It is a familiar expedient of brilliant writers, and not less of witty

talkers, the device of ascribing their own sentence to an imaginary

person, in order to give it weight,--as Cicero, Cowley, Swift, Landor,

and Carlyle have done. And Cardinal de Retz, at a critical moment in the

Parliament of Paris, described himself in an extemporary Latin sentence,

which he pretended to quote from a classic author, and which told

admirably well. It is a curious reflex effect of this enhancement of our

thought by citing it from another, that many men can write better under

a mask than for themselves,--as Chatterton in archaic ballad, Le Sage in

Spanish costume, Macpherson as "Ossian,"--and, I doubt not, many a young

barrister in chambers in London, who forges good thunder for the

"Times," but never works as well under his own name. This is a sort of

dramatizing talent; as it is not rare to find great powers of

recitation, without the least original eloquence,--or people who copy

drawings with admirable skill, but are incapable of any design.

In hours of high mental activity we sometimes do the book too much

honor, reading out of it better things than the author wrote,--reading,

as we say, between the lines. You have had the like experience in

conversation: the wit was in what you heard, not in what the speakers

said. Our best thought came from others. We heard in their words a

deeper sense than the speakers put into them, and could express

ourselves in other people's phrases to finer purpose than they knew. In

Moore's Diary, Mr. Hallam is reported as mentioning at dinner one of his

friends who had said, "I don't know how it is, a thing that falls flat

from me seems quite an excellent joke when given at second-hand by

Sheridan. I never like my own _bon-mots_ until he adopts them." Dumont

was exalted by being used by Mirabeau, by Bentham, and by Sir Philip

Francis, who, again, was less than his own "Junius"; and James Hogg

(except in his poems "Kilmeny" and "The Witch of Fife") is but a

third-rate author, owing his fame to his effigy colossalized through the

lens of John Wilson,--who, again, writes better under the domino of

"Christopher North" than in his proper clothes. The bold theory of Delia

Bacon, that Shakspeare's plays were written by a society of wits,--by

Sir Walter Raleigh, Lord Bacon, and others around the Earl of

Southampton,--had plainly for her the charm of the superior meaning they

would acquire when read under this light; this idea of the authorship

controlling our appreciation of the works themselves. We once knew a man

overjoyed at the notice of his pamphlet in a leading newspaper. What

range he gave his imagination! Who could have written it? Was it not

Colonel Carbine, or Senator Tonitrus, or, at the least, Professor

Maximilian? Yes, he could detect in the style that fine Roman hand. How

it seemed the very voice of the refined and discerning public, inviting

merit at last to consent to fame, and come up and take place in the

reserved and authentic chairs! He carried the journal with haste to the

sympathizing Cousin Matilda, who is so proud of all we do. But what

dismay, when the good Matilda, pleased with his pleasure, confessed she

had written the criticism, and carried it with her own hands to the

post-office! "Mr. Wordsworth," said Charles Lamb, "allow me to introduce

to you my only admirer."

Swedenborg threw a formidable theory into the world, that every soul

existed in a society of souls, from which all its thoughts passed into

it, as the blood of the mother circulates in her unborn child; and he

noticed that, when in his bed,--alternately sleeping and

waking,--sleeping, he was surrounded by persons disputing and offering

opinions on the one side and on the other side of a proposition; waking,

the like suggestions occurred for and against the proposition as his own

thoughts; sleeping again, he saw and heard the speakers as before: and

this as often as he slept or waked. And if we expand the image, does it

not look as if we men were thinking and talking out of an enormous

antiquity, as if we stood, not in a coterie of prompters that filled a

sitting-room, but in a circle of intelligences that reached through all

thinkers, poets, inventors, and wits, men and women, English, German,

Celt, Aryan, Ninevite, Copt,--back to the first geometer, bard, mason,

carpenter, planter, shepherd,--back to the first negro, who, with more

health or better perception, gave a shriller sound or name for the thing

he saw and dealt with? Our benefactors are as many as the children who

invented speech, word by word. Language is a city, to the building of

which every human being brought a stone; yet he is no more to be

credited with the grand result than the acaleph which adds a cell to the

coral reef which is the basis of the continent.

Πάντα ῥεῖ: all things are in flux. It is inevitable that you

are indebted to the past. You are fed and formed by it. The old forest

is decomposed for the composition of the new forest. The old animals

have given their bodies to the earth to furnish through chemistry the

forming race, and every individual is only a momentary fixation of what

was yesterday another's, is to-day his, and will belong to a third

to-morrow. So it is in thought. Our knowledge is the amassed thought and

experience of innumerable minds: our language, our science, our

religion, our opinions, our fancies we inherited. Our country, customs,

laws, our ambitions, and our notions of fit and fair,--all these we

never made; we found them ready-made; we but quote them. Goethe frankly

said, "What would remain to me if this art of appropriation were

derogatory to genius? Every one of my writings has been furnished to me

by a thousand different persons, a thousand things: wise and foolish

have brought me, without suspecting it, the offering of their thoughts,

faculties, and experience. My work is an aggregation of beings taken

from the whole of nature; it bears the name of Goethe."

But there remains the indefeasible persistency of the individual to be

himself. One leaf, one blade of grass, one meridian, does not resemble

another. Every mind is different; and the more it is unfolded, the more

pronounced is that difference. He must draw the elements into him for

food, and, if they be granite and silex, will prefer them cooked by sun

and rain, by time and art, to his hand. But, however received, these

elements pass into the substance of his constitution, will be

assimilated, and tend always to form, not a partisan, but a possessor of

truth. To all that can be said of the preponderance of the Past, the

single word Genius is a sufficient reply. The divine resides in the new.

The divine never quotes, but is, and creates. The profound apprehension

of the Present is Genius, which makes the Past forgotten. Genius

believes its faintest presentiment against the testimony of all history;

for it knows that facts are not ultimates, but that a state of mind is

the ancestor of everything. And what is Originality? It is being, being

one's self, and reporting accurately what we see and are. Genius is, in

the first instance, sensibility, the capacity of receiving just

impressions from the external world, and the power of co-ordinating

these after the laws of thought. It implies Will, or original force, for

their right distribution and expression. If to this the sentiment of

piety be added, if the thinker feels that the thought most strictly his

own is not his own, and recognizes the perpetual suggestion of the

Supreme Intellect, the oldest thoughts become new and fertile whilst he

speaks them.

Originals never lose their value. There is always in them a style and

weight of speech, which the immanence of the oracle bestowed, and which

cannot be counterfeited. Hence the permanence of the high poets. Plato,

Cicero, and Plutarch cite the poets in the manner in which Scripture is

quoted in our churches. A phrase or a single word is adduced, with

honoring emphasis, from Pindar, Hesiod, or Euripides, as precluding all

argument, because thus had they said: importing that the bard spoke not

his own, but the words of some god. True poets have always ascended to

this lofty platform, and met this expectation. Shakspeare, Milton,

Wordsworth, were very conscious of their responsibilities. When a man

thinks happily, he finds no foot-track in the field he traverses. All

spontaneous thought is irrespective of all else. Pindar uses this

haughty defiance, as if it were impossible to find his sources: "There

are many swift darts within my quiver, which have a voice for those with

understanding; but to the crowd they need interpreters. He is gifted

with genius who knoweth much by natural talent."

Our pleasure in seeing each mind take the subject to which it has a

proper right is seen in mere fitness in time. He that comes second must

needs quote him that comes first. The earliest describers of savage

life, as Captain Cook's account of the Society Islands, or Alexander

Henry's travels among our Indian tribes, have a charm of truth and just

point of view. Landsmen and sailors freshly come from the most civilized

countries, and with no false expectation, no sentimentality yet about

wild life, healthily receive and report what they saw,--seeing what they

must, and using no choice; and no man suspects the superior merit of the

description, until Chateaubriand, or Moore, or Campbell, or Byron, or

the artists arrive, and mix so much art with their picture that the

incomparable advantage of the first narrative appears. For the same

reason we dislike that the poet should choose an antique or far-fetched

subject for his muse, as if he avowed want of insight. The great deal

always with the nearest. Only as braveries of too prodigal power can we

pardon it, when the life of genius is so redundant that out of petulance

it flings its fire into some old mummy, and, lo! it walks and blushes

again here in the street.

We cannot overstate our debt to the Past, but the moment has the supreme

claim. The Past is for us; but the sole terms on which it can become

ours are its subordination to the Present. Only an inventor knows how to

borrow, and every man is or should be an inventor. We must not tamper

with the organic motion of the soul. 'Tis certain that thought has its

own proper motion, and the hints which flash from it, the words

overheard at unawares by the free mind, are trustworthy and fertile,

when obeyed, and not perverted to low and selfish account. This vast

memory is only raw material. The divine gift is ever the instant life,

which receives and uses and creates, and can well bury the old in the

omnipotency with which Nature decomposes all her harvest for

recomposition.

PROGRESS OF CULTURE.

PROGRESS OF CULTURE.

ADDRESS READ BEFORE THE Φ Β Κ SOCIETY AT CAMBRIDGE,

JULY 18, 1867.

WE meet to-day under happy omens to our ancient society, to the

commonwealth of letters, to the country, and to mankind. No good citizen

but shares the wonderful prosperity of the Federal Union. The heart

still beats with the public pulse of joy, that the country has withstood

the rude trial which threatened its existence, and thrills with the vast

augmentation of strength which it draws from this proof. The storm which

has been resisted is a crown of honor and a pledge of strength to the

ship. We may be well contented with our fair inheritance. Was ever such

coincidence of advantages in time and place as in America to-day?--the

fusion of races and religions; the hungry cry for men which goes up from

the wide continent; the answering facility of immigration, permitting

every wanderer to choose his climate and government. Men come hither by

nations. Science surpasses the old miracles of mythology, to fly with

them over the sea, and to send their messages under it. They come from

crowded, antiquated kingdoms to the easy sharing of our simple forms.

Land without price is offered to the settler, cheap education to his

children. The temper of our people delights in this whirl of life. Who

would live in the stone age, or the bronze, or the iron, or the

lacustrine? Who does not prefer the age of steel, of gold, of coal,

petroleum, cotton, steam, electricity, and the spectroscope?

"Prisca juvent alios, ego me nunc denique natum Gratulor."

All this activity has added to the value of life, and to the scope of

the intellect. I will not say that American institutions have given a

new enlargement to our idea of a finished man, but they have added

important features to the sketch.

Observe the marked ethical quality of the innovations urged or adopted.

The new claim of woman to a political status is itself an honorable

testimony to the civilization which has given her a civil status new in

history. Now that, by the increased humanity of law she controls her

property, she inevitably takes the next step to her share in power. The

war gave us the abolition of slavery, the success of the Sanitary

Commission and of the Freedmen's Bureau. Add to these the new scope of

social science; the abolition of capital punishment and of imprisonment

for debt; the improvement of prisons; the efforts for the suppression of

intemperance; the search for just rules affecting labor; the

co-operative societies; the insurance of life and limb; the free-trade

league; the improved alms-houses; the enlarged scale of charities to

relieve local famine, or burned towns, or the suffering Greeks; the

incipient series of international congresses,--all, one may say, in a

high degree revolutionary,--teaching nations the taking of government

into their own hands, and superseding kings.

The spirit is new. A silent revolution has impelled, step by step, all

this activity. A great many full-blown conceits have burst. The coxcomb

goes to the wall. To his astonishment he has found that this country and

this age belong to the most liberal persuasion; that the day of ruling

by scorn and sneers is past; that good sense is now in power, and _that_

resting on a vast constituency of intelligent labor, and, better yet, on

perceptions less and less dim of laws the most sublime. Men are now to

be astonished by seeing acts of good-nature, common civility, and

Christian charity proposed by statesmen, and executed by justices of the

peace,--by policemen and the constable. The fop is unable to cut the

patriot in the street; nay, he lies at his mercy in the ballot of the

club.

Mark, too, the large resources of a statesman, of a socialist, of a

scholar, in this age. When classes are exasperated against each other,

the peace of the world is always kept by striking a new note. Instantly

the units part, and form in a new order, and those who were opposed are

now side by side. In this country the prodigious mass of work that must

be done has either made new divisions of labor or created new

professions. Consider, at this time, what variety of issues, of

enterprises public and private, what genius of science, what of

administration, what of practical skill, what masters, each in his

several province, the railroad, the telegraph, the mines, the inland and

marine explorations, the novel and powerful philanthropies, as well as

agriculture, the foreign trade and the home trade (whose circuits in

this country are as spacious as the foreign), manufactures, the very

inventions, all on a national scale too, have evoked!--all implying the

appearance of gifted men, the rapid addition to our society of a class

of true nobles, by which the self-respect of each town and State is

enriched.

Take as a type the boundless freedom here in Massachusetts. People have

in all countries been burned and stoned for saying things which are

commonplaces at all our breakfast-tables. Every one who was in Italy

twenty-five years ago will remember the caution with which his host or

guest, in any house looked around him, if a political topic were

broached. Here the tongue is free, and the hand; and the freedom of

action goes to the brink, if not over the brink, of license.

A controlling influence of the times has been the wide and successful

study of Natural Science. Steffens said, "The religious opinions of men

rest on their views of nature." Great strides have been made within the

present century. Geology, astronomy, chemistry, optics, have yielded

grand results. The correlation of forces and the polarization of light

have carried us to sublime generalizations,--have affected an

imaginative race like poetic inspirations. We have been taught to tread

familiarly on giddy heights of thought, and to wont ourselves to daring

conjectures. The narrow sectarian cannot read astronomy with impunity.

The creeds of his church shrivel like dried leaves at the door of the

observatory, and a new and healthful air regenerates the human mind, and

imparts a sympathetic enlargement to its inventions and method. That

cosmical west-wind which, meteorologists tell us, constitutes, by the

revolution of the globe, the upper current, is alone broad enough to

carry to every city and suburb--to the farmer's house, the miner's

shanty, and the fisher's boat--the inspirations of this new hope of

mankind. Now, if any one say we have had enough of these boastful

recitals, then I say, Happy is the land wherein benefits like these have

grown trite and commonplace.

We confess that in America everything looks new and recent. Our towns

are still rude,--the make-shifts of emigrants,--and the whole

architecture tent-like, when compared with the monumental solidity of

mediæval and primeval remains in Europe and Asia. But geology has

effaced these distinctions. Geology, a science of forty or fifty

summers, has had the effect to throw an air of novelty and mushroom

speed over entire history. The oldest empires,--what we called venerable

antiquity,--now that we have true measures of duration, show like

creations of yesterday. 'Tis yet quite too early to draw sound

conclusions. The old six thousand years of chronology become a kitchen

clock,--no more a measure of time than an hour-glass or an

egg-glass,--since the duration of geologic periods has come into view.

Geology itself is only chemistry with the element of time added; and the

rocks of Nahant or the dikes of the White Hills disclose that the world

is a crystal, and the soil of the valleys and plains a continual

decomposition and recomposition. Nothing is old but the mind.

But I find not only this equality between new and old countries, as seen

by the eye of science, but also a certain equivalence of the ages of

history; and as the child is in his playthings working incessantly at

problems of natural philosophy,--working as hard and as successfully as

Newton,--so it were ignorance not to see that each nation and period has

done its full part to make up the result of existing civility. We are

all agreed that we have not on the instant better men to show than

Plutarch's heroes. The world is always equal to itself. We cannot yet

afford to drop Homer, nor Æschylus, nor Plato, nor Aristotle, nor

Archimedes. Later, each European nation, after the breaking up of the

Roman Empire, had its romantic era, and the productions of that era in

each rose to about the same height. Take for an example in literature

the _Romance of Arthur_, in Britain, or in the opposite province of

Brittany; the _Chansons de Roland_, in France; the Chronicle of the Cid,

in Spain; the _Niebelungen Lied_, in Germany; the Norse Sagas, in

Scandinavia; and, I may add, the Arabian Nights, on the African coast.

But if these works still survive and multiply, what shall we say of

names more distant, or hidden through their very superiority to their

coevals,--names of men who have left remains that certify a height of

genius in their several directions not since surpassed, and which men in

proportion to their wisdom still cherish,--as Zoroaster, Confucius, and

the grand scriptures, only recently known to Western nations, of the

Indian Vedas, the Institutes of Menu, the Puranas, the poems of the

Mahabarat and the Ramayana?

In modern Europe, the Middle Ages were called the Dark Ages. Who dares

to call them so now? They are seen to be the feet on which we walk, the

eyes with which we see. 'Tis one of our triumphs to have reinstated

them. Their Dante and Alfred and Wickliffe and Abelard and Bacon; their

Magna Charta, decimal numbers, mariner's compass, gunpowder, glass,

paper, and clocks; chemistry, algebra, astronomy; their Gothic

architecture, their painting,--are the delight and tuition of ours. Six

hundred years ago Roger Bacon explained the precession of the equinoxes,

and the necessity of reform in the calendar; looking over how many

horizons as far as into Liverpool and New York, he announced that

machines can be constructed to drive ships more rapidly than a whole

galley of rowers could do, nor would they need anything but a pilot to

steer; carriages, to move with incredible speed, without aid of animals;

and machines to fly into the air like birds. Even the races that we

still call savage or semi-savage, and which preserve their arts from

immemorial traditions, vindicate their faculty by the skill with which

they make their yam-cloths, pipes, bows, boats, and carved war-clubs.

The war-proa of the Malays in the Japanese waters struck Commodore Perry

by its close resemblance to the yacht "America."

As we find thus a certain equivalence in the ages, there is also an

equipollence of individual genius to the nation which it represents. It

is a curious fact, that a certain enormity of culture makes a man

invisible to his contemporaries. 'Tis always hard to go beyond your

public. If they are satisfied with cheap performance, you will not

easily arrive at better. If they know what is good, and require it, you

will aspire and burn until you achieve it. But, from time to time, in

history, men are born a whole age too soon. The founders of nations, the

wise men and inventors, who shine afterwards as their gods, were

probably martyrs in their own time. All the transcendent writers and

artists of the world,--'tis doubtful who they were,--they are lifted so

fast into mythology,--Homer, Menu, Viasa, Dædalus, Hermes, Zoroaster,

even Swedenborg and Shakspeare. The early names are too typical,--Homer,

or _blind man_; Menu, or _man_; Viasa, _compiler_; Dædalus, _cunning_;

Hermes, _interpreter_; and so on. Probably, the men were so great, so

self-fed, that the recognition of them by others was not necessary to

them. And every one has heard the remark (too often, I fear, politely

made), that the philosopher was above his audience. I think I have seen

two or three great men who, for that reason, were of no account among

scholars.

But Jove is in his reserves. The truth, the hope of any time, must

always be sought in the minorities. Michel Angelo was the conscience of

Italy. We grow free with his name, and find it ornamental now; but in

his own days, his friends were few; and you would need to hunt him in a

conventicle with the Methodists of the era, namely, Savonarola, Vittoria

Colonna, Contarini, Pole, Occhino,--superior souls, the religious of

that day, drawn to each other, and under some cloud with the rest of the

world,--reformers, the radicals of the hour, banded against the

corruptions of Rome, and as lonely and as hated as Dante before them.

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