She had come to defend herself. My talk having of late taken on the

sameness of that of the man of one idea, Barbara was aroused. I was

gauging her because she distressed me, was her thought. (I had been

trying to find whether it is possible to live differently from her and

live happily and well.) "You think I am not close enough to Earl,

because I mourn for my little one, perhaps. You think me not

sufficiently happy to be wifely." Could I suppose aught else from such

an utterance but that there was an estrangement and hidden pain? How,

unless there were sorrow, could the woman see herself sorrowed for? My

mind leapt to possibilities. Little Barbara on the rack was more than I

could bear. I groped for her hands. It was a fault in her to be so much

on her guard. She had no sorrow to confess, and spoke--only to ward off

what was not directed toward her.

"The tenour of your talk led me on to believe--" she stammered with hot

cheeks. It is a standing offence of hers to imagine herself accused, and

she admits it is a weakness born of lack of poise. "But I took all for

granted, I thought you fortunate beyond any other woman," I protested.

At this the radiance broke forth. I forgave the chill that her first

words on entering the room struck to my heart, and she forgot what she

had imagined.

There is nothing more important than the play and interplay of feeling.

Were Barbara "unwifely," I could not blame her, but neither could I have

at hand my proof of dear miracles. My proof remained to me, for there

she stood, her face lifted toward mine, her mouth tremulous, her grey

eyes swimming. The mate woman was stirred. Barbara is twenty-six and has

been married seven years, and she still vibrates with the old wonder to

find herself loving and beloved.

I meant to tell you of what we spoke later, in the hope that I could

show you a little better what I hold dear and why. But my hand grows

nerveless. The twilight of abstraction has set in. A little while ago

this hand was quick to rest on Barbara's as I called her my heroine. She

is that, not alone because she is pure and good and strong, but because

she can accept the test of her instincts. It takes both faith and

strength to obey oneself. "When shows break up, what but one's Self

remains?" asks Whitman. The shows are but shows for Barbara. Will I look

into your eyes on the morrow and find them, like hers, clear? Grant that

it be!

DANE.

XXIV

FROM HERBERT WACE TO DANE KEMPTON

THE RIDGE,

BERKELEY, CALIFORNIA.

July 1, 19--.

Somewhere in Ward you may read, "It must constantly be borne in mind

that all progress consists in the arbitrary alteration, by human efforts

and devices, of the normal course of nature, so that civilisation is

wholly an artificial product." Why, Dane, this is large enough to base a

sociology upon. And I must ask you first, is it true? Second, do you

understand, do you appreciate, the tremendous significance of it? And

third, how can you bring your philosophy of love in accord with it?

Romantic love is certainly not natural. It is an artifice, blunderingly

and unwittingly introduced by man into the natural order. Is this

audacious? Let us see. In a state of nature the love which obtains is

merely the passion for perpetuation devoid of all imagination. The male

possesses the prehensile organs and the superior strength. Beyond the

ardour of pursuit the female has no charms for him. But he is driven

irresistibly to pursuit. And by virtue of his prehensile organs and

superior strength he ravishes the females of his species and goes his

way. But life creeps slowly upward, increasing in complexity and

necessarily in intelligence. When some forgotten inventor of the older

world smote his rival or enemy with a branch of wood and found that it

was good and thereafter made a practice of smiting rivals and enemies

with branches of wood, then, and on that day, artificiality may be said

to have begun. Then, and on that day, was begun a revolution destined to

change the history of life. Then, and on that day, was laid the

cornerstone of that most tremendous of artifices, CIVILISATION!

Trace it up. Our ape-like and arboreal ancestors entered upon the first

of many short cuts. To crack a marrow-bone with a rock was the act which

fathered the tool, and between the cracking of a marrow-bone and the

riding down town in an automobile lies only a difference of degree. The

one is crudely artificial, the other consummately artificial. That is

all. There have been improvements. The first inventors grasped that

truthful paradox, "the longest way round is the shortest way home," and

forsook the direct pursuit of happiness for the indirect pursuit of

happiness. If the happiness of a savage depended upon his crossing an

extensive body of water, he did not directly proceed to swim it, but

turned his back upon it, selected a tree from the forest, shaped it with

his rude tools and hollowed it out with fire, then launched it in the

water and paddled toward where his happiness lay.

Now concerning love. In the state of nature it is a brutal passion,

nothing more. There is no romance attached. But life creeps upward, and

the gregarious human forms social groups the like of which never existed

before. Consider the family group, for instance. Such a group becomes in

itself an entity. By means of the group man is better enabled to pursue

happiness. But to maintain the group it must be regulated; so man

formulates rules, codes, dim ethical laws for the conduct of the group

members. Sexual ties are made less promiscuous and more orderly. A

greater privacy is observed. And out of order and privacy spring respect

and sacredness.

But life creeps upward, and the family group itself becomes but a unit

of greater and greater groups. And rules and codes change in accordance,

until the marriage tie becomes possessed of a history and takes to

itself traditions. This history and these traditions form a great fund,

to which changing conditions and growing imagination constantly add. And

the traditions, more especially, bear heavily upon the individual,

overmastering his natural expression of the love instinct and forcing

him to an artificial expression of that love instinct. He loves, not as

his savage forebears loved, but as his group loves. And the love method

of his group is determined by its love traditions. Does the individual

compare his beloved's eyes to the stars--it is a trick of old time which

has come down to him. Does he serenade under her window or compose an

ode to her beauty or virtue--his father did it before him. In his

lover's voice throb the voices of myriads of lovers all dead and dust.

The singers of a thousand songs are the ghostly chorus to the song of

love he sings. His ideas, his very feelings are not his, but the ideas

and feelings of countless lovers who lived and loved and whose lives and

loves are remembered. Their mistaken facts and foolish precepts are

his, and likewise their imaginative absurdities and sentimental

philanderings. Without an erotic literature, a history of great loves

and lovers, a garland of love songs and ballads, a sheaf of spoken love

tales and adventures--without all this, which is the property of his

group, he could not possibly love in the way he does.

To illustrate: Isolate a boy babe and a girl babe of cultured breed upon

a desert isle. Let them feed and grow strong on shell-fish and fruit;

but let them see none other of their species; hear no speech of mouth,

nor acquire knowledge in any way of their kind and the things their kind

has done. Well, and what then? They will grow to man and woman and mate

as the beasts mate, without romance and without imagination. Does the

woman oppose her will to that of the man--he will beat her. Does he

become over-violent in the manifestation of his regard, she will flee

away, if she can, to secret hiding-places. He will not compare her eyes

to the stars; nor will she dream that he is Apollo; nor will the pair

moon in the twilight over the love of Hero and Leander. And the many

monogamic generations out of which he has descended would fail to

prevent polygamy did another woman chance to strand on that particular

isle.

It is the common practice of the man of the London slum to kick his wife

to death when she has offended him. And the man of the London slum is a

very natural beast who expresses himself in a very natural manner. He

has never heard of Hero and Leander, and the comparison of the missus'

eyes to the stars would to him be arrant bosh. The gentle, tender,

considerate male is an artificial product. And so is the romantic lover,

who is fashioned by the love traditions which come down to him and by

the erotic literature to which he has access.

And now to the point. Romantic love being an artificial product, you

cannot base its retention upon the claim that it is natural. Your only

claim can be that it is the best possible artifice for the perpetuation

of life, or that it is the only perfect, all-sufficient, and

all-satisfying artifice that man can devise. On the one hand, for the

perpetuation of life, man demonstrates the inefficiency of romantic love

by his achievements in the domestic selection of animals. And on the

other hand, the very irrationality of romantic love will tend to its

gradual elimination as the human grows wiser and wiser. Also, because

it is such a crude artifice, it forces far too many to contract the

permanent marriage tie without possessing compatibility. During the time

romantic love runs its course in an individual, that individual is in a

diseased, abnormal, irrational condition. Mental or spiritual health,

which is rationality, makes for progress, and the future demands greater

and greater mental or spiritual health, greater and greater rationality.

The brain must dominate and direct both the individual and society in

the time to come, not the belly and the heart. Granted that the function

romantic love has served has been necessary; that is no reason to

conclude that it must always be necessary, that it is eternally

necessary. There is such a thing as rudimentary organs which served

functions long since fallen in disuse and now unremembered.

The world has changed, Dane. Sense delights are no longer the sole end

of existence. The brain is triumphing over the belly and the heart. The

intellectual joy of living is finer and higher than the mere sexual joy

of living. Darwin, at the conclusion of his "Origin of Species,"

experienced a nobler and more exquisite pleasure than did ever Solomon

with his thousand concubines and wives. And while our sense delights

themselves have become refined, their very refinement has been due to

the increasing dominion over them of the intellect. Our canons of art

are not founded on the heart. No emotion elaborated the laws of

composition. We cannot experience a sense of delight in any art object

unless it satisfies our intellectual discrimination. "He is a _natural_

singer," we say of the poet who works unscientifically; "but he is lame,

his numbers halt, and he has no knowledge of technique."

The intellect, not the heart, made man, and is continuing to make

him--ah, slowly, Dane, for life creeps slowly upward. The "Advanced

Margin" is a favourite shibboleth of yours. And I take it that the

Advanced Margin is that portion of our race which is more dominated by

intellect than the race proper. And I, as a member of that group,

propose to order my affairs in a rational manner. My reason tells me

that the mere passion of begetting and the paltry romance of pursuit are

not the greatest and most exquisite delights of living. Intellectual

delight is my bribe for living, and though the bargain be a hard one, I

shall endeavour to exact the last shekel which is my due.

Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex

madness of the beast, nor by the obsolescent romance madness of

later-day man. I contract a tie which my reason tells me is based upon

health and sanity and compatibility. My intellect shall delight in that

tie. My life shall be free and broad and great, and I will not be the

slave to the sense delights which chained my ancient ancestry. I reject

the heritage. I break the entail. And who are you to say I am unwise?

HERBERT WACE.

XXV

FROM THE SAME TO THE SAME

THE RIDGE,

BERKELEY, CALIFORNIA.

July 5, 19--.

I had not intended to answer your letter critically, but, on re-reading,

find I am forced to speak if for no other reason than your epithet

"parvenu." The word has no reproach. It was ever thus that the old and

perishing recognised the vigorous and new. Parvenu, upstart--the term is

replete with significance and health. I doubt not Elijah himself was

dubbed parvenu when he fluttered with his golden harp into that

bright-browed throng, pride-swollen for that they had fought with

Michael when Lucifer was hurled into hell.

"We do not choose our wives as we buy our saddle-horses; we do not plan

our marriages as we do the building of our houses,"--so you say, and it

is said excellently. No better indictment of romantic love do I ask. And

oh, how many good men and women have I heard bitterly arraign society in

that in the begetting of children it does not exercise the judgment

which it exercises in breeding its horses and its dogs! Marriage is

something more than the mere pulsating to romance, the thrilling to

vague-sweet strains, the singing idly in empty days, the sating of self

with pleasure--what of the children?

"Never mind the children," says selfish little Love. "It has been our

wont never to give any thought to the children; they were incidental.

Always have we sought our own pleasure; let us continue to seek our own

pleasure." So Society continues to breed its horses and dogs with

judgment and forethought and to trust to luck for its children.

But it won't do, Dane. Life, in a sense, is living and surviving. And

all that makes for living and surviving is good. He who follows the fact

cannot go astray, while he who has no reverence for the fact wanders

afar. Chivalry went mad over an idea. It idealised, if you please. It

made of love a fine art, and countless knights-errant devoted themselves

to the service of the little god. It sentimentalised over ladies'

gloves and forgot to make for living and surviving. And while chivalry

committed suicide over its ladies' gloves, the stout, wooden-headed

burghers, with an eye to the facts of life, dickered and bickered in

trade. And on the wreck and ruin of chivalry they flaunted their parvenu

insolence. God, how they triumphed! The children and cobblers and

shop-keepers buying with the yellow gold the "thousand years old names!"

buying with their yellow gold the proud flesh and blood of their lords

to breed with them and theirs! patronising the arts, speaking a kind

word to science, and patting God on the back! But they triumphed, that

is the point. They reverenced the fact and made for living and

surviving.

Love is life, you say, and you seem to hold it the achievement of

existence. But I cannot say that life is love. Life? It is a toy, i'

faith, given to us, we know not why, to play with as we chance to

please. Some elect to dream, some to love, and some to fight. Some

choose immediate happiness, and some ultimate happiness. One stakes the

Here and Now upon the Hereafter; another takes the Here and Now and lets

the Hereafter go. But each grasps the toy and does with it according to

his fancy And while none may know the end of life, all know that life

is the end of love. Love, poor little, crude little, love, is the means

to life--and so we complete the circle. Life? It is a toy, i' faith,

given us, we know not why, to play with as we chance to please.

But this we know, that love is the means to life, and it is subject to

inevitable improvement. By our intellect will we improve upon it. Life

abundant! finer life! higher life! fuller life! When we scientifically

breed our race-horses and our draught-horses, we make for life abundant.

And when we come scientifically to breed the human, we shall make for

life abundant, for humanity abundant.

You say an acquaintance with the petty vices of one's wife does not kill

one's love. Oh yes, it does, and out of the ashes of that love rises

affection, comradeship, in kind somewhat similar to the affection and

comradeship which I have for my brother. I do not _love_ my brother, and

it is because I do not love him, and because I do have _affection_ and

_comradeship_ for him, that I do not turn away when he commits even a

lurid act. Love, you will remember, takes its rise in the emotions, and

is unstable and wanton and capricious. But affection takes its rise in

the intellect, is based upon judgment of the brain. Love is unyielding

tyranny; affection is compromise. Love never compromises, no more than

does the mad little mating sparrow compromise.

My brother?--I played with him as a boy. His weaknesses and faults

incensed and hurt me, as mine incensed and hurt him. Many were our

quarrels. But he had also good qualities which pleased me, and at times

performed gracious acts and even sacrifices. And I likewise. And with my

brain I weighed his weaknesses and faults against his gracious acts and

sacrifices, and I achieved a judgment upon him. The ethics of the family

group also contributed to this judgment. The duties of kinship and the

responsibilities of blood ties were impressed upon me. We grew up at our

mother's knee, and she and our father became factors in determining what

my conduct should be. They, too, taught me that my brother was my

brother, and that in so far as he was my brother, my relations with him

must be different from my relations with those who were not my brothers.

And all went to crystallise an intellectual judgment, or a set of

criteria, as it were, to guide all sane, unemotional acts and even to

control and repress any emotional acts. These criteria, I say, became

crystallised, became automatic in my thought processes.

And now, in manhood, my brother commits a lurid act, an act repulsive to

me, one capable of arousing emotions of anger, of bitterness, of hatred.

I experience an emotional impulse to pour my wrath upon him, to be

bitter toward him, to hate him. Then I experience an intellectual

impulse. Whatever way I may act, I must first settle with my

crystallised criteria. The personal bonds of my boyhood and manhood

press upon me--the gracious acts and sacrifices and compromises, our

father and our mother, the duties of kinship and the responsibilities of

blood. Thus two counter-impulses strive with me. I desire to do two

counter things. Heart and head the fight is waged, and heart or head I

shall act according to which is the stronger impulse. And if my

affection be stronger, I shall not turn away, but clasp my brother in my

arms.

I fear I have not made myself clear. It is difficult to write hurriedly

of things psychological, when the extreme demand is made upon intellect

and vocabulary; but at least you may roughly catch my drift. What I have

striven to say is, that I forgive my brother, not because I _love_ him,

but because of the _affection_ I bear him; also that this affection is

the product of reason, is the sum of the judgments I have achieved.

HERBERT.

XXVI

FROM DANE KEMPTON TO HERBERT WACE

LONDON,

3A, QUEEN'S ROAD, CHELSEA, S.W.

July 21, 19--.

"Progress is an arbitrary alteration, by human efforts and devices, of

the normal course of nature, so that civilisation is wholly an

artificial product." You ask me to consider this refracted bit of

sociology and by its light to cast out my exalted notion of love. As if

you have proven that love is incompatible with civilisation! We make

over life with each successive step, but we do not give over living. In

developing new forms and in establishing more and more subtle social

relations we are only building upon what we find ready to hand. The

paradox of creature and creator does not exist. When your sociologist

speaks of arbitrary alterations, he has reference to polities and

governments and criteria, to the material and ideal forces which a

progressive society may wield for itself. He cannot include under

progress an alteration of those needs of existence which make up the

quality of existence. Speak of a community which equally distributes the

products of labour and I will grant that there has been an arbitrary

alteration, the normal course of nature being that the stronger, openly,

and even with the common assent, takes to the repletion of his desire

from the weaker. But speak of a condition so progressive that it

subverts the need, so that where in the one case hunger was equitably

gratified, in the other, hunger was done away with, and I will say that

you are giving an Arabian Nights' entertainment.

Love is of a piece with life, like hunger, like joy, like death. Your

progress cannot leave it behind; your civilisation must become the

exponent of it.

Your last letter is formal and elaborate, and--equivocal. In it you

remind me, menacingly, of the possibilities of progress, you posit that

love is at best artificial, and you apotheosise the brain. As an

emancipated rationality, you say you cut yourself loose from the

convention of feeling. Progress cannot affect the need and the power to

love. This I have already stated. "How is it under our control to love

or not to love?" Life is elaborate or it is simple (it depends upon the

point of view), and you may call love the paraphernalia of its

wedding-feast or you may call it more--the Blood and Body of all that

quickens, a Transubstantiation which all accept, reverently or

irreverently, as the case may be.

I can more readily conceive the existence of a central committee elected

for the purpose of regulating the marriages of a community, than of a

community satisfied with such a committee. There is no logic in social

events. The world persists in not taking the next step, and what to the

social scout looked a dusty bypath may prove to be the highway of

progress for the hoboing millions. Side issues are constantly cropping

up to knock out the main issues of the stump orator; so let us be

humble. For this reason I refuse to discuss possibilities in infinity.

You and I cannot have become products of an environment which is not in

existence. It is safe to suppose that our needs are like those of the

race and that in us nothing is vestigial that is active in others. You

cannot have become too rational to love. The device has not yet been

formed.

You think I should take your word for it? But why? Have you never found

yourself in the wrong, never disobeyed your best promptings never meant

to take the good and grasped the bad? Is it not possible that you are

not yet awake, or, God pity you, that you are hidebound in the dogmatism

of your bit of thinking.

It is for the second point of your letter that I called you equivocal.

Earlier in our discussion, I remember, you laid stress on the fact that

love is an instinct common to all forms of life; now you go to great

lengths in order to show that it is artificial.

How do you differentiate between the artificial and nature? Surely a

development is not artificial because it is recent! Surely man is as

integral to life as his progenitors! When we come to civilisation, we

are face to face with the largest and subtlest thing in life, and the

civilisation of human society is not artificial. It is the fulfilment of

the nature of man, the promise made good, the career established, the

influence sent out. A universe of mind-stuff and a civilising force

constantly causing change, for change is growth, constantly compelling

expression of that change--to conceive it is to conceive infinitude. And

the purpose? Development, always development. To that end the individual

perishes, to that end the race is conserved, to that end the peril and

the sacrifice, and the agony of triumph in the overcharged heart at its

last bound. And what is this refining of the type, this goal for which

we all make with such tragic directness, but the gaining in the power to

love? We begin with love to end with greater love, and that is progress.

To write the epic of civilisation is a task for some giant artist who

shall combine in himself Homer and Shakespeare, and the work will be a

love story.

The Kempton-Wace Letters · 第 7 / 10 段