III

But we were talking about De Quincey. Yesterday was by no means a

day wasted, for we got our amiable friend Franklin Abbott into our

clutches, made him take a note of _Reminiscences of the English Lake

Poets_ (in the Everyman Series, we repeat) and insisted to him that

for a man of genteel tastes this is one of the most entertaining

works ever printed. And also by mere chance, which so often disposes

the bright fragments of life into a ruddy and high-spirited pattern,

we stopped in at a bookshop on Church Street just to say howdy to the

eccentric Raymond Halsey. Happening to remark that it is now just a

hundred years since the _Confessions of an English Opium-Eater_ was

published, Raymond disappeared with a rabbit-like scuttling motion; was

heard digging among shelves at the rear, and returned with the smile of

one who thinks he foresees a sale. It was a first edition of the _Opium

Eater_ with the magical imprint of Taylor & Hessey. Was there ever a

more sacred name among publishers? We don’t need to remind you they

were Keats’s publishers, too. “Only fifty dollars,” said Raymond, but

it was lunch time and we had to leave.

In the dark rear chamber of a Cedar Street tavern, in that corner

underneath the photographs of the “Cheshire Cheese,” something happened

that seemed to us almost as pretty as anything published by the

vanished Taylor & Hessey. Frank spied an old friend of his, a fellow

Pittsburger, and the latter halted at our table on his way out. We

complimented him upon the fine bronze patina of his countenance, to

which he replied that he had been salmon fishing. “You know,” he said,

“there are only three salmon-flies that I care a continental for,” and

from his pocket he drew a small pink envelope. With a tender hand he

slid its contents onto the board. “There they are,” he said. His voice

seemed to change. “Dusty Miller, Durham Ranger, and Jock Scott.” The

little feathery trinkets, glowing with dainty treacheries, lay there

on the ale-bleached wood. Certainly it seemed to us there was poetry

in that moment. “I go to Bingham, Maine,” he said, “and drive eighteen

miles up the Kennebec.” (A small postern door opened gently upon

another world.) “Old So-and-so is waiting at the station. He’s always

there. I could leave to-night; he’d be sure to be there when the train

got in.”

We had a perfectly vivid picture of old So-and-so waiting at the

Bingham station. Yes, we could see him. Then the postern door closed,

gently but definitely, with that strong pneumatic piston that is

attached to all our doors.

We were saying, however, that De Quincey’s _Reminiscences of the Lake

Poets_ caused great indignation among the Grasmere coterie. This was

due not to any malice in De Quincey’s manner of writing, which was

affectionate and admiring throughout. It was due to something far more

painful than malice--the calm, detailed, candid, and minute dissection

of their lives. There was truly something astoundingly clinical in this

microscopy. For instance, to take the case of Wordsworth’s household,

these are some of the comments De Quincey makes:

(1) That Mrs. Wordsworth--whose charm and simplicity he

adores--was cross-eyed.

(2) That Dorothy--Wordsworth’s sister--was a fervid and noble

character, but stammered and was ungraceful.

(3) That Wordsworth’s appearance grew less attractive with

advancing age.

(4) That his legs were very ill-shapen and “were pointedly

condemned by all female connoisseurs in legs.” And that his

shoulders were drooping and narrow.

(5) “The mouth, and the whole circumjacencies of the mouth,

composed the strongest feature in Wordsworth’s face.” In fact,

they reminded De Quincey of Milton.

(6) That he aged very rapidly--when thirty-nine he was taken to

be over sixty.

(7) That his brother John, a sea captain, had lost his ship

while drunk.

(8) That Wordsworth cannot have been amiable as a child.

(9) That the only time Wordsworth was drunk was as an

undergraduate at Cambridge on visiting the rooms once occupied

by Milton.

(10) That he had not the temperament ever to be an attractive

wooer, and that it was “perplexing” that he had ever married.

(11) That he had had astonishing good luck in financial matters.

(12) That the Wordsworth menage was excessively plain and

severe in simplicity.

(13) That Wordsworth and Southey did not really like each other.

(14) That Wordsworth treated books very barbarously, and used

to cut the pages with a butter-smeared knife.

(15) That Wordsworth’s library was meagre and insignificant

compared to Southey’s.

These are only a few of De Quincey’s remarks, digested to their naked

gist; by which they lose all the amusing complexity of comment wherein

they are folded. But the précis will suffice to show that, whether

consciously or not, they were exactly calculated to wound, with very

deep incision, the most delicate sensibilities of an austere, somewhat

humourless and extremely self-regarding man.

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