CHAPTER VII.

SKELETON OF THE FOREARM: PRONATION AND SUPINATION.

The bones of the forearm; ulna and radius.--The lower

extremities of these bones; their styloid processes; triangular

fibro-cartilage of the wrist.--_Pronation_ and _supination_:

change of form and direction of the forearm: and position of the

hand.--Prominences of the wrist (styloid processes); the angle

which the axis of the hand makes with that of the forearm.

We have already examined the upper ends of the bones of the forearm

(radius and ulna) in relation to the elbow-joint. We have still to

examine their shafts and lower extremities; and in this chapter we will

continue their description, and study the movements of the two bones,

and the relation which they bear to the wrist-joint and the hand. In a

state of rest the two bones lie parallel, the radius externally, and

the ulna internally, separated except at their extremities by a wide

interosseous space.

A superficial glance at the bony structure of the forearm (Fig. 21,

p. 70) suffices to show that the two bones which compose it offer in

many respects a striking contrast to each other. They differ first

of all in the relative position which they hold in the forearm. The

inner bone is the ulna, which extends upwards beyond the radius by

reason of the length of the olecranon process. On the other hand, in

the neighbourhood of the wrist, the radius extends beyond the ulna and

descends below it. We should also note at the outset that the radius,

descending below the ulna, is found to be the only bone of the forearm

which articulates directly with the hand and forms the wrist-joint, or

_radio-carpal_ articulation. The lower end of the ulna is separated

by a wide space from the carpus (_cuneiform_ bone), which is filled

up in the living subject by the _triangular fibro-cartilage_ of the

wrist-joint. As regards size also these bones present a contrast; the

ulna is thick and bulky in its upper part, but becomes thinner as it

descends, and its inferior extremity is slender (Fig. 21); the radius,

on the other hand, is relatively small at its upper end, and increases

in size below, so that its inferior extremity, articulating with the

hand, forms a large bony surface.

We need not enter into minute details regarding the shape of the shafts

of the two bones.

They are regularly prismatic in form. At the upper end of the shaft

of the radius, immediately below the neck, is a tuberosity (13, Fig.

21), directed forwards and inwards, which gives insertion to the tendon

of the biceps (_bicipital tubercle_). From this tuberosity an oblique

line passes downwards and outwards, and terminates upon the middle part

of the external surface of the bone in a rough space (14, Fig. 21)

called the _impression for the pronator radii teres_, because it gives

insertion to the muscle of that name.

With regard to the shaft of the ulna, we need only notice that its

posterior border is subcutaneous in its whole extent, and can be felt

beneath the skin from the elbow to the wrist.

The lower end of the radius is enlarged and massive. On its inner side

it articulates with the ulna. Externally it is prolonged downwards as

the _styloid process_, which forms a well-marked prominence at the

outer side of the wrist. The inferior surface is hollowed into a smooth

triangular surface for articulation with two of the bones of the wrist

(_scaphoid_ and _semi-lunar_).

The inferior extremity of the ulna is much smaller. It presents a

rounded head (8, Fig. 21), which articulates externally with the

radius, and below with the _triangular fibro-cartilage of the wrist_,

which intervenes between the ulna and the carpus, and fills the gap

between that bone and the cuneiform bone. The ulna is prolonged on its

inner side and behind into a _styloid process_ which forms the internal

prominence of the wrist. We have already said that the inferior

extremity of the ulna does not descend as low as the corresponding

portion of the radius; the triangular fibro-cartilage, which lies below

the ulna, proceeds from the external border of the inferior extremity

of the radius to the base of the styloid process of the ulna; the

bones of the wrist articulate with the radius and with this triangular

fibro-cartilage, so that the ulna does not take part directly in the

articulation of the forearm with the hand (Fig. 28, page 88). The

relation of the ulna to the wrist-bones is well shown in a radiograph

of the hand, in which the space between the bones at the inner side

of the wrist is clearly seen (Fig. 25). This arrangement is of prime

importance, as will be seen later, in the movements of the wrist. On

account of this space between the ulna and the carpus, the movement

of _adduction_ (drawing inwards of the hand) is much freer and more

extensive than _abduction_.

[Illustration: FIG. 25.

THE HAND AND WRIST: From a radiograph taken specially for this

work by Dr. Thurstan Holland, Liverpool.]

[Illustration: FIG. 26.

RIGHT FOREARM IN SUPINATION (the radius and radial half of the

hand are shaded by oblique lines): the radius is parallel to the

ulna.]

[Illustration: FIG. 27.

THE RIGHT FOREARM IN PRONATION: the radius (shaded) crosses the

ulna, and the radial half of hand (shaded) is placed on the

inner side.]

Up to the present we have considered the two bones of the arm as

placed parallel side by side, and separated by a comparatively broad

interval, called the _interosseous space_ (7, Fig. 21). In fact, they

are so placed, when the arm is hanging beside the body, in a state of

rest, with the palm of the hand directed forwards (Fig. 26), or placed

on a flat surface, palm upwards; the hand is then lying on its back,

and this position we call _supination_ (_supinus_, lying on the back).

But the hand may be changed in position, turned round so that its

posterior surface is directed forward (Fig. 27), or, if the forearm be

placed on a flat surface, the back of the hand is turned upwards. In

this new position, when the hand lies on its palmar aspect, we speak

of it as being in the position of _pronation_ (_pronus_, lying on the

belly).

This change from supination to pronation is accomplished by a change in

the relations of the bones of the forearm to one another. They cease

to be parallel when the hand is prone, and cross each other; but the

two bones do not move similarly in this action; one of them, the ulna,

practically remains fixed; the other, the radius, changes its position

so as to cross it. On examining the points of contact between the

radius and ulna--namely, the superior and inferior articulations of

these two bones--we see that the _superior radio-ulnar articulation_ is

formed by the circumference of the head of the radius received within

the cavity (_lesser sigmoid cavity_), situated on the outer surface

of the coronoid process of the ulna; whilst the _inferior radio-ulnar

articulation_ is formed by a sigmoid cavity situated on the internal

surface of the inferior extremity of the radius, which articulates with

the circumference of the head of the ulna.

The axis of movement may be represented by a line drawn through the

centres of the upper end of the radius and the lower end of the ulna.

In the superior radio-ulnar articulation, the head of the radius

revolves on its own axis and turns in the sigmoid cavity of the ulna;

the superior extremity of the radius itself does not change its

position; in the inferior radio-ulnar articulation, on the contrary,

the radius moves round the head of the ulna, as a wheel round its axle.

These considerations of articular mechanism may be best understood

by examining a portion of the skeleton containing the bones of the

forearm, which, as is usual in articulated preparations, are connected

together by metallic bands that permit the normal movements. In

causing the hand to pass from supination to pronation, we see that

it is necessary to bring the shaft of the radius across that of the

ulna in such a manner that while the upper end of the radius still

remains on the outer side, its lower end is entirely altered in

position, and is carried to the inner side of the ulna (Figs. 26 and

27). In accomplishing this movement, we perceive that the hand, which

articulates only with the radius, must follow the movement of this

bone, so that the thumb or radial border of the hand must change from

the outer to the inner side; the palm of the hand, which in supination

is directed forwards, is turned backwards in pronation, and it is this

movement of the radius on the ulna which constitutes the passage from

supination (Fig. 26) to pronation (Fig. 27).

The general form of the forearm, irrespective of the details which

we shall explain later, regarding the configuration of the muscles,

depends directly on the position of these bones, and is changed

according as they are parallel or crossed. When the hand is supinated

(Fig. 26), the radius being then placed parallel to the ulna and

separated from it by a large interosseous space, the form of the

forearm is that of the segment of a limb presenting two borders--an

external, or radial, and an internal, or ulnar--and two surfaces, one

anterior, the other posterior. The forearm, in a word, is slightly

flattened from front to back, because the bones are parallel to each

other. But when, from the position of supination, the hand passes to

that of pronation, the two bones cross each other and come in contact,

and the interosseous space practically disappears (Fig. 27). The radius

and ulna, taken together, form a single mass, which may be compared

to that which two rods assume, placed at first parallel at a certain

distance from each other, and which afterwards cross and come into

direct contact. Thus in pronation the shape of the forearm becomes

completely changed, especially in its lower two-thirds. Instead of a

segment of a limb with two surfaces and two borders, it represents a

segment rounded and almost cylindrical in its middle part; in complete

supination, only the inferior part (wrist) and the superior part (bend

of the elbow) preserve the form flattened from front to back.

Artists are usually not sufficiently imbued with these important facts;

they are inclined to believe that if a figure has been represented with

the forearm in a position of supination, and that for some reason this

attitude has been changed to that of pronation, it is enough to change

the hand and wrist alone, without altering the model of the forearm in

any other detail. On the other hand, the form of the forearm throughout

its entire extent and particularly in the middle part, undergoes a

change when the hand passes from supination to pronation, and the

reverse; and this fact will be still more evident when, in studying

the muscles of the region, we see that their direction is completely

altered, and this also helps to modify the shape of the limb.

In the movements of pronation and supination, the forearm changes

not only in form, but also in direction. We have previously seen

that when the radius and ulna are placed parallel one with the other

(supination), the axis of the forearm makes with that of the arm an

angle opening outwards. We may again express this fact by saying that

if in this case we prolong the axis of the humerus downwards (see the

dotted line in Fig. 26), this axis falls internal to the head (inferior

extremity) of the ulna, and consequently lies well to the inner side of

the radius and interosseous space. But in pronation, the result is that

when the radius crosses the ulna at its centre, and is placed internal

to it at its lower end, the two crossed bones of the forearm, taken

together, make a continuous line with the humerus, the angle at the

inner side of the elbow disappears, and the axis of the arm and that of

the forearm are almost in the same straight line (Fig. 27).

In order to make the best use of the various details of the bony

structures which we have been studying in their application to outward

form we will, before commencing the study of the hand, mark once more

the prominences which occur at the lower ends of the radius and ulna at

the level of the wrist. Of these two projections, which are to the hand

what the ankle-bones, or malleoli, are to the feet, one is external,

formed by the styloid process of the radius (16, Fig. 21), the other is

internal, and is formed by the head of the ulna and its styloid process

(9, Fig. 21).

The styloid process of the radius is situated much lower than the

styloid process of the ulna.

This position of the bones we may easily verify upon ourselves, without

a skeleton, by clasping with the thumb and index-finger of one hand

the wrist of the other; we then perceive that the radius descends much

lower than the ulna (Fig. 21). Hence the articular line of the forearm

with the hand is obliquely directed from above downwards and outwards

(the hand being supinated). So that the hand is articulated with the

forearm at an angle, due to the downward prolongation of the lower

end of the radius: a position which, along with the presence of the

articular fibro-cartilage of the wrist, is responsible for the more

extensive capacity for adduction than abduction of the hand at the

wrist-joint.

In the extended and supine position of the limb the junction of the arm

and the forearm forms an angle opening outwards; that of the forearm

and hand forms an angle opening inwards.

Duval's artistic anatomy · 第 7 / 26 章