THE THUNDER.

The thunder is a very important deity among all the Indians of the

Plains, and is usually associated with military exploits. While the

Dakota generally regard the thunder as a bird, usually symbolized by the

eagle, yet they sometimes speak of it as a horse, a man, or a dog. The

horse always appealed to them as a creature of mysterious origin, and in

many cases was assumed to have been given by the thunder. In any event

there is an association in their minds between the power of a war-horse

and the thunder. The thunder is often represented by a zigzag or wavy

line, usually in red; but this symbol really represents the power of the

phenomenon in the abstract, because the Indian does have the conception

of a force in nature. Consequently this graphic symbol is also a general

sign for the presence of mysterious supernatural power. The whistles

made from the leg and wing bones of eagles, and used among the Plains

tribes, are generally employed by the Dakota to symbolize the cry of the

eagle as a representative of the thunder-bird. In battle, or sometimes

in stress of great trial, they are sounded to call up the power of the

thunder to rescue the unfortunate one. As a rule, a zigzag line is

scratched down the sides of these whistles. In this connection it is

interesting to note the following:—

“Before daylight I set off with five Indians. . . . This caused

a halt, as we were surrounded and began to suspect that the

enemy had planned to cut us off. The Indians put on their

war-caps, uttering some few words which I could not hear

distinctly, and then began to whistle with a small bone

instrument which they hung around their necks for that

purpose.”[18]

This account (1807) by an acute observer is interesting, because our

present knowledge enables us to understand the muttered prayers and the

use of the whistle.

[Illustration: Fig. 22 (50-3023). Whistle, of Bone.

Length, 19 cm. ]

The whistle shown in Fig. 22 is interesting because of the objects that

accompany it. The whistle is from the wing-bone of an eagle, and near

the top is a small bag containing the medicine of the owner. The

feathers of the yellow-winged woodpecker are attached thereto, because

this bird is considered as an associate of the thunder-bird, or at least

it holds some relation to the thunder, since the Dakota have observed,

that, when a storm is approaching, this bird gives a peculiar shrill

call not unlike the sound of the whistle spoken of above. This they

interpret as speaking to the thunder. Consequently, the feathers of this

bird, when attached to the whistle, are supposed to put the individual

also in a position to speak to the thunder. This bird has a large dark

spot on the throat, which is said to represent the moon and to be

further evidence of the sacred character of the bird. Thus we have a

combined charm representing the woodpecker and the eagle,—two birds

closely associated with the thunder.

The ceremony of offering a filled pipe to the thunder was frequently

observed by the Dakota. One man stated that once, when the camp was

threatened by an approaching storm, he filled a large pipe, went to the

top of a hill, and, facing the storm, made an offering to the thunder by

extending the stem upward, and praying, with the result that the storm

divided, and passed around the camp without serious damage to his

people. In the decoration of pipe-stems, a bunch of horsehair is

attached (usually colored red), and this is often spoken of as an emblem

of the thunder-horse. This horsehair is to signify the presence of the

power of the thunder, as manifest in the horse, in all ceremonies

connected with the pipe. It is worth while noting that in this case we

have an illustration of a peculiarity of religious lore,—the indirect

symbolizing of a power by one of a series of objects in which that power

is manifest.

The United States emblem of the eagle with outstretched claws, holding

arrows and the lightning, is regarded by the Dakota as an appeal on our

part to the thunder-bird; and statements to the contrary are usually

interpreted as white men’s lies to deceive the Indians and to guard the

power. There is little doubt that the Dakota manner of drawing the

thunder-bird has been modified by the United States emblem, and that

their own idea of his power has been influenced accordingly.

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[18] New Light on the Early History of the Greater Northwest, p. 436.

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