CHAPTER IX

THE BLUE CHESTNUT

“Get along then that’s no way to treat people! What’s he want with me,

anyway, the nasty fellow?”

Nini Guinon was furious; turning sharply round, she thus apostrophized

an individual who had just signalized his presence by tickling her

ribs more roughly than agreeably. It was a Monday, and about two

o’clock in the afternoon. Nini had just issued from the Poissonnière

Gate; mounting the bank overhanging the moat of the fortifications and

turning to the left, she was making for Saint-Ouen. The young woman

stared suspiciously at the man who was following her without a word,

good, bad or indifferent, a smile of doubtful import on his face.

Presently, reassured more or less by her examination of the stranger,

Nini added:

“I thought it was the ‘cops’.”

The man shrugged his shoulders. “D’you think I belong to the police? do

I look like it?”

“No, you don’t,” Nini admitted; “but come, let’s have a peep at your

phiz; what does this here masquerading mean, eh?”

Obeying the young woman’s demand, the other turned his face towards

her; the cheeks were muffled in a great yellow silk handkerchief.

“That’s along of my dominoes,” he said; “I’ve had toothache for the

last three days.”

“Well, what then?” pursued Nini.

“Why, I’m in funds to-day, especially as how it’s Monday, and I’m going

on the spree ... suppose we make the bust together, eh?”

Superciliously, Nini looked her interlocutor up and down.

“Nothing doing to-day,” she told him, “I’ve got my man.”

“Where are you going?”

“You’re mighty curious, ain’t you? still, as the gentleman wants to

know, we’ve arranged to meet at the _Blue Chestnut_—that’s plain and

simple enough, what?”

“Why, yes,” the other agreed, “but as it happens, I’m going there, too.”

“Then, march on in front,” ordered the girl, “and I’ll stick behind; I

don’t care to look as if I were making up to chaps about these parts.”

The man was all docility and obeyed instantly; walking a few steps

ahead of the young harlot, but every now and then casting a furtive

glance over his shoulder to make sure the girl was following on the

same road as himself, he stumped off in the direction of the _Blue

Chestnut_, seeming very well pleased with the beginning he had so far

made. With a quick movement he swept the hair lower on his forehead

and pulled out his handkerchief he had wrapped round his jaws under

pretence of protecting his aching teeth against the cold.

“So much to the good,” he thought to himself; “she’s never recognized

me—and I have good hopes it’ll be the same with the others.”

Who was this mysterious person who had made bold to squeeze Mlle.

Nini’s waist as she was peaceably leaving the city by the Porte de

Poissonnière? It was no other in actual fact than Jérôme Fandor!

For some days past the young journalist had been leading an absolutely

appalling existence. Events had followed quick on each other’s heels,

each more disconcerting, more overwhelming than the other. Chance

and mischance had thrown him into adventures that grew more and more

baffling, and seemed to him to leave no loophole for escape.

First his meeting with Elisabeth Dollon, then his connection with

old Moche—a tricky scamp he felt he could not trust—then after being

unjustly accused by Elisabeth, he had been odiously victimized through

Fantômas’ vile machinations, bringing him under the strongest suspicion

of having caused the death of three policemen. And all this, just a

few hours after Parliament had acclaimed him one of the authors of the

violent attack on the Minister of Justice.

Escaped by a miracle from the clutches of the police, the journalist

had ever since the tragic night in M. Moche’s garret led an

insufferable existence, hardly daring to go out at all, and then only

at night in the most out-of-the-way districts, spending whole days

hiding in slums, concealed in rag-pickers’ hovels, in constant terror

of being caught. And now, to put the coping-stone on his misery had

come the assassination of Désiré Ferrand, a mystery still unsolved, a

crime without doubt the work of Fantômas, thought Fandor, but which

no less surely would rouse the Criminal Investigation Department to

renewed exertions, and render his continued evasion more than ever

precarious.

Yet Fandor was full of courage; he must not give in, it was all

important he should remain at liberty, for the journalist was now

firmly convinced that he was embarked on the right track, and that it

would not be long now before he would unmask Fantômas’ accomplices,

perhaps Fantômas himself into the bargain. Luck, good luck, had in fact

brought him in touch with a crew of shady individuals, the instruments

and intermediaries of old Moche’s nefarious schemes. Now these folks

made no concealment amongst themselves of the fact that they were in

the habit of receiving orders anonymous but peremptory about the source

of which, however, they did not trouble their heads; they served and

were glad to serve as Fantômas’ lieutenants, they were in the pay of

that notorious brigand. To trace back events to their source would be

the surest way to discover the head that set all these arms in motion.

“I’m going to the _Blue Chestnut_,” Nini Guinon had told him—and

Fandor had boldly replied that at that very moment he, too, was on

his way to spend the afternoon at that notorious resort of the Paris

criminal world. In fact the discovery that Paulet’s mistress was bound

for the _Blue Chestnut_—a suburban semi-rural resort just outside the

fortifications, and a favourite _rendezvous_ with crooks and demireps

of all descriptions—to meet “her man” had given the journalist a

lively glow of satisfaction. Days ago he had come to the resolution

of shadowing the young street-walker, getting to know her comings and

goings, and so through her getting into close touch with the band of

her nefarious associates.

And lo! in a moment his hopes were to be realised. Nini was going to

the very spot where all these good, or rather bad, people would be

gathered. Decidedly Fandor’s lucky star was in the ascendant, he was to

enjoy the priceless advantage of meeting and making closer acquaintance

with that questionable character, the mysterious apache Paulet, whom

the journalist already suspected, not without good reason, perhaps, of

having murdered the bank messenger.

Moreover, he was feeling no small satisfaction at the success of his

make-up, which had proved so admirable a disguise. Nini Guinon, of

course, knew him quite well, she had seen him only a few days before,

he was one of the gang and the reputed murderer of the police officers,

if not perhaps of the Minister himself. His face and personality

_could_ not have faded from the girl’s memory. Yet for five minutes he

had been talking with her, and she had not recognized him!

“All goes well,” the journalist congratulated himself, as he made his

way into the garden of the _Blue Chestnut_. Yes, he was certainly in

luck. The place that Monday afternoon was crowded with customers, a

large number seated about the scattered tables, each of which with

its load of wine-bottles formed the nucleus of a group of laughing,

chattering men and girls.

Fandor took his seat unobtrusively at the foot of a table, endeavoring

to pass unnoticed while he consumed a modest half-pint and listened to

his neighbour’s conversation. He was just asking himself how he could

best join in the talk himself when circumstances afforded him the

opportunity.

A wave of excitement swept the garden from end to end. A gay companion,

a musician with an old guitar under his arm, had just appeared, a man

Fandor knew of old. It was one Bougille, the vagabond Bougille, the man

with the shaggy beard and merry-andrew face, Bougille the honest tramp,

the incorrigible wanderer. The old fellow was well known and well loved

at the _Blue Chestnut_, where on fête days he would often come to reap

the reward in small change of his talents as a music-maker.

“A dance, a dance! the _Sonneuse_!” the company demanded with one

voice, while all eyes turned in the direction of “The Beadle” and all

hands pointed to “Big Ernestine.”

Slowly, hands in pockets, with an affected air and a look of

satisfaction, which he tried to hide, the man addressed the crowd:

“So, it’s us you want to get at ... must have us dance it you again,

eh?... well, well, off we go.”

Cigarette stuck between his lips, cap cocked over one ear, the apache

gripped Ernestine by the nape of the neck, whirled the girl round, and

round again, to bring her facing him, then ordered her roughly:

“Go ahead, wench; give it ’em, I say!”

At this Bougille struck up the tune, and the couple began their

evolutions.

At first it was a slow waltz, with no precise rhythm, but dubious

attitudes, languishing poses, embraces suggestive of passionate

abandonment. Then, with a sudden brutality, the man hurled his partner

away from him, caught her by the shoulders, threw her to the ground,

then passing his arm under her supple waist, raised her to her feet,

then lifted her up against his breast; then, three times in succession,

while “Big Ernestine” lay passive, “The Beadle,” striking an attitude

half Hercules, half acrobat, whirled the woman about in his arms and

beat her head on the earth.

A thunder of applause broke out on every side. For sure there was not

another pair to match “The Beadle” and “Big Ernestine” at dancing the

_Sonneuse_. And what a dance it was, where the cavalier had to mimic

the act of breaking his partner’s skull against the ground as apaches

beat to death peaceable citizens against the curb of the sidewalk.

It was fine, it was magnificent, the crowd was thrilled, electrified,

and a young blackguard, “Beauty Boy” by nickname, caught by the wave

of hot enthusiasm that stirred the passions of them all, seized the

opportunity to give a bite at the nape of Nini’s neck, who cuffed him

soundly for his pains.

“Look where you’re going, you idiot!” roared a furious voice as “Beauty

Boy” fell foul of a shabby individual in his flight to escape the

offended Nini’s vengeance. It was no other than M. Moche. What could

the old fellow be doing there? He was dirtier, shabbier, and more bent

than ever; at sight of him, Fandor was filled with alarm, but at the

same time it struck him that Moche’s presence might prove useful to

him. Yes, undoubtedly, it was a piece of good luck to find the old man

had come to the _Blue Chestnut_. Assuredly, under pretext of dancing

and amusing themselves, the band must have gathered there to receive

their secret instructions from the chief, who doubtless was no other

than Fantômas. The moment Fandor set eyes on Père Moche, he told

himself: “Ha, ha! ’twon’t be long now before a something fresh turns

up!”

Meantime the journalist took good care not to show himself to the

dubious individual in whose service he had been engaged for twenty-four

hours. He had far from pleasant recollections of his stay at Moche’s,

and it might well be the latter was equally out of conceit with him;

quite possibly the old advocate believed it was he had killed the

police officers, very possibly again, by way of ingratiating himself

with the force, he might not hesitate to deliver up the supposed

murderer into their clutches, should opportunity offer.

At the same time the young man slipped surreptitiously behind Moche,

while the latter was in talk with the “Beauty Boy.” He overheard all

they said:

“Lend me a yellow boy,” the young apache was asking his companion;

“it’s not just for larks, I tell you, it’s for biz.”

“Why, what are you up to, eh?” the other asked in his turn.

“Beauty Boy” explained: “To-morrow’s Monday, ain’t it? Well, Tuesday’s

the day the swell Trans-Atlantic reaches Hâvre with all the rich

American travellers aboard; so I’m going to make my little collection,

as usual—you know my game, eh, M. Moche?”

“Gad! no, not over well,” declared the old scamp, doubtless with the

idea of extracting a more definite account of the other’s plans.

“But it’s as plain as plain,” retorted the apache. “Day before the boat

comes in, I hook it to Hâvre, dressed up to the nines; then I slip into

the special train where the swagger dames are, then on the journey up

I get to work; it’s mostly purses I do, now and then a ring, a bit

of jewelry, or pocket-book. All that lot, when they step ashore, are

upset, bewildered, sick, tired, _they_ never care to kick up a dust if

they happen to find their pockets have been gone through.”

Père Moche nodded approvingly.

“Not bad,” he laughed, “not bad! You’re a cute chap, my boy, for all

your silly looks and dandified airs.”

“Only,” pursued the apache, “one must anyway have one’s return ticket,

and as it happens, I’m cleaned out just now.”

“Whew!” muttered the old miser.

But “Beauty Boy” returned to his charge:

“Come now, don’t be a mean cuss, hand me over four bulls, won’t you?”

At last Père Moche so far yielded to the other’s eager importunities

and forked out. But, like a good business man, he struck a bargain with

the borrower that the latter, on his return, that is to say on the next

day but one, should pay him back thirty francs.

The cash once in his pocket, the apache vanished.

Fandor had overheard it all, besides catching other scraps of

conversation from one and another of the band, from which he gathered

only one thing clearly, and that was that at bottom everyone of them

was upset about the arrival of the redoubtable and mysterious Tom

Bob, whose coming was announced with such a flourish of trumpets and

noisy advertisement—a proceeding by-the-by he, Fandor, deemed highly

injudicious.

The journalist noted the “Beauty Boy’s” departure, and he could not

help thinking that it would be greatly to _his_ advantage, too, if

only he could get to Hâvre. But alas! he had not a sou and could not

borrow from Père Moche, as the apache had done, inasmuch as he could

not very well urge the same reasons to justify the loan. Still the idea

tormented him that he _must_ go to Hâvre. It was all important for

him to get to know Tom Bob at the earliest possible moment, so to say

before everybody else. He was still cudgelling his brains to discover

some way of realizing his project when suddenly he shuddered to hear a

hoarse, angry voice growling in his ear:

“Scoundrel, brigand, murderer, aren’t you ashamed to show your face?

why don’t I have you run in on the spot? will you rid me of the sight

of you, now, this instant, you hell-hound of calamity!”

Fandor wheeled round in consternation, dumbfounded by this avalanche of

abuse, this maelstrom of words. His eyes opened wide in amazement; it

was old Moche who was addressing him in these furious terms—Moche, his

face working with passion, unable to contain himself for anger.

The old scoundrel went on with a hypocritical assumption of righteous

indignation.

“When I think how I befriended you, how I saved you in your extremity,

and then you came and murdered people in my house and committed

atrocious crimes, I don’t know, I really do not know, you villain, what

hinders me ...”

Fandor looked his man calmly in the face. For one moment he had

entertained the notion of seizing his accuser by the throat and choking

him, for instinctively his gorge rose at the outrageous charge brought

against him. But he quickly realized that, to begin with, old Moche’s

indignation was only pretence, and then, that the least display of

violence on his part could only have consequences disastrous to his

plans. The journalist had gathered the firm conviction in the course of

the two hours he had spent among the dubious frequenters of the _Blue

Chestnut_ that Père Moche was possessed of a strange, but indubitable

authority over these sinister personages. There was no question that,

for some purpose or another, he was in the habit of aiding and abetting

them, lending them money at need, or that he possessed an astuteness

that made him master of the rest of his associates—and was perhaps

the mysterious intermediary who transmitted to them the orders of the

elusive autocrat Fantômas.

Postponing all thought of reprisals for the present, Fandor obeyed

the old ruffian’s orders and sneaked away; a few moments more and he

quitted the _Blue Chestnut_ without his departure being remarked by

anyone whatsoever, not even by the landlord, who troubled himself very

little about his customer going away, as he invariably observed the

excellent custom of making everybody pay in advance.

* * * * *

“That’s it, that must be the train!” Issuing from the Saint-Lazare

terminus, an engine, heralded by the glare of its two head-lights,

plunged beneath the dark arch of the Batignolles tunnel. Enveloped

in a dense cloud of smoke, the locomotive rolled slowly on, with a

rhythmical roar and rattle, towing behind it a long line of passenger

coaches.

His feet in the thick mud, his back against the clammy stonework,

Fandor stood motionless half way through the tunnel waiting till the

train reached him.

The journalist, on leaving the _Blue Chestnut_, left alone with his

thoughts, and now firmly convinced he had at last come upon the gang

among whom he must look to find not only the murderer of the bank

collector, but likewise the authors of the attack on the Minister

of Justice, and to boot, in all likelihood, the assassin of Désiré

Ferrand, told himself it was above all things incumbent on him from

this time on to dare any and every risk to secure a collaborator in

his task. His mind was made up; it was Tom Bob must be his ally and

fellow-worker.

Who and what was this Tom Bob? he did not rightly know. Two or three

times at most he had heard his friend Juve speak of the man. Juve,

this much was certain, admired the American—albeit they were not

personally known to one another—as a clever, capable officer, full of

modern ideas. Fandor pictured Tom Bob as being in fact a sort of Juve

of the New World—with this difference, that the one seemed as fond of

self-advertisement and popular applause as the other was an admirer of

modesty and reticence.

Summing up the situation Fandor told himself:

“It is impossible, at the present moment, to show myself at the

headquarters of the Criminal Department; in their stupid way they would

simply arrest me without listening to my story, or even arrest me after

they had heard it, if only by way of throwing a sop to public opinion.

Juve himself is in gaol; the unfortunate man can do nothing to help

me. Rather is it for me to save him, and to have the power I must be

free. It may be Tom Bob will not be sorry to have me as a discreet and

anonymous fellow-worker. Let us go find Tom Bob!”

This decision taken, the question was to carry it into effect. Now

Fandor, at eight o’clock in the evening, had still less money in his

possession than at four o’clock of the afternoon. But the journalist,

having noted the time of the last train that would take him to Hâvre

before the arrival of the American packet, viz., the nine forty-five

slow train, had thought to himself that, if it was impossible for him

to travel without a ticket, it was perhaps easy enough to jump the

train as it went by, and so be carried to his destination—on condition,

of course, of not attracting attention by entering a compartment, but

instead riding unobtrusively on a step, or on some buffer or other, or

else lying at full length on the roof of a carriage.

He had explored the neighbourhood of the station and made out that

by way of the Rue de Rome and utilizing a scaffolding erected by the

workmen engaged in enlarging the tunnel, he could easily in the evening

dusk climb down the scaffold poles on to the line. But on second

thought Fandor had conceived a much simpler plan. At nine twenty for

four sous he purchased a ticket for Batignolles and made his way on to

the platform, then seizing his opportunity when nobody was looking, he

stepped on to the permanent way and so, keeping along the confining

walls, reached the entrance of the tunnel and waited there for the

passing of the Hâvre train.

He had set his watch by the station clock, and the train being due to

start at forty-three minutes past the hour, he was at his post in the

tunnel at half a minute before that time. He arched his back against

the wall, and in spite of the blinding smoke, watched the line of

vehicles as they moved slowly past him.

“Engine, luggage van, another van, several third class coaches, a

corridor carriage, a first, a second ... now’s my time!”

The young man sprang on the next coach that came opposite him, it was

a risky job, a false step and he would be thrown on to the rails,

under the wheels, but the journalist had audacity and fearlessness on

his side, and dexterity into the bargain, and he landed safely. In a

few seconds, by help of the hand-holds running along the sides and

the mouldings of the woodwork, which luckily projected outwards, he

succeeded in first hoisting himself between two carriages and then

climbing on to the roof of one of them. He stretched himself flat on

his face and threw his arms round the projecting top of a lamp, then

with legs wide to help maintain his equilibrium, he lay perfectly still.

Hardly was he in position before the train quickened its pace and

emerged from the tunnel. The journalist breathed the purer air with

infinite gusto. But his satisfaction was of short duration; the engine

now began to emit showers of sparks and clouds of greasy, blinding

smoke. He could only shut his eyes tight and wait in stoical patience.

“Pooh!” the young fellow said to himself, “it’s merely a bad night

to get through! I shall be a bit cold perhaps, and a bit dirty, but

the great point is, I shall get there. Hâvre is not so far away as

they make out; I think we must already be getting near the bridge of

Asnières, for the train, I see, is beginning to slow down, as they

always do.”

But next moment he let fly a big oath. The train, contrary to all

precedent, was taking a big curve, the rails were steeply inclined

inwards and the carriages tilted over in the same direction, so that

Fandor, who was not expecting it, very nearly slipped off his perch. He

would infallibly have tumbled off if he had not made a wild clutch at

the top of his lamp. The brakes were applied sharply and a jar ran from

carriage to carriage; then the train stopped dead.

Fandor opened his eyes and looked about him. He was in the middle of a

vast shed; on either side he saw the roofs of carriages stretching away

into infinity. For a moment he was at a loss what to think, then the

truth burst upon him.

“Damnation!” he cried, “was it worth my while to lay my plans so

carefully, and make such a monstrous mistake after all!”

Instead of taking the train for Hâvre, he had got on to a line of empty

coaches which a yard-engine was simply hauling out to its siding for

the night.

Even as he realized the fact, in the distance, full steam ahead and

brilliantly lighted up, he saw a main line train go by—the Hâvre train

without a doubt!

The long arm of Fantômas · 第 9 / 29 章