CHAPTER XIV

This is not a story of the Maharajah's emeralds; only a knot in the

landing-net of which I have already spoken. I may add with equal

frankness that Haggerty, upon his own initiative, never proceeded an

inch beyond the keyhole episode. It was one of his many failures; for,

unlike the great fictional detectives who never fail, Haggerty was

human, and did. It is only fair to add, however, that when he failed

only rarely did any one else succeed. If ever criminal investigation

was a man's calling, it was Haggerty's. He had infinite patience, the

heart of a lion and the strength of a gorilla. Had he been highly

educated, as a detective he would have been a fizzle; his mind would

have been concerned with variant lofty thoughts, and the sordid would

have repelled him: and all crimes are painted on a background of

sordidness. In one thing Haggerty stood among his peers and topped

many of them; in his long record there was not one instance of his

arresting an innocent man.

So Haggerty had his failures; there are geniuses on both sides of the

law; and the pariah-dog is always just a bit quicker mentally than the

thoroughbred hound who hunts him; indeed, to save his hide he has to be.

Nearly every great fact is like a well-balanced kite; it has for its

tail a whimsy. Haggerty, on a certain day, received twenty-five

hundred dollars from the Hindu prince and five hundred more from the

hotel management. The detective bore up under the strain with stoic

complacency. "The Blind Madonna of the Pagan--Chance" always had her

hand upon his shoulder.

Kitty went to Bar Harbor, her mother to visit friends in Orange.

Thomas walked with a straight spine always; but it stiffened to think

that, without knowing a solitary item about his past, they trusted him

with the run of the house. The first day there was work to do; the

second day, a little less; the third, nothing at all. So he moped

about the great house, lonesome as a forgotten dog. He wrote a sonnet

on being lonesome, tore it up and flung the scraps into the

waste-basket. Once, he seated himself at the piano and picked out with

clumsy forefinger _Walking Down the Old Kent Road_. Kitty could play.

Often in the mornings, while at his desk, he had heard her; and oddly

enough, he seemed to sense her moods by what she played. (That's the

poet.) When she played Chopin or Chaminade she went about gaily all

the day; when she played Beethoven, Grieg or Bach, Thomas felt the

presence of shadows.

There was a magnificent library, mostly editions de luxe. Thomas

smiled over the many uncut volumes. True, Dickens, Dumas and Stevenson

were tolerably well-thumbed; but the host of thinkers and poets and

dramatists and theologians, in their hand-tooled Levant . . . ! Away

in an obscure corner (because of its cheap binding) he came across a

set of Lamb. He took out a volume at random and glanced at the

fly-leaf--"Kitty Killigrew, Smith College." Then he went into the body

of the book. It was copiously marked and annotated. There was

something so intimate in the touch of the book that he felt he was

committing a sacrilege, looking as it were into Kitty's soul. Most men

would have gone through the set. Thomas put the book away. Thou fool,

indeed! What a hash he had made of his affairs!

He saw Killigrew at breakfast only. The merchant preferred his club in

the absence of his family.

Early in the afternoon of the fourth day, Thomas received a telephone

call from Killigrew.

"Hello! That you, Webb?"

"Yes. Who is it?"

"Killigrew. Got anything to do to-night?"

"No, Mr. Killigrew."

"You know where my club is, don't you?"

"Yes."

"Well, be there at seven for dinner. Tell the butler and the

housekeeper. Mr. Crawford has a box to the fight to-night, and he

thought perhaps you'd like to go along with us."

"A boxing-match?"

"Ten rounds, light-weights; and fast boys, too. Both Irish."

"Really, I shall be glad to go."

"Webb?"

"Yes."

"Never use that word 'really' to me. It's un-Irish."

Thomas heard a chuckle before the receiver at the other end clicked on

the hook. What a father this hearty, kindly, humorous Irishman would

have made for a son!

In London Thomas' amusements had been divided into three classes.

During the season he went to the opera twice, to the music-halls once a

month, to a boxing-match whenever he could spare the shillings. He

belonged to a workingmen's club not far from where he lived; an empty

warehouse, converted into a hall, with a platform in the center, from

which the fervid (and often misinformed) socialists harangued; and in

one corner was a fair gymnasium. Every fortnight, for the sum of a

crown a head, three or four amateur bouts were arranged. Thomas rarely

missed these exhibitions; he seriously considered it a part of his

self-acquired education. What Englishman lives who does not? Brains

and brawn make a man (or a country) invincible.

At seven promptly Thomas called at the club and asked for Mr.

Killigrew. He was shown into the grill, where he was pleasantly

greeted by his host and Crawford and introduced to a young man about

his own age, a Mr. Forbes. Thomas, dressed in his new stag-coat, felt

that he was getting along famously. He had some doubt in regard to his

straw hat, however, till, after dinner, he saw that his companions were

wearing their Panamas.

Forbes, the artist, had reached that blasé period when, only upon rare

occasions, did he feel disposed to enlarge his acquaintance. But this

fresh-skinned young Britisher went to his heart at once, a kindred

soul, and he adopted him forthwith. He and Thomas paired off and

talked "fight" all the way to the boxing club.

There was a great crowd pressing about the entrance. There were eddies

of turbulent spirits. A crowd in America is unlike any other. It is

full of meanness, rowdyism, petty malice. A big fellow, smelling of

bad whisky, shouldered Killigrew aside, roughly. Killigrew's Irish

blood flamed.

"Here! Look where you're going!" he cried.

The man reached back and jammed Killigrew's hat down over his eyes.

Killigrew stumbled and fell, and Crawford and Forbes surged to his

rescue from the trampling feet. Thomas, however, caught the ruffian's

right wrist, jammed it scientifically against the man's chest, took him

by the throat and bore him back, savagely and relentlessly. The crowd,

packed as it was, gave ground. With an oath the man struck. Thomas

struck back, accurately. Instantly the circle widened. A fight

outside was always more interesting than one inside the ropes. A blow

ripped open Thomas' shirt. It became a slam-bang affair. Thomas

knocked his man down just as a burly policeman arrived. Naturally, he

caught hold of Thomas and called for assistance. The wrong man first

is the invariable rule of the New York police.

"Milligan!" shouted Killigrew, as he sighted one of the club's

promoters.

Milligan recognized his millionaire patron and pushed to his side.

After due explanations, Thomas was liberated and the real culprit was

forced swearing through the press toward the patrol-wagon, always near

on such nights. Eventually the four gained Crawford's box. Aside from

a cut lip and a torn shirt, Thomas was uninjured. If his

fairy-godmother had prearranged this fisticuff, she could not have done

anything better so far as Killigrew was concerned.

"Thomas," he said, as the main bout was being staged, the chairs and

water-pails and paraphernalia changed to fresh corners, "I'll remember

that turn. If you're not Irish, it's no fault of yours. I wish you

knew something about coffee."

"I enjoy drinking it," Thomas replied, smiling humorously.

Ever after the merchant-prince treated Thomas like a son; the kind of a

boy he had always wanted and could not have. And only once again did

he doubt; and he longed to throttle the man who brought into light what

appeared to be the most damnable evidence of Thomas' perfidy.

The Voice in the Fog · 第 14 / 26 章