Evidence
The few days following Gilbert Blair's death were like a nightmare to
his friends. A search of his papers had revealed a probable address of
his mother, but a telegram sent there had as yet brought no reply and
though a letter was despatched, no answer could be expected to that for
a week or more.
Meantime, by general consent, Benjamin Crane took charge of Blair's
affairs. The funeral took place in an undertaker's establishment and the
body was placed in a receiving vault, until Blair's people could be
heard from. His immediate possessions remained in the studio rooms, for
the lease had still six months to run, and the police objected to any
removal of the dead man's effects. It was practically impossible to seal
them up as Thorpe occupied the same rooms, but a strict surveillance was
kept, and Weston doggedly asserted he would yet track down the murderer.
For no one could doubt Blair had been murdered. On the eve of the prize
competition, in which he was so deeply interested,--on the eve, as he
hoped, of being engaged to Carlotta Harper, whom he loved, full of life
and energy, why should he kill himself? It was impossible to accept the
theory of suicide, and the detectives were hard at work on the case.
McClellan Thorpe was suspected, but as there was no evidence against
him, save his indubitable and exclusive opportunity, he had not as yet
been arrested.
"His opportunity was not exclusive," Mr. Crane contended. "Those studio
apartments are not burglar proof! Anybody might have got in during the
night and administered the poison."
"No," Weston objected. "It would be practically impossible for any one
to go into those rooms, force or persuade Blair to swallow poison and
get away without being heard by Mr. Thorpe or without leaving any trace
of his presence."
"Well, look here, Weston," Mr. Crane spoke very seriously, "you know me
well enough to know I've no notion of evading justice for anybody. But
knowing McClellan Thorpe as I do, and knowing his peculiar temperament,
I wish you'd let him alone,--at least, until you have a bit of
indisputable evidence."
"I've got it, Mr. Crane."
"What?"
The two were sitting in Benjamin Crane's library, where they often met
to talk over the case. Julie was present, for she wanted to know every
detail of any discovery that might be made.
"I don't believe it!" she flared out at the detective's statement.
"Yes, Miss Crane," Weston said, "I found a pretty suspicious
circumstance to-day. Nothing less than a very small bottle, without cork
or label, but smelling unmistakably of prussic acid."
"Where was it?" demanded Crane.
"Hidden in an old and unused paint-box of McClellan Thorpe's."
"Where was the paint-box?"
"'Way back, on a cupboard shelf. Pushed back, behind a pile of old
books."
"Planted evidence," suggested Crane. "The real criminal put it there to
incriminate Mr. Thorpe."
"Not a chance!" said Weston, smiling. "I've had that place watched too
closely for that, sir! Nobody could get in to plant evidence, or to do
anything else without being seen by my men. No, sir, that bottle in Mr.
Thorpe's paint-box was put there by his own hand, and it will prove his
undoing."
"But it's absurd!" flashed Julie. "Mr. Thorpe never killed his
friend,--but if he had done so, he wouldn't be fool enough to leave such
evidence around!"
"He couldn't help himself, Miss Crane. When he used the bottle that
night, he had to secrete it somewhere, and since then he has been too
closely watched to dare to take it from its hiding-place and dispose of
it."
"But I don't see how he could have done it," Crane objected. "How could
he persuade Blair to take a dose of poison?"
"Oh, in lots of ways. Say, they had a highball or that,--all he had to
do was to drop the tiniest speck from the little vial into the drink. He
could easily do that unobserved. Anyway, he did do it. Then, of course,
afterward, he had ample chance to clean the glasses and remove every
trace of crime, except that he had to conceal the bottle. This he did in
the most obvious way. Exactly the way any one would try to secrete such
a thing. The bottle had been emptied and washed, but that poison has
such an enduring odor that it is practically impossible to eliminate it
entirely. But there's the fact, Mr. Crane, now, unless another suspect
can be found, it's all up with Mr. Thorpe."
"Then we'll find another suspect!" exclaimed Julie.
"Go ahead, Miss. I'll investigate your new man, as soon as you name him.
That's the important part of this affair, there's no chance of another
suspect. No one has been so much as thought of----"
"That doorman?" said Julie.
"Nixy! He had no motive, no opportunity,--and there's not the slightest
reason to suspect him."
"Some outsider, then," went on Julie, desperately, "some fellow artist,
who feared Gilbert would win that prize----"
"Miss Crane, you must know that's the motive attributed to Mr. Thorpe.
You must know that he and Mr. Blair were rivals in that competition
and----"
Julie's eyes flashed fire. "And you mean to say that he killed his
friend,--his chum,--in order to be sure of winning the prize!"
"That's the motive we're assuming. But there was doubtless a scrap,--a
row about the pictures or drawings,--in fact,-- I hate to tell you these
things, but we have learned that there was bad blood between the two
men, for each thought the other had imitated his own ideas. This brought
about more or less dissension, and--well, probably both men lost their
temper, and real hatred ensued."
Weston tried to adapt his language so as to spare Julie's feelings as
much as possible, for the girl was highly wrought up, and he was
genuinely sorry for her. He knew of the state of things between her and
Thorpe, knew, too, that it explained Benjamin Crane's determination to
free Thorpe from suspicion, if it could be done.
But Crane was staggered by the disclosure of the hidden vial.
"It's a clew," he said, but he spoke slowly and thoughtfully.
"Yes, it's a clew," agreed Weston, "and it will convict the criminal.
The label,--if it ever had one,--has been washed off. The cork is
missing,--and, by the way, if that cork could be found it would help a
lot! But all the same, I've a notion I can trace that bottle to its
source."
"How?" asked Crane. "Is it of a peculiar shape or style?"
"No; just a common, ordinary two-ounce bottle, such as most druggists
use all the time. But there's no name blown in it,--that's important,
for many dealers have their names on their glassware, and a blank bottle
is conspicuous of itself."
"Conspicuous by its rarity,--but not therefore traceable," said Mr.
Crane.
"Perhaps so,--by elimination----"
"Nonsense!" Julie cried; "you can't trace it, and you know it! You're
just making believe,--you're what do you call it? framing a case! you're
railroading McClellan Thorpe to prison! I won't have it! Father, surely
you can do something! You _must_!"
Stifling her sobs, Julie ran out of the room.
There was an uncomfortable silence and then Benjamin Crane said:
"You see what a hard position I'm in, Weston."
"Yes, sir."
"But of course," Crane sighed deeply, "justice must be done,--only I beg
of you, Weston, use every effort to find another suspect,--a logical
one,--now, don't misunderstand me! I mean, if there can possibly be a
doubt of Thorpe's guilt, and a chance of another man's guilt,--for
Heaven's sake find that other man!"
"Not a chance."
"But, at least, keep an open mind. And spare no expense. Get a special
detective,--a big one,--there now, don't bristle! I don't suppose you
think yourself the cleverest in the world, do you? Don't you admit any
superior? If so, get him; if not, then prove your own worth. I repeat, I
want no undue favor shown to McClellan Thorpe, but if he is not the
guilty man, then I want you to move heaven and earth to find the real
criminal. Can't you conceive, Weston, of a murderer so clever as to have
committed the crime, planted the vial as evidence against Thorpe and
made his escape leaving no clew?"
"I can conceive of such a thing, sir, as I can conceive of a ghost,--but
there is no evidence for either conception."
"Evidence enough for ghosts, Weston! Haven't you read my book?"
"Oh, I clean forgot that book you wrote, Mr. Crane. No, I haven't read
it, but my folks have, and I dare say you do believe in spooks. But,
come, now, you don't believe a spook killed Mr. Blair, do you, sir?"
"No,--and yet, it is within the bounds of possibility----"
"Not as the police count possibility! There's small chance of any human
agency other than Mr. Thorpe, but far less chance of a supernatural
agent! I'll be getting along, Mr. Crane, if you're going off on that
track."
"Hold on, Weston, I'm in earnest about this special detective. Suppose I
engage a private one. Can you and he work in harmony?"
"Oh, yes, I'm not pig-headed. So long as he don't interfere too much, or
get me into any scrapes with his highfalutin tricks,--which they all
have, go ahead and get him. I'll do my own duty, as I see it and as it's
dictated to me by Headquarters; but if you want to engage a dozen
private detectives, there's no law against it. And, sir, I'm free to
confess I feel mighty sorry for that pretty daughter of yours, and if
anybody else can save her man for her, when I can't--why, let him at
it!"
"Good for you, Weston, I hoped you'd be above petty jealousy. Go on,
now, and see if you can't connect up that empty vial with somebody whose
name isn't Thorpe,--and, I say, you're not going to arrest him yet, are
you?"
"Not just yet,--but,--well, I'll let you know--soon, where we stand."
His visitor gone, Benjamin Crane put on his hat and went at once to see
Madame Parlato. He had acquired the habit of an interview with her when
anything bothered him, and his faith in her powers was unshaken.
His request for a _seance_ was granted, for since the book of Benjamin
Crane's had made such a success, the medium was besieged with patrons,
yet she always gave Crane the preference over other sitters.
Admitted to the private sanctum, Crane told the Madame he wished to
learn anything possible concerning the death of Gilbert Blair.
The medium went into a trance as usual, and after a short interval,
announced in her low monotone that the spirit of Peter Crane was
present.
"My boy," said Crane, eagerly, "do you know who killed Blair?"
"Yes, father," came the reply, through the voice of Madame Parlato; "do
not seek further than you already know."
"You mean it was----"
Benjamin Crane hesitated. He was a cautious man, and often as he had had
this sort of interviews with Peter's spirit, he was always particular to
give no information unnecessarily.
"Yes,--dad,--it was."
"Well, who? who, Peter?"
"Must I say the name?"
"Yes, boy. But only if you're sure you know. It would be a grave error
otherwise."
The medium stirred uneasily, and was silent for a time. Then, with a
long drawn sigh, she resumed, "Well, father, if I must tell you, it was
Thorpe."
"Oh, Peter, not really!"
"Yes, dad. Don't look any further,--it was Thorpe."
The medium was silent after that. She came out of her trance state,
looking a little bewildered.
"Did you get anything?" she asked, for, as she had frequently told her
sitter, she herself knew nothing of what transpired while she was
unconscious.
"Yes," Crane returned, and knowing there would be no further
communication that day, he went home.
He found Thorpe there, discussing the matter with Mrs. Crane and Julie.
"I don't know what to do," Thorpe said, as Mr. Crane joined the group.
"I didn't kill Blair,--at least, I don't think I did."
"What does that mean?" Crane asked.
"Only that if I did do it, it was unconsciously."
"In your sleep?"
"No; but under hypnotism. I've not much belief in that sort of
thing,--but,--well, you know about occult matters, might it not be
possible?"
Benjamin Crane was disappointed. He had hoped for a vigorous denial on
Thorpe's part, but this halfway confession seemed to him a mere quibble.
He found himself believing the man guilty and that he was using this
hypnotism suggestion as a last resort to prove innocence.
"Stop it, father!" Julie cried. "You are thinking Mac did do it, having
been hypnotized by somebody! Well, he didn't! and I _know_ he didn't
and I'll _prove_ it!"
"Good talk, Julie, but does it mean anything!" asked her father, giving
her a look of gentle sadness.
"I'll make it mean something! That thick-witted detective doesn't know a
thing! Now, I don't believe in the hypnotism theory----"
"Why, Julie," said her mother, "I've heard you say you believed in
hypnotism!"
"Oh, yes, I do, but I mean not in this case. Nobody hypnotized McClellan
to kill Gilbert. I'm sure of that, and I wish you wouldn't repeat it,
Mac. People will only laugh at you."
"Well, what are you going to do, my child?" asked her father.
"Oh, I don't know! I'm desperate,-- I will find out something!"
"Of course you will, Julie, for I'll help you."
It was Thorpe who spoke, and he seemed to have suddenly acquired a new
energy.
"I'm going to turn detective myself," he went on. "We'll work together,
Julie, and,-- Mr. Crane, if we succeed,-- I mean succeed in freeing
myself from suspicion----"
"And finding the real criminal," put in Crane with a very serious face.
"Yes, and find the real criminal," but Thorpe's face was less bright,
"then, sir, will you give us your blessing?"
"Yes, McClellan," but Crane's voice had no hearty ring, "yes, when you
are a free man in every sense of the word, you may take my little girl
for your own."
Thorpe gave him a searching look. "I can't help seeing, Mr. Crane," he
said, "that you think,--or perhaps I may say, you fear I am guilty. I
hope I can prove to you that I am not."
Crane noticed the wording of his speech. Thorpe hoped to prove to
him,--but he didn't say he was innocent.
And Benjamin Crane believed the man guilty. Greatly influenced by what
he had heard at the _seance_ with the medium, Crane was still willing to
be convinced to the contrary, but Thorpe's own attitude and words did
not carry conviction.
"Well, my children," Crane said at last, "here's my proposition. I can't
think your determination to do detective work will produce much fruit.
Now, if you like, I'll engage the best detective I can find and put him
on the job. What say, Thorpe?"
It was a test question, and Crane eagerly awaited the answer. If Thorpe
were really innocent, he would welcome the clever sleuthing that would
be likely to unearth the truth.
But he was disappointed to hear Thorpe say, "Not yet, Mr. Crane. Give us
a chance. Let me try,--let us try,"--with a glance at Julie--"give us a
few days, at least,--then, if we gain nothing,--then bring on your
detective."
"But,-- I hate to say it, Mac, though I dare say you know it,--you may
be arrested any day now."
Thorpe gave a start, and the sudden pallor that came to his face showed
how the idea affected him.
"Oh, not that,--hardly that----"
"Yes, it's imminent." Crane thought best to tell him this. "They--they
say they've got the goods on you, Mac."
"What--what do you mean by that?"
"Well," Crane couldn't bring himself to tell of the poison bottle,
"well, my boy, they say that you and Blair quarreled."
"We did."
"Over the sketches for the prizes?"
"Yes, over those, and over other matters."
"When was this?"
"We'd been scrapping off and on for some time. Nothing very serious.
But,--well, when Gilbert implied that I had used his ideas, I--I got
mad."
"And saw red?"
"Yes, I suppose that's what they call it."
"The night he--he died?"
"Yes."
"Mac," Benjamin Crane looked grave, "suppose you tell me just what
happened that night."
"Well,--we'd all been to the Club to dinner, you know."
"Yes."
"And when we went home, Bob Knight went with us. He was irritating,
somehow,--said he heard Blair and I had combined on our work----"
"Why was that annoying?"
"Oh, it implied that Gilbert and I took each other's ideas, or
something,-- I don't know,--anyway, he stirred us up, and when he went
off, Gil and I were touchy. We had some words, and Blair tore up his
sketches, a-and--tore up some of mine, too."
"He did! No wonder you were annoyed."
"Yes; they were the ones I had ready,--or, almost ready, to send in."
"Go on," said Crane, briefly.
"Well, there's little more to tell. I went into my bedroom and slammed
the door. Yes, I slammed it, for I had lost my temper, and I was mad at
Blair."
"And then?"
"I don't know anything more to tell. I heard Blair around the studio for
a time, and once I heard his footsteps near my door, as if he wanted to
speak to me,--maybe make up,--but he didn't say anything or knock, or
call out,--and then, after a time I heard him go into his own bedroom
and close the door."
"And you heard nothing through the night?"
"Nothing unusual. The ordinary sounds in the building, of course."
"And you stayed in your room,--in your bed,--till morning?"
"Yes, I did. I sleep very soundly, and I sleep late. The details of the
morning, and my finding of Blair,--you know. Don't ask me to recount
all that again."
"No; I shan't. Are you going on with your work for the competition?"
"Of course!" Thorpe's face showed surprise at the question. "Why should
I not? I rescued the torn sketches from the waste-basket, and I can copy
them. I've a good chance at it, I think."
"Now that Blair's out of the running?"
Thorpe looked up angrily, but as suddenly he became calm. "No, Mr.
Crane," he said, "not because of that. But because Gilbert can't steal
my plans."
"Unpleasant talk, Mac. I don't like that."
"But it's true. Blair did take my ideas----"
"Consciously?"
"I think so. Why, he incorporated in his design, a particular bit of
drawing that I had invented and shown to him only a day or two before."
"You must see, McClellan, that your saying that puts a bad face on the
whole affair?"
"I suppose it does," and the man again relapsed into moody silence. "Oh,
well,--it's all in a lifetime."
"A lifetime that has just ended,--or one still being lived?" Benjamin
Crane spoke like an avenging justice, and there was no mistaking his
meaning.
But beyond a startled glance, Thorpe made no reply.