THREE

What, though, was the precise goal of the fourteen years of visually

unproductive “writing”? Those earlier stories have never been

printed, so that one perforce advances on a bridge of guesswork. But

certainly, in all that is to-day accessible of Mr. Hergesheimer’s

creative feats—with one exception duly noted hereinafter—there is a

patent negligence, and indeed an ostentatious avoidance, of any aiming

toward popularity. That during the fourteen years young Hergesheimer

labored toward the applause and cheques of a “best seller,” is to

the considerate inconceivable. Nor could that well have been a

motive strong enough to sustain him thus long, since the maker of

reading-matter, like any other tradesman, has need of quick returns

where the artist battens on immediate rejections.

No, Mr. Hergesheimer’s monomania, one estimates, was then, just as it

seems to be to-day, to write for his own delectation—in large part

because he could not help it, and in part with the hope of, somehow

and some day, obtaining an audience with the same or, at any rate,

a kindred sense of beauty.... This, to be sure, is always a vain

aspiration. That which, in effusions such as this, we loosely talk

about as “beauty” probably does not exist as a vital thing save here

and there in the thoughts of not too many and not to be too seriously

taken persons. In life, rather frequently, one appears to catch a

glimpse of something of the sort just around the corner or over the

way, but it is rarely, and perhaps never, actually at hand. Sometimes,

of course, one seems about to incorporate the elusive thing into

one’s daily living; and, striving, finds the attempt a grasping at

an opalescent bubble, with the same small shock, the same disrupting

disillusionment.

“Beauty,” thus, is by the judicious conceded to be an unembodiable

thought, not even quite to be grasped by the mind; and certainly never

nicely nor with any self-content to be communicated via the pages

of a book, wherein are preserved, at best, the faded petals and the

flattened crumbling stalks of what seemed lovely once to somebody who

is as dead as are these desiccated relics of his ardor and of his

disputable taste.

In brief, it may be granted—and by Mr. Hergesheimer most cheerfully

of all persons—that during these fourteen years Mr. Hergesheimer was

attempting the preposterously impossible.

Joseph Hergesheimer, an essay in interpretation · 第 7 / 15 题