ONE

So say they, speak they, and tell they the tale, in “literary gossip,”

that Joseph Hergesheimer “wrote” for a long while before an iota of his

typing was transmuted into “author’s proof.” And the tale tells how

for fourteen years he could find nowhere any magazine editor to whose

present needs a Hergesheimer story was quite suited.

It is my belief that in approaching Mr. Hergesheimer’s work one should

bear constantly in mind those fourteen years, for to me they appear,

not uncuriously, to have shaped and colored every book he has thus far

published.

The actual merit of the writing done during that period of

“unavailability” is—here, at least—irrelevant. It is not the point

of the fable that he high-heartedly wrote a story to which, when

completed, his unbiased judgment could not quite honestly deny such

deference as is due to a literary masterpiece; and which, through

some odd error, was rejected by a magazine that every month was

publishing vastly inferior stories; and which was later declined by

another magazine, and by a host of magazines, with a dispiriting bland

unanimity not unsuggestive of editorial conspiracy. Meanwhile—of

course—he had written another tale, which was much better than the

first, and which proved to be an equally faithful chaperon of return

postage. So story followed story, each dreeing the same weird....

And he used to wait for the postman, no doubt, and to note from afar

that it was a large envelope; and would open the damned thing with a

faint hope that perhaps they just wanted some slight changes made;

and would find only the neat, impersonal, and civilly patronizing

death-warrant of hope. So Joseph Hergesheimer kept on with his

foolishness, without any gleam of success, or even (they report) any

word of encouragement. And doubtless his relatives said the customary

things....

Yet none of these circumstances, either, is the point of the apologue,

because in all save one detail the comedy has been abraded into

pointlessness by over-constant repetition; and is, of course, being

futilely performed at this moment in one prefers not to reflect how

many thousand homes. The leading rôle, though, is too unprofitable

and irksome for any quite sane person to persist in enacting it for

fourteen years. This Joseph Hergesheimer did: and that is the fable’s

significant point.

Joseph Hergesheimer, an essay in interpretation · 第 5 / 15 题