Tuna and Daphne

To do justice to Mr. Max Muller, I will here state fully his view of the

story of Tuna, and then go on to the story of Daphne. For the sake of

accuracy, I take the liberty of borrowing the whole of his statement (i.

4-7):--

'I must dwell a little longer on this passage in order to show the real

difference between the ethnological and the philological schools of

comparative mythology.

'First of all, what has to be explained is not the growing up of a tree

from one or the other member of a god or hero, but the total change of a

human being or a heroine into a tree, and this under a certain

provocation. These two classes of plant-legends must be carefully kept

apart. Secondly, what does it help us to know that people in Mangaia

believed in the change of human beings into trees, if we do not know the

reason why? This is what we want to know; and without it the mere

juxtaposition of stories apparently similar is no more than the old trick

of explaining ignotum per ignotius. It leads us to imagine that we have

learnt something, when we really are as ignorant as before.

'If Mr. A. Lang had studied the Mangaian dialect, or consulted scholars

like the Rev. W. W. Gill--it is from his "Myths and Songs from the South

Pacific" that he quotes the story of Tuna--he would have seen that there

is no similarity whatever between the stories of Daphne and of Tuna. The

Tuna story belongs to a very well known class of aetiological

plant-stories, which are meant to explain a no longer intelligible name

of a plant, such as Snakeshead, Stiefmutterchen, &c.; it is in fact a

clear case of what I call disease of language, cured by the ordinary

nostrum of folk-etymology. I have often been in communication with the

Rev. W. W. Gill about these South Pacific myths and their true meaning.

The preface to his collection of Myths and Songs from the South Pacific

was written by me in 1876; and if Mr. A. Lang had only read the whole

chapter which treats of these Tree-Myths (p. 77 seq.), he would easily

have perceived the real character of the Tuna story, and would not have

placed it in the same class as the Daphne story; he would have found that

the white kernel of the cocoanut was, in Mangaia, called the "brains of

Tuna," a name like many more such names which after a time require an

explanation.

'Considering that "cocoanut" was used in Mangaia in the sense of head

(testa), the kernel or flesh of it might well be called the brain. If

then the white kernel had been called Tuna's brain, we have only to

remember that in Mangaia there are two kinds of cocoanut trees, and we

shall then have no difficulty in understanding why these twin cocoanut

trees were said to have sprung from the two halves of Tuna's brain, one

being red in stem, branches, and fruit, whilst the other was of a deep

green. In proof of these trees being derived from the head of Tuna, we

are told that we have only to break the nut in order to see in the

sprouting germ the two eyes and the mouth of Tuna, the great eel, the

lover of Ina. For a full understanding of this very complicated myth

more information has been supplied by Mr. Gill. Ina means moon; Ina-mae-

aitu, the heroine of our story, means Ina-who-had-a-divine (aitu) lover,

and she was the daughter of Kui, the blind. Tuna means eel, and in

Mangaia it was unlawful for women to eat eels, so that even now, as Mr.

Gill informs me, his converts turn away from this fish with the utmost

disgust. From other stories about the origin of cocoanut trees, told in

the same island, it would appear that the sprouts of the cocoanut were

actually called eels' heads, while the skulls of warriors were called

cocoanuts.

'Taking all these facts together, it is not difficult to imagine how the

story of Tuna's brain grew up; and I am afraid we shall have to confess

that the legend of Tuna throws but little light on the legend of Daphne

or on the etymology of her name. No one would have a word to say against

the general principle that much that is irrational, absurd, or barbarous

in the Veda is a survival of a more primitive mythology anterior to the

Veda. How could it be otherwise?'

Modern Mythology · 第 13 / 171 题