures of life from the crowded haunts of men.
"The sower and the seed; the birds of the air; the foxes; the hen and
its brood; the lilies and the roses; the voice of the turtle; the
fragrance of the orchard; the blossom of the almond or the vine; the
swift deer; the strong eagle ... the hiring of labourers; the toil of
the fisherman; the playing of children; the sound of the mill; the lord
and his servants; the courtier in silken robes, and a thousand other
notices of life and nature, utilised to teach the highest lessons, give
the sacred writings a perennial freshness and universal interest."
DELIGHT IN PRAISING.
"There is delight in singing, though none hear
Beside the singer; and there is delight
In praising, though the praiser sit alone
And see the praised far off him, far above."
_Walter S. Landor._
A GREEK OPINION ON WOMEN.
The Greek philosopher, Aristippus, was once asked by a friend what sort
of a woman he ought to choose for a wife.
His answer was, "I cannot recommend any sort, for if she is fair she
will deceive you; if plain, you will dislike her. If she is poor she
will ruin you; if rich, you will be her slave. If she is clever,
she will despise you; if ignorant, she will bore you; and if she is
spiteful, she will torment you."
Perhaps this opinion of the Greek sage should be taken with a grain of
salt, as the great thinkers of Greece entertained such perverse notions
of woman's character that the question was actually raised among them
whether women had souls!
TALL MEN.
"Exceedingly tall men have ever very empty heads," writes Lord Bacon.
Thomas Fuller writes more warily. "Often the cockloft is empty in
those whom Nature hath built many storeys high," a metaphor seemingly
borrowed from Bacon's "Nature did never put her precious jewels into a
garret four storeys high."
Compare Fuller's moderate "often" with Bacon's sweeping "ever" and
"never" which surely smack of some personal ill-will. Can it be that
the "wisest, brightest, meanest of mankind" was dealing a side-thrust
at Elizabeth's tall favourite, my Lord of Leicester?
THE BEST SAUCE
A prince, overtaken in his walk by a shower, sought refuge in a wayside
cottage. The children happened to be sitting at table with a great dish
full of oatmeal-porridge placed before them. They were all eating with
a right good appetite, and looked, moreover, as fresh and ruddy as
roses.
"How is it possible," asked the prince of the mother, "that they can
eat such coarse food with such evident pleasure, and look so healthy
and blooming withal?"
The mother answered, "It is on account of three kinds of sauces which
I put into the food. First, I let the children earn their dinner by
work; secondly, I give them nothing to eat out of meal-time that they
may bring an appetite with them to table, and thirdly, I bring them up
in the habit of contentment, as I keep dainties and sweetmeats out of
their way. 'Seek far and wide, no better sauce you'll find than hunger,
work and a contented mind.'"
A PLAIN-LOOKING POETESS.--"Mrs. Browning," says a friend who knew her
in Florence, "was the tiniest of women. There was something elfish in
her bird-like face and masses of black hair. But she had probably in
her childhood bidden good-bye to the hope of beauty and had forgotten
all about it. Hence, when her soul looked directly through the pinched
features into yours, what did you care how plain they were?"
[Illustration: ANSWERS TO CORRESPONDENTS.]
RULES.
I. No charge is made for answering questions.
II. All correspondents to give initials or pseudonym.
III. The Editor reserves the right of declining to reply to any
of the questions.
IV. No direct answers can be sent by the Editor through the
post.
V. No more than two questions may be asked in one letter, which
must be addressed to the Editor of "The Girl's Own Paper," 56,
Paternoster Row, London, E.C.
VI. No addresses of firms, tradesmen, or any other matter of
the nature of an advertisement will be inserted.
MEDICAL.
LILY W.--What you describe is a typical case of severe anæmia, and
though it is possible that your heart may be diseased, we strongly
believe that all your symptoms are due to anæmia alone. You say that
you have been treated for anæmia, and it is necessary for you to
continue that treatment. It is very common, in the more severe grades
of anæmia, for the sight to get dim after a few minutes' work--it is
only a temporary inconvenience and gets well again when the health
improves. Green spectacles would be of no help to you.
M. A.--It is only a theory--and an exceedingly improbable one--that
the benefits of sea air are due to ozone. Usually there is more ozone
at the seaside than elsewhere, but the quantity present is very
minute. Ozone is a poisonous, irrespirable gas of great interest
scientifically, but it is not of any medicinal value.
A. E. M.--The seriousness of the complaint that you mention varies
with its cause. It is very seldom indeed that it is dangerous. It may
be caused by anæmia. The second matter that you describe is not very
uncommon. A large number of people when they go to the seaside are
affected as you are. The freckles are undoubtedly caused by the sun,
but it is uncertain what caused the "peeling." Possibly this is only
partly due to the sun and partly due to wind. The best thing you could
do for the condition is to apply a little glycerine and rose-water,
or a little cold cream to the face and hands. Always wear a veil and
gloves when you go out. We should very much doubt if erysipelas,
which you say you had some years ago, has anything to do with your
present troubles. It is not our experience that erysipelas leaves
anything behind it, or affects the subsequent health in any way. The
prescription that you mention is well known to us, but is only really
useful in some cases.
VIRGO.--The question "is cancer hereditary?" has exercised the minds
of many great physicians and surgeons for a long period, and it is
not yet fully answered. At the present time the general opinion seems
to be that cancer is occasionally hereditary. When all sources of
error are removed, as far as possible, it appears that it is very
rarely hereditary, but that it is a disease that runs in one or two
families--chiefly Jewish, which is strange, for cancer is uncommon
among Jews as a race. Cancer rarely develops before the fortieth year.
Unfortunately it is only too true that the disease is on the increase
in England.
EDITH HOPPNER.--The preparation that you mention contains either
carbonate or subnitrate of bismuth, sodium carbonate, mucilage of
tragacanth, and either compound infusion of gentian or some simple
diluent. It is not a pharmocopœial preparation, but it is exceedingly
useful and frequently prescribed for indigestion or diarrhœa.
TROUBLED.--Wash your head with warm water and borax, dry it well and
then apply a little sulphur ointment to the roots of the hair. The
complaint is rather difficult to remedy and often lasts many years.
ELLIE.--Acne spots do get worse from exposure to the sun. We have
frequently noticed this, but cannot say for certain why it should be
so. Wearing a veil will keep the effects of the sun from injuring the
face.
TEETH.--Have your teeth scaled if they are very thickly covered with
tartar. Scaling improves and does not injure the teeth. Use the
following tooth-powder:--Precipitated chalk, 50 parts; carbonate of
magnesia, 50 parts; powdered cuttlefish, 5 parts; powdered orris-root,
5 parts; powdered hard soap, 5 parts; oil of cloves, 1 part.
LADY JOAN.--No, we cannot approve of girls' smoking. You are quite
right, it is a dirty and disgusting sight.
STUDY AND STUDIO.
MARY.--1. For the London B.A. degree, three successive examinations are
necessary; matriculation, the intermediate B.A., and the final B.A.
It would take you three years, under favourable conditions, to pass
them.--2. As to whether a girl, just eighteen, could prepare for these
examinations at home, working four hours a day, much depends on the
ability and the previous education of the student; but she would have
to be an unusually clever girl to accomplish it. Coaching, if only by
correspondence, is most desirable. Two questions are all we can answer
at one time.
ROSEVILLE.--
"The harp that once through Tara's halls
The soul of music shed,
Now hangs as mute on Tara's walls
As if that soul were dead,"
is the first verse of a song by Thomas Moore. You will find it in any
collection of his poems.
DOVU (Fiji).--The author of _Chronicles of the Schönberg-Cotta Family_
and _The Diary of Mrs. Kitty Trevylyan_, is Mrs. Rundle Charles.
MISS ADAMSON, formerly of Tunbridge Wells, desires to inform the
readers of THE GIRL'S OWN PAPER that her Amateur Literary Guild has
ceased to exist. She recommends an excellent pseudonym club with a
printed magazine: address, Miss Cornwall, 10, Princeton Mansions, Red
Lion Square, London. We accept no responsibility whatever with regard
to this, or any amateur society.
A. H. RICHARDS.--In Christina Rossetti's poem "Uphill" the "inn" may
be taken as meaning "death" or "the grave." The poem is a sombre
allegorical description of life's journey and its inevitable close.
"Of labour you shall find the sum,"
we understand as signifying, "You shall have labour enough and to
spare," a stern reply to the inquiry, "Shall I find comfort?" This fine
poem is written in Miss Rossetti's austerest strain.
ZARA KEITH.--Your poems are above the average of those we receive for
criticism. They are so good, that it would be worth your while to try
to make them better. "Soar the skies" is an incorrect expression, and
"boons" is an inadmissible verb. The close of "aspiration" is too
abrupt. We like the poem "Communion" best. We see no reason why you
should not, with careful study and practice, write what will find
acceptance some day.
MISCELLANEOUS.
GERTIE.--Our sentiments are absolutely at variance with those of the
sect to which you refer. At the root of the whole procedure of these
people we find the design to shake confidence in the divine teachings
of the Holy Scriptures. There are many who, while praising them, and
the God-man, whose doctrines are therein made known, nevertheless
preach a so-called "gospel, which is not the gospel," and "entering not
in by the door of the sheep-fold," "climb up another way." The teachers
they follow are not those which they, themselves, imagine them to be.
These are our sentiments.
MODEST VIOLET.--It is a matter of common honesty to restore to the
owner what you have lost or broken. At the same time it is only fair
to give due warning to a servant, and a thorough understanding should
be arrived at on the question when a servant is engaged. This is not
usually done, but it is a very desirable precaution. A careless servant
may destroy things which, though not costly to buy, no money could
replace to the owner. It seems that you have broken several things,
and your mistress cannot afford to pay for so much carelessness and
destruction of her property. Put yourself in her place. This breakage
by rough handling has become a wide-spread trial and grievance amongst
those who keep domestic servants.
INDUSTRY.--You can obtain all information respecting the Mission to
the "Deep Sea Fishermen" from the Secretary, Francis H. Hood, Esq.,
Office of the R. National Mission to Deep-Sea Fishermen, 181, Queen
Victoria Street, E.C. A monthly magazine is published by the society,
called _The Toilers of The Deep_, which is well illustrated and very
interesting, price 3d. We recommend you to order it. The No. for May is
out. Her Majesty the Queen is the Patron. Messrs. Jevons and Mellor,
Corporation Street, Birmingham, supply the materials used in working
for the Mission, taking off a special discount on all materials in aid
of the Mission. Patterns and prices would be forwarded to workers on
application.
EMILY.--The 20th of June, 1874, was a Saturday, and the 5th of
February, 1870, a Saturday also.
OLIVE.--We think you could obtain the "crinkled paper" for
flower-making at any fancy-work shop, or by order through the
proprietors. Perhaps you might obtain some advice from Miss
Younghusband, 70, Lower Belgrave Street, S.W. Apologise for so doing,
and send a certificate of respectability from your clergyman, giving
your real name and address. This lady occupies herself specially on the
subject of "women's work in all branches."
CAPE COAST (no name given).--As no revelation has been made to us in
Holy Scripture as to the language of the blessed, when "in the Kingdom
of their Father," how can you expect us to know anything about it? see
St. Luke, ix., 30, 31, and 35 and 36. The Apostles heard and understood
what was said; but we do not know in what language the words were
spoken. There will be no stagnation, nor idleness in Heaven, and that
there will be work of some kind unaccompanied by fatigue, or wear and
tear; but certainly, no "doctors" will be needed, and no "engineers,"
nor teachers of "languages." If you study your Bible a little more
carefully you will not send us such questions.
BIBLIO.--You do not say whether your old Bible be an illustrated one,
nor do you give any particulars respecting it--even of its dimensions.
A volume of the _Authorised Version_, London, by R. Barker, of 1611,
folio, the value would be from £10 to £15. The _Royal Version_ (by same
publisher), of 1616, is valued only at a few shillings. The _Genevan_
and _Tomson_ (same publisher), London, of 1615, is valued at about 17s.
There is another by Barker, of this date, worth only 12s.
* * * * *
TRANSCRIBER'S NOTE.
The following changes have been made to the original text:
Page 5: congregration to congregation.
Page 10: carrriage to carriage.
Page 13: of to off.