CHAPTER IV

BUILDINGS VAULTED UPON INTERSECTING ARCHES

The new system derived from the domes upon pendentives, so brilliantly

applied in Anjou and Maine in the first half of the twelfth century,

was thenceforth the normal method of the religious architect. The

admirable simplicity of the new method and its adaptability to every

class of building, from the great abbey church to the modest chapel,

sufficiently accounts for its rapid dissemination throughout Western

Europe, where religious bodies had founded innumerable abbeys, large

and small, of varying rules and orders, but all welded together by one

mighty organisation.

A long array of churches on the Angevin model rose, not only in the

neighbouring provinces--as Ste. Radegonde at Poitiers, Notre Dame de

la Coulture and the nave of St. Julien at Mans,--but farther afield

towards the south. To name only the most important--the charming

Church of Thor, dedicated to Ste. Marie du Lac, between Avignon and

the fountain of Vaucluse; that of St. Sauveur at St. Macaire, near

Bordeaux; the nave of St. André at Bordeaux, begun in 1252 on the

cupola plan, but modified and finally crowned with a groined and

ribbed vault; St. Caprais at Agen, which shows the same modifications,

and lastly, the immense brick nave of St. Étienne at Toulouse,

which measures 64 feet--all demonstrate the progression of the new

principles in the second half of the twelfth century.

[Illustration: 18. PLAN OF THE NAVE, ST. MAURICE AT ANGERS]

Towards the North the advance was no less general. Various buildings

show to what excellent account contemporary architects had turned the

system of vaults on intersecting arches, recognising its admirable

adaptability to different climates, and to the most diverse materials.

But it was reserved for Angers, the cradle of its birth, to give an

added perfection to this ingenious system.

The Church of the Ste. Trinité, on the right bank of the Maine, built

by the sons or pupils of those architects who had planned St. Maurice

for the hill on the opposite shore, marks a fresh advance in the

construction of these vaults. Like St. Maurice, it has but a single

aisle, which is divided into three bays, each as nearly as possible

square on plan. The system of vaulting takes on a greater elegance by

the insertion of a transverse arch, with its supporting shafts, in the

centre of each bay. This divides the bay into two equal parts, and,

cutting the diagonal ribs at their intersection, supports them at the

critical point.

Fig. 19 gives the plan of these vaults, the system of which was

eagerly seized upon by the Northern architects, and the great abbey

church of Noyon appears to have been the first-fruits of this new

development of the Angevin idea.

[Illustration: 19. PLAN OF THE CHURCH OF LA STE. TRINITÉ AT ANGERS]

[Illustration: 20. LONGITUDINAL SECTION OF A BAY OF LA STE. TRINITÉ AT

ANGERS]

The great abbey churches and immense cathedrals which were built from

the second half of the twelfth to the middle of the thirteenth century

attest the importance of the development carried out at Angers by

the arrangement of their own vaults in square compartments. For we

now find this system adopted in the construction of the churches or

cathedrals of Noyon, Laon, Notre Dame at Paris, Sens, and Bourges, to

name only acknowledged masterpieces of so-called Gothic.

[Illustration: 21. TRANSVERSE SECTION OF A BAY OF LA STE. TRINITÉ AT

ANGERS]

The influence of the cupola, which we established in our first

chapter, was both direct and consecutive. It was direct in churches

built with one aisle and vaulted on intersecting arches, and

consecutive in the so-called Romanesque churches, which were either

completed or modified on the new lines by the substitution of vaults

on intersecting arches of dressed stone for timber roofs. A large

number of buildings in England, Normandy, Germany, Northern Italy,

Switzerland, the Rhine Provinces, and those of Northern France bear

testimony of the highest interest to the transformations consequent on

the invention of the groined vault and its universal application.

Architects who had been trained in the great abbey schools, emboldened

by the successes of their forerunners and their own individual

experience, raised on every hand vast cathedrals, in which every known

development of the system was essayed with unequalled daring. Going

on from strength to strength, they eventually abandoned the antique

traditions, and disregarding the statical conditions which ensured

the solidity of the ancient buildings, they invented a system of

construction which is, as it were, merely a skeleton in stone, a stone

version of the timbered roof; its characteristic expression was the

permanent strut known as the _flying buttress_; its governing idea

was equilibrium, for which it provided by architectural stratagems

ingenious in the highest degree, but also extremely precarious. Its

existence or stability depends for the most part on the quality of the

materials and their degrees of resisting power, the essential organs,

by which I mean those vital _weight-carrying_ portions, the failure

of which would involve the ruin of the whole, being _outside_ the

building, and therefore exposed to all those deteriorating influences

from which the _load_ they bear, that is to say, the vaults, are

protected by walls and roof.

[Illustration: 22. SECTION OF A SINGLE-AISLED CHURCH VAULTED ON

INTERSECTING ARCHES WITH BUTTRESSES]

[Illustration: 23. SECTION OF A THREE-AISLED CHURCH VAULTED ON

INTERSECTING ARCHES WITH FLYING BUTTRESSES]

The great buildings constructed on these new principles consisted of

a central nave with two, or even four side aisles. The huge structure

depended for its light first upon low windows in the collateral

portions, secondly, upon windows at a much higher level. Hence it

became necessary to raise the vault of the central nave, and to

give it an abutment in the form of _detached semi-arches_ or flying

buttresses. The crowns of these semi-arches impinged the piers at the

planes of greatest pressure and received the collective thrust of

all the ribs, formerets, transverse and diagonal arches. Their bases

rested upon abutments, the strength of which was calculated according

to the thrust they had to meet.

Gothic Architecture · 第 4 / 13 章