CHAPTER CXLIII.

THE COUNTESS BAILLOU,

The beautiful Countess Baillou was about to give a ball. She had invited

all the haut ton of Vienna, and they had accepted the invitations. And

yet the countess had been but four weeks in the Austrian capital; she

had no relations there, and none of the aristocracy had ever heard her

name before. But she had come to Vienna provided with letters of

introduction, and money; and these two keys had opened the saloons of

the fashionables to the beautiful stranger.

Her splendid equipage had been seen in the parks, and her magnificent

diamonds at the theatre. All the young men of fashion had directed their

lorgnettes toward her box, admiring not only her extraordinary beauty,

but the grace and abandon of her attitude, as she leaned back in her

velvet arm-chair. She had not long been seated when the door of the box

opened, and a young man entered whom the lady greeted with a cordial

smile. Every one knew the visitor to be Count Podstadsky-Liechtenstein.

the richest, haughtiest, and handsomest cavalier in all Vienna.

Podstadsky was the son of a distinguished nobleman, high in the

emperor's favor; he had just returned from his travels, and all the

Viennese gallants were eager to imitate him in every thing. To see him

in the box of the beautiful stranger was to fire the ambition of every

man to know her; the more so that the haughty Podstadsky, instead of

accepting a seat, was standing in an attitude of profound respect, which

he maintained until he took his leave.

Podstadsky, of course, was assailed with questions in relation to the

countess. He had known her in Italy as the wife of a wealthy old

nobleman to whom her parents had sacrificed her before she was eighteen.

She had been sincerely admired in Rome, not only on account of her

beauty, but of her wit, goodness, and above all of her admirable

behavior toward her repulsive old husband. Her conduct had been so

exemplary that she had been called "La contessa del cuore freddo."

[Footnote: The countess with the cold heart.] Podstadsky confessed that

even he had been desperately in love with her, but finding her

unapproachable, had left Rome in despair. What then was his delight

when, a few moments ago, he had learned from her own lips that she was a

widow, and had come to spend a season in Vienna!

The consequence of this recital was that Podstadsky's young

acquaintances were clamorous for presentation to la contessa. He stepped

into her box to inform the lady of their wishes, but soon returned with

the unwelcome tidings that the countess would receive no male visitor

unless he came in the company of a lady. This, of course, increased the

longing of the gallants tenfold, and the next day when her equipage was

seen coming in the park, it was followed by many an eager horseman,

jealous beyond expression of Count Podstadsky, who was admitted to the

blessed privilege of riding near the lady of their thoughts.

Some days later the young countess left her cards and letters of

introduction, and as they were from Orsinis, Colonnas, and other

grandees of Rome, her hotel was crowded with elegant equipages, and she

was admitted into the charmed circles of the first society in Vienna.

As for the furniture of her hotel, it surpassed anything in the city.

Her orders of every kind had been princely. Her sofas and chairs were of

embroidered satin; her tables of inlaid wood and verde antique; her

carpets the richest Persian; her paintings and statuary of rarest value.

She had bespoken several services of gold, and jewellers were revelling

in her orders for parures such as princesses would have been proud to

possess.

One quality which the Countess Baillou possessed gave her unbounded

popularity with those whom she patronized. Her purchases were all

promptly paid in new Austrian bank-notes, and tradesman vied with

tradesman as to who should have the privilege of her custom.

Finally, her palace was furnished, and the day of her ball had dawned.

Every invitation had been accepted, for the world was curious to see the

splendors of her fairy abode, and to behold the fairy emerge from the

retreat wherein she had buried herself up to the date of this grand

reception.

And now the long suites were lit up, and room after room was one blazing

sea of light, gold, crystal, bronze, and marble. Here and there were

charming boudoirs, where those who were weary of splendor could retire

to converse in the soft, subdued light that was shed upon them from

veiled lamps. The whole was closed by magnificent conservatories, where

flourished the flowers and fruits of every clime; where tropical birds

were seen fluttering among the branches of the orange-trees, or dipping

their beaks in the classic basins of the fountains that were gently

plashing there.

The countess had just emerged from her dressing-room. Her dress for the

evening was of white satin, and the coronal of brilliants which flashed

among the braids of her black hair was worthy to be the bridal-diadem of

a queen. The Countess Baillou was tall and stately in her beauty, hers

was the fascination of the dark-eyed Italian, united to the majesty of a

daughter of ancient Rome, and the union was irresistible. Her throat was

slender, her head small, and her classic oval face was of a pale, pearly

hue, without a tinge of the rose, which, while it lends animation to a

woman's face, detracts from the camelia-like purity of genuine patrician

beauty.

The countess glided across the room, and throwing back her head took a

critical survey of her apartments. They presented a combination of taste

with magnificence, and their mistress was satisfied.

She turned to her steward, who was breathlessly awaiting the result of

his lady's inspection. "Not bad," said she, in a rich, melodious voice.

"I am quite pleased with your labors."

"Will my lady walk through the rooms to see the conservatories?" asked

the steward.

"Why so?" replied she, with indifference. "I have no doubt that all is

as it should be, I am too weary of splendor to take much interest in it.

See, however, that the tables are spread with every luxury that can

tempt the palates of my guests."

"I hope your ladyship will be satisfied. The two cooks from Paris

profess, the one to have learned his art under the Prince de Soubise,

the other to have received his receipts for pastry from the Duke de

Richelieu?"

"Let them both do their best," said the countess, languidly, "and

remember that expense is to be no obstacle to the carrying out of my

orders."

With these words she dismissed the steward, and sank back into the

recesses of an arm-chair. But when he had fairly left, and she knew that

she was alone, her aspect changed. She rose quickly from the chair, and

walked through her rooms, surveying their splendor with visible

exultation.

How peerless was her beauty as she swept through those empty rooms, her

diamonds reflected from mirror to mirror, her rich dress falling in

heavy folds about her form! He who had seen her there would have taken

her for the princess who had just awakened from her hundred years'

sleep, looking around her palatial solitude to see who it was that had

broken the spell of her enchanted trance. Her face was lit up with

triumph as she went, and at times, when something of rare value met her

eyes, in the ecstasy of her pride she laughed aloud.

Suddenly the stillness was broken by the sound of a man's footstep. The

laugh of the countess ceased, and she drew on her mask of indifference.

She turned slowly around, and dropped it again--for the intruder was

Count Podstadsky.

Just in the midst of the dancing room, tender the blaze of a crystal

chandelier, they met. The countess gave him her hand, and he grasped it

in his own, looking earnestly at her fair, bewitching face. She returned

the glance with her large, flashing eyes, and so they stood for a time

together. There was a secret between those two.

The countess spoke first. Her mouth relaxed into a scornful smile.

"Count Carl von Podstadsky-Liechtenstein," said she, "you are a man, and

yet you tremble."

"Yes, Arabella, I tremble, but not for myself. As I look upon you, in

the fulness of your incomparable beauty, my blood freezes with terror,

and a voice whispers to me, 'Have mercy on this woman whose beauty is so

akin to that of angels! You both stand upon the edge of a precipice:

shield her at least from the ruin which threatens you!'"

The countess raised her snowy shoulders. "German sentimentality," said

she. "If you mix sentiment with your cards, we shall lose the game,

Count Podstadsky. Hear, then, what I have to say to you. It is true that

we stand upon the brow of a precipice; but we must contemplate it

fearlessly, and so we shall grow accustomed to our danger, and learn to

escape it. Why do you wish to rescue me, Carl? I do not wish to be

rescued. I like the giddy brink, and look down with defiance into the

abyss that blackens the future before me."

"Give me some of your courage," sighed the count. "Let me drink

confidence from the depths of your fearless, flashing eyes, my angel."

"Angel!" said Arabella, with a mocking laugh. "If so, call me your

fallen angel; for when I took the unfathomable leap which leads from

innocence to guilt, your arms were outstretched to receive me. But

pshaw! what bootless retrospection! I am here, Carl, true as steel;

ready to stand or fall at your side. Feel my hand, it is warm--feel my

pulse, it beats as evenly as though I had never slept a night out of

Eden."

"You are a heroine, Arabella. The magnificence around us affrights my

cowardly soul; while you--surely I heard your silvery laugh when I

entered this room awhile ago."

"To be sure you did, faint-hearted knight of the card-table! I laughed

for joy when I thought of former misery; and compared it with present

splendor; the more so, that I am the bold architect who raised the

edifice of my own fortune. We need not be grateful to Heaven for our

luck, Carl, for we are not in favor with the celestial aristocracy; we

have no one to thank for our blessings but ourselves."

"And will have no one to thank but ourselves when ruin overtakes us."

"Possibly," said Arabella, with a shrug. "But remember that we have

already been shipwrecked, and have not only saved ourselves, but have

brought glorious spoils with us to shore. So away with your misgivings!

they do not become the career you have chosen."

"Right, Arabella, right. They do not, indeed! But promise me that I

shall always have you at my side to share my fate, whatever it bring

forth."

"I promise," said she, raising her starry eyes to his, and clasping with

her small, firm hand his cold and clammy fingers. "By the memory of

Rome, and the dark-rolling waters of the Tiber, from which you rescued

me that night, I promise. And now let us pledge each other in a draught

from the depths of the Styx. Look around you, Carl, and realize that all

this magnificence is ours, and to-night I play the hostess to the proud

aristocracy of Vienna. But one question before the curtain rises. How

goes the affair with the banker's lovely Rachel?"

"Gloriously! She loves me, for she has consented to receive me day after

to-morrow, during her father's absence."

"Go, then, and the blessings of your fallen angel go with you! Play your

game cautiously, and let us hear the chink of Herr Eskeles Flies' gold

near the rustling of our fragile bank-notes. And now go. Return in half

an hour, that I may receive you in presence of our fastidious guests.

They might not approve of this tete-a-tete, for you are said to be a sad

profligate, Carl!"

She kissed her little jewelled hand, and while her Carl disappeared

through a secret door on one side of the room, she glided forward with

grace and elegance inimitable, to receive the high-born ladies who were

just then passing the portals of her princely abode.

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