BAS BLEU SOCIETIES.

To begin with what still is famous in the annals of conversation, the

_Bas Bleu_ Societies.

The first of these was then in the meridian of its lustre, but had

been instituted many years previously at Bath. It owed its name to an

apology made by Mr. Stillingfleet, in declining to accept an invitation

to a literary meeting at Mrs. Vesey’s, from not being, he said, in the

habit of displaying a proper equipment for an evening assembly. “Pho,

pho,” cried she, with her well known, yet always original simplicity,

while she looked, inquisitively, at him and his accoutrements; “don’t

mind dress! Come in your blue stockings!” With which words, humourously

repeating them as he entered the apartment of the chosen coterie, Mr.

Stillingfleet claimed permission for appearing, according to order.

And those words, ever after, were fixed, in playful stigma, upon Mrs.

Vesey’s associations.[45]

This original coterie was still headed by Mrs. Vesey, though it was

transferred from Bath to London. Dr. Burney and this Memorialist were

now initiated into the midst of it. And however ridicule, in public,

from those who had no taste for this bluism; or envy, in secret, from

those who had no admission to it, might seek to depreciate its merit,

it afforded to all lovers of intellectual entertainment a variety of

amusement, an exemption from form, and a _carte blanche_ certainty of

good-humour from the amiable and artless hostess, that rendered it as

agreeable as it was singular: for Mrs. Vesey was as mirth-provoking

from her oddities and mistakes, as Falstaff was wit-inspiring from his

vaunting cowardice and sportive epicurism.

There was something so like the manoeuvres of a character in a comedy

in the manners and movements of Mrs. Vesey, that the company seemed

rather to feel themselves assembled, at their own cost and pleasure,

in some public apartment, to saunter or to repose; to talk or to hold

their tongues; to gaze around, or to drop asleep, as best might suit

their humours; than drawn together to receive and to bestow, the

civilities of given and accepted invitations.

Her fears were so great of the horror, as it was styled, of a circle,

from the ceremony and awe which it produced, that she pushed all the

small sofas, as well as chairs, pell-mell about the apartments, so as

not to leave even a zig-zag path of communication free from impediment:

and her greatest delight was to place the seats back to back, so

that those who occupied them could perceive no more of their nearest

neighbour than if the parties had been sent into different rooms: an

arrangement that could only be eluded by such a twisting of the neck as

to threaten the interlocutors with a spasmodic affection.

But there was never any distress beyond risibility: and the company

that was collected was so generally of a superior cast, that talents

and conversation soon found—as when do they miss it?—their own

level: and all these extraneous whims merely served to give zest and

originality to the assemblage.

Mrs. Vesey was of a character to which it is hardly possible to find a

parallel, so untrue would it be to brand it with positive folly; yet so

glaringly was it marked by almost incredible simplicity.

With really lively parts, a fertile imagination, and a pleasant

quickness of remark, she had the unguardedness of childhood, joined to

an Hibernian bewilderment of ideas that cast her incessantly into some

burlesque situation; and incited even the most partial, and even the

most sensitive of her own countrymen, to relate stories, speeches, and

anecdotes of her astonishing self-perplexities, her confusion about

times and circumstances, and her inconceivable jumble of recollections

between what had happened, or what might have happened; and what had

befallen others that she imagined had befallen herself; that made her

name, though it could never be pronounced without personal regard, be

constantly coupled with something grotesque.

But what most contributed to render the scenes of her social circle

nearly dramatic in comic effect, was her deafness; for with all the

pity due to that socialless infirmity; and all the pity doubly due to

one who still sought conversation as the first of human delights, it

was impossible, with a grave face, to behold her manner of constantly

marring the pleasure of which she was in pursuit.

She had commonly two or three, or more, eartrumpets hanging to her

wrists, or slung about her neck; or tost upon the chimney-piece or

table; with intention to try them, severally and alternately, upon

different speakers, as occasion might arise; and the instant that any

earnestness of countenance, or animation of gesture, struck her eye,

she darted forward, trumpet in hand, to inquire what was going on;

but almost always arrived at the speaker at the moment that he was

become, in his turn, the hearer; and eagerly held her brazen instrument

to his mouth to catch sounds that were already past and gone. And,

after quietly listening some minutes, she would gently utter her

disappointment, by crying: “Well! I really thought you were talking of

something?”

And then, though a whole group would hold it fitting to flock around

her, and recount what had been said; if a smile caught her roving

eye from any opposite direction, the fear of losing something more

entertaining, would make her beg not to trouble them, and again rush

on to the gayer talkers. But as a laugh is excited more commonly by

sportive nonsense than by wit, she usually gleaned nothing from her

change of place, and hastened therefore back to ask for the rest of

what she had interrupted. But generally finding that set dispersing, or

dispersed, she would look around her with a forlorn surprise, and cry:

“I can’t conceive why it is that nobody talks tonight? I can’t catch a

word!”

Or, if some one of peculiar note were engaging attention; if Sir

William Hamilton, for example, were describing Herculaneum or Pompeii;

or Mrs. Carter and Mrs. Hannah More were discussing some new author,

or favourite work; or if the then still beautiful, though old, Duchess

of Leinster, was encountering the beautiful and young Duchess of

Devonshire; or, if Mr. Burke, having stept in, and, marking no one

with whom he wished to exchange ideas, had seized upon the first

book or pamphlet he could catch, to soothe his harassed mind by

reading—which he not seldom did, and most incomparably, a passage or

two aloud; circumstances of such a sort would arouse in her so great

an earnestness for participation, that she would hasten from one spot

to another, in constant hope of better fare; frequently clapping, in

her hurry, the broad part of the brazen ear to her temple: but after

waiting, with anxious impatience, for the development she expected,

but waiting in vain, she would drop her trumpet, and almost dolorously

exclaim: “I hope nobody has had any bad news to night? but as soon as I

come near any body, nobody speaks!”

Yet, with all these peculiarities, Mrs. Vesey was eminently amiable,

candid, gentle, and even sensible; but she had an ardour to know

whatever was going forward, and to see whoever was named, that kept her

curiosity constantly in a panic; and almost dangerously increased the

singular wanderings of her imagination.

Here, amongst the few remaining men of letters of the preceding

literary era, Dr. Burney met Horace Walpole, Owen Cambridge, and Soame

Jenyns, who were commonly, then, denominated the old wits; but who

rarely, indeed, were surrounded by any new ones who stood much chance

of vying with them in readiness of repartee, pith of matter, terseness

of expression, or pleasantry in expanding gay ideas.

Memoirs of Doctor Burney (Vol. 2 of 3) Arranged from his own manuscripts, from family papers, and from personal recollections by his daughter, Madame d'Arblay · 第 65 / 117 题