CHAPTER XI

CAPRI AND TIBERIUS THE TYRANT

Lying between the classic capes of Misenum and Minerva, the island of

Capri appears like a couched lion, guarding the entrance of the Bay of

Naples; his majestic head being formed by the stupendous cliffs of the

Salto that face the sunrise, whilst his back and loins are represented by

the long broad slope which stretches from the summit of Monte Solaro to

the most westerly headland of Vitareta. Nor is it only as a guardian to

their Bay that Capri serves the Neapolitans, for it also presents them

with a gigantic natural barometer. In fine settled weather a soft haze

invariably lies over the sea, so that Capri is only faintly visible from

the shores of Parthenope, save at sunrise and sunset, when for a short

time the graceful form of the islet looms out clear-cut like a jagged

amethyst upon a sapphire bed; but before rain or storm it yields up its

inmost secrets to the public gaze of Naples. The northern Marina, the

towns of Capri and Ana-Capri, even the little terraced fields become

discernible to the naked eye: “It will be wet to-morrow” augur the

weather-wise of Naples, and the prediction is rarely falsified.

[Illustration: FARAGLIONI ROCKS, CAPRI]

It is an easy matter to cross from Sorrento to the island, whether it be

by the little steamer that plies daily between Naples and Capri, putting

in at Sorrento on its journeys backwards and forwards, or—far pleasanter

if somewhat slower way—by engaging a boat with four rowers, who on a calm

day ought to make the Marina of Capri in less than two hours. Nothing can

be more delightful or exhilarating than this old-fashioned method of

transit; and it gives also a feeling of superiority over less enterprising

persons who prefer the quicker passage on a smoky steamer, crammed with

tourists and attendant touts. It is the very morning for a row on the cool

glassy water, as we step joyfully into our boat with its four stalwart

Phrygian-capped sailors in attendance:

“Con questo zeffiro

Cosi soave,

Oh, com’ e bello

Star su la nave!

Mare si placido,

Vento si caro,

Scordar fa i triboli

Al marinaro.”

Bending with a will to their oars, our genial mariners quickly impel our

barque round the first jutting headland, so that the thickly populated

Piano di Sorrento is at once lost to view. Making good headway over the

clear water, it is not long before we find ourselves passing beneath the

wave-washed precipices of the Salto, and well within our time limit of two

hours we reach the roadstead of the Marina, to find ourselves in a bright

and busy world of traffic and pleasure. Between the houses coloured

coral-pink, white, blue, and yellow, and the pale green transparent water

lies a long stretch of beach covered with every sort of craft that sails

the Mediterranean, and with a motley crowd of fishermen, tourists and

noisy children; whilst the whole atmosphere rings with raucous voices

raised in giving directions, in quarrelling, or in addressing the many

perplexed strangers. We disembark, and cross the intervening beach with

its sea-weed veiled boulders and masses of tawny fishing nets; we reach

the village, and here we meet with our first disappointment in romantic

Capri. It was not so very many years ago, barely thirty in point of fact,

that this island was roadless, and in those primitive days the visitor was

met at the Marina Grande by tall strapping Capriote women, who were wont

to seize the traveller’s pieces of baggage as though they had been light

parcels, and to march up the old stone staircase poising these burdens on

their heads with the carriage of an empress. The stranger’s own entrance

into Capri was less dignified, for either he had to toil painfully in the

blazing sun up that steep picturesque flight of steps and reach the

plateau above, perspiring and probably out of temper; or else he was

compelled to bestride a miserable ass which a bare-footed damsel steered

upward by means of the quadruped’s tail. Nowadays, we are spared this

original and somewhat humiliating manner of arrival at our journey’s end.

There are little _carrozzelle_, drawn by clever black Abruzzi cobs

awaiting us, and even one or two hotel conveyances. We find ourselves

being driven rapidly up the excellent winding road constructed only a

quarter of a century ago, past the domed Church of San Costanzo, the

patron Saint of the Caprioti, past hedges of aloe and prickly pear, until

we gain the saddle of the island-mountain, where stands the small capital

perched upon a ledge that overlooks the Bay of Naples to the north, and to

the south the endless expanse of the unruffled Tyrrhene.

It is evident even to the most casual untrained eye, that this huge mass

of sea-girt rock whereon we stand must in remote ages have formed part of

the mainland opposite, until some fierce convulsion of nature, common

enough in this region that is ever changing its outward face through

subterranean forces, tore what is now Capri asunder from the Punta della

Campanella, and placed the sea as an eternal barrier between the riven

headlands of continent and new-formed island. The charm of this rocky

fragment, thus placed in mid ocean by volcanic action, was first

discovered by the great Emperor Augustus, who chancing to visit the island

for some obscure reason was greatly affected by the spectacle of a

withered ilex tree, that revived and burst into foliage at the auspicious

moment of his setting foot at the Marina. Flattered at the compliment paid

by Nature’s self to his august presence and drawing a happy omen from the

incident, the Emperor at once proposed to the people of Neapolis, who then

owned the island, that they should exchange barren Capreae for the larger

and more fertile imperial appanage of Aenaria (Ischia)—a bargain to which

the shrewd Neapolitans readily agreed. Here then in a spot at once so

salubrious and so convenient for the management of affairs of state, the

Emperor sought rest and relaxation at such times as he could escape the

cares of government. At his bidding villas and pleasaunces were

constructed; roads were carried by means of viaducts across the airy

plateau lying between the Salto and the Solaro; and the able bodied

inhabitants of the island were enrolled as a sort of honorary bodyguard

for the person of Augustus during his occasional visits. In this secluded,

yet accessible retreat, the ruler of the Roman world could easily lay his

finger, as it were, upon the beating pulse of his mighty empire, for

Capreae was at no great distance from Rome itself, and from the heights of

the island note could be made of the movements of the Imperial fleet lying

at Baiae or of the arrival of the corn ships from Egypt and Asia Minor.

But the name of the good Augustus is scarcely remembered in connection

with Capreae, which alone recalls its association with Tiberius the

Tyrant, who spent the last nine years of his reign upon the rocky islet

that was so beloved of his predecessor. To this spot “Timberio” (as the

natives invariably misname the Emperor) feeling the rapid approach of

senile decay, weary of the thankless task of ruling an ungrateful people,

sick of family dissensions and of court intrigue, at last came in the

cherished hope of spending the few remaining years of his life in cultured

leisure and in comparative solitude. An enthusiastic student of astronomy

and of its sister science, or rather pseudo-science, astrology, Tiberius

proposed to study the heavens in the company of chosen mathematicians and

soothsayers. Twelve buildings—palaces, villas, pavilions, call them what

you will—were now constructed for the special examination of the planets,

and in consequence the whole of the island, whose limited area after all

is exceeded by many an English park, was practically turned into one vast

maritime residence, for all the Imperial pleasure-houses seem to have been

connected with each other by means of viaducts or secret stair-ways. Yet

whilst immersed in astronomy and occultism, the aged Emperor contrived to

find time for the routine of public business, and, like Augustus, he was

still able to direct from his rocky retreat the policy of the Empire. The

reports of governors of provinces, for example, were received, read, and

commented upon by Tiberius in his Capriote home, and amongst these there

must have been included a certain official document from one Pontius

Pilatus, Procurator of Judaea, relating how a Jewish prophet from Nazareth

had been condemned, scourged and crucified by his orders at the special

request of the Jews themselves. How eloquent is this bald statement of a

simple fact, that here in this tiny barren islet was brought the casual

news of the death of Jesus Christ to the then ruler of the Roman world!

Surely an historical incident such as this is of more value than all the

hazy legends or pointless miracles of St Januarius or of San Costanzo,

upon which the imagination of the islanders has been fed for generations.

[Illustration: CAPRI FROM THE VILLA JOVIS]

Remnants of Tiberius’ palaces, all of which are said to have been razed to

the ground by order of the Roman Senate at his death, are scattered thick

as fallen leaves in Vallombrosa over the whole surface of the island, and

it is to the ruins of the Villa Jovis at its eastern crest that the

visitor will in all probability first direct his steps. The way thither

from the little city of Capri leads through narrow lanes along a stony but

populous hill-side, to which the flat-roofed dazzling white houses with

their small iron-barred windows lend an oriental aspect; an illusion that

is aided by the appearance of an occasional date-palm over-topping some

low wall, and by clumps or hedges of the prickly pear. This latter plant,

of Indian extraction as its name of _Ficus Indica_ betrays, grows in

profusion over the sun-baked rocky slopes of southern Italy, especially in

the neighbourhood of the sea. The peasants find it most useful, for it

makes impenetrable hedges, and its coarse pulpy leaves when pounded up

afford good provender for their goats and donkeys. The fruits of the

prickly pear, those quaint crimson or yellow knobs attached to the edges

of the leaves, are likewise gathered and eaten by the people, or else

cleaned of their protecting layers of spiny hairs and despatched in

baskets to Naples, where the cactus-fruit forms an important item of the

popular fare. The fruit itself has a lovely colour and a fragrant scent,

which give promise of a better flavour than it actually possesses, for it

is hopelessly insipid to the taste, although the Neapolitans declare that

the pulp, when mashed up into patties and iced, is very palatable.

A long up-hill ramble over rough paths leads eventually to the Villa of

Jupiter, perched on the Salto—the _Saltus Caprearum_, the “Wild Goats’

Leap,” of the ancients. There is little of interest to be seen in the

existing portions of Tiberius’ chief villa, for the building has been

despoiled centuries ago of its rich marbles, its slabs of _giallo_ and

_verde antico_, its pillars of red porphyry and _serpentino_, some

fragments of which may be found imbedded in the pavement of the

mosque-like little Duomo of Capri. But it is evident from the immense

extent of its substructures, now used for humble enough purposes, that the

Villa Jovis must have been a palace of remarkable size. A hermit who

offers sour wine, a fat middle-aged woman, a figure of fun in her gay

be-ribboned dress who begins languidly dancing a _tarantella_, and a

vulgar pestilent guide who produces a spy-glass usually haunt these

caverns on the look-out for any chance visitor. Buy them off, O stranger!

with _soldi_, is our advice, for you cannot otherwise escape their

importunities, and then mounting to the highest point, peer down into the

clear depths of the water nearly a thousand feet below. For it was here,

if we can credit serious Roman historians, that the Imperial tyrant, half

crazy with terror and ever thirsting for human blood, was wont to hurl the

objects of his hate into the sea; “from this eminence,” Suetonius gravely

tells us, “after the application of long drawn-out and exquisite tortures,

Tiberius used to order his executioners to fling their victims before his

eyes into the water, where boats full of mariners, stationed below, were

waiting in readiness to beat the bruised bodies with oars, in case any

spark of life might yet be left in them.” The terrible legend fits in

aptly with the appearance of this forbidding dizzy precipice, especially

on a dark stormy afternoon, when the dull roar of the waves dashing

against the cliffs below, mounts upward to the Villa Jovis like the angry

bellowing of some insatiable sea-monster.

It was whilst brooding here after the death of Sejanus in Rome, that the

Emperor, not daring to move beyond the walls of his palace, shunning the

society of all save his familiar friends and attendants, and with his face

disfigured by an eruption of the skin of which he was painfully sensitive,

that there took place an incident (which may or may not be true) mentioned

by Suetonius. In the privacy of this villa Tiberius was one day surprised

by an ingenious Capriote fisherman, who in ignorance or defiance of the

Emperor’s wishes had managed to scale with his naked feet the steep cliffs

from the sea below, in order to present a fine mullet for the imperial

table, and of course to earn a high reward for his “gift.” Terrified at

the mere notion of anybody being able thus to penetrate into his most

secret domain, the irate Emperor at once gave orders for the intruder’s

face to be scrubbed with the mullet he had brought, a sentence that the

imperial minions performed without delay. The intrepid fisherman might

have congratulated himself on so mild a punishment for having disturbed a

tyrant’s repose, had he not been possessed of an unusually strong sense of

humour. For at the close of the mullet-scrubbing episode, the foolish

fellow remarked by way of a jest to the officer on duty, that he was

thankful he had not also offered the emperor a large crab which he had

likewise brought in his basket. This imprudent speech was immediately

reported to Tiberius, who thereupon commanded the man’s face to be

lacerated with the aforesaid crab’s claws; but whether this pleasing

incident ended with a cold plunge from the Salto, the Roman historian does

not relate.

Other tales of Timberio’s vices and cruelties have been handed down from

generation to generation, so that the dark deeds committed at the Salto

have almost passed into a local article of faith; and such being the case,

it would seem almost a pity to pronounce these picturesque horrors untrue

or exaggerated. Nevertheless, of recent years there has arisen amongst

scholars a certain degree of scepticism as regards these highly coloured

anecdotes of Roman historians known to be prejudiced. The Emperor was

nearly seventy years old at the time he came to reside in Capreae, and

until that date his life had been orderly and above reproach; it is not

likely therefore, argue these modern writers, that Tiberius should

suddenly, at so extreme an age, have flung himself into a whirl of vices

and crimes that he had hitherto shunned. The thing is of course possible,

but it sounds improbable. That he was moody and morose; that he loved

solitude and hated formal society in the spot he had especially chosen as

the retreat of his declining years; that he practised certain of the

mystic arts, as well as studied astronomy, are all likely enough

conjectures; and these circumstances probably formed the foundation for

the extravagant legends which now surround the Emperor’s memory. Very

shocking and reprehensible were the doings at Villa Jovis, if they really

occurred there, but to try and dispute their authenticity would be a task

quite outside the scope of this work.(10)

If, despite the negative theories held to-day concerning the private life

and character of the second Emperor of Rome during his residence on

Capreae, the traveller be still inclined to trace the sites of the

remaining eleven Imperial villas, he will find little difficulty in

meeting with numberless Roman remains scattered over all parts of the

island. On the beach, for example, a little to the west of the Marina

Grande, are clearly visible the sunken foundations of the great

sea-palace, which in the Roman manner jutted into the water and ranked

probably second in size to the Villa Jovis. The neighbourhood of Ana-Capri

also, and in fact the whole western portion of the island, is likewise

plentifully besprinkled with ancient ruins, one of which is still known by

the suggestive title of Timberino. But most people will prefer to explore

the unrivalled natural beauties of Capri, rather than to make themselves

acquainted with its archaeological points of interest.

First and foremost of the many wonders that Capri has to show must be

ranked the Grotta Azzurra. The pleasantest way of reaching this

world-famous cavern is by small boat from the Marina, rather than by the

daily steamer from Naples; and a perfectly calm and bright morning must be

selected for the expedition, for if the surface of the sea appears in the

least degree ruffled by northerly winds, it becomes impossible for any

craft to make the low entrance of the grotto. Capriote boatmen are as a

rule intelligent and pleasant to deal with, and not a few of the denizens

of the Marina own to some knowledge of English, or rather of American,

since several of the inhabitants are the sons of emigrants who have

settled in the cities of the United States or the Argentine, but whose

love for their island home is still so strong that they contrive to send

their children back to Capri, in order that they may retain their Italian

citizenship and be ready to serve their expected term of years in the

Army.

Past the gay-coloured shipping of the noisy Marina, past the wave-washed

halls of Tiberius’ _palazzo a mare_, our boat swiftly glides over the

pellucid expanse until it reaches those vast towering cliffs of limestone

that spring almost perpendicular from the waters’ edge to the plateau of

Ana-Capri, fully a thousand feet above our heads. Clumps of palmetto, of

cytizus, and of various hardy shrubs manage to sprout and to exist in the

crannies of this sheer wall of rock; and on some of the larger ledges, far

out of reach of a despoiling human hand, we see masses of the odorous

narcissus, though whence they draw their sustenance it is hard to tell. At

length we reach the entrance of the Grotto, and here, at a signal from our

boatman, we crouch down low in the body of the boat, whilst our rower,

skilfully taking advantage of a gentle surging wave, guides our craft with

his hands through an opening in the sheer wall, so low that the gunwales

grate against the rocky surface of the natural arch. At once we find

ourselves in a scene of mystical beauty, in an extravagant voluptuous

dream of loveliness, such as the Arabian Nights alone could dare to

suggest. Above us, around us, behind us, before us lies a luminous azure

atmosphere, which produces the effect of a gigantic molten sapphire, whose

secret blue fires we have actually tracked to their lurking-place in the

very heart of the gem. Against the all-pervading shimmering light our own

forms stand out distinct of an intense and velvety blackness, yet the

blades of the oars that cleave the melted sapphire of the water, the tips

of our fingers that dabble in the celestial liquid, appear as if coated

with tiny globules of silver. Our boatman’s son, a picturesque lad of

fifteen or there-abouts, has, we notice, been engaged in hastily casting

off his scanty attire; for a moment his slight graceful figure is outlined

against the blue light like some antique bronze of Pompeii or Herculaneum,

and then there is a splash as the youthful form, diving into the pool, is

instantaneously changed by the genius of the place into a

silver-glistening sea-god, the very image of the fisherman Glaucus sung of

old by Ovid, who became an Immortal and dwelt ever afterwards, according

to the ancient myth, in an azure palace beneath the sea. As the stripling

rises to the surface all glittering to breathe the air, his head turns

from frosted silver to ebon blackness, as does likewise his hand, raised

from the water to clasp the boat’s prow. Slowly we are propelled round the

lofty domed cavern, and are shown the little beach at its further

extremity with its mysterious and unexplored flight of stone steps, down

which, so our mariner informs us, the wicked Timberio used to descend from

his villa at Damecuta, hundreds of feet overhead, to take a plunge in

these enchanted waters. The Emperor and his friends may or may not have

gambolled in this jewelled bath; but certain it is that Tiberius knew of

the existence of this unique cavern; and equally certain that an artistic

but demented potentate of our own days was so smitten with the idea of

owning a secret staircase descending to a blue grotto, that he must needs

construct within the walls of a fantastic castle in the highlands of

Bavaria an artificial counterpart of the Grotta Azzurra, with metal swans

moved by clockwork swimming thereon!

Our genial boatman beguiles the time of our returning by a long story,

told him in his boyhood by his old grandfather, of how two English

_Signori_ had managed to rediscover the entrance to the Blue Grotto, which

had been lost since the days of the Emperor Timberio, and how in

expectation of the Englishmen’s reward a plucky sailor, named Ferrara, had

made his way all round the island in a cask, trying to force an entrance

into every possible cavern, until at last he hit upon the mouth of the

Grotta Azzurra itself, and thus gained the prize. But as a matter of fact

the existence of the Grotto was never wholly forgotten, for its beauties

were certainly known to the old Italian chronicler Capaccio. Yet doubtless

during the long period of the Napoleonic wars, when Capri from its

strategic position became a choice bone of contention between French,

English and Neapolitan forces, there were few if any persons who possessed

the courage or curiosity to visit the cavern; with the result that its

_exact_ locality became temporarily lost. It was known, however, to exist

somewhere at the base of the great northern cliff, so that only a very

small portion of the coast-line had to be explored, before its tiny

inconspicuous entrance could be rediscovered. A far more exciting event

than the refinding of the Blue Grotto was the genuine discovery of the

beautiful Grotta Verde on the southern side of the island by two

Englishmen, Mr Reid and Mr Lacaita, in the summer of 1848. This grotto,

esteemed the second in importance of the many caves that Capri boasts,

consists of a huge natural archway formed in the cliffs wherein the water

and rocks appear of an emerald hue, contrasting strangely with the opaque

blue of the sea beyond, and suggesting in its dual colouring the

marvellous combination of dark blue and iridescent green in the peacock’s

tail.

[Illustration: IN THE BLUE GROTTO, CAPRI]

Capri is a pleasant enough place of residence for a short time,

particularly if one invests in a pair of the rope-soled shoes affected by

the people, which enables the wearer to follow with greater ease the rough

stony tracks, often at a dizzy height above the sea, that form the only

walks in the eastern portion of Capri, except the villa-lined Tragara road

leading to the Guardiola, now become the fashionable promenade of the many

foreign residents upon the island. There are some delightfully peaceful

nooks to be sought near the water’s edge, not far from the Faraglioni,

that picturesque trio of rocks lying off the south-eastern corner of

Capri. Here we can find a sheltered corner, unfrequented alike by the

pestering native or by the ubiquitous tourist; perchance the deserted hall

of some maritime villa, for the caverns near the Piccola Marina abound in

traces of Roman architecture. In such a retreat, with a book on one’s

knees and with one’s own thoughts for sole company, how fascinating it is

to lie

“... on Capri’s rocks, close to their snowy streak

Of ambient foam, and watch the restless sea

Tossing and tumbling to Eternity,

Feeling its salt kiss fall upon the cheek.”

But to those who prefer to take long tramps afield rather than to linger

in meditation on the sunny beaches near the Piccola Marina, there is

always the ascent to Ana-Capri by the broad smooth winding road that

affords a fresh view of the Bay of Naples at every one of its many twists

and turnings. Over a ravine filled with masses of ilex and myrtle; past

the fragment of the pirate Barbarossa’s aerial castle, perched on a rocky

pinnacle and looking like some fantastic creation of Gustave Doré’s brush;

the broad ribband of road leads across the steep northern flank of Monte

Solaro, until it ends at Ana-Capri with its white houses nestling round a

domed church. It is an easy ascent, taking no great space of time, yet

strange to relate, well within living memory the only approach to this

hill-set village was by means of the interminable stone staircase with

some five hundred steps that connected it with the Marina Grande below. A

charming writer on Neapolitan life and character thus shrewdly sums up the

general opinion concerning this altered aspect of conditions with regard

to Ana-Capri, now brought at last into close touch with modern

civilization and its accruing benefits:

“Before the culminating point is reached, the road crosses the old

staircase, which has unfortunately been almost completely destroyed by the

huge masses of rock dislodged from the cliff above by the workmen. It

makes one sad to look at it, and almost regret that the new road ever was

constructed. Were every invective that has been vented on those same steps

turned into a paving-stone, there would be more than sufficient to pave

the streets of Naples anew; were every drop of sweat that has fallen upon

them collected, there would be enough water to flood them. And yet now

that this dreadful staircase has been superseded by a good macadamised

road, every one seems to regret the change. Says the heavily laden

_contadina_: ‘The old way was the shortest;’ says the artist: ‘It was

infinitely more picturesque; that new parapet wall is a dreadful

eye-sore;’ says the archaeologist: ‘It had the merit of antiquity; it is

not everywhere that one can tread in the footprints of a hundred

generations.’ Even those whose every step in the olden time was

accompanied by a malediction, can remember how good a glass of very

inferior wine tasted on reaching Ana-Capri.”(11)

But whether Ana-Capri has or has not been really benefited by the Italian

Government’s finely engineered road, there can be no doubt that the

primitive charm of the island, which in by-gone days constituted one of

its chief attractions, has greatly declined with the wholesale

introduction of modern conventions and improvements. With the sudden

influx of wealthy strangers, Anglo-Saxon, German, French and Russian, it

is not surprising to learn that the islanders have become somewhat

demoralized under the changed conditions of life, and that not a small

proportion of them have grown venal and grasping. The happy old days when

artists and inn-keepers, peasants and such chance visitors as loved the

simple unsophisticated life, hob-nobbed together on terms of equality are

gone for ever. Fashion, that merciless deity, has annexed the Insula

Caprearum to her ever-growing dominions;—there are smart villas on the

Tragara road and even at Ana-Capri; there are British tea-rooms and

Teutonic _Bierhälle_ in the town. At the present time the tourists and

foreign residents form the chief source of wealth to the islanders, now

that the quails have more or less deserted these shores. Instead of

awaiting in due season with nets ready prepared the advent of the plump

little feathered immigrants from the African coast, the modern Caprioti

are continually on the look-out for the steamers that bear hundreds of

money-spending tourists to the Marina, and these they proceed to enmesh

with proffered offers of service. And, speaking of the quails, in the days

before breech-loading guns and reckless extermination had injured this

valuable source of revenue, the arrival of the birds winging their way

northward was the signal for every sportsman on the island to hasten to

collect the annual harvest of game. High poles, supporting nets twenty

feet broad and sixty feet long, were erected on the grassy slopes of the

Solaro or in the plateau of the Tragara, towards which, by dint of

judicious scaring and shouting from expectant watchers stationed at

various points, the flight of the on-rushing birds was directed. Dashing

themselves with force against this wall of netting, the poor quails fell

stunned to the ground, where they were easily taken by hand, whilst scores

of guns were levelled ready to bring down such birds as had escaped the

snare prepared for them. From the thousands of quails thus captured the

islanders were enabled to pay their taxes to the Bourbon Government, as

well as to provide the income of their Bishop—for in those distant days a

prelate dwelt at Capri—who in allusion to his chief source of income was

jocularly known at the Roman court as “Il Vescovo delle Quaglie.”

From Ana-Capri to the western shore extends the most fertile stretch of

land in the island: a broad slope set with vineyards and groves of

silver-grey olives, that are interspersed here and there with clumps of

almond and plum trees. Fine oil is yielded by the _poderi_ of Ana-Capri

and Damecuta, whilst the grapes produce the highly prized red and white

Capri vintages, choice wine of which the casual traveller rarely tastes a

good sample, for it is usually doctored and “improved” for purposes of

keeping by the wine-merchants of Naples. Thus the rasping red liquid that

appears on the table of a London restaurant, and the scented

strong-tasting white stuff that is sold in the hotels of the island itself

or of Naples under the name of Capri, have little in common with the pure

unadulterated product of these sunny breezy vineyards. But besides wine

and oil, the island is likewise celebrated for its beautiful and varied

flora, and it is amongst the olive groves and lanes of the western side of

the island that the wild flowers can be found in the greatest profusion.

Amongst the tender green shoots of the young springing corn are set

myriads of brilliant hued anemones, purple, scarlet, and white with a

crimson centre; and even in January can be found in warm sheltered nooks

the pretty mauve wind-flower, one of the earliest of spring blossoms in

Italy. The grassy pathways that intersect the various holdings are gay

with rosy-tipped daisies, white “star-of-Bethlehem,” dark purple

grape-hyacinth, and the tiny strong-scented marigold, that seems to bloom

the whole twelve-month round. Amongst the loose stone-work of the walled

lanes, where beryl-backed lizards peep in and out of every crevice, can be

found fragrant violets and the delicate fumitory with its pink waxy bells.

In moist places flourish patches of the wild arum or of the stately great

celandine, the “swallow-wort” of old-fashioned herbalists, who believed

that the swallow made use of the thick yellow juice that runs in the veins

of this plant to anoint the eyes of her fledgelings! And with the

disappearance of the anemones as the season advances, their place is taken

by blood-red poppies, by golden hawkweeds and by masses of tall

magenta-coloured blooms of the wild gladiolus, the “Jacob’s Ladder” of our

own English gardens. Strange enough amongst these familiar homely flowers

appear the sub-tropical clumps of prickly pear, and the hedges of aloe

which here and there have thrown up a gigantic spike of blossom eight or

ten feet in height, a triumphal favour of Nature that the plant itself

must pay for by its subsequent death.

From Ana-Capri we ascend to the peak of the lofty Solaro, by no means an

arduous climb from this point, for we have but to follow a narrow

goat-track leading across slopes covered with coarse grass and some low

thickets of stunted lentisk and myrtle. The rosemary too grows plentifully

on the dry wind-swept soil, and the soft sea breeze wafts its refreshing

scent to our nostrils. There is a pretty legend of the people which

relates the cause of this plant obtaining its perfume of unearthly

sweetness:—how the Madonna one day hung the swaddling clothes of the

Infant Christ to dry upon a common pot-herb in the garden at Nazareth—the

rosemary is freely used in Italian cookery, and its taste is as unpleasant

as its scent is delicious—whereupon the humble plant thus honoured was

ever afterwards endowed with the delicate odour that is so highly prized.

And beyond this, the rosemary was likewise permitted to put forth masses

of flowers of the Madonna’s own colour of blue, concerning which a

tradition—Celtic, not Italian—avers that on Christmas morning upon every

plant of rosemary will be found by those who care to seek them expanded

blooms in honour of St Joseph, the Virgin and the Holy Child. Reaching the

crest of the Solaro, we are well rewarded for our climb over the stony

slopes by a wide-spreading view. Owing to the central position of the

island, we can from its airy summit, some sixteen hundred feet above

sea-level, command a glorious panorama of the three bays of the Neapolitan

Riviera, each teeming with a thousand associations of classical or modern

history. Upon those dancing waters of the Bay of Naples appeared in the

dim ages of the heroic world the Trojan galleys that were bearing the

founder of the Roman race towards the beach by Cumae yonder, where dwelt

the venerable Sibyl; the fleets of ancient Rome and Carthage, the

war-ships of the great Emperor Charles V., the pirate galleys of the

Soldan’s vassals, the men-of-war of Nelson have all rode and fought upon

the bosom of the bay beneath us. What a marvellous perspective of the

whole naval history of the Mediterranean does a survey of the Bay of

Naples suggest!

Exquisite and inspiring as is the view on a clear cloudless day, with the

keen _tramontana_ off the distant Abruzzi flecking the azure waves with

streaks of creamy foam and driving the white-sailed feluccas merrily

towards the open sea, the landscape is even more impressive in dull

lowering weather, when the inky clouds that envelop the sky give promise

of the approaching hurricane. At such times a striking phenomenon, said to

be peculiar to the Parthenopean shores, may be observed. From out the

purple threatening masses that fill the heavens there suddenly falls a

shaft of rosy light, as though directed by some vast celestial lens fixed

aloft in the sky, upon a small portion of the opposite shore. The plateau

of Sorrento with its many white hamlets first becomes illuminated; then

the light rapidly passes towards Vesuvius, which is instantly revealed

with marvellous clearness, whilst Sorrento returns to its former dark

brooding shadows. For some moments we watch the circlet of towns that

fringe the base of the burning mountain and Camaldoli erect on its wooded

height, and then our gaze is diverted towards Naples, so clearly revealed

that one can almost fancy it possible to detect the carriages driving

along the white line of the Caracciolo. From the city this weird

fairy-like light glides swiftly towards the headland of Posilipo and the

great sombre mass of Ischia, and then finally seems to vanish altogether

in the leaden-hued expanse of the watery horizon. Storm, rain, wind, hail

and thunder will certainly follow the appearance of this fantastic

rose-coloured glow, and the visitor to Capri may in consequence be

compelled to remain willy-nilly upon the island until such time as

communication with Naples shall be once more restored, for rough weather

on Capri means complete isolation from the mainland and the outside world.

A spell of four or five days without a letter or a newspaper may in

certain cases be restful and even beneficial, but it can also be highly

inconvenient.

* * * * * *

Comparatively few persons are aware that in the history of Capri is to be

found a page, not a particularly glorious one perhaps, of the annals of

our own nation. In the spring of 1806, the year after Trafalgar, whilst

our fleet was blockading Naples on behalf of its worthless monarch, King

Ferdinand, then skulking in cowardly ease at Palermo, Admiral Sir Sidney

Smith, the hero of Acre, managed to capture the island after a sharp

struggle with the French troops then holding it in the name of Joachim

Murat, King of Naples and brother-in-law of the great Napoleon. Sir Hudson

(then Colonel) Lowe—afterwards famous as the Governor of St Helena during

Buonaparte’s captivity—was now put in command of the newly conquered

island with some 1500 English and Maltese troops at his disposal. Lowe and

his second in command, Major Hamill, at once set to work to put the place

into a strong state of defence, and so satisfied were they with their work

of fortification, that Lowe in his confidence nick-named the islet “Little

Gibraltar.” For more than two years the Union Jack floated in triumph from

the fort-crowned heights of Capri, much to the annoyance of the monarch on

the mainland, who finally determined at all costs to recapture the

stronghold facing his capital. Fancying himself perfectly secure in his

“Little Gibraltar,” now deemed impregnable by a combination of art and

nature against any hostile descent, Lowe made light of any possible

expedition from Naples, and when Neapolitan warships actually appeared as

though making to land troops at the Marinas on either side of the saddle

of the island, the British commandant was delighted at the ease with which

these attempts were repelled. But whilst the garrison was busied in

thwarting the movements on the Marinas, which in reality only constituted

a feint on Murat’s part, transports were engaged in disembarking at the

low cliffs of Orico, the western extremity of the island, boat-loads of

men, who quickly swarmed up the terraced slopes towards Ana-Capri and

surprised its garrison. On the following day, October 6th 1808, in spite

of Lowe’s efforts, Ana-Capri with its eight hundred men surrendered to the

French and Neapolitan troops led by General Lamarque, who at once set up a

battery on the crest of the Solaro, so as to command the town of Capri and

the English head-quarters, fixed at the Convent of the Certosa that lies

between the Tragara Road and the southern shore. The eastern half of the

island still of course remained in the hands of the British; and failing

to reduce the town itself and the Convent of the Certosa by bombardment

from above, General Lamarque decided upon taking the place by storm, so as

to forestall the arrival of the English fleet, which was hourly expected

to come to the rescue of the beleaguered garrison. As we have already

mentioned, there was no road existing upon the whole island in those days

a hundred years ago, so that in order to attack the capital, the French

general had to march his victorious troops by the precipitous flight of

stone steps down to the Marina Grande and then try to carry the position

from below. Before however the Frenchmen, now further aided by supplies

sent by Murat’s order from Sorrento, could arrange for the projected

assault upon the town, the delayed British fleet suddenly appeared in the

offing, evidently with the intention of bearing down upon the island. But

on this occasion the luck was all on the side of the French, for scarcely

had the eagerly expected ships hove in sight, than the besieged garrison

had the mortification to see their hopes of succour overthrown by the

uprising of one of those sudden squalls, so common on the Mediterranean,

which drove the warships southward. More than one assault was repulsed

with heavy loss by the small English garrison, which had already been

deprived of half its numbers at Ana-Capri, including the gallant Major

Hamill, whose death is commemorated in a marble tablet set in the little

piazza of the town. But with the retirement of the relieving fleet and the

continuance of foul weather, Colonel Lowe deemed it useless to resist

further, and like a sensible man decided to capitulate on the best terms

he could obtain. In return for his immediate surrender of Capri the

British commandant accordingly stipulated that his garrison should be

allowed to embark and sail for Sicily unmolested, and that the persons and

property of the islanders, who seem to have appreciated the British

occupation, should be respected. But Lamarque, on communicating Colonel

Lowe’s request to King Murat, received peremptory orders to demand an

unconditional surrender, whereupon an aide-de-camp of the King’s, a

certain Colonel Manches, was sent to interview Lowe with the royal letter

in his pocket. Had the missive been delivered to him, the British Governor

would in all probability have decided to fight to the bitter end rather

than to submit to such severe and humiliating conditions. Happily so

terrible a catastrophe, which must have involved heavy loss of life on

both sides, followed by a sack of the town, was unexpectedly, averted at

the last moment, for whilst Manches was actually advancing with a flag of

truce, the approach of the British fleet was again signalled from the

look-out on the hill now called the Telegrafo. Before the Governor could

be made aware of this piece of news, Colonel Manches, cunningly keeping

his master’s imperious letter in his pocket, told Colonel Lowe that King

Murat was ready to accept the terms of surrender offered. The weather

being propitious, the British fleet would have been able this time to

reach the island, but its nearer approach was prevented by Colonel Lowe

himself, who sent to acquaint the Admiral, much to his chagrin, of the

compact already concluded with the besiegers, a compact which, as Hudson

Lowe himself very properly pointed out, was binding upon the British

Government. On October 26th, three weeks from the date of the first

attack, the English troops embarked for Sicily, and the island was

formally handed over to the French and Neapolitan forces, who held it

undisturbed until the close of the Napoleonic Wars.

[Illustration: A GATEWAY. CAPRI]

The Naples Riviera · 第 11 / 13 章