THREE STARS ON THE BACK STOOP

Before starting on our new notebook we have been looking over the old

one. We are painfully astonished to see so many interesting ideas that

we never turned to account.

We see no reason for being ashamed of using a memorandum book to jot

down casual excitements in the mind. If you are really interested in

what goes on inside your head, that is the only possible way to keep

track of those flittermice of thought. Astronomers spend much time

examining the Great Nebula in Orion, and other pinches of star dust

that circumspangle the universe. It is equally important to scrutinize

those dim patches of mental shining where, once in a while, one

suspects the phosphorescent emergence of Truth. Unhappily, most of

the ideas jotted down for sonnets and meditations never get anything

done to them. They lie there unexercised, and once a year or so, when

we run through the pile of old notebooks just to cheer ourself up, we

are newly gratified to see how many occasions for thought the world

suggests. Often, however, we aren’t quite certain just what we meant.

For instance, scattered through our now discarded memoranda we find the

following cryptic entries:

_The army of unalterable bunk._

_Prayers for newspaper men._

_Nesting season for mares._

_Who wrote the line “A rose-red city half as old as time”?_

_The current fetiches, taboos, and hokums are as hard to expel

from the mind as the deboshed melody of some vulgar popular

song._

_As a child, the phrase “civil engineer” puzzled me--the

civility or civics of engineering I could not comprehend._

_It’s a mistake to conclude that the result of an action was

necessarily included in the purpose: i. e. Effects overlap

Causes, e. g. The Tariff._

_If every day we are surrounded by astonishment and unexpected

adventures in the actual realm, why may it not also be true in

the spiritual?_

_Kipling is the kind of man who, after half a dozen visits to

the dentist, would have been able to write a story filled with

accurate technical details of dental science._

_Sign on Italian restaurant on Park Place_: IF YOUR WIFE CAN’T

COOK DON’T DIVORCE HER--KEEP HER AS A PET, AND EAT HERE.

_Sign on a Manicure Parlour_: SPECIAL ATTENTION PAID TO OTHER

GIRLS’ FELLOWS.

_Potboiling--the crackling of a crown of thorns under a pot._

_Biography is impossible. There’s no such thing._

Well, the preceding items, lifted more or less at random from one of

these notebooks, are sufficient to explain the sense of mystification

with which one examines old memoranda. And yet one always hopes that

he may chance upon some germ of thought which is worth the fun of

expanding it. It reminds us rather of the Janitor Emeritus of the

_Post_, an elderly and pensive darkness, who has a fixed idea that some

day he is going to find something precious in the various rubbish of

the office, and is to be seen gravely poking into baskets and canisters

of jetsam in the hope of motion picture magazines, tobacco, and

detective stories.

But among these fugitive and sudden scribbles we did find one notation

that brings back to us more or less clearly what we had in mind. It was

written thus: _People in N. Y. no rooted sense of place._

We had been thinking of the curious life of those who dwell in city

apartments. We are a great lover of apartments every now and then, for

a briefly adventurous term; and certainly every one who has read Simeon

Strunsky’s admirable book _Bellshazzar Court_ will have realized how

fecund with human episode these great, dense barracks are. But there

can be no good life for very long unless one has an opportunity to

plant feet on actual soil; to be close witness of earth’s colours and

seasons; to be able (sovereign pleasure of all) to go out at night and

make the circuit of one’s terrain and recognize a few stars. There are

three stars, for instance, that we see (at certain seasons) from the

back stoop when we visit the icebox towards midnight. We suspect them

of being the trio known as Orion’s Belt. Anyhow, part of our pleasure

in life is to notice them occasionally and know that they are still

there, or _were_ still there when those agile beams left them to

vibrate across all the light-years between us.

Orion’s Belt, by the way, seems to be a Sam Browne, for it is tilted up

diagonally. We will show you exactly what his starry girth looks like,

so you can recognize it:--

*

*

*

The simple and sensuous pleasures of place are not so easy to enjoy

in the city. There is a feeling of unreality, of human and mechanical

interposition, when you are snugly nested in a niche of a stone cliff

fifteen stories high. Something stands between you and the realization

of earth. That something may be fine, comfortable, reassuring, it may

be highly stimulant for the mind; but there is also a loss to the

spirit. It is a loss not to be able to see exactly how Nature tints her

tapestry curtain of gold and bronze, behind which she quietly shifts

the scenes for the next act; and then suddenly the curtain is shredded

away; the landscape widens and is transvisible to the eye; going out on

the porch at night you find the trees full not of leaves but stars.

This is a large topic: we can only hint at it. Science, criticism,

ethics, these are urbane. Poetry and religion are rustic. Poetry

particularly--whether the writing or the reading of it--thrives

best where there is silence and the foundation on earth. The solid

satisfaction of visiting one’s own cellar and the brightness of one’s

own furnace grate, actually set down inside the shell of earth’s crust;

of knowing one’s own chimney shaft open topward to the sky; the fall

of autumn acorns rattling on the roof--are sentiments felt rather than

understood. But from that quiet fertility of feeling understanding

grows gradually. You must be quiet with things before you can love

them; and you must love them before you can write about them.

But very likely these fragmentary ideas are true only for those who

believe them. It is a way ideas have.

[Illustration]

The Powder of Sympathy · 第 128 / 171 题