Bulgarian Fire-walk

As to the Bulgarian rite, Dr. Schischmanof writes to me:

'I am sure the observance will surprise you; I am even afraid that you

will think it rather fantastic, but you may rely on my information.

The danse de feu was described long ago in a Bulgarian periodical by

one of our best known writers. What you are about to read only

confirms his account. What I send you is from the Recueil de Folk

Lore, de Litterature et de Science (vol. vi. p. 224), edited, with my

aid and that of my colleague, Mastov, by the Minister of Public

Instruction. How will you explain these hauts faits de l'extase

religieuse? I cannot imagine! For my part, I think of the

self-mutilations and tortures of Dervishes and Fakirs, and wonder if

we have not here something analogous.'

The article in the Bulgarian serial is called 'The Nistinares.' The word

is not Bulgarian; possibly it is Romaic.

The scene is in certain villages in Turkey, on the Bulgarian frontier,

and not far from the town of Bourgas, on the Euxine, in the department of

Lozen Grad. The ministrants (Nistinares) have the gift of fire-walking

as a hereditary talent; they are specially _just_, and the gift is

attributed as to a god in Fiji, in Bulgaria to St. Constantine and St.

Helena.

'These _just ones_ feel a desire to dance in the flames during the

month of May; they are filled at the same time with some unknown

force, which enables them to predict the future. The best Nistinare

is he who can dance longest in the live flame, and utter the most

truthful prophecies.'

The Nistinares may be of either sex.

On May 1 the Nistinares hold a kind of religious festival at the house of

one of their number. Salutations are exchanged, and presents of food and

raki are made to the chief Nistinare. The holy icones of saints are

wreathed with flowers, and perfumed with incense. Arrangements are made

for purifying the holy wells and springs.

On May 21, the day of St. Helena and St. Constantine, the parish priest

says Mass in the grey of dawn. At sunrise all the village meets in

festal array; the youngest Nistinare brings from the church the icones of

the two saints, and drums are carried behind them in procession. They

reach the sacred well in the wood, which the priest blesses. This is

parallel to the priestly benediction on 'Fountain Sunday' of the well

beneath the Fairy Tree at Domremy, where Jeanne d'Arc was accused of

meeting the Good Ladies. {169} Everyone drinks of the water, and there

is a sacrifice of rams, ewes, and oxen. A festival follows, as was the

use of Domremy in the days of the Maid; then all return to the village.

The holy drum, which hangs all the year before St. Helena in the church,

is played upon. A mock combat between the icones which have visited the

various holy wells is held.

Meanwhile, in each village, pyres of dry wood, amounting to thirty,

fifty, or even a hundred cartloads, have been piled up. The wood is set

on fire before the procession goes forth to the hallowing of the

fountains. On returning, the crowd dances a horo (round dance) about the

glowing logs. Heaps of embers (Pineus acervus) are made, and water is

thrown on the ground. The musicians play the tune called 'L'Air

Nistinar.' A Nistinare breaks through the dance, _turns blue_, trembles

like a leaf, and glares wildly with his eyes. The dance ends, and

everybody goes to the best point of view. Then the wildest Nistinare

seizes the icon, turns it to the crowd, and with naked feet climbs the

pyre of glowing embers. The music plays, and the Nistinare dances to the

tune in the fire. If he is so disposed he utters prophecies. He dances

till his face resumes its ordinary expression; then he begins to feel the

burning; he leaves the pyre, and places his feet in the mud made by the

libations of water already described. The second Nistinare then dances

in the fire, and so on. The predictions apply to villages and persons;

sometimes sinners are denounced, or repairs of the church are demanded in

this queer parish council. All through the month of May the Nistinares

call out for fire when they hear the Nistinare music playing. They are

very temperate men and women. Except in May they do not clamour for

fire, and cannot dance in it.

In this remarkable case the alleged gift is hereditary, is of saintly

origin, and is only exercised when the Nistinare is excited, and

(apparently) entranced by music and the dance, as is the manner also of

medicine-men among savages. The rite, with its sacrifices of sheep and

oxen, is manifestly of heathen origin. They 'pass through the fire' to

St. Constantine, but the observance must be far older than Bulgarian

Christianity. The report says nothing as to the state of the feet of the

Nistinares after the fire-dance. Medical inspection is desirable, and

the photographic camera should be used to catch a picture of the wild

scene. My account is abridged from the French version of the Bulgarian

report sent by Dr. Schischmanof.

Modern Mythology · 第 145 / 171 题