Gray cast about. "But don't they come to the same thing?"

"Well, I guess that for you they'll have to. Yes, sir," Gray

answered--"but suppose I should say 'Don't keep insisting so on me'?"

Then he had a romantic flight which was at the same time, for that

moment at least, a sincere one. "I don't know that I came out so very

much for myself."

"Well, if you didn't it only shows the more what you are"--Mr. Betterman

made the point promptly. "It shows you've got the kind of imagination

that has nothing to do with the kind I so perfectly see you haven't. And

if you don't do things for yourself," he went on, "you'll be doing them

the more for just what I say." With which too, as Graham but pleadingly

gaped: "You'll be doing them for everyone else--that is finding it

impossible to do what they do. From the moment they notice that--well,

it will be what I want. We know, we know," he remarked further and as if

this quite settled it.

Any ambiguity in his "we" after an instant cleared up; he was to have

alluded but ever so sparely, through all this scene, to Rosanna Gaw, but

he alluded now, and again it had for Gray an amount of reference that

was like a great sum of items in a bill imperfectly scanned. None the

less it left him desiring still more clearness. His whole soul centred

at this point in the need not to have contributed by some confused

accommodation to a strange theory of his future. Strange he could but

feel this one to be, however simply, that is on however large and vague

an assumption, it might suit others, amid their fathomless resources and

their luxuries or perversities of waste, to see it. He wouldn't be

smothered in the vague, whatever happened, and had now the gasp and

upward shake of the head of a man in too deep water. "What I want to

insist on," he broke out with it, "is that I mustn't consent to any

exaggeration in the interest of your, or of any other, sublime view of

me, view of my capacity of any sort. There's no sublime view of me to be

taken that consorts in the least with any truth; and I should be a very

poor creature if I didn't here and now assure you that no proof in the

world exists, or has for a moment existed, of my being capable of

anything whatever."

He might have supposed himself for a little to have produced something

of the effect that would naturally attach to a due vividness in this

truth--for didn't his uncle now look at him just a shade harder, before

the fixed eyes closed, indeed, as under a pressure to which they had at

last really to yield? They closed, and the old white face was for the

couple of minutes so thoroughly still without them that a slight

uneasiness quickened him, and it would have taken but another moment to

make a slight sound, which he had to turn his head for the explanation

of, reach him as the response to an appeal. The door of the room,

opening gently, had closed again behind Miss Goodenough, who came

forward softly, but with more gravity, Gray thought, than he had

previously seen her show. Still in his place and conscious of the

undiminished freshness of her invalid's manual emphasis, he looked at

her for some opinion as to the latter's appearance, or to the move on

his own part next indicated; during which time her judgment itself,

considering Mr. Betterman, a trifle heavily waited. Gray's doubt, before

the stillness which had followed so great even if so undiscourageable an

effort, moved him to some play of disengagement; whereupon he knew

himself again checked, and there, once more, the fine old eyes rested on

him. "I'm afraid I've tired him out," he could but say to the nurse, who

made the motion to feel her patient's pulse without the effect of his

releasing his visitor. Gray's hand was retained still, but his kinsman's

eyes and next words were directed to Miss Goodenough.

"It's all right--even more so than I told you it was going to be."

"Why of course it's all right--you look too sweet together!" she

pronounced.

"But I mean I've got him; I mean I make him squirm"--which words had

somehow the richest gravity of any yet; "but all it does for his

resistance is that he squirms right _to_ me."

"Oh we won't have any resistance!" Miss Goodenough freely declared.

"Though for all the fight you've got in you still----!" she in fine

altogether backed Mr. Betterman.

He covered his nephew again as for a final or crushing appraisement,

then going on for Miss Goodenough's benefit: "He tried something a

minute ago to settle me, but I wish you could just have heard how he

expressed himself."

"It _is_ a pleasure to hear him--when he's good!" She laughed with a

shade of impatience.

"He's never so good as when he wants to be bad. So there you are, sir!"

the old man said. "You're like the princess in the fairy-tale; you've

only to open your mouth----"

"And the pearls and diamonds pop out!"--Miss Goodenough, for her

patient's relief, completed his meaning. "So don't try for toads and

snakes!" she promptly went on to Gray. To which she added with still

more point: "And now you must go."

"Not one little minute more?" His uncle still held him.

"Not one, sir!" Miss Goodenough decided.

"It isn't to talk," the old man explained. "I like just to look at him."

"So do I," said Miss Goodenough; "but we can't always do everything we

like."

"No then, Graham--remember that. You'd like to have persuaded me that I

don't know what I mean. But you must understand you haven't."

His hand had loosened, and Gray got up, turning a face now flushed and a

little disordered from one of them to the other. "I don't pretend to

understand anything!"

The Ivory Tower · 第 17 / 33 题