FOREWORD

Every American, since his early school days, has been definitely

conscious of the two tranquil New England towns which share the

distinction of being the birthplace of the American Revolution. Their

story has been told so well and so often, in prose, poetry and

historical writing, that this small volume would have scant _raison

d'être_ if it were not for the fact that good pictures of Lexington and

Concord are curiously rare.

Visual reminders of those stirring days still exist in surprising number

all over this countryside. The scenes of the heroic stands made by the

minutemen on Lexington Common and at Concord Bridge have been preserved

virtually unchanged, thanks to the vigilance of patriotic citizens. The

buildings most intimately associated with the epochal events of April

19, 1775 are still in place, to add their eloquent testimony to the

story that every schoolchild knows so well. Even more personal are the

homes of Concord's authors, which remain to give a graphic insight into

the days of the 19th century when Concord was a significant center of

American culture. Spared the unlovely intrusion of factories by their

inland sites, these calm townships have kept their rural beauty. Their

natural landscape remains unblemished, a pure joy today as it was in

Thoreau's time.

Historical importance here is matched by physical beauty, a fact which

strikes every visitor forcibly, and which this little book strives to

prove by a series of photographic impressions. These have been taken in

all seasons of the year, to portray the varied moods of the countryside.

The pictures follow a path approximating the march of the British on

that historic morning of April 19, 1775. Beginning in the neighborhood

of East Lexington and the Munroe Tavern, on the eastern outskirts of

Lexington, they progress to the Battle Green and the Hancock-Clarke

house in Lexington, then along the Battle Road through Lincoln, and

finally down Concord's legendary streets, ending at Concord Bridge where

the British fired the "shot heard round the world."

Visitors who have had the enriching experience of following a similar

path come away with an inspired picture of this epic moment in American

history. These pages do not attempt to record the familiar written story

of Lexington and Concord, but they do aspire to capture a fragment of

this inspired picture, as it exists today.

[Illustration: ON LEXINGTON COMMON]

[Illustration: THE MUNROE TAVERN (1695), LEXINGTON,

EARL PERCY'S HEADQUARTERS ON APRIL 19, 1775]

[Illustration: The Munroe Tavern]

[Illustration: and Detail of the Newly Restored Facade]

[Illustration: A CORNER OF THE EARL PERCY ROOM, MUNROE TAVERN

The Munroe Tavern, built in 1695, was occupied by Earl Percy when he

reached Lexington with reinforcements on the afternoon of April 19,

1775. The old hostelry was used as a hospital and headquarters for the

British while the landlord, Sergeant William Munroe was playing his

part with the minutemen, and his wife and children were hiding

fearfully in the woods. Sergeant Munroe left the tavern in charge of a

crippled neighbor, John Raymond, who was shot.

The room above was originally the dining room, and is now dedicated to

Earl Percy and filled with a rich collection of Revolutionary relics.

The facade of the tavern was altered when it became a private

residence, and it has only recently been restored to its former

character, from data revealed in an old etching.]

[Illustration: THE BARROOM, MUNROE TAVERN

The barroom of the Munroe Tavern contains, among other relics, the

remains of a British bullet hole in the ceiling and the original

tavern sign, cut out of one piece of hard white pine, which hung

outside the door.]

[Illustration: THE WASHINGTON ROOM, MUNROE TAVERN

George Washington dined at the Munroe Tavern on November 5, 1789. The

landlord, then Colonel Munroe, cleared this bedchamber and arranged it

as a private dining room for the distinguished guest. Washington sat

in the chair at the left. The Sheraton table and the hat rack are the

same ones used by him. The dishes used for the occasion are also

preserved.]

[Illustration: A Corner of the Old Bedroom of the Munroe Tavern]

[Illustration: The Mason House (Built 1680) Is across the Road from

the Munroe Tavern]

[Illustration: Springtime Sycamores over an Old East Lexington House]

[Illustration: THE FOLLEN CHURCH (1840), EAST LEXINGTON VILLAGE

East Lexington village was reached by the British at early dawn on the

19th of April. It was here that Benjamin Wellington was captured and

disarmed by British scouts, the first armed man to be taken in the

Revolution. Most of East Lexington's buildings now date from later

periods.]

[Illustration: MODERN LEXINGTON--THE CARY MEMORIAL BUILDING]

[Illustration: MODERN LEXINGTON--THE RAILWAY STATION

Much of the architecture of modern Lexington reflects its

distinguished past. The railway station, for example, is in the chaste

Colonial tradition. So is the Cary Memorial Building (1928) which

serves as a Town Hall. Among other paintings it contains the famous

canvas of the Battle of Lexington, "The Dawn of Liberty," by Henry

Sandham.]

[Illustration: STATUE OF CAPTAIN JOHN PARKER, COMMANDER OF THE

MINUTEMEN

Henry H. Kitson, Sculptor]

[Illustration: THE BATTLE GREEN--LEXINGTON COMMON

On this triangular village green, "Birthplace of American Liberty,"

the little group of embattled minutemen under Captain John Parker

faced an advance guard of four hundred British regulars in the pale

dawn of April 19, 1775.]

[Illustration: THE HOUSE OF MARRETT AND NATHAN MUNROE, LEXINGTON

COMMON

This house, built in 1729, was a mute witness of the stirring

resistance of the minutemen. Nathan Munroe was a member of Captain

Parker's company.]

[Illustration: THE BATTLE GREEN IN MID-WINTER

At the left is the first Revolutionary monument to be erected,

dedicated to the memory of the men killed at the Battle of Lexington.

Their remains are still kept in a tomb at the rear of the granite

shaft. Washington and Lafayette both visited this spot.]

[Illustration: SPRINGTIME ON THE BATTLE GREEN

The view shows the location of the line where the minutemen made their

heroic stand. The First Parish Church, facing the Green, dates from

1847, the previous church having occupied a site on the Common itself.]

[Illustration: DOORWAY OF THE JONATHAN HARRINGTON HOUSE]

[Illustration: THE HOUSE OF JONATHAN HARRINGTON, LEXINGTON COMMON

Jonathan Harrington, one of the minutemen wounded by British bullets,

dragged himself to the doorway of his house facing the Battle Green

and died there at his wife's feet.]

[Illustration: THE BOULDER ON LEXINGTON COMMON

Marking the line established by the minutemen on the morning of April

19, 1775. On it are inscribed the words of Captain Parker's immortal

command: "Stand your ground. Don't fire unless fired upon, but if they

mean to have a war let it begin here."]

[Illustration: THE OLD BELFRY

To hold the town bell, a little wooden building was erected on a hill

overlooking the Common in 1761. A few years later it was moved to the

Common, where it sounded the alarm to the minutemen on the morning of

April 19th. An exact reproduction of the old belfry has now been

erected on the original site. The bell has long since vanished, but

its tongue is still preserved.]

[Illustration: A WINTRY DETAIL OF THE BUCKMAN TAVERN]

[Illustration: THE BUCKMAN TAVERN (1690), MEETING PLACE OF THE

MINUTEMEN, Lexington Common

This old tavern was the scene of great activity on that memorable

morning. Around the great fireplace in the tap room the minutemen

gathered to await word of the British advance. Paul Revere witnessed

the arrival of the British from a chamber window. In the afternoon of

April 19th two wounded British soldiers were given first aid here. One

of them died shortly after, and was buried in the old cemetery. The

Buckman Tavern, which was the oldest of Lexington's twelve inns, still

contains scars of British bullets. The first village store was located

here, and later, in 1812 it held Lexington's first Post Office. The

building contains many noteworthy exhibits besides the famous tap

room, and is now in the care of the Lexington Historical Society.]

[Illustration: THE BUCKMAN TAVERN IN CONTRASTING SEASONS]

[Illustration: (Winter)]

[Illustration: Bar in the Tap Room of the Buckman Tavern]

[Illustration: The Tap Room of the Buckman Tavern]

[Illustration: and an Adjoining Fireplace]

[Illustration: THE FIRST NORMAL SCHOOL IN AMERICA

Standing at the end of Lexington Common is this large frame building,

originally constructed for the short-lived Lexington Academy. In 1839

the first Normal School in America was opened here with an enrollment

of three pupils. The building now serves as the Masonic Temple.]

[Illustration: A Corner of the Old Burial Ground, Lexington]

[Illustration: The Original Wing (1698) of the Hancock-Clarke

House--Lexington

A wintry view of the gambrel-roofed ell of Lexington's most celebrated

dwelling. It was built as a parsonage in 1698 by the Reverend John

Hancock, grandfather of the governor. In its tiny rooms the parson's

five children were raised to maturity.]

[Illustration: THE HANCOCK-CLARKE HOUSE IN A SNOWY SETTING

The frame of the original wing is of hand hewn oak, still in fine

condition. Thomas Hancock, second son of the parson, who became a

prosperous Boston merchant, added the front portion to the house in

1734. John Hancock, the future Governor and signer of the Declaration

of Independence, spent several of his boyhood years with his

grandparents. The third pastor of the village was a much respected

man, Reverend Jonas Clarke. He occupied the house in 1755 and was

still its host on April 18, 1775 when John Hancock and Samuel Adams,

facing imprisonment if they were caught by the British, took refuge

there. John Hancock's aunt and his fiancee, Dorothy Quincy, were also

staying in the house. During the night the two patriots were roused

from their sleep by Paul Revere, and were conducted to Burlington for

their safety. Dorothy Quincy followed the party, bringing along a fine

salmon which had been sent in for their dinner.]

[Illustration: THE HANCOCK-CLARKE HOUSE

The Lexington Historical Society purchased the house in 1896, moved it

across the street from its original site and restored it to its

original condition. The larger part of the Society's extraordinary

collection of historic relics is exhibited in this house and in a

fireproof wing.]

[Illustration: The Newer Part of the Hancock-Clarke House (1734) Is

Rich in Fine Panelling, Fireplaces and Revolutionary Relics]

[Illustration: Attic Atmosphere under the Low Gambrel of the

Hancock-Clarke House]

[Illustration: AUTUMN AT THE HARTWELL FARM]

[Illustration: ALONG THE BATTLE ROAD--THE HARTWELL FARM IN LINCOLN

The route of the British from Lexington to Concord led through the

town of Lincoln along a wooded highway. It was at a bend in this road,

about two o'clock in the morning, that the midnight ride of Paul

Revere ended. In company with William Dawes and Dr. Samuel Prescott,

Paul Revere was halted by a British patrol. Dawes escaped, as did Dr.

Prescott, who went on to give the alarm at Concord, but Revere was

arrested and taken back to Lexington. There he was released, and later

joined John Hancock and Samuel Adams.

The Samuel Hartwell house, now known as the Hartwell Farm, is one of

the survivors along the Battle Road. Past its front door the

red-coated Grenadiers matched with smart precision on the morning of

April 19th. They returned in the afternoon, with broken ranks and no

semblance of military order, harassed by the minutemen. One Grenadier

pushed his broken musket through a window of the house and left it

there, and several fired bullets into its boarded facade.]

[Illustration: Farmhouse along the Battle Road]

[Illustration: The Farm at Meriam's Corner]

[Illustration: MERIAM'S CORNER, CONCORD

The first point of interest encountered in Concord marks, not the

British approach but their retreat, after the rout at North Bridge.

Here, at Meriam's Corner, the minutemen who had fought at the bridge

were joined by embattled farmers from Sudbury, Framingham and other

neighboring towns. From all sides they poured fire on the retreating

Regulars, finally driving them all the way to Boston.]

[Illustration: THE FERTILE FIELDS OF CONCORD, SCENE OF THE BRITISH

RETREAT]

[Illustration: GRAPEVINE COTTAGE, CONCORD

Along Lexington Road in Concord begins a succession of interesting

buildings, the first of which is this cottage, the home of Captain

Ephraim Wales Bull, who bred and developed the Concord grape here in

the 1840's. A shoot from the root of the original Concord grapevine

still prospers under the trellis.]

[Illustration: "THE WAYSIDE," HOME OF THREE AUTHORS, CONCORD

A wintry view of the first of Concord's literary shrines along

Lexington Road. Bronson Alcott gave the house the name of "Hillside"

during his stay from 1845 to 1848. Louisa and her sisters spent a few

impressionable years of their girlhood here, and gave their plays in

the barn. Nathaniel Hawthorne bought the house from the Alcotts in

1852, renamed it "The Wayside" and lived here until his death in 1864.

As a refuge from visitors, Hawthorne built a tower, or "sky parlor,"

where he wrote "Tanglewood Tales" and "The Marble Faun." A later owner

was Mrs. Daniel Lothrop who, under the name of "Margaret Sidney,"

wrote many volumes of the "Five Little Peppers" during her forty

years' residence here. The house dates from the early 18th century.]

[Illustration: SIDE VIEW OF "THE WAYSIDE," SHOWING HAWTHORNE'S "SKY

PARLOR"]

[Illustration: ORCHARD HOUSE, THE HOME OF THE ALCOTTS, CONCORD

After leaving "The Wayside" the Alcott family moved into this old

house, at the time considered unfit to live in, and repaired and

painted it themselves. Louisa May Alcott affectionately referred to it

as "Apple Slump," and it was here that she wrote the first part of

"Little Women." Much of the Alcott furniture and many books, pictures,

and personal memorials are still to be seen in the house, among them

the sketches May drew on the walls of her room.]

[Illustration: ORCHARD HOUSE AND ITS GIGANTIC ELM, IN EARLY SPRING]

[Illustration: The School of Philosophy, Gathering Place of American

Philosophers, Concord

On the grounds of Orchard House stands this small unpainted,

wooden-Gothic building, once known as Hillside Chapel, which served as

Bronson Alcott's summer school of philosophy for almost a decade. Many

notable men of letters came to this chapel, which occupies an

important place in the history of American thought.]

[Illustration: ANTIQUARIAN HOUSE, CONCORD

This building incorporates a noteworthy collection of period rooms,

beautifully furnished. The next four pages give glimpses of this

significant museum of early American decoration.]

[Illustration: A Typical New England Living Room, Late 17th Century]

[Illustration: The Pine-ceiled Room, a Rare Survivor from the Early

18th Century]

[Illustration: The Green Room Has Irregular Panelling Typical of the

Early 18th Century]

[Illustration: The Queen Anne Room Portrays a More Formal Mode of

Living, Middle 18th Century]

[Illustration: The Chippendale Room Reflects the Comfortable Days

before the Revolution]

[Illustration: Fireplace Detail from the Reeded Room (period of 1800)]

[Illustration: A Glimpse through the Front Hallway into the Reeded

Room]

[Illustration: THE EMERSON HOUSE, CONCORD

Ralph Waldo Emerson, who built this square white house and planted the

pines around it, lived here from 1835 until his death in 1882. During

his European tour, Thoreau lived in the house. Emerson was a strong

influence in drawing other writers to Concord, and a long succession

of visitors to his doorstep. His study has been moved intact, with its

books and pictures and furniture, to the fireproof quarters of the

Antiquarian House across the way. The other rooms remain much as they

were in Emerson's day.]

[Illustration: CONCORD SNOWSCAPE]

[Illustration: THE REUBEN BROWN HOUSE, CONCORD

Home of the minuteman and saddler who brought back the news of the

firing in Lexington. This is now the Old Mill Dam Inn.]

[Illustration: THE CONCORD SUMMER SCHOOL OF MUSIC

A four-chimneyed "brick-ender," an architectural style rare outside of

Concord.]

[Illustration: The Concord Art Association Occupies a Noble Old White

Clapboard House]

[Illustration: LEXINGTON ROAD, CONCORD

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